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John Newbery Award Committee Manual
JOHN NEWBERY AWARD COMMITTEE MANUAL October 2009 John Newbery Award Committee Manual – Formatted August 2015 1 FOREWORD John Newbery The Newbery Medal is named for John Newbery (1713-1767), known as the first publisher of books for children. The son of a farmer, he married a widow who owned a printing business in Reading, England. They moved to London and, in 1743, Newbery published “A Little Pretty Pocket-Book, intended for the Instruction and Amusement of Little Master Tommy and Pretty Miss Polly, with an agreeable Letter to read from Jack the Giant-Killer, as also a Ball and a Pincushion, the use of which will infallibly make Tommy a good Boy and Polly a good Girl.” Although this was not the first book published for children (A Play-Book for Children was published by “J.G.” as early as 1694), Newbery was the first person to take children’s book publishing seriously, and many of his methods were copied by other authors and publishers. Newbery was an admirer of John Locke, who advocated teaching children through “some easy pleasant book, suited to his capacity.” Newbery’s books invariably had their didactic side, but he tempered instruction with a sense of humor. Works like Goody Two-Shoes, in which a poor but virtuous young woman is rewarded with riches, satisfied the moralists while providing a story with all the ups and downs of a modern soap opera. Other books on Newbery’s list included Aesop’s Fables, books of history and science, miscellanies, and even a children’s magazine, The Lilliputian Magazine, which contained stories, riddles, and songs. -
Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Independent Scholar Shivaun Plozza the Troll Under the Bridge
Plozza The troll under the bridge Independent scholar Shivaun Plozza The troll under the bridge: should Australian publishers of young adult literature act as moral-gatekeepers? Abstract: In the world of Young Adult Literature, the perceived impact of certain texts on the moral, social and psychological development of its readers is a cause for debate. The question ‘what is suitable content for a pre-adult readership’ is one guaranteed to produce conflicting, polarising and impassioned responses. Within the context of this debate, the essay explores a number of key questions. Do publishers have a moral obligation to avoid certain topics or should they be pushing the boundaries of teen fiction further? Is it the role of the publisher to consider the impact of books they publish to a teenage audience? Should the potential impact of a book on its reader be considered ahead of a book’s potential to sell and make money? This article analyses criticism and praise for two ‘controversial’ Australian Young Adult books: Sonya Hartnett’s Sleeping Dogs (1997) and John Marsden’s Dear Miffy (1997). It argues that ‘issues-books’ are necessary to the development of teens, and publishers should continue to push the envelope of teen fiction while ensuring they make a concerted effort to produce quality, sensitive and challenging books for a teen market. Biographical note: Shivaun Plozza is a project editor, manuscript assessor and writer of YA fiction. Her debut novel, Frankie, is due for publication by Penguin in early 2016. She has published short stories, poetry and articles in various journals, both online and print, and has won numerous awards and fellowships. -
The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction Virginie Douglas
The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction Virginie Douglas To cite this version: Virginie Douglas. The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction. Publije, Le Mans Université, 2018. hal-02059857 HAL Id: hal-02059857 https://hal.archives-ouvertes.fr/hal-02059857 Submitted on 7 Mar 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Abstract: This paper focuses on novels addressed to that category of older teenagers called “young adults”, a particularly successful category that is traditionally regarded as a subpart of children’s literature and yet terminologically insists on overriding the adult/child divide by blurring the frontier between adulthood and childhood and focusing on the transition from one state to the other. In Britain, YA fiction has developed extensively in the last four decades and I wish to concentrate on what this literary emergence and evolution has entailed since the beginning of the 21st century, especially from the point of view of genre and narrative mode. I will examine the cases of recognized—although sometimes controversial—authors, arguing that although British YA fiction is deeply indebted to and anchored in the pioneering American tradition, which proclaimed the end of the Romantic child as well as that of the compulsory happy ending of the children’s book, there seems to be a recent trend which consists in alleviating the roughness, the straightforwardness of realism thanks to elements or touches of fantasy. -
TEXAS Library JOURNAL
TexasLibraryJournal VOLUME 88, NUMBER 1 • SPRING 2012 INCLUDES THE BUYERS GUIDE to TLA 2012 Exhibitors TLA MOBILE APP Also in this issue: Conference Overview, D-I-Y Remodeling, and Branding Your Professional Image new from texas Welcome to Utopia Notes from a Small Town By Karen Valby Last Launch Originally published by Spiegel Discovery, Endeavour, Atlantis and Grau and now available in By Dan Winters paperback with a new afterword Powerfully evoking the and reading group guide, this unquenchable American spirit highly acclaimed book takes us of exploration, award-winning into the richly complex life of a photographer Dan Winters small Texas town. chronicles the $15.00 paperback final launches of Discovery, Endeavour, and Atlantis in this stunning photographic tribute to America’s space Displaced Life in the Katrina Diaspora shuttle program. Edited by Lynn Weber and Lori Peek 85 color photos This moving ethnographic ac- $50.00 hardcover count of Hurricane Katrina sur- vivors rebuilding their lives away from the Gulf Coast inaugurates The Katrina Bookshelf, a new series of books that will probe the long-term consequences of Inequity in the Friedrichsburg America’s worst disaster. A Novel The Katrina Bookshelf, Kai Technopolis By Friedrich Armand Strubberg Race, Class, Gender, and the Digital Erikson, Series Editor Translated, annotated, and $24.95 paperback Divide in Austin illustrated by James C. Kearney $55.00 hardcover Edited by Joseph Straubhaar, First published in Jeremiah Germany in 1867, Spence, this fascinating Zeynep autobiographical Tufekci, and novel of German Iranians in Texas Roberta G. immigrants on Migration, Politics, and Ethnic Identity Lentz the antebellum By Mohsen M. -
OELMA Web.Version 11.08.Pmd
Fall 2007 Vol. 59, No. 1 1 Contents NCLB & The SKILLS ACT .............................................................................................4 NCLB & The No Child Left Inside Act ........................................................................5 Media Literacy by Frank Baker ................................................................................6 The Marantz Picture Book Collection Moves to Kent State University ...................8 The Story Box Project .............................................................................................10 The Big Read: an urban middle school “Big Read” Project illustrates the power of story .....................................................................................................................13 Bringing science concepts to life with literature ...................................................17 Got Rocks? The U.S. Polar Rock Repository does! Read about a unique educa- tional resource...................................................................................................21 The International Baccalaureate Programme and the School Librarian .............23 Call for Articles ........................................................................................................28 School Librarians Rock! Librarians’ powerful impact on literacy develop- ment....................................................................................................................29 Interactive Whiteboards and Clickers in the Classroom .......................................37 -
EM3 LIT Cross Cur Links Format 09-21-09 Sap
4th Grade Everyday Mathematics Cross-Curricular Literature Links EVERYDAY MATHEMATICS TITLE AUTHOR PUBLISHER, YEAR LESSON(S) Math Curse Scieszka, John Viking Children's, 2007 1.1 When a Line Ends…A Shape Begins Greene, Rhonda Gowler Sandpiper, 2001 1.2 Gregory and the Magic Line* Piggot, Dawn Orion, 2004 1.2 Shape Up! Adler, David A. Holiday House, 2000 1.3 The Greedy Triangle Burns, Marily Scholastic, 1995 1.5 Ed Emberley's Picture Pie: A Cut and Paste Drawing Book Emberley, Ed Little Brown, 2006 1.6 How Tall, How Short, How Far Away? Adler, David A. Holiday House, 2000 2.1 12 Ways to Get to 11 Merriam, Eve Aladdin Paperbacks, 1996 2.2 The History of Counting Schmandt-Besserat, Denise HarperCollins, 1999 2.3 If You Made a Million Schwartz, David M. HarperTrophy, 1994 2.3, 5.8 My Full Moon is Square Pinczes, Elinor J. Houghton Mifflin, 2002 3.2 Sea Squares Hulme, Joy N. Hyperion Books for Children, 1999 3.2 Count Your Way through the Arab World Jim Haskins Lerener Publishing Group, 1988 3.6 Each Orange Had Eight Slices: A Counting Book Giganti, Paul Jr. Greenwillow Books, 1999 3.2, 12.2 Safari Park Murphy, Stuart J. HarperCollins Publishers, 2002 3.5 Nine O'Clock Lullaby Singer, Marilyn HarperCollins, 1993 3.6 Kids' Funniest Jokes Barry, Shelia Anne Sterling Publishing Co., 1994 4.3 The Everything Kids' Joke Book: Side-Splitting, Rib-Tickling Fun Dahl, Michael Adams Media Corporation, 2001 4.3 Inchworm and a Half Pinczes, Elinor J. Houghton Mifflin Harcourt, 2003 4.8 Millions to Measure Schwartz, David M. -
Fabjob Guide to Become a Book Publisher
Start your own publishing company! FabJob Guide to Become a Book Publisher Jennifer Fishberg Visit www.FabJob.com FabJob Guide to Become a Book Publisher Contents About the Author .............................................................................8 Acknowledgements .........................................................................9 1. Introduction ..........................................................................................10 1.1 The Book Publishing Business ....................................................12 1.1.1 What Is Independent Publishing? ....................................12 1.1.2 Industry Trends and Statistics ..........................................15 1.2 Benefits of Being a Book Publisher ............................................17 1.3 Inside This Guide .........................................................................20 2. Getting Ready .......................................................................................23 2.1 Skills and Knowledge You Will Need .......................................23 2.1.1 Writing Skills .......................................................................24 2.1.2 Computer and Technology Skills .....................................25 2.1.3 Research Skills .....................................................................27 2.1.4 Interpersonal Skills .............................................................29 2.1.5 Business Skills .....................................................................31 2.2 Learning by Doing .......................................................................34 -
An Alpha-Number-Bet Event Kit
An Alpha-number-bet Event Kit by TINY DiTERLOONEY Dear Bookseller, Teacher, or Librarian, Welcome to G is for One Gzonk! A book thought up by me. I am the author and artist (as soon you’ll plainly see) of an alphabet of creachlings! A twenty-six-letter menagerie! But I must confess, as you may have guessed, It won’t teach you A, B, C. Angry Acks, blue Bloobytacks, and Cootie Noodles dwell within these pages. And activities based on numbers and letters for kids of all ages! W ITHIN THIS EVENT KIT, YOU WILL FIND: • Twenty-seventh Letter of the Alphabet • Bloobytack Memory • Who’s the Hoofle-Foofle? • Mighty Mee-Yighty Maze • Yellow Yummel-Yum Puzzles • G is for One Gzonk Silly Straws giveaway • G is for One Gzonk Name Tag stickers • Answer Key So enjoy, have fun, And let yourself be silly! Until we meet again, Tiny DiTerlooney (a.k.a. Tony DiTerlizzi) a.k.a. means “also known as” G is for One Gzonk! ISBN-13: 978-0-689-85290-9 ISBN-10: 0-689-85290-8 $16.95/$19.95 CAN Release date: 9/12/06 G is for One Gzonk! Flash Cards Simon & Schuster Books for Young Readers ISBN-13: 978-1-4169-4115-6 Simon & Schuster Children’s Publishing ISBN-10: 1-4169-4115-0 $12.99/$16.99 CAN www.SimonSaysKids.com • www.diterlizzi.com Release date: 10/16/06 REPRODUCIBLE Illustrations © 2006 by Tony DiTerlizzi by TINY DiTERLOONEY SUGGESTED EVENT SCHEDULE 672 hours ahead (or one month ahead) • Pick a date and time for your event. -
Small Presses in the 21 Century Exploring Independent Publishing
Small Presses in the 21st Century Exploring Independent Publishing Houses and the Communities They Build by Katherine Kosinski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2012 © 2012 Katherine Kosinski Acknowledgments I would like to thank my advisor Petra Kuppers for all the support she has given me in the course of the thesis experience; it was truly invaluable. She succeeded in giving me constructive and helpful advice while keeping me on track emotionally and academically. I would also like to thank Jennifer Wenzel. The editing and guidance she performed over the course of the year were definitely integral to the completion of my thesis. Many other people have aided me during my thesis writing, and as such I would like to thank. John Whittier-Ferguson, Brian Whitener, Paulina Alberto, Paloma Celis Carbajal, Steven Gillis, Dan Wickett, Lucy Hartley, Tung-Hui “Hui-Hui” Hu, the Cartonera publishers in Latin America, the English Honors 2012 Cohort, and the Dossin Family. All helped me in with my research, the organization of my thesis, or simply lent a supportive hand in a time of need. Finally, I would like to thank my mother, Alice Kosinski, for encouraging me throughout the entire journey. © Abstract The publishing industry has been labeled as being in a time of flux in the years following the turn of the 21st century; its future is considered uncertain and as such, rumors of demise and great change abound. This thesis works to calm fears and worries of the digital transition of literature by documenting the work of certain small presses in this time of change. -
The Death of Genre: Why the Best YA Fiction Often Defies Classification
LoriScot Goodson Smith & Jim Blasingame The Death of Genre: Why the Best YA Fiction Often Defies Classification few years ago, I received a phone call from a adding a list called genre-busters, novels which do not desperate sixth grade reading teacher. “Help!” easily fit into a single category. The more I think about Ashe cried, “I have a literary mutiny on my my YA favorite titles of the past few years, the more hands. I need your help now!!” I immediately raced bewildered I become. Zusak’s The Book Thief— upstairs. historical fiction or fantasy? Anderson’s The Astonish- Our sixth graders read Louis Sachar’s Holes as a ing Life of Octavian Nothing—historical fiction or required novel. The teacher uses Holes as part of her science fiction? Rosoff’s How I Live Now?—realistic unit on fantasy. In a time where many middle fiction or science fiction? Shusterman’s The Schwa schoolers are steeped in Harry Potter and Paolini, Was Here—realistic fiction or fantasy? I have come to Holes just did not seem to fit into that the same the realization that genre might be dead, that many of category of fantasy. recently published YA novels no longer fit into the “Mr. Smith,” they argued, “It can’t be fantasy. It’s predictable categories we typically designate for too real.” books. Is it time to despair? I think not. Rather, let us What followed was a long discussion about the celebrate the innovative fashion in which today’s YA different types of fantasy. We debated over the effects authors are bending the traditional definitions of of rattlesnake nail polish, the existence of yellow genre.