DIG35 Working Draft

Total Page:16

File Type:pdf, Size:1020Kb

DIG35 Working Draft DIG35 – Metadata for Digital Images – Working Draft, 1.0 March 6, 2000 This document is a public Working Draft for review by DIG members and other interested parties. It is a draft document and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use DIG Working Draft documents as reference material, to cite them in other publications, or to refer to them as anything other than "work in progress". Digital Imaging Group DIG35 Initiative Working Draft 1.0-20000306 Copyright © 1999-2000 Digital Imaging Group, Inc. All rights reserved. The information in this document is believed to be accurate as of the date of publication. THIS DOCUMENT IS PROVIDED "AS IS." THE DIGITAL IMAGING GROUP MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, OR TITLE; THAT THE CONTENTS OF THIS DOCUMENT ARE SUITABLE FOR ANY PURPOSE; NOR THAT THE IMPLEMENTATION OF SUCH CONTENTS WILL NOT INFRINGE ANY THIRD PARTY PATENTS, COPYRIGHTS, TRADEMARKS OR OTHER RIGHTS. THE DIGITAL IMAGING GROUP WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, SPECIAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF ANY USE OF THE DOCUMENT OR THE PERFORMANCE OR IMPLEMENTATION OF THE CONTENTS THEREOF. Flashpix is a trademark of Digital Imaging Group, Inc. All other trademarks are the property of their respective owners. The names and/or trademarks of DIG35 members, member of the Digital Imaging Group, or the Digital Imaging Group may NOT be used in advertising or publicity pertaining to this document or its contents without specific, written prior permission. No parts of this WORKING DRAFT document may be reproduced, in whatever form, without express and written permission of Digital Imaging Group, Inc. About the Digital Imaging Group The Digital Imaging Group (DIG) is a not-for-profit imaging industry consortium of manufacturers, developers, and users of digital imaging solutions. Originally founded in 1997 by Adobe, Canon, Eastman Kodak, Fuji, Hewlett-Packard, IBM, Intel, Live Picture and Microsoft, the organization has grown to over 70 members at three different levels of membership as of Jan. 17, 2000. The primary goal of the Digital Imaging Group is to provide an open industry forum for the exploration, implementation and stewardship of technologies and methods for expanding the Digital Imaging market. For more information: Digital Imaging Group, Inc http://www.digitalimaging.org Comments should be sent to: [email protected] Members of the DIG35 Initiative Group are (in alphabetical order): Adobe Systems Inc., AGFA-GEVAERT N.V., Canon Inc., Digitella Technology Inc., Eastman Kodak Company, Fuji Photo Film Co., Ltd., Hewlett Packard Company, Microsoft Corporation, NETIMAGE, PhotoChannel Networks Inc., PictureIQ Corporation, Polaroid Corporation, Seattle FilmWorks, Inc. ©Digital Imaging Group, Inc. ii DIG35 Initiative Working Draft 1.0-20000306 Foreword From consumer to professional and commercial applications, digital images are overtaking the traditional images created with film or video in terms of number of images created as well as becoming closer in quality of image. In addition the increasing sales of digital image capture devices and associated services available for digital image processing will soon result in the proliferation of huge numbers of digital images in many forms and in a variety of sizes and [perceived and measured] value. From the very beginning of photography (and before that, in art of all kinds) those who take pictures have tried to capture as much information about the photograph as possible. This information is termed metadata.i Every family has shoeboxes filled with photographs, some with a few cryptic notes on the back. Another method of tracking metadata has been in photo albums dedicated to special occasions. In both cases the information has been limited and often the meaning of the notes is lost over time. Creating metadata for images enhances our memory and increases the joy of sharing our memories. As we share images across distance and time it becomes even more important to remember as much as possible about the image. In today's digital age, sharing images is easier than ever. The growth in digital technology has created the desire among users to manage and exchange their images in a variety of ways including storage, e-mail exchange, Internet/WWW postings and other displays (such as personal electronic photo albums or photo frames), and printing to a variety of devices with different resolutions. The illustration below highlights several of the key enhancements in using today's technology and the benefits of having more extensive metadata. First, with additional metadata the image becomes important not just for today but also in the future. Knowing exactly who, what, when, where, and how a photograph was taken provides a solid basis for documenting our lives or our business. Second, using today's technology, images can be shared far more broadly and in the way most appropriate to each individual. This extensive sharing of images requires more knowledge about the image, especially in a business situation. And, finally, knowing as much as possible about the image enhances the joy of sharing. We no longer need to rely on memory alone to provide the background for our memories. i The term metadata is composed from the Greek word "meta" meaning aside and "data" meaning the essential content of an electronic container (for example, an image file). ©Digital Imaging Group, Inc. iii DIG35 Initiative Working Draft 1.0-20000306 Digital technology, whether by digital cameras or by digitizing video or film-based images, paves the way for many more of these associated services than would be available solely within analog media such as traditional film or VHS video. One of the primary services becoming more broadly available in the computerization of images is that of enhanced metadata. Today's image and data processing systems provides the means to have an image (the primary data under consideration) be associated with much more of the important information that is not part of the primary but nonetheless very valuable. ©Digital Imaging Group, Inc. iv DIG35 Initiative Working Draft 1.0-20000306 Contents 1 INTRODUCTION ................................................................................................ ............................................................................................................................................................................................................................................................................................ 1 1.1 VISION AND GOAL............................................................................................................................................... 1 1.2 SCOPE ................................................................................................................................................................. 1 1.3 DESIGN REQUIREMENTS..................................................................................................................................... 2 1.3.1 Design Goals............................................................................................................................................... 2 1.3.2 Design Principles ....................................................................................................................................... 2 1.4 ORGANIZATION OF THIS DOCUMENT .................................................................................................................. 2 1.5 CONVENTIONS .................................................................................................................................................... 2 1.6 STATUS OF THIS DOCUMENT .............................................................................................................................. 3 2 METADATA ARCHITECTURE ................................................................................................ ..................................................................................................................................................................................................................4 2.1 WHAT IS METADATA? .......................................................................................................................................... 4 2.2 IMAGE MODEL .................................................................................................................................................... 5 2.3 METADATA INTERCHANGE MODEL ..................................................................................................................... 6 2.3.1 Image Pixel Data Interchange .................................................................................................................. 6 2.3.2 Image Pixel and Metadata Interchange ................................................................................................... 6 2.3.3 Challenges of Metadata Interchange........................................................................................................ 7 2.4 METADATA STORAGE MODEL.............................................................................................................................. 8 2.5 PROGRESSIVE METADATA MODEL......................................................................................................................
Recommended publications
  • “West Yard” at Terminal 91 for the Port of Seattle November 2, 2011
    PHASE I ENVIRONMENTAL SITE ASSESSMENT PORT OF SEATTLE “WEST YARD” AT TERMINAL 91 FOR THE PORT OF SEATTLE NOVEMBER 2, 2011 PREPARED BY PINNACLE GEOSCIENCES, INC. TABLE OF CONTENTS 1.0 EXECUTIVE SUMMARY ............................................................. 1 2.0 INTRODUCTION ........................................................................ 2 2.1 Purpose ........................................................................................................ 2 2.2 Scope of Services .......................................................................................... 2 2.3 Significant Assumptions ................................................................................ 5 2.4 Limitations and Exceptions ........................................................................... 5 2.5 Special Terms and Conditions ....................................................................... 5 2.6 User Reliance ................................................................................................ 5 3.0 SITE AND VICINITY DESCRIPTION ........................................ 6 3.1 Location and Legal Description ..................................................................... 6 3.2 Site and Vicinity General Characteristics ....................................................... 6 3.3 Current Use of the Property .......................................................................... 6 3.4 Site Structures, Utilities, and Other Improvements ......................................... 6 3.5 Current Use of Adjoining
    [Show full text]
  • Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
    Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print ..........
    [Show full text]
  • Discipline Report Hazardous Materials
    Discipline Report Hazardous Materials Prepared by: Shannon & Wilson, Inc. November 2004 Draft EIS Magnolia Bridge Replacement City of Seattle Contents Contents ......................................................................................................................... i Executive Summary...................................................................................................... 1 Purpose and Need ........................................................................................................ 5 Purpose .................................................................................................... 5 Need.......................................................................................................... 5 Structural Deficiencies...........................................................................................5 System Linkage .....................................................................................................5 Traffic Capacity......................................................................................................8 Modal Interrelationships ........................................................................................8 Transportation Demand.........................................................................................8 Legislation .............................................................................................................9 Description of Alternatives .......................................................................................
    [Show full text]
  • " C
    (j) c" CD :!.o » < en ~ Z CD .... ", CD CO Z en ", ;:;:m " C '<c 3" » o !!!. ~ r- -:I ..,0 ~ ::E CD III en _en m en en " ." :::J 0 :leT='C 0 CC", ~ .... Ill co -4 go< ......co en Differentiated Quality and Service Drive Growth Seattle FilmWorks specializes in the processing of 35mm film; marketing this and photo-related products directly to consumers through the mail. The company's key marketing strategy is to maximize investment in innovative and differentiated products and services that appeal to niches in the extensive photo finishing market. For 14 years now, the company's "Free Film" introductory offer for two rolls of the company's 35mm film and our ability to produce prints and slides from the same roll of film have been mainstays, driving the company's success. Again this year, the company made significant improvements to its products and services. We made it easier for customers to order from us, we made it easier for them to call us, and we improved our turnaround time on many services. Management will continue to focus on the core business and adhere to proven and successful marketing strategies. And the company will continue to emphasize and invest in quality and service-investments in the future. Because of our strong balance sheet, we will also take advantage of niche marketing opportunities that match our expertise and are affordable avenues for growth. FINANCIAL HIGHLIGHTS (In thousands, except share information) FISCAL YEARS Income Statement Data: 1991 1990 1989 Net revenues $36,645 $32,674 $30,682 Gross profit 15,083
    [Show full text]
  • Seattle Filmworks 35Mm Processing August 1, 2019
    Seattle FilmWorks 35mm Processing August 1, 2019 Process: ECN-II or SFW-XL. Applicable Films: Seattle Filmworks; Signature Color; Eastman 5247 or 5294; Kodak Vision 2 or 3 500T / 5218 or 7218. Service Time: One to two weeks in lab. Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. The default service is 4x6 Matte prints (if you don’t specify). Minimum charge: $12.00 “Develop Only” service (blank rolls) Seattle Develop & Print 4x6 or 3½x5 Identical First Set 2nd Set 20 or 24 Exposure ....................... 22.95 .................... 6.00 36 Exposure................................. 26.95 .................... 9.00 Scan ECN-II or SFW-XL process film to CD: 1 2 Reprint Enlargement Quality Quality Scanning Price per Roll CD CD with Develop & Print ........... 5.99 ................ 10.99 Plus Seattle Develop & Print fee (above) Scanning Price per roll with NO Prints ............... 10.95* .............. 12.99* * Plus the Develop Only charge of $12.00 1 Reprint quality CD: Will produce high quality 3½x5, 4x6 and 5x7 prints. Pixel dimensions: 1500 x 1000 2 Enlargement Quality CD: Will produce high quality enlargements and cropped reprints. Pixel dimensions: 3000 x 2000 Mail Order Information We are happy to ship your completed order back to you. There is a flat $4.95 charge for each package sent to you via US Postal Service (parcel service, to USA addresses) regardless of the total number of films processed. Please include your payment by check or your credit / debit card number on the order form when you send your films to us. For your security we do not want credit card information sent to us via email.
    [Show full text]
  • The Hollywood Cinema Industry's Coming of Digital Age: The
    The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication.
    [Show full text]
  • Animation Business Directory Winter 2002
    Animation Industry Database GLOBAL aidb.com ANIMATION BUSINESS DIRECTORY WINTER 2002 An Animation World Network Publication awn.com GLOBAL ANIMATIONBUSINESS DIRECTORY WINTER 2002 GLOBAL ANIMATIONBUSINESS DIRECTORY WINTER 2002 WE ARE PLEASED TO WELCOME YOU TO ENJOY AWN’S INAUGURAL publication of the AIDB Directories. This three-part animation industry directory offers a resource to professionals that has never before been available. Derived from AWN’s exclusive online Animation Industry Database (www.AIDB.com), these new downloadable publications are Animation Industry Database designed to provide AWN readers with valuable information on animation, www.aidb.com visual effects, gaming and related companies from around the world. The AIDB is the most comprehensive, searchable and easy to use resource of its Animation World Network kind. Over 4,000 companies from 80 countries are represented within these www.awn.com directories, featuring companies that sell products, provide services and AWN, Inc. possess creative expertise across more than 100 business and production 6525 Sunset Blvd. categories. Garden Suite 10 AWN has just published the Winter 2002 edition of the following printable Los Angeles, CA 90028 United States PDF directories. Follow the links below to download these directories for [T] 323 606-4200 free. [F] 323 466-6619 [email protected] > GLOBAL ANIMATION BUSINESS DIRECTORY www.awn.com > GLOBAL ANIMATION HARDWARE&SOFTWARE DIRECTORY PUBLISHING > GLOBAL ANIMATION PRODUCTION DIRECTORY PRESIDENT Ron Diamond The on-line AIDB grows everyday as more and more people update CHIEF OPERATING OFFICER their company profiles. Inclusion, access and use of the AIDB is provided Dan Sarto free of charge. Participating companies edit their own descriptive profiles, so the information stays up-to-date and accurate.
    [Show full text]
  • Volunteer Research Associates in the Aroid Research Group at The
    The IAS Newsletter Vol. 42 No. 2 supplement – June, 2020 ISSN 2330-295X A Supplemental Publication for Members of the International Aroid Society Volunteer Research Associates in the Table of Contents Clerical Support for Aroid Research Group Herbarium Work ...............................page 2 at the Missouri Botanical Garden Web Design & Digital Imagery .......page 4 Thomas B. Croat, P. A. Schulze Curator of Botany Scientific Studies & Publications ....page 7 With the Assistance of Carla V. Kostelac, IAS Newsletter Editor Plant Describers & Revisionists ......page 9 At the Missouri Botanical Garden, we rely Tropicos Data Entry ...................... page 20 a lot on volunteers. The Garden has over Greenhouse Operations ................ page 22 1800 volunteers in all, mostly retired or semi-retired people who know that they Special Projects: can contribute to the Garden’s programs. Separation of the The Garden’s Volunteer Office is managed IBE Herbarium Collections .......... page 24 by Coordinator, Scott Bahan. Scott and his Labelling of Digitized Images of predecessors, Jeannie McGilligan, Jackie Seattle Filmworks Pictures ............ page 25 Juras and Norma Fraser have managed this program very well. They interview pro- Literature Cited ............................... page 25 spective volunteers and then try to place them where the volunteer wishes to work or recommends them for some available position. I have had almost two hundred volunteers in all during my 53-year career at the Garden and gener- ally have between 25 to 35 volunteers at any given time. These are all people volunteering to work in the Aroid Research Group and our program may be unique among plant sciences in the degree to which we make use volunteers in carrying out plant investigations.
    [Show full text]
  • 18. Handling and Preservation of Color Slide Collections
    625 The Permanence and Care of Color Photographs Chapter 18 18. Handling and Preservation of Color Slide Collections Selection of Films, Slide Mounts, Slide Pages, and Individual Slide Sleeves Introduction Although color slides can be made from color negative cates are essential to protect an original slide if an image is originals, the great majority of 35mm slides are one-of-a- likely to receive extensive projection or handling. kind transparencies produced by reversal processing of the original chromogenic camera film. The Fujichrome or Choice of Color Film Is Kodachrome slide that you put in your projector is in most the Most Important Consideration cases the same piece of film that was exposed in your camera. When stored in a typical air-conditioned office environ- When an original color slide becomes faded, physically ment (i.e., 75°F [24°C], 50–60% RH), the dark fading stabil- damaged, or even lost, there is no camera negative from ity of slides made on current Kodachrome, Fujichrome, which a new slide can be made. In this respect, original Ektachrome, and the “improved” Agfachrome RS and CT color slides are like the daguerreotypes of a bygone era films introduced in 1988–89 is sufficiently good that most and the Polaroid instant color prints of today: none have photographers and commercial users will feel no immedi- usable negatives. ate need to refrigerate such slides. Most photographers More than one billion color slides are taken each year in are reasonably satisfied if a color transparency lasts their the United States alone. Many important collections have lifetime — or at least their working careers — without hundreds of thousands of 35mm color slides.
    [Show full text]
  • Photo.Net Learn Photography
    photo.net Learn Photography featuring 303,881 images with 199,756 comments Sign in | Search: www.photo.net : Learn Beginners Taking Pictures ● Making Photographs: ● Portraits ❍ Light ● Gardens ❍ Lens ● Architecture ❍ Film ● Interiors ❍ Exposure ● Ruins ❍ Camera ● Macro ● Good photography with a point and shoot ● Studio camera ● Nudes ● Underwater Learn from other photo.net users ● Sports and Action ● the photo.net discussion forums ● Concerts ● chat ● Astrophotography ● Star trails Technique ● Infrared and Ultraviolet ● Book Reviews ● Pinhole Photography ● Workshops, esp. ● Street Photography ● Film Recommendations ● Subsection: Nature ● Using Filters ● Using Tilt-Shift Lenses Post-Exposure Caring for Equipment ● Choosing a Computer System for ● Cleaning Cameras and Lenses Digital Imaging ● Camera Repair ● Darkroom ● Insurance ● Labs: where to get film developed, printed, or scanned to PhotoCD Buying Equipment and Camera Reviews ● Evaluating photographs: using a lightbox ● Separate section: Equipment and loupe to find the winners ● Storing slides, negs, photos Interviews ● Notes on framing ● Portrait photograher Elsa Dorfman ● Slide Projectors ● Professional photographer David Julian ● Subsection: Digital Editing (PhotoShop) Background ● History of Photography (timeline) Publishing and Sharing ● Optics ● Scanning and Publishing on the Web http://www.photo.net/learn/ (1 of 2) [5/15/2002 7:15:35 PM] photo.net Learn Photography ● the photo.net image sharing service ● Consider Contributing articles to photo.net These are examples from Nudes
    [Show full text]
  • 15000 S225 $250
    the ONCORDIAN Volume 1, Number 1 October 31, 1986 SPECIAL UNIQUE FALL PACKAGE SPECIAL With the SERVICE & QUALITY you DESERVE PACKAGE INCLUDES PACKAGE INCLUDES PACKAGE INCLUDES • Daily Spherical Soft Contacts • Dally Soft Torfc Contacts •Gas Permeable Contacts • Complete Vision Examination by M.D. (For Astigmatism) For Astigmatism) •Eyewear (Frames & Lenses) • Examination by M.D. (includes: Fitting. • Complete Vision Examination by M.D. •60 Day Free Follow-up Visit 60 Day Follow-up Visits, Chemical Care Kit.) •Eyewear (Frames & Lenses) •Chemical Care Kit •Largo Choice ol New Fashion Frames •60 Day Free Follow-up Visit •Clear Glass or Plastic Lenses • Eyewear (Frames & Lenses) •Chemical Care Kit (tints * coalings additional) •Large Choice of New Fashion Frames NOT SUBJECT TO TWO DISCOUNTS (Choice of 200 Fashion Frames, Cltar Plastic or Glass Lenses) •Dear Glass or Plastic Lenses Tints & Coalings Additional. (lints & coatings additional) NOT SUBJECT TO TWO DISCOUNTS NOT SUBJECT TO TWO DISCOUNTS 00 S 00 $150 Your Total oYouor Total Your Total Cost! 225 Cost! WE HONOR AWARE GOLD, HMO & VISION CARE PLANS $250 Cost! BARNES HINDS $ 95 THERMAL HEAT UNITS ONLY 14 Your Locally Family Owned Eyecare Specialist! EYES EXAMINED BY A.C. McASKILL, MD OFFICE HOURS: Monday 8:30 am-3:00 pm Call for Appointment Tues., Wed., Thurs. & Friday • ICA 6:30 am-5:30 pm Saturday 9:00 am-2:00 pm (218) 233-2650 725 Center Avenue/Moortiead, Minnesota/56560 $ A f\ SPECIAL OFFER FOR * 1 fi 1U 1987 CONCORDIA SENIORS 1U $10.00 Yearbook Sitting Free with* this coupon (or coupon worth $10.00 toward Variety sitting if you desire more poses) No charge for yearbook glossy with minimum order ($7.50 value) Serving Concuidia students for over 50 years GROSZ STUDIO MOORHEAD Servina Concordla Students for over 50 years $ Conveniently located just north of Concordia on 8th Street $ 10 CALL FOR APPT.
    [Show full text]
  • Front Matter (PDF)
    AMERICAN BIRDS Sl,l•t•t½l. '•987 A seasonaljournal devotedto the birds of the Americas Published by the National Audubon Society AMERICAN BIRDS Summer 1987 ß . from the editor's desk Vol. 41, No. 2 Les Line skills. The millions of cosmopolitan peepsand stints that have sur- Senior Vice President, Publications NOW,inmidsummer, itis time tosharpen yourshorebird identification vived their sometimeschaotic annual breedingcycle have left the high latitudes of their circumpolar breedingdistribution and are en route to EDITORS their southernnonbreeding areas, some of which are well beyond the confinesof the North American continent.These long-distance migrants Susan Roney Drennan Editor can be found during this seasonand well into autumn continentwide Manuela G. Soares and in oftentimesconfounding plumages. For your field-viewingpleasure Associate Editor and in responseto the requestsof so many, we have here repeated one Kenn Kaufman of our great seminalarticles of 3 yearsago: 'Field identificationof smaller Editor, Regional Reports sandpiperswithin the genus Calidris' by Veit and Jonsson. Chandler S. Robbins Marshall Howe's 'Wetlands and waterbird conservation,' is a note- Technical Editor worthy contribution to our International Council for Bird Preservation J.P. Myers series.We exhort you to keep in mind his cogent points and some of SpecialProjects Editor the environmental outrages visited upon the nation's wetlands while AIdeen and Wi!let T. Van Velzen Co-editors.Breeding Bird Censuses shorebirdingyour favorite haunts this season.Criticizing ecologicaler- Calvin L. Cink and Roger L. Boyd rors, commending noteworthy contributionsto the protection of our Co-editors, natural heritage,and monitoringthe progressof preservationprograms Winter Bird-Population Studies is the responsibilityand obligationof each of us.Conservationists heaved Fredrick Baumgarten an enormoussigh of relief when finally, in April 1987, the United States Editorial Assistant becamea signatoryto the Ramsat Convention.
    [Show full text]