A. Dvds Obres Íntegres De Wagner
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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Alberichs Fluch
„Meiner Freiheit erster Gruß“ Alberichs Fluch (von Gunter Grimm; Dezember 2019) Alberich und die Rheintöchter Alberich ist der Herr der versklavten Zwerge, ein dämonischer Bursche, der darüber hinaus die Zau- berkunst beherrscht. Er besitzt einen Tarnhelm, der ihn unsichtbar macht, und einen magischen Ring, mit dessen Hilfe er Gold hortet und durch Erwerb und Bestechung die Weltherrschaft erringen möchte. Er ist also ein Kapitalist übler Sorte! Es versteht sich, dass Wotan sich dieses verheerende Treiben nicht gefallen lassen darf – schließlich dünkt er sich ja als Göttervater und Herr der Welt. Deshalb wogt in den vier Teilen der „Ring“-Tetralogie unentwegt der Kampf um den Ring. Im Grunde sind all die menschlichen Protagonisten der zwei Generationen: Siegmund und Sieglinde, hernach Siegfried, Gutrune und die Burgunder, nur Instrumente im Kampf um den Besitz des Ringes. Anders sieht das bei den übergeordneten Instanzen aus Götter- und Dämonenwelt: Wotan und Brünnhilde, Alberich und Hagen sind Gegenmächte – freilich nicht eindeutig als die gute und die böse Partei identifizierbar. Im ersten Teil der Tetralogie, im „Rheingold“ wird die Grundkonstellation angelegt. Die Rheintöchter besitzen das mythische Rheingold, dessen Besitz zu uneingeschränkter Macht verhilft, wenn sein Be- sitzer aus diesem Gold einen Ring schmiedet und zugleich der Liebe abschwört. Die Ausgangssituati- on ist der vergebliche Versuch des Zwergenkönigs Alberich, eine der Rheintöchter für sich zu erobern. Sie erzählen ihm vom Gold und dass derjenige, welcher der Liebe entsage, aus dem Gold einen Ring schmieden könne, der ihm quasi die Weltherrschaft verleihen würde. Das leuchtet dem Zwerg derma- ßen ein, dass er den Bericht umgehend in die Tat umsetzt. -
Programm 2019 2020
Programm 2019 2020 Verbandsreisen 02.09. – 06.09.2019 Von Zürich bis Triebschen Mit dem Richard-Wagner-Verband Leipzig in die Schweiz Informationen und Anmeldung: Polster & Pohl Reisen – Franziska Pötzsch, Tel.: 0341 26 17 325, [email protected] 09.11.2019, Tagesfahrt Abfahrt 08.30 Uhr, Leipzig Hbf., Bahnsteig 2-5, Abfahrtsstelle Bus Polster & Pohl Reisen Mit Richard Wagner ins Land der Askanier Neo Rauch in Aschersleben und »Der fliegende Holländer« in Halberstadt Preis: 68,50 € für Verbandsmitglieder, 88,50 € für Nichtmitglieder Reservierung und Buchung: Polster & Pohl Reisen – Franziska Poetzsch, Tel.: 0341 26 17 325, [email protected] Der fliegende Holländer, Oper Leipzig 15.01.2020, 20.05.2020 Das Rheingold Anhaltisches Theater Dessau Vorabend zum Bühnenfestspiel »Der Ring des Nibelungen« 20.10.2019 Musikalische Leitung: Ulf Schirmer Katja und der Teufel Inszenierung: Rosamund Gilmore Oper von Antonín Dvorákˇ 16.01.2020, 21.05.2020 28.03.2019 Die Walküre Die Dreigroschenoper Erster Tag des Bühnenfestspiels Theaterstück von Bertolt Brecht, Musik von Kurt Weill »Der Ring des Nibelungen« Musikalische Leitung: Ulf Schirmer 19.04.2020 Die Sache Makropulos Inszenierung: Rosamund Gilmore Oper von Leoš Janáˇekc 20.06.2020 (mit Bus) Violett Bühnenkomposition von Wassily Kandinsky, Musik von Ali N. Askin (Uraufführung am 13.09.2019 im Rahmen des Der fliegende Holländer, Festivals Bühne TOTAL der Stiftung Bauhaus Dessau) Nordharzer Städtebundtheater, Halberstadt 28.11. – 02.12.2019 Venedig – Zum Internationalen Semperoper Dresden Richard-Wagner-Kongress Informationen und Anmeldung: 04.07.2020 RAIFFEISEN- und VOLKSBANKEN TOURISTIK – Vier letzte Lieder – Dreiteiliger Ballettabend Susann Krause, Tel.: 0341 96 27 91 13 Igor Strawinski – Henryk M. -
Nl262-2 Rev:Layout 1.Qxd
Volume 26 Number 2 topical Weill Fall 2008 A supplement to the Kurt Weill Newsletter news & news events The Firebrand Returns Weill’s 1945 operetta with lyrics by Ira Gershwin and book by Edwin Justus Mayer, The Firebrand of Florence, will return to New York on 12 March 2009 for the first time since its ill-fated Broadway run. The Collegiate Chorale has assem- bled an all-star cast for the occasion, including Nathan Gunn (Benvenuto Cellini, the “Firebrand”), Anna Christy (Angela), and Terrence Mann (Duke). Lincoln Center’s Alice Tully Hall provides the venue for a concert performance directed and narrated by Roger Rees; Paul Gemignani conducts. Other Notable Productions Montreal audiences will have the opportunity to see François Girard’s acclaimed Opéra de Lyon 2006 double bill of Der Lindberghflug and Die sieben Todsünden when the production travels to the Montreal High Lights Festival next February after successful tours to the 2006 Edinburgh Festival and to the Anna Christy Nathan Gunn 2008 New Zealand International Arts Festival in Wellington. Four performances of Girard’s imaginative and luminous staging are scheduled for 18-21 February 2009. Charles Workman plays Lindbergh, and Magdalena Anna Hofmann plays Anna I to seven different Anna IIs (one per sin); Walter Boudreau conducts the Société de Musique Contemporaine du Québec. HK Gruber will lead the Klangforum Wien and Chorus Sine Nomine in a June 2009 European tour of Die Dreigroschenoper performed in concert. The multi-nation- al cast includes Ian Bostridge (Macheath), Hanna Schwarz (Celia Peachum), Dorothea Röschmann (Polly Peachum), Angelika Kirchschlager (Jenny), Florian Boesch (Tiger Brown), Lydia Teuscher (Lucy), and Christoph Bantzer (Narrator). -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
18 December 2020 Page 1 of 22
Radio 3 Listings for 12 – 18 December 2020 Page 1 of 22 SATURDAY 12 DECEMBER 2020 Wolfgang Kube (oboe), Andrew Joy (horn), Rainer Jurkiewicz (horn), Rhoda Patrick (bassoon), Bernhard Forck (director) SAT 01:00 Through the Night (m000q3cy) Renaud Capuçon and Andras Schiff 04:46 AM Clara Schumann (1819-1896) Violin sonatas by Debussy, Schumann and Franck recorded at 4 Pieces fugitives for piano, Op 15 the Verbier Festival. Catriona Young presents. Angela Cheng (piano) 01:01 AM 05:01 AM Claude Debussy (1862-1918) Jozef Elsner (1769-1854) Violin Sonata in G minor, L 140 Echo w leise (Overture) Renaud Capuçon (violin), Andras Schiff (piano) Polish Radio Symphony Orchestra, Andrzej Straszynski (conductor) 01:14 AM Robert Schumann (1810-1856) 05:07 AM Violin Sonata No 2 in D minor, Op 121 Vitazoslav Kubicka (1953-) Renaud Capuçon (violin), Andras Schiff (piano) Winter Stories from the Forest, op 251, symphonic suite Slovak Radio Symphony Orchestra, Adrian Kokos (conductor) 01:46 AM Cesar Franck (1822-1890) 05:21 AM Violin Sonata in A Ferruccio Busoni (1866-1924) Renaud Capuçon (violin), Andras Schiff (piano) Seven Elegies (No 2, All' Italia) Valerie Tryon (piano) 02:15 AM Wolfgang Amadeus Mozart (1756-1791) 05:29 AM Adagio, from 'Violin Sonata No 33 in E flat, K 481' (encore) Vitezslav Novak (1870-1949) Renaud Capuçon (violin), Andras Schiff (piano) V Tatrach (In the Tatra mountains) - symphonic poem (Op.26) BBC National Orchestra of Wales, Richard Hickox (conductor) 02:23 AM Sergey Prokofiev (1891-1953) 05:46 AM Symphony No 3 in C minor, Op 44 Igor Stravinsky (1882 - 1971) Royal Concertgebouw Orchestra, Riccardo Chailly (conductor) Concertino for string quartet Apollon Musagete Quartet 03:01 AM Dora Pejacevic (1885-1923) 05:53 AM Symphony No 1 in F sharp minor, Op 41 Thomas Kessler (b.1937) Croatian Radio and Television Symphony Orchestra, Mladen Lost Paradise Tarbuk (conductor) Camerata Variabile Basel 03:46 AM 06:08 AM John Browne (fl.1490) Bela Bartok (1881-1945), Arthur Willner (arranger) O Maria salvatoris mater (a 8) Romanian folk dances (Sz.56) arr. -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J. -
David Levi Dirigent
David Levi Dirigent Der in New York aufgewachsene David Levi absolvierte zunächst ein Psychologiestudium an der Harvard University, bevor er Klavier, Dirigieren, Kammermusik und Liedbegleitung an der Manhattan School of Music studierte. 1993 kam David Levi als Assistent von James Conlon an die Oper Köln, wo er u. a. die Neuproduktionen von Dimitri Schostakowitschs Oper „Die Nase“ (Regie: Harry Kupfer) und Stephen Sondheims „Sweeney Todd“ (Regie: Proscenium Artists Management GmbH - Rudolfsplatz 12/8 - A - 1010 Wien Tel:+43 1 9684422 - offi[email protected] - Seite 1 von 4 - Torsten Fischer) leitete. Darüber hinaus dirigierte er Berlioz’„La Damnation de Faust“, „Elektra“ mit Gabriele Schnaut, „Eugen Onegin“, „Otello“, „Hänsel und Gretel“, „Die Zauberflöte“, sowie „La Traviata“. Gemeinsam mit der Regisseurin Corina van Eijk rief David Levi 1989 das Spanga Opera Festival in den Niederlanden ins Leben. Hier dirigierte er u. a. „L’elisir d’amore“, „Rigoletto“, „Les contes d’Hoffmann“, „The Rake’s Progress“ „Ariadne auf Naxos“, „Samson et Dalila“, „Falstaff“, „Aida“ und Puccinis „Trittico“. 2008 erarbeitete er beim Spanga Opera Festival „Donna Giovanna“, ein bei Kritik und Publikum überaus erfolgreiches Projekt über „Don Giovanni“, außerdem im Jahr 2009 Strauss’ „Elektra“ mit einem Orchester von 34 Musikern und im Jahr 2010 seine Version von „Carmen“. David Levi hatte auch die musikalische Leitung der beiden Opern-Filme „Rigoletto“ und „Samson und Dalila“ inne, die von Opera Spanga produziert wurden. Außerdem dirigierte er bei David Moreaus Filmmusik für „Une Vie à t’attendre“ und „Le Héros de la Famille“. Für letzteren war er auch der Gesangslehrer von Emmanuelle Béart und Cathérine Deneuve. An der Metropolitan Opera New York arbeitete er in 1996 als Assistent von James Levine.