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Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Fabjob Guide to Become a Book Publisher
Start your own publishing company! FabJob Guide to Become a Book Publisher Jennifer Fishberg Visit www.FabJob.com FabJob Guide to Become a Book Publisher Contents About the Author .............................................................................8 Acknowledgements .........................................................................9 1. Introduction ..........................................................................................10 1.1 The Book Publishing Business ....................................................12 1.1.1 What Is Independent Publishing? ....................................12 1.1.2 Industry Trends and Statistics ..........................................15 1.2 Benefits of Being a Book Publisher ............................................17 1.3 Inside This Guide .........................................................................20 2. Getting Ready .......................................................................................23 2.1 Skills and Knowledge You Will Need .......................................23 2.1.1 Writing Skills .......................................................................24 2.1.2 Computer and Technology Skills .....................................25 2.1.3 Research Skills .....................................................................27 2.1.4 Interpersonal Skills .............................................................29 2.1.5 Business Skills .....................................................................31 2.2 Learning by Doing .......................................................................34 -
Small Presses in the 21 Century Exploring Independent Publishing
Small Presses in the 21st Century Exploring Independent Publishing Houses and the Communities They Build by Katherine Kosinski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2012 © 2012 Katherine Kosinski Acknowledgments I would like to thank my advisor Petra Kuppers for all the support she has given me in the course of the thesis experience; it was truly invaluable. She succeeded in giving me constructive and helpful advice while keeping me on track emotionally and academically. I would also like to thank Jennifer Wenzel. The editing and guidance she performed over the course of the year were definitely integral to the completion of my thesis. Many other people have aided me during my thesis writing, and as such I would like to thank. John Whittier-Ferguson, Brian Whitener, Paulina Alberto, Paloma Celis Carbajal, Steven Gillis, Dan Wickett, Lucy Hartley, Tung-Hui “Hui-Hui” Hu, the Cartonera publishers in Latin America, the English Honors 2012 Cohort, and the Dossin Family. All helped me in with my research, the organization of my thesis, or simply lent a supportive hand in a time of need. Finally, I would like to thank my mother, Alice Kosinski, for encouraging me throughout the entire journey. © Abstract The publishing industry has been labeled as being in a time of flux in the years following the turn of the 21st century; its future is considered uncertain and as such, rumors of demise and great change abound. This thesis works to calm fears and worries of the digital transition of literature by documenting the work of certain small presses in this time of change. -
POD for Profit More on the NEW Business of Self Publishing
POD for Profit More on the NEW Business of Self Publishing — Aaron Shepard — CreateSpace uses it. Lulu.com uses it. So do AuthorHouse, iUniverse, Xlibris, and almost every other self publishing company in the U.S., Canada, and the U.K. What is it? Lightning Source, the printer and distributor at the heart of the “print on demand” industry. For the work those companies can’t handle themselves, it’s Lightning they most often depend on. So, why pay a middleman? In this follow-up to his groundbreaking book Aiming at Amazon, Aaron Shepard explores how to double your profit by working directly with Lightning. If you’re serious about making money with POD publishing, this book can show you the way. “Aaron Shepard is the undisputed expert at earning profit from POD. Here are the step-by-step instructions for setting up your own publishing operation and opti- mizing the financial benefits. Following Aaron’s steps, you will earn two or three times as much per book.” Bruce Batchelor, author, Book Marketing DeMystified, and founder and former CEO, Trafford Publishing “A graduate course and definitive guide for advanced POD publishing.” Morris Rosenthal, author, Print-on-Demand Book Publishing “Aaron Shepard is exceptional in his ability to keep up with the ever-changing minutiae of the world of self publishing via POD. I wouldn’t want to publish without this book within reach.” John Culleton, Wexford Press “Remarkably thorough and readable.” Jonathan LeBlanc Roberts, Breton Bay Publishing “Invaluable advice for any small press or independent publishing firm.” Max Scratchmann, Poison Pixie Publishing “Could not be more timely or helpful. -
Small Press Distribution Publisher Handbook
Small Press Distribution Publisher Handbook Version 18, September 2019 SPD_Handbook_September19_v18.indd 1 9/30/2019 4:07:07 PM Contents INTRODUCTION · 1 I. Who We Are, What We Do, What We Carry · 1 II. Who Our Publishers Are · 2 HOW TO USE THIS HANDBOOK · 2 SPD DIRECTORY · 3 SPD Board of Directors · 3 SPD CALENDAR/DEADLINES · 4 SPD SERVICES TO PUBLISHERS · 5 I. How To Get Your New Books to SPD · 5 II. Inventory Management · 7 III. Marketing · 9 IV. Accounting/Terms · 10 V. Communication · 12 BOOK BASICS · 13 I. Printing · 13 II. Pricing · 14 III. Book Cover/Jacket · 14 IV. ISBN Numbers and Barcodes · 15 SPD CUSTOMERS · 16 FAQ’S · 17 APPENDIX A (Amazon Primer) · 22 APPENDIX B (Suggested Publication Schedule) · 25 SPD_Handbook_September19_v18.indd 2 9/30/2019 4:07:07 PM Introduction WHO WE ARE Small Press Distribution (SPD) forges a pathway to the book marketplace for independently published literary voices often excluded from and underrepresented in the culture at large. Reaching underserved readers with writing from a broad coalition of authors contributes to the vibrancy of our communities, and helps literature to prosper as an evolving and vital artform. Through book distribution, events, and public advocacy, SPD provides small presses and their authors with the reliable and professional network they need. WHAT WE DO SPD distributes independently published literary titles to all of the channels normally served by a distributor. These include independent book stores, chain stores, other wholesalers, jobbers (who sell to libraries), libraries and online booksellers. SPD also sells books directly to individuals from our warehouse and through spdbooks.org. -
Indpubcon Major Partner
#indpubcon Major Partner Supporters The Small Press Network is proud to support the work of the ILF and we ask conference attendees to consider making a donation when they book their tickets. SPN will match all donations dollar-for-dollar. President's Welcome It’s a pleasure to welcome you to the 2020 Independent Publishing Conference, the Small Press Network’s ninth annual signature event that’s become a must-attend forum for publishing professionals, researchers and those entering the industry. This year the conference is being held entirely online for the first time, and we welcome attendees from around Australia and from around the globe who are able to join us thanks to the accessibility offered by technology. Obviously 2020 has been a uniquely challenging year for the book industry. The conference program is focused on the issues that have engaged us throughout this Covid-disrupted year, and we also look to the future as we recover and adapt to whatever the ‘new normal’ will be. The conference sessions are all presented by industry professionals whose time and contribution is much appreciated, as is the organisation undertaken by SPN’s board, staff, contractors and volunteer associates. Putting the conference together has been a collective effort by individuals with a shared interest in publishing and the issues facing it. I appreciate the efforts of all of them. In addition to the contribution by individuals, I’d also like to acknowledge the continued support of SPN and the annual conference by the broader book industry itself. We would not be here today without the support of Copyright Agency’s Cultural Fund, our major funder, as well as Thorpe- Bowker, IngramSpark, Books+Publishing, Artshub and the Australian Booksellers Association. -
Small Press Publishing in the Pacific Northwest
An “accidental profession”: small press publishing in the Pacific Northwest. Abstract This research examines contemporary, independent publishing in the Pacific Northwest (USA and Canada). Through a series of interviews with small publishers in Seattle, Portland, and Vancouver, BC, this paper will investigate whether independent publishers, based outside of the major publishing hubs of New York and Toronto, believe they can: compete in the global publishing environment; help to promote and preserve regional cultures and identities; and maintain diversity in cultural output. It will also explore how independent presses see themselves situated in the national and international publishing arena and identify what structures are in place to support them to do so. Although the focus of the empirical research is the Pacific Northwest, this paper has been contextualised within national publishing discourse. Keywords: small presses, alternative publishing, authors, digital publishing, Canadian publishing, independent publishing, diversity 1. Introduction Globalisation, the development of technology, and the concentration of resources have transformed, and polarised, contemporary, trade publishing. Today, the North American, English-language publishing industries are characterised by their disparity. At one end there is a small number of large, international, trans-media conglomerates and at the other there is a large number of smaller publishers with a more regional, national, or niche focus [36]. In North America, the large, trans-media, conglomerates are: predominantly based in New York and Toronto; dominate the market; and influence cultural output, often to the detriment of smaller, more regional, publishing communities. Although small, niche publishers operate within the fringes of the industry; their development and, often, demise ensures that there is constant regeneration and diversity in an environment that is dominated by large companies with substantial marketing budgets and global infrastructures. -
Democratizing E-Book Retailing
3,000 plus Join us and more than 3,000 publishers in Democratizing E-Book Retailing 10 Finger Press Acrobat Books Alan Phillips 121 Publications Action Publishing LLC Alazar Press 1500 Books Active Interest Media, Inc. Alban Books 3 Finger Prints Active Parenting Albion Press 3G Publishing, Inc. Adair Digital Alchimia 498 Productions, LLC Adaptive Studios Alden-Swain Press 4th & Goal Publishing Addicus Books Aleph Book Company Pvt.Ltd 5Points Publishing Adlai E. Stevenson III Algonquin Books 5x5 Publications Adm Books Ali Warren 72nd St Books Adriel C. Gray Alight/Swing Street Publishing A & A Johnston Press Advanced Perceptions Inc. Alinari 24 Ore A & A Publishers Inc Advanced Publishing LLC All Clear Publishing A C Hubbard Advantage Books All In One Books - Gregory Du- A Sense Of Nature Adventure Street Press LLC pree A&C Publishing Adventures Unlimited Press Allen & Unwin A.R.E. Press Aepisaurus Publishing, LLC Allen Press Inc AA Publishing Aesop Press ALM Media, LLC Aadarsh Pvt Ltd Affirm Press Alma Books AAPC Publishing AFG Weavings LLC Alma Rose Publishing AAPPL Aflame Books Almaden Books Aark House Publishing AFN Alpha International Aaron Blake Publishers African American Images Altruist Publishing Abdelhamid African Books Collective AMACOM Abingdon Press Afterwords Press Amanda Ballway Abny Media Group AGA Institute Press AMERICA SERIES Aboriginal Studies Press Aggor Publishers LLC American Academy of Abrams AH Comics, Inc. Oral Medicine Absolute Press Ajour Publishing House American Academy of Pediatrics Abstract Sounds Books, Ltd. AJR Publishing American Automobile Association Academic Foundation AKA Publishing Pty Ltd (AAA) Academy of Nutrition & Dietetics Akmaeon Publishing, LLC American Bar Association Acapella Publishing Aladdin American Cancer Society, Inc. -
Your Fall Submission Calls from Rattle
News from the Feminist Caucus, by Anne Burke This month submission calls from Rattle Tribute to Feminist Poets by Oct. 15 & Caitlin Press on "Boobs: Women Explore What It Means to Have Breasts", due Oct. 12; news from Penn Kemp on Gwendolyn MacEwen and Milton Acorn honouring. The Wordspell is a new spoken word group that came together in spring 2012 with the goal of creating a poetry series in Toronto that focuses on women’s voices; Girls Art League; The Feminist Art Conference on Facebook; introducing Anita Dolman and a review of Foreign Skin , by Kate Rogers. The NDP government will “build feminism in Alberta,” according to the province’s Status of Women minister. The Canadian Women Studies: Women and Water is forthcoming May 2015/Fall Winter 2015; Women Writing 4: Remembering is the current issue with many familiar names. Calls for Submissions Your Fall Submission Calls from Rattle https://rattle.submittable.com/submit/28744 Feminist Poets | Deadline: October 15th The Spring 2016 issue will feature a tribute to Feminist Poets. The poems may be written in any style, subject, or length, but must be written by those who identify as Feminist Poets and use poetry to advocate for women's rights. Please explain how this applies to you in your contributor note. The poems themselves don't have to be about feminism or women's rights - we want to explore the range of work that contemporary Feminist Poets are producing. To send up to four poems, click here . Please submit up to four poems (or pages of short poems) at the same time, but these must be sent as a single submission in ONE document. -
Small Press and Self-Published Books: a Collection Development Dilemma Matt Ap Cer Capital Area District Libraries, [email protected]
Against the Grain Volume 25 | Issue 3 Article 14 June 2013 Small Press and Self-Published Books: A Collection Development Dilemma Matt aP cer Capital Area District Libraries, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Pacer, Matt (2013) S" mall Press and Self-Published Books: A Collection Development Dilemma," Against the Grain: Vol. 25: Iss. 3, Article 14. DOI: https://doi.org/10.7771/2380-176X.6521 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Small Press and Self-Published Books: A Collection Development Dilemma by Matt Pacer (Technology Librarian, Capital Area District Libraries, Downtown Branch) <[email protected]> ecause of their sheer numbers, it is Up, published. After a year of no success, merely leveled the playing field for writers by increasingly difficult to make informed she let her agent go and thoroughly reedited minimizing the publishers’ role as gate keepers collection decisions regarding small her book that she then self-published. She to the publishing world. B 1 press and self-published books regardless of also used social media to publicize heavily In the article, “Changing the Way Books format. The collection development process her book, which has since sold over 4,000 Are Found, Acquired, and Published,” Janet had remained static for selectors and collection copies. Linda views self-publishing as a way Spavlick (2012) shows that eBooks offer au- development librarians during the last several to let the book stand on its own merits rather thors an easy way to get published since there decades. -
Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 Ext
CURRICULUM VITAE Name: Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 ext. 6150 416 979 5387 fax [email protected] Position: . Professor . Research Associate, Modern Literature and Culture Research Centre . Member, Centre for Digital Humanities Citizenship: Canadian Languages: English, French EDUCATION: PhD, York University, English 1991 Examinations: First field: Canadian Literature Second field: Novel and Other Narrative Dissertation: A Bibliographical Study of Thomas Chandler Haliburton’s The Clockmaker, First, Second, and Third Series Supervisor: Professor John Lennox MA, York University, English 1982 MRP: Studies in the Early Poetry of Miriam Waddington Supervisor: Professor John Lennox BA Honours, Carleton University, English 1980 First year, Vanier College, Social Sciences 1976 AWARDS AND FELLOWSHIPS (EXTERNAL): 2016 Rosa and the late David Finestone Canadian Jewish Studies Award for Best Book in English or French, J. I. Segal Awards, Jewish Public Library ($500) 2016 Finalist, Vine Awards for Canadian Jewish Literature 2015 Canadian Jewish Literary Award for Yiddish Culture ($1,000) 2015 PROSE Award for Literature, Professional and Scholarly Publishing Division, Association of American Publishers 2015 Finalist, Eric Hoffer Award for Independent Books 2 – Ruth Panofsky 2013 McCorison Fellowship for the History and Bibliography of Printing in Canada and the United States, Bibliographical Society of America ($2,000US) 2011-14