Uniting to Save World Cultures

Total Page:16

File Type:pdf, Size:1020Kb

Uniting to Save World Cultures PREP is co-organized by the Smithsonian Institution and the Stiftung Preußischer Kulturbesitz, in partnership with four major museums and research institutes in the US and Germany with important holdings of interest to Holocaust-era art provenance researchers: The Metropolitan Museum of Art, New York; The Getty Research Institute, Los Angeles; Zentralinstitut für Kunstgeschichte, Munich; and Staatliche Kunst- sammlungen Dresden; with the Deutsches Zentrum Kulturgutverluste (German Lost Art Foundation, DZK), Magdeburg, as consulting partner. Major support for PREP comes through a German government grant funded by the German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany’s Federal Ministry for Economics Affairs and Energy, with additional funds from the Federal Commission for Culture and Media and the 7 PREP institutional partners. THE GERMAN/AMERICAN EXCHANGE ON NAZI-ERA ART PROVENANCE RESEARCH IN MUSEUMS Additional funding comes from the Smithsonian Women’s Committee, Norman and Suzanne Cohn, Howard and Roberta Ahmanson, James P. 6TH PREP EXCHANGE Hayes, Lois Jecklin, Jerry and Gwen Paulson, Ferdinand-Möller-Stiftung, OCTOBER 20–26, 2019 Berlin, Eskin Family Foundation, Kathryn Hughes and John Christian, Brian Daggett and Franz Rabauer, and Ruth Abrahams Design. WASHINGTON, DC PREP Public Programs (October 24-26) organized with additional support from the German Historical Institute (GHI) and the Goethe Institut, Washington, D.C. s e c 1Mile vi r ¾ Mile r Se o t i C St. NE St. C Vis f e o c i ff U.S. CAPITOL Ave. Independence n O a Washington Ave. SW 3rd St. ANACOSTIA COMMUNITY MUSEUM Place Fort 1901 SE, 20020 hsoni t D St. NE St. D ¾ Mile Constitution Ave. Constitution the Smi y b 4th St. 5 miles from the Castle the from 5 miles oduced r U.S. BOTANIC GARDEN BOTANIC U.S. P UNION STATION UNION Maryland Ave. SW Ave. Maryland FEDERAL CENTER SW CENTER FEDERAL ½ Mile C St. NW St. C AMERICAN MUSEUM INDIAN Pennsylvania Ave. Pennsylvania 6th St. D St. NW St. D 3rd St. 1st St. POSTAL MUSEUM POSTAL 1Mile (N.G.A.) E St. NW St. E AIR & SPACE MUSEUM AIR & SPACE 7th St. (EAST) F St. NW St. F Maryland Ave. SW Ave. Maryland North Capitol St Independence Ave. Independence ¾ Mile Jefferson Dr. Jefferson NATIONAL GALLERY OF ART ART OF GALLERY NATIONAL 9th St. Massachusetts Ave. NW Ave. Massachusetts Smithsonian Institution, Washington, DC(October 20–26) Washington, Smithsonian Institution, 17–22) (March Staatliche KunstsammlungenDresden 2019 PREPExchanges Munich(October7–12) fürKunstgeschichte, Zentralinstitut 2) 25–March LosAngeles(February Institute, The GettyResearch 2018 PREPExchanges (September 24–29) MuseenzuBerlin Kulturbesitz—Staatliche Stiftung Preußischer 5–10) (February York New MuseumofArt, The Metropolitan 2017 PREPExchanges PLAZA L’ENFANT centers. andresearch archives, museums, withregional Institutionincollaboration a PREPPartner by organized andoneintheUS, oneinGermany attend twoExchanges, These cohorts selectedeachyear. 21-24 participantscompetitively with Exchanges, ofsixweek-long iscomprised program PREP’s core andtothepublic. to researchers inGermany andtheUS Research Provenance for Nazi-Era publishanonline Institutewill and theGettyResearch PREP tothefield, Inservice thepresent. 1933through and theUSfrom inEurope anddealers collectors, andtheirowners, ment ofartworks ofthemove picture complete with theaimofpiecingtogetheramore PREP’s networkincludessome150institutionsand400individuals, date, To andwith thepublic. colleagues, andprofessional academic with results andresearch resources, provenance newly-digitized methodologies, improved whoshare autobahn”—ofexperts research “provenance network—a agrowing PREPisdeveloping artlooting. era Holocaust- around centered projects research international collaborative 2017-2019 MuseumProfessionals, (PREP) for Program Exchange Research Provenance The German/American Smithsonian Institution. Art, ofAmerican Archives 46), 13Aug CCP. Marburg from received Checking Rigasilver Wiesbaden, Point Collecting Central verso: 1946(Handwritten on Officials Inspecting Art, Series6MFAA 20, Folder 4, Box 1932-1984, papers, Thomas CarrHowe (detail) Cover: Front (WEST) 3rd St. ¼ Mile HIRSHHORN MUSEUM ARDEN Madison Dr. Madison G ¼ Mile 10th St. C St. NW St. C IPLEY R ARDEN G D St. NW St. D IRSHHORN CULPTURE H S ½ Mile ARTS INDUSTRIES AND ARDEN E St. NW St. E AFRICAN ART MUSEUM ART AFRICAN G GALLERY AROUSEL 12th St. 5th St. C AUPT H Pennsylvania Ave. Pennsylvania ARDEN Constitution Ave. Constitution F St. NW St. F GALLERY SACKLER G OSE PENN QUARTER PENN R MEMORIAL N.G.A. GARDENSCULPTURE G St. NW St. G FREER ARCHIVES-NAVY ARDEN OLLINATOR P G NORTH-FACING VIEW 7th St. ¼ Mile SMITHSONIAN SMITHSONIAN CASTLE (VISITOR CENTER) RIPLEY CENTER and 8th St. AVE.) INDEPENDENCE & (12TH Yellow Line CHINATOWN GALLERY PLACE/ GALLERY Green Line IRD B Silver Line 9th St. ABITAT Orange Line RBAN METRO LINES METRO SMITHSONIAN U H Blue Line DR.) JEFFERSON & (12TH Red Line Independence Ave. Independence F St. NW St. F PORTRAIT GALLERY PORTRAIT GALLERY AMERICAN MUSEUM ART ¼ Mile ARDEN ICTORY V G ¾ Mile , isafacilitatorof , NATURAL HISTORY MUSEUM HISTORY NATURAL Dr. Jefferson ARDEN : G 10th St. ROUND G MERICAN FEDERAL TRIANGLE FEDERAL 8th St. ½ Mile A Pennsylvania Ave. Pennsylvania UR OMMON 14th St. C O PREP Resource Resource PREP CHINATOWN ZOOLOGICAL PARK ZOOLOGICAL 15th St. GALLERY PLACE/ GALLERY 12th St. AMERICAN HISTORY MUSEUM , available available , NATIONAL NATIONAL 3001 Connecticut Avenue 20008 NW, RENWICK GALLERY Pennsylvania1661 Avenue 20006 NW, UDVAR-HAZY CENTER Museum & Space Air 14390 20151 VA, Chantilly, Pkwy., METRO CENTER METRO 5.3 miles from the Castle the from miles 5.3 miles 1.5 Castle; the from walk 30-minute Castle the from miles 29.3 CULTURE MUSEUM CULTURE - AFRICAN AMERICANAFRICAN HISTORY and G St. NW St. G WASHINGTON MONUMENT WASHINGTON 14th St. ½ Mile WELCOME Dear 2019 PREP Participants and 2017-2018 Alumni, With great pleasure, we welcome the 2019 PREP cohort to Washington DC for a week-long program of rich and varied dialogue, ideas, and inspiration about World War II-era provenance research in art museums. We also welcome our 2017-2018 alumni, who will participate later this week to mark the conclusion of this ground-breaking, three-year German/American Exchange Program. The first half of the week will focus on institutions and provenance resources that are important for Holocaust-era art research in Washington, DC. We hope to deepen the conversations and widen the networking that began during the 5th Exchange in Dresden this past Spring. The second half of the week will round out the accomplishments of PREP during the five previous Exchanges, to inspire ongoing connections and ascertain future outcomes. It is fitting that the last of PREP’s six Exchanges is hosted in the city where the Washington Conference on Holocaust Era Assets took place in 1998, and where a wealth of resources about art collecting, art looting, restitution, and wartime and post-war history are concentrated. Today, two decades after that landmark conference, our Exchange Program is poised to reflect on building strong relationships between German and American provenance researchers and bridging the efforts of art museums on both sides of the Atlantic. The first event of the 6th Exchange, at the Archives of American Art, sets the stage for our program this week as, with the Smithsonian’s Cultural Rescue Initiative, we witness the signing of a memorandum of understanding between the Smithsonian Institution and the US Army to revitalize a “Monuments Men and Women” for the future. Then we begin the actual Exchange, which, as always, includes hands-on work with objects and documents and face-to-face conversations with experts from DC-area institutions, especially in connection with the research of Asian, decorative, and graphic arts. The DC cultural and research institutions we will visit—the United States Holocaust Memorial Museum, National Archives and Records Administration, Library of Congress, and federal and private museums—provide exemplary collections and documentation related to the Third Reich, to World War II, to Jewish history, and to remembrance. 1 WELCOME Later in the week, our concluding program will take place at the German Historical Institute. On Thursday, in the week’s signature event, 40 alumni from all three years’ Exchanges, representing 25 institutions, will present a PREP Colloquium on research projects and collaborative work enriched by their experiences with PREP colleagues. Friday morning, legal experts from the Smithsonian, The Met, the SPK, and the Getty will compare the legal systems of Germany and the US, and discuss how they impact provenance research in our respective countries. In the afternoon, the PREP participants will review the format and contents of PREP’s Online Resource for Holocaust- Era Art Provenance Research in Germany and the US, which the Getty Research Institute will publish digitally and maintain after the end of the Program. The Resource will be a lasting roadmap of PREP’s “provenance research Autobahn,” charting its programs, achievements, and outcomes, and tracing a network of ongoing and expanding conversations on provenance topics that will reverberate well into the future. The 6th Exchange will conclude with two public programs open to the greater Washington DC community. On Friday evening, the panel “Nazi-Era Provenance Research: The Importance of Transnational Exchange,” will focus on the historical development of Holocaust-era
Recommended publications
  • Partial List of Institutional Clients
    Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience
    [Show full text]
  • Smithsonian Institution Archives (SIA)
    SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2020 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 2.0 (Updated January 2020) Copyright © 2020 by Smithsonian Institution Table of Contents Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 6 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 7 Cooper-Hewitt,
    [Show full text]
  • Museum Archivist
    Newsletter of the Museum Archives Section Museum Archivist WINTER 2014 Volume 24 Issue 2 From the Co-Chairs Hello, and Happy New Year to everyone! more. In fact, we have adopted the follow- Although we may be in the frozen depths ing words by Benjamin Franklin that cap- of winter throughout much of the US, rest ture our inspiration and summarize our assured that your Museum Archives Sec- goals for the Museum Archives Section this tion (MAS) Co-Chairs, Jennie Thomas and year: “Tell me and I forget. Teach me and I Heidi Abbey, have been busy not only remember. Involve me and I learn.” We reminiscing about the warm weather in are going to try to put these words into New Orleans during the 2013 annual practice. meeting, but also brainstorming ideas to facilitate participation from and communi- MAS Priorities for 2014 cation among our members. When we We will focus on three priorities for the began drafting our update for the newslet- rest of the year, and all of them will benefit ter, we were reminded of numerous con- from your involvement and feedback. We cerns raised by section members last Au- intend to: 1) improve communication tools gust. There was an overwhelming interest and information sharing, which will center in the value of talking to each other, collabo- around results from a spring 2014 survey rating more, and strengthening involvement of MAS members; 2) investigate the feasi- to make our section truly reflective of the bility and logistics of live streaming our diverse institutional and cultural heritage August 2014 annual meeting in Washing- Image by Lisa Longfellow.
    [Show full text]
  • Museum Archivist
    Newsletter of the Museum Archives Section Museum Archivist Summer 2020 Volume 30, Issue 2 Letter From the Chair Fellow MAS and SAA members, To be blunt, we are currently in the midst of a challenging period of historic proportions. On top of a charged atmosphere filled with vitriol, 2020 has witnessed the unfolding of both a global pandemic and racial tensions exacerbated by systemic racism in law enforcement. The combination of this perfect storm has sowed a climate of chaos and uncertainty. It is easy to feel demoralized and discouraged. For your own mental health, allow yourself to feel. Allow yourself to take a breath and acknowledge that you are bearing witness to a uniquely challenging period like few in global history. Yet, there is reason to hope. The trite phrase, “that which does not kill us only makes us stronger” has significance. We adapt, learn, grow and improve. If this all is to be viewed as an incredible challenge, rest assured, we will overcome it. (To use yet another timeless phrase, “this, too, shall pass.”) I am curious to see what new measures, what new policies, what new courses of action we, as professionals in the field(s) of libraries, archives, and museums (LAMs) will implement to further enhance and reinforce the primary goals of our respective professions. One question that keeps coming to mind is how the archives field—specifically as it relates to museums— will survive and adapt in the post-COVID-19 world. People will continue to turn to publicly available research material to learn and educate others.
    [Show full text]
  • Met Classics: Berlin
    Met Classics: Berlin Dear Traveler, Please join Museum Travel Alliance from May 24-30, 2021 on Met Classics: Berlin. Enjoy behind-the-scenes explorations of Berlin's most fascinating museums and art spaces, including Sammlung Boros, a dazzling private collection of contemporary art housed in an above-ground World War II-era bunker. Delight in a curator-led exclusive tour of the Jewish Museum Berlin, Europe's largest museum devoted to Judaism, housed within a zinc-paneled architectural masterpiece designed by Daniel Libeskind to reflect the tensions of German- Jewish identities. We are delighted that this trip will be accompanied by Chris Noey as our lecturer from The Metropolitan Museum of Art. This trip is sponsored by The Metropolitan Museum of Art. We expect this program to fill quickly. Please call the Museum Travel Alliance at (855) 533-0033 or (212) 302-3251 or email [email protected] to reserve a place on this trip. We hope you will join us. Sincerely, Jim Friedlander President MUSEUM TRAVEL ALLIANCE 1040 Avenue of the Americas, 23rd Floor, New York, NY 10018 | 212-302-3251 or 855-533-0033 | Fax 212-344-7493 [email protected] | www.museumtravelalliance.com BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB
    [Show full text]
  • Review of Theyear's Work
    Review of theYear’s Work Melanie Aspey, Director of The Rothschild Archive Researchers Numerous visits to the London reading room have been made by members of an ambitious research project led by Pauline Prevost Marcilhacy. The project aims to record and catalogue the many thousand objects – pictures, jewels, statuary, objets d’art – presented to museums and gal- leries in France by members of the Rothschild family. Ulrich Leben, a member of the team, is a contributor to this issue of the Review. The Archive has received a number of publications and offprints from members of the research team, including Les Rothschild et la Commande architec- turale: collaboration ou maîtrise d’oeuvre, in Architectes et Commanditaires, Cas particuliers du XVIè au XXè edited by Tarek Berrada (Paris: Louvre, 2006); Charlotte de Rothschild, Artiste, Collectionneur et Mécène in Histoires d’Art – Mélanges en l’Honneur de Bruno Foucart, vol.ii, edited by B. Jobert, A. Goetz et S. Texier, (Paris: 2008) and Le grand Appartement de l’Hôtel St Florentin, fleuron de l’architecture néoclassique by Fabrice Ouziel in L’Estampille / L’Objet d’Art, September 2008. Sponsored by a Rothschild family trust in France, the project is a collaborative venture with the Louvre. Dr Junji Suzuki contacted the Archive in the course of his research into the development of Japanese gardens in France. Dr Suzuki had long suspected that the Japanese gardens at Boulogne-sur-Seine, the property of Baron Edmond de Rothschild, were the work of the renowned gardener Wasuke Hata. During his visit to the Archive he was able to confirm this and also identified a picture of Mr Hata in a collection of photographs presented to the Archive in 2005 by Baroness Benjamin de Rothschild.
    [Show full text]
  • Wir Sind Jetzt
    Magazin zur Erö nung des neuen Jüdischen Museums Frankfurt Magazin zur Erö WIR SIND JETZT Mgzin zur Eröffnung des neuen Jüdischen Museums Frnkfurt jüdischesmuseum.de WIR SIND JETZT Magazin zur Eröffnung des neuen Jüdischen Museums Frankfurt Jüdisches Museum Frankfurt Magazin zur Eröffnung Jüdisches Museum Frankfurt Magazin zur Eröffnung Sehr geehrte Damen und Herren, Liebe Leserinnen und Leser, liebe Freundinnen und Freunde des Jüdischen Museums, liebe Freundinnen und Freunde des Jüdischen Museums, geehrte Besucherinnen und Besucher, nun ist es endlich soweit: 5 Jahre lang haben wir für Sie das neue Jüdische ich freue mich, dass in nur wenigen Wochen unser Jüdisches Museum, Museum geplant. Uns Gedanken über dessen Form und Inhalt gemacht, das erste jüdische Museum der Bundesrepublik, wieder öffnen wird. Konzepte für Ausstellungen entworfen, uns über Bildungsziele und vor Während der Sanierung des Rothschild-Palais und den Arbeiten am allem darüber verständigt, was unsere Arbeit nachhaltig relevant macht. Neubau öffnete das Museum über die ganze Stadt verteilt viele Türen, Wir haben den Blick weit in die Zukunft schweifen lassen, unser Wissen auch in die digitale Welt hinein. Es folgte dabei dem Leitbild eines Mu- um die jüdische Geschichte Frankfurts und Europas vertieft, um in der seums ohne Mauern, das sich mit seiner diversitätssensiblen Bildungs- Gegenwart agieren zu können. Mit diesem Magazin, dem Lichtbau von arbeit für eine offene und pluralistische Gesellschaft einsetzt. Angesichts Staab Architekten, unserer neuen Dauerausstellung in zwei Teilen, un- eines gesellschaftlichen Klimas, in dem Hetze alltäglich geworden ist serem Bildungs-, Veranstaltungs- und Vermittlungsprogramm steht es und die verbale und tätliche Gewalt gegen Menschen zunimmt, ist die nun vor Ihnen: unser vielseitiges, zeitgemäßes und lebendiges Museum, Arbeit des Jüdischen Museums relevanter denn je.
    [Show full text]
  • Surviving Japanese Medium Tanks Last Update : 9 August 2021
    Surviving Japanese Medium Tanks Last update : 9 August 2021 Listed here are the Japanese Medium tanks that still exist today. Max Smith, October 2007 - http://en.wikipedia.org/wiki/File:Type_89_Yi-Go_at_Tsuchira.jpg Type 89B I-Go Otsu – Tsuchiura Tank Museum, Tsuchiura (Japan) – running c. “Sturmvogel 66”, December 2008 - http://commons.wikimedia.org/wiki/File:Type89right.jpg Type 89B I-Go Otsu – Sinbudai Old Weapon Museum, Camp Asaka (Japan) Jonathan Bernstein, July 2021 Type 89B I-Go Otsu – Fort Lee U.S. Army Ordnance Museum, VA (USA) Previously displayed in Aberdeen Proving Ground, MD Justin Taylan, 2005 - http://www.wiglaf.com/front.html Type 89B I-Go Otsu – Kieta, Bougainville province (Papua New Guinea) John Douglas, August 2008 - http://www.pacificwrecks.com/tank/type89-yi-go/ruri2/2008/type89-side.html Type 89B I-Go Otsu – Bonis, Bougainville province (Papua New Guinea) Yoji Sakaida, August 2005 - http://www.pacificwrecks.com/tank/type89-yi-go/ruri/2005/type89-front.html Type 89B I-Go Otsu – Ruru Bay, Bougainville province (Papua New Guinea) https://twitter.com/sayabu__/status/986888207601025024 Type 89B I-Go Otsu – Somewhere on Bougainville Island (Papua New Guinea) Roger Davis, January 2008 Type 89B I-Go Otsu – Villa Escudero, Tiaong, Luzon Island (Philippines) Photo provided by Al Kelly Type 89B I-Go Otsu – Indonesian Army Tank School, Padalarang, West Java (Indonesia) Yuri Pasholok, September 2011 - http://yuripasholok.livejournal.com/258071.html Type 97 Chi-Ha – Victory Park at Poklonnaya Gora, Moscow (Russia) This tank was
    [Show full text]
  • Cosmopolitan Normalisation? the Culture of Remembrance of World War II and the Holocaust in Unified Germany
    臺大歷史學報第 53 期 BIBLID1012-8514(2014)53p.181-227 2014 年 6 月,頁 181-227 2014.1.13 收稿,2014.5.23 通過刊登 DOI: 10.6253/ntuhistory.2014.53.04 Cosmopolitan Normalisation? The Culture of Remembrance of World War II and the Holocaust in Unified Germany Christoph Thonfeld* Abstract Since the 1990s, Germany has dealt with the difficult integration of collective and individual memories from East and West Germany. Alongside the publicly more prominent remembrances of perpetration has occurred an upsurge in the memories of German suffering. At the same time, Europe has increasingly become a point of reference for national cultures of remembrance. These developments have been influenced by post-national factors such as Europeanisation and transnationalisation along with the emergence of a more multicultural society. However, there have also been strong trends toward renationalisation and normalisation. The last twenty years have witnessed a type of interaction with the ‘other’ as constructively recognised; while at the same time it is also excluded by renationalising trends. Researchers have described the combination of the latter two trends as the cosmopolitanisation of memory. This article adopts the diachronic perspective to assess the preliminary results since 1990 of the actual working of this cosmopolitanisation process within the culture of remembrance of World War II and its aftermath in Germany. Keywords: culture of remembrance, World War II, cosmopolitanisation, Europeanization, renationalization. * Assistant Professor at National ChengChi University, Dept. of European Languages and Cultures. Rm. 407, 4F., No.117, Sec. 2, Zhinan Rd., Wenshan Dist., Taipei City 11605, Taiwan (R.O.C.); E-mail: [email protected].
    [Show full text]
  • Karl Von Den Steinen's Ethnography in the Context of the Brazilian Empire
    http://dx.doi.org/10.1590/2238-38752017v828 1 Campinas State University (UNICAMP), Campinas, SP, Brazil [email protected] Erik PetscheliesI KARL VON DEN STEINEN’S ETHNOGRAPHY IN THE CONTEXT OF THE BRAZILIAN EMPIRE aug, 2018 aug, 569, may.– 569, – 1 Karl von den Steinen sociol. antropol. | rio de janeiro, v.08.02: 543 | rio de janeiro, antropol. sociol. karl von den steinen’s ethnography in the context of the brazilian empire 544 INTRODUCTION The Swedish ethnologist Erland Nordenskiöld (1877-1932) described his friend and professional colleague Karl von den Steinen (1855-1929) as the “doyen of ethnographic explorers of South America” ​​in an obituary published in the Jour- nal de la Société des Américanistes (Nordenskiöld, 1930: 221).1 Von den Steinen undertook the first two exploratory trips to the Xingu River basin (in the Brazil- ian Amazon), formerly considered terra incognita: the first in 1884, the second between 1887 and 1888. In addition to this “extremely remarkable journey from a geographical point of view,” Karl von den Steinen, Nordenskiöld proceeded, was able to “discover a region of America, where the Indians had not yet abso- lutely suffered the influence of the civilization of the white men, and he was able to take full advantage of this discovery from a scientific point of view.” In short, “for his profound studies of the civilization of the Xingu tribes, Karl von den Steinen’s travels have been extraordinarily useful to exploration. If one flicks through any book on ethnography, history, religion, psychology or the history of cultivated plants, one always finds his name and often a few lines of this genius who inspired whole treatises about the other” (Nordenskiöld, 1930: 222).
    [Show full text]
  • Ernst Haeckel's Embryological Illustrations
    Pictures of Evolution and Charges of Fraud Ernst Haeckel’s Embryological Illustrations By Nick Hopwood* ABSTRACT Comparative illustrations of vertebrate embryos by the leading nineteenth-century Dar- winist Ernst Haeckel have been both highly contested and canonical. Though the target of repeated fraud charges since 1868, the pictures were widely reproduced in textbooks through the twentieth century. Concentrating on their first ten years, this essay uses the accusations to shed light on the novelty of Haeckel’s visual argumentation and to explore how images come to count as proper representations or illegitimate schematics as they cross between the esoteric and exoteric circles of science. It exploits previously unused manuscripts to reconstruct the drawing, printing, and publishing of the illustrations that attracted the first and most influential attack, compares these procedures to standard prac- tice, and highlights their originality. It then explains why, though Haeckel was soon ac- cused, controversy ignited only seven years later, after he aligned a disciplinary struggle over embryology with a major confrontation between liberal nationalism and Catholicism—and why the contested pictures nevertheless survived. INETEENTH-CENTURY IMAGES OF EVOLUTION powerfully and controversially N shape our view of the world. In 1997 a British developmental biologist accused the * Department of History and Philosophy of Science, University of Cambridge, Free School Lane, Cambridge CB2 3RH, United Kingdom. Research for this essay was supported by the Wellcome Trust and partly carried out in the departments of Lorraine Daston and Hans-Jo¨rg Rheinberger at the Max Planck Institute for the History of Science. My greatest debt is to the archivists of the Ernst-Haeckel-Haus, Jena: the late Erika Krauße gave generous help and invaluable advice over many years, and Thomas Bach, her successor as Kustos, provided much assistance with this project.
    [Show full text]
  • JONATHAN R. ZATLIN Boston University • Department of History • 226 Bay State Road • Boston, MA 02215 • [email protected]
    JONATHAN R. ZATLIN Boston University • Department of History • 226 Bay State Road • Boston, MA 02215 • [email protected] PROFESSIONAL EXPERIENCE Lecturer, University of Bonn (Germany), English Department, 1986-1988 Correspondent, Agence France-Presse/Extel, Frankfurt/Main, Germany, 1991-1992 Lecturer, History Department, University of California at Berkeley, Spring 2001 Assistant Professor, History Faculty, Massachusetts Institute of Technology, 2001–2002 Assistant Professor, Department of History, Boston University, 2002–2008 Associate Professor, Department of History, Boston University, 2008-present Visiting Scholar, Institut für Geschichtswissenschaft, Humboldt-Universität zu Berlin, Germany, 2011-2012 EDUCATION B.A., 1985: Yale University, English Literature Junior Year Abroad, 1983-1984: New York University in France/La Nouvelle Sorbonne MPhil., 1990: St. Antony’s College, University of Oxford, Modern European History Ph.D. 2000: University of California at Berkeley, Modern European History FELLOWSHIPS Arnold, Bryce, and Read Fund Scholarship, University of Oxford, 1989 Graduate Studies Committee Grant, University of Oxford, 1989 Raymond Carr Traveling Grant, St. Antony’s College, 1989 Overseas Research Student Award, British Government, 1989-1990 Mellon Foundation Dissertation Prospectus Fellowship, 1994 Heller Dissertation Fund Grant, UC Berkeley, 1994 Fulbright Research Grant, 1994-1995 Social Science Research Council Fellowship, Berlin Program, 1995-1996 Institute for the Study of World Politics Fellowship, 1996-1997 Hans Rosenberg
    [Show full text]