How to Publish Your Book: a Practical Guide to the Publishing World
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Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
E HUT Hutchins, Pat, 1942-. the Doorbell Rang. 1St Ed. New York : Greenwillow Books, C1986
E HUT Hutchins, Pat, 1942-. The doorbell rang. 1st ed. New York : Greenwillow Books, c1986. FIC HUT Hutton, Clare. Midnight howl. New York : Scholastic, c2011. E HYD Hyde, Judith Jensen, 1947-. Rainy-day music. New York : Children's Press, c2006. 974.9 HYM Hyman, Teresa L. New Jersey. San Diego : Detroit : Kidhaven Press : Thomson/Gale, c2004. TR HYS Hysom, Dennis Joe, 1949-. Wooleycat's musical theater. Santa Rosa, CA : Tortuga Press, c2003. FIC IBB Ibbotson, Eva. The great ghost rescue. 1st American ed. New York : Dutton Children's Books, 2002. FIC IBB Ibbotson, Eva. The haunting of Granite Falls. New York : Puffin, 2005, c1987. FIC IBB Mission Valley Elementary Bibliography Report 12/6/2011 @ 2:55pm Page 326 ------------------------------------------------------------------------------ Ibbotson, Eva. Island of the aunts. New York : Puffin, 2001. FIC IBB Ibbotson, Eva. Dial-a-ghost. New York : Puffin Books, 2003, c1996. FIC IBB Ibbotson, Eva. The beasts of Clawstone Castle. New York : Puffin Books, 2007. FIC IBB Ibbotson, Eva. The Star of Kazan. New York : Puffin Books, 2006, c2004. FIC IBB Ibbotson, Eva. The dragonfly pool. New York : Puffin Books, 2009, c2008. FIC IBB Ibbotson, Eva. Journey to the river sea. New York : Puffin, 2003. FIC IBB Ibbotson, Eva. Not just a witch. New York : Puffin Books, 2004. FIC IBB Ibbotson, Eva. The Ogre of Oglefort. 1st American ed. New York : Dutton Children's Books, c2011. E ICH Ichikawa, Satomi. My pig Amarillo. 1st American ed. New York : Philomel Books, 2003. 641.597 ICH Ichord, Loretta Frances. Skillet bread, sourdough, and vinegar pie : cooking in pioneer days. Brookfield, Conn. : Millbrook Press, c2003. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Guidelines for Authors and Editors
Guidelines for Authors and Editors For manuscripts and online resources These guidelines offer an introduction to the SAGE Publishing Editorial Production processes for both your manuscript and online resources. You will find an overview about file formatting, styles, artwork, references, copyright and permissions procedures, as well as information about the key phases of the production process: copyediting, design, typesetting, proofreading and indexing, and new editions. Please read through the guide and use it for reference as you develop and prepare your manuscript for final submission. Preparing and submitting your work General guidelines • Please keep to the word extent agreed included in their work. Please provide with your Commissioning Editor. proof of these cleared permissions when • Supply your manuscript as a Microsoft submitting. Word file. Contact your Commissioning • If you have specific technical questions, Editor if you are using software other than please contact your Commissioning Editor. Microsoft Word. • Use double spacing, 12pt. House style • All text should be unjustified. Do not indent SAGE does not have a rigid house style. the paragraphs but set them out in blocked We focus on consistency and accuracy. It style. Use double space to indicate a new is important that you use the same style paragraph. throughout your book. We will retain UK/US spelling, punctuation and reference style as • Do not use formatting – it will be stripped submitted (edited volumes will retain the styles out. as submitted for each chapter). • Do not use program facilities such as EndNotes. Terminology • All photographs, images, etc. should be • SAGE is committed to diversity, equity and sent as high res (300dpi) jpg, tiff or eps inclusion and to ensuring this is represented files (please see Artwork section for more in our publications. -
Technopopulism: the Emergence of a Discursive Formation
tripleC 15(2): 441-458, 2017 http://www.triple-c.at Technopopulism: The Emergence of a Discursive Formation Marco Deseriis Northeastern University, Boston, USA, [email protected], http://neu.academia.edu/MarcoDeseriis Abstract: This article contends that technopopulism is a discursive formation that emerges from the convergence of two preexisting discourses: populism and technolibertarianism. Whereas these discourses are historically distinct the 2008 financial crisis and the 2011 wave of struggles precipitated the political conditions for their intersection. Such convergence produces both tensions and possibilities. On the one hand, technopopulism engenders a radically participatory model of democracy, which is ultimately anti-institutional as citizens cooperate and engage in sophisticated decision-making without the mediation of professional politicians. On the other hand, the more electorally successful technopopulist parties are led by charismatic leaders who synthesize the positions that emerge from the netroots to mobi- lize them against the establishment. These two seemingly contradictory aspects precipitate in two variants of technopopulism: a leaderless-technocratic variant, which is derived from the open source mode of governance and from early experiments of the Global Justice Movement in networked self-government; and a leaderist-populist variant, which is more strictly focused on the electoral competition as an intrinsically hegemonic practice. The article concludes with a reflection on the discursive complementarity of these two variants. Keywords: technopopulism, technolibertarianism, populism, electronic democracy, social media activism, Global Justice Movement, Free and Open Source Software, Podemos, Five Star Movement, Occupy Technopopulism is the belief that the “government of the people, by the people, for the people” (Lincoln 1953 [1863]) is achievable by means of information communica- tions technology. -
Fabjob Guide to Become a Book Publisher
Start your own publishing company! FabJob Guide to Become a Book Publisher Jennifer Fishberg Visit www.FabJob.com FabJob Guide to Become a Book Publisher Contents About the Author .............................................................................8 Acknowledgements .........................................................................9 1. Introduction ..........................................................................................10 1.1 The Book Publishing Business ....................................................12 1.1.1 What Is Independent Publishing? ....................................12 1.1.2 Industry Trends and Statistics ..........................................15 1.2 Benefits of Being a Book Publisher ............................................17 1.3 Inside This Guide .........................................................................20 2. Getting Ready .......................................................................................23 2.1 Skills and Knowledge You Will Need .......................................23 2.1.1 Writing Skills .......................................................................24 2.1.2 Computer and Technology Skills .....................................25 2.1.3 Research Skills .....................................................................27 2.1.4 Interpersonal Skills .............................................................29 2.1.5 Business Skills .....................................................................31 2.2 Learning by Doing .......................................................................34 -
Proofreading Tips
Author: Dr. Sara Beam, RSU Writing Center Coordinator Proofreading Tips Definition: Proofreading is the very last step in the writing process. In the publishing world, proofreading takes place after a document, such as an advertisement or article, has been created and edited. The document goes to press, but before it is printed, “proofs” are created. The last check of the document before a full run is printed is therefore called “PROOFreading.” At this point, you are sick of the paper because you have (ideally) been working on it for days if not weeks. But you need to visit it with fresh eyes one last time or two. Here are some ways to take a new perspective (literally) on your work: 1. Pay attention to MS Word’s spellchecker and grammar checker. Though it does not catch everything, it’s often very helpful. 2. Read the paper aloud or have a friend read it aloud to you. 3. Read or listen to the paper several times, each time focusing on one particular issue, such as spelling, subject-verb agreement, capitalization, punctuation, consistent formatting, etc. 4. Check for typos by reading the paper one paragraph at a time, one sentence at a time, one word at a time BACKWARDS. 5. Create a checklist based on your teacher’s assignment sheet, and check the paper to make sure you’ve met all requirements. 6. Take a break. Take a nap. Sleep on it. Time away from the project will help clear your head. In fact, that’s one of the reasons teachers encourage you to begin papers weeks ahead of time. -
Small Presses in the 21 Century Exploring Independent Publishing
Small Presses in the 21st Century Exploring Independent Publishing Houses and the Communities They Build by Katherine Kosinski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2012 © 2012 Katherine Kosinski Acknowledgments I would like to thank my advisor Petra Kuppers for all the support she has given me in the course of the thesis experience; it was truly invaluable. She succeeded in giving me constructive and helpful advice while keeping me on track emotionally and academically. I would also like to thank Jennifer Wenzel. The editing and guidance she performed over the course of the year were definitely integral to the completion of my thesis. Many other people have aided me during my thesis writing, and as such I would like to thank. John Whittier-Ferguson, Brian Whitener, Paulina Alberto, Paloma Celis Carbajal, Steven Gillis, Dan Wickett, Lucy Hartley, Tung-Hui “Hui-Hui” Hu, the Cartonera publishers in Latin America, the English Honors 2012 Cohort, and the Dossin Family. All helped me in with my research, the organization of my thesis, or simply lent a supportive hand in a time of need. Finally, I would like to thank my mother, Alice Kosinski, for encouraging me throughout the entire journey. © Abstract The publishing industry has been labeled as being in a time of flux in the years following the turn of the 21st century; its future is considered uncertain and as such, rumors of demise and great change abound. This thesis works to calm fears and worries of the digital transition of literature by documenting the work of certain small presses in this time of change. -
The Publishing Plan
NONFICTIONTHE BOOK PUBLISHING PLAN THE PROFESSIONAL GUIDE TO PROFITABLE SELF-PUBLISHING STEPHANIE CHANDLER KARL W. PALACHUK Copyright © 2018 by Stephanie Chandler and Karl W. Palachuk. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, without the prior written permission of the author. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the con- tents of this book and specifically disclaim any implied warranties of mer- chantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional when appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commer- cial damages, including but not limited to special, incidental, consequential, personal, or other damages. The Nonfiction Book Publishing Plan The Professional Guide to Profitable Self-Publishing By Stephanie Chandler and Karl W. Palachuk 1. LAN027000 2. LAN002000 3. REF026000 Print ISBN: 978-1-949642-00-1 Ebook ISBN: 978-1-949642-01-8 Printed in the United States of America Authority Publishing 11230 Gold Express Dr. #310-413 Gold River, CA 95670 800-877-1097 AuthorityPublishing.com CONTENTS Chapter 1: The Business of Self-Publishing Nonfiction Books . -
Hayao Miyazaki: Exploring the Early Work of Japan’S Greatest Animator
Greenberg, Raz. "Bibliography." Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator. New York: Bloomsbury Academic, 2018. 159–164. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 25 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:45 UTC. Copyright © Raz Greenberg 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. B I B L I O G R A P H Y A b d e l R a h i m , L a y l a . Children’s Literature, Domestication and Social Foundation: Narratives of Civilization and Wilderness . New York : Routledge , 2015 . A k a m a t s u , Yo s h i k o . “ J a p a n e s e R e a d i n g s o f A n n e o f G r e e n G a b l e s ,” i n L.M. Montgomery and Canadian Culture , e d i t e d b y I r e n e G a m m e l a n d E l i z a b e t h Epperly , 201–212 . Toronto : University of Toronto Press , 1999 . A k i m o n o , D a i s u k e . “War and Peace” in Studio Ghibli Films: Director Hayao Miyazaki’s Messages for World Peace . S a a r b u c k e n : L a m b e r t A c a d e m i c Publishing , 2014 . -
Information Infrastructures
The Electronic Global Village (enterprise networking). A key success factor to generation of the civilization infrastructure is enterprise-wide computing is the architectural the set of core, foundational and integrational planning of telematic technology components infrastructures as it is shown in Figure 13-4. as tools supporting a business strategy. Archi- As the latter deteriorates through the processes tectures of information and communications of the material civilization, the soft information across multiple tiers of the enterprise are vital. infrastructure compensates for the losses of the These architectures should provide information urban, rural, and transportation infrastructures. and communication across the enterprise, much The basic components of civilization informa- as a utility provides electricity. tion infrastructure are being developed in the Online government is the empowerment of following layers (Figure 13-4): citizens in participatory governing of public affairs. A strong internetworking among citi- 1. Telecommunication Layer - provides ser- zens and electronic public records is based on vices in the scope of: a graphic user interface (GUI), which supports a menu-driven, user-friendly interactive access. • Access and transmission technology via te- Government workers and officials have to learn lephony, cable TV, satellites, and wireless and exercise power sharing inordertodemocratize • Switching and networking technology via equal access to power and seek service satisfac- local (LATA) and long-distance transmis- tion by customers. Electronic town meetings can sions (IXC, e.g., ATT, Sprint, WorldCom) be one example of online government; this is an as narrow or broad-band service sending introduction of customer online scope-feedback information through packet- or circuit- into the governmental modus operandi.