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Topaz Lens Effects Lens Topaz 3
User Manual Contents I. Installation 11. About 31 A. How to Install 3 B. Entering Your Key 3 IV. Settings & Parameters C. Host-Specific Installation 3 A. Effects & Presets 32 1. Paint Shop Pro 4 B. Bokeh - Center Focus 33 2. Photo Impact 5 C. Bokeh - SLR 36 Topaz Lens Effects Lens Topaz 3. Irfanview 6 D. Bokeh - Selective 39 D. Uninstalling 7 E. Camera - Pinhole 44 F. Camera - Tilt & Shift 46 II. Introduction G. Camera - Toy 50 A. About Topaz Lens Effects 8 H. Camera - Diffusion 54 1. Primary Functions 8 I. Filter - Dual Tone 55 B. Program Features 9 J. Filter - Fog 59 K. Filter - Graduated Color 6 III. New Features L. Filter - Graduated Neutral Density 61 A. Smart Brush 10 M. Filter - Polarization 62 B. Effects Menu 15 N. Filter - Reflector 63 C. Apply Button 16 O. Filter - Single Tone 64 D. Enhanced Sharpening 17 P. Filter - Streak 65 E. Split Screen View 18 Q. Filter - UV/Haze 65 F. Interface Style 19 R. Filter - Warmth 66 2 S. Lens - Creative Blur 67 IV. Work Area T. Lens - Dual Focus 68 A. Interface 20 U. Lens - Fisheye 70 B. Preview 24 V. Lens - Motion 71 C. Effects & Presets 26 W. Lens - Split Prism 72 1. Applying Presets 26 X. xF - Add Adjustment 73 2. Adding Presets 26 W. xF - Add Geometric Distortion 74 3. Deleting Presets 27 Z. xF - Add Grain 75 4. Importing Presets 28 AA. xF - Add Sharpening 75 5. Exporting Presets 28 AB. xF - Add Vignette 76 6. Sharing Presets 28 AC. xF - Add Vignette - Selective 76 D. -
“West Yard” at Terminal 91 for the Port of Seattle November 2, 2011
PHASE I ENVIRONMENTAL SITE ASSESSMENT PORT OF SEATTLE “WEST YARD” AT TERMINAL 91 FOR THE PORT OF SEATTLE NOVEMBER 2, 2011 PREPARED BY PINNACLE GEOSCIENCES, INC. TABLE OF CONTENTS 1.0 EXECUTIVE SUMMARY ............................................................. 1 2.0 INTRODUCTION ........................................................................ 2 2.1 Purpose ........................................................................................................ 2 2.2 Scope of Services .......................................................................................... 2 2.3 Significant Assumptions ................................................................................ 5 2.4 Limitations and Exceptions ........................................................................... 5 2.5 Special Terms and Conditions ....................................................................... 5 2.6 User Reliance ................................................................................................ 5 3.0 SITE AND VICINITY DESCRIPTION ........................................ 6 3.1 Location and Legal Description ..................................................................... 6 3.2 Site and Vicinity General Characteristics ....................................................... 6 3.3 Current Use of the Property .......................................................................... 6 3.4 Site Structures, Utilities, and Other Improvements ......................................... 6 3.5 Current Use of Adjoining -
10. the Extraordinarily Stable Technicolor Dye-Imbibition Motion
345 The Permanence and Care of Color Photographs Chapter 10 10. The Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color Print Process (1932–1978) Except for archival showings, Gone With the He notes that the negative used to make Wind hasn’t looked good theatrically since the existing prints in circulation had worn out [faded]. last Technicolor prints were struck in 1954; the “That negative dates back to the early ’50s 1961 reissue was in crummy Eastman Color when United Artists acquired the film’s distri- (the prints faded), and 1967’s washed-out bution rights from Warner Bros. in the pur- “widescreen” version was an abomination.1 chase of the old WB library. Four years ago we at MGM/UA went back to the three-strip Tech- Mike Clark nicolor materials to make a new internegative “Movies Pretty as a Picture” and now have excellent printing materials. All USA Today – October 15, 1987 it takes is a phone call to our lab to make new prints,” he says.3 In 1939, it was the most technically sophisti- cated color film ever made, but by 1987 Gone Lawrence Cohn With the Wind looked more like Confederates “Turner Eyes ’38 Robin Hood Redux” from Mars. Scarlett and Rhett had grown green Variety – July 25, 1990 and blue, a result of unstable film stocks and generations of badly duplicated prints. Hair The 45-Year Era of “Permanent” styles and costumes, once marvels of spectral Technicolor Motion Pictures subtlety, looked as though captured in Crayola, not Technicolor. With the introduction in 1932 of the Technicolor Motion Not anymore. -
Photograpmc MATERIALS CONSERVATION CATALOG
PHOTOGRAPmC MATERIALS CONSERVATION CATALOG The American Institute for Conservation of Historic and Artistic Works Photographic Materials Group FIRST EDmON November 1994 INPAINTING OUTLINE The Pbotographlc MaterIals CODServatioD Catalog is a publication of the Photographic Materials Group of the American Institute for CODBervation of Historic and Artistic Works. The Photographic MaterIals CoDServatioD Catalog is published as a convemence for the members of the Photographic Materials Group. Publication in DO way endorses or recommends any of the treatments, methods, or techniques described herein. First Edition copyright 1994. The Photographic Materials Group of the American Institute for CODBervation of Historic and Artistic Works. Inpa........ 0utIIDe. Copies of outline chapters of the Pbotograpble MaterIals CoaservatloD Catalog may be purchased from the American Institute for CODBervation of Historic and Artistic Works, 1717 K Street, NW., Suite 301, Washington, DC 20006 for $15.00 each edition (members, $17.50 non-members), plus postage. PHOTOGRAPIDC MATERIALS CONSERVATION CATALOG STATEMENT OF PURPOSE The purpose of the Photograpbic Materials Conservation Catalog is to compile a catalog of coDSe1'Vation treatment procedures and information pertinent to the preservation and exhibition of photographic materials. Although the catalog will inventory techniques used by photographic conservators through the process of compiling outlines, the catalog is not intended to establish definitive procedures nor to provide step-by-step recipes for the untrained. Inclusion of information in the catalog does not constitute an endorsement or approval of the procedure described. The catalog is written by conservators for CODSe1'Vators, as an aid to decision making. Individual conservators are solely responsible for determining the safety, adequacy, and appropriateness of a treatment for a given project and must understand the possible effects of the treatment on the photographic material treated. -
Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print .......... -
Cameraless & Alternative Photographic Workshops
Cameraless & Alternative photographic workshops All workshops listed below are tailored for your requirements, suitable for a range of ages and do no require any previous experience. Hannah Fletcher @hfletch www.hannahfletcher.com [email protected] Member of London Alternative Photography Collective @londnaltphoto Cyanotypes Lumen prints Workshops can range from drop-in 30 min sessions to 1 or 2 day classes and will result in finished prints to be taken away. The Cyanotype is a cameraless photographic printing process that produces a cyan-blue print. Absorbent materials -including papers, fabrics, woods and cardboards, are coated with a light sensitive solution and dried in a darkened space. Once dry, the material is layered with Workshops can range from drop-in 40 min sessions to full day classes objects or large format negatives and and will result in finished prints to be taken away. exposed to a source of ultraviolet light (either the sun or a UV exposure unit). Lumen printing is a cameraless photographic printing process that works Exposure time will vary depending on particularly well with organic materials. It can be done with any old, out of the strength of the UV light and can be date or fogged photographic paper or film. anywhere from 2 minutes to a few hours. Once thoughrouly washed in water, areas Materials and specimens are collected and picked for the workshop. These of the material that have been touched by are then placed onto the photographic paper or photographic film and light, remain blue, while any areas that weighted down inside a frame and exposed to a source of ultraviolet light were hidden from UV light source will (either the sun or a UV exposure unit). -
Photographic Reproduction Processes by P.C
The Project Gutenberg EBook of Photographic Reproduction Processes by P.C. Duchochois This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license Title: Photographic Reproduction Processes Author: P.C. Duchochois Release Date: December 24, 2007 [Ebook 24016] Language: English ***START OF THE PROJECT GUTENBERG EBOOK PHOTOGRAPHIC REPRODUCTION PROCESSES*** Photographic Reproduction Processes A Practical Treatise of the Photo-Impressions Without Silver Salts By P.C. Duchochois New York The Scovill & Adams Company 423 Broome Street. 1891 Contents INTRODUCTION. 1 THE DESIGNS. 17 THE CYANOTYPE OR BLUE PROCESS. 23 THE CYANOFER. (Pellet's Process.) . 31 THE BLACK OR INK PROCESS. (Ferro-tannate Process.) 37 THE CUPROTYPE. (Burnett's Process.) . 41 THE ANILINE PROCESS. 43 THE PRIMULINE OR DIAZOTYPE PROCESS. 49 TRACING PROCESS ON METAL. 59 GRAPHOTYPY. 63 THE URANOTYPE. 67 THE PLATINOTYPE. 73 ARTIGUES' PROCESS . 85 THE CARBON PROCESS. 91 APPENDIX. 117 Illustrations A Tournette . 60 Chardon's method of coating . 94 Preparer's Note Please remember that this book was published over a century ago, long before today's chemical safety standards. Please get expert advice before attempting to perform any of the procedures described in this book. Authors Quoted Artigues. Bevan, E.J. Bingham Borlinetto Brasseur, Chs. Buckle. Burnett, C. J. Chardon Cheysson Colas. Cooper, H. Cross, C. F. De la Blanchère, H. De St. Florent Draper, Dr. John Ducos du Hauron Dumoulin, E. -
Photographic Printer
Europaisches Patentamt 19 European Patent Office Office europeen des brevets (TT) Publication number: 0 393 661 B1 12 EUROPEAN PATENT SPECIFICATION (45) Date of publication of patent specification © int. ci.6 : G03B 27/80, G03B 27/46 01.02.95 Bulletin 95/05 (21) Application number: 90107424.5 (22) Date of filing : 19.04.90 (S) Photographic printer. (30) Priority: 20.04.89 JP 100963/89 (73) Proprietor : Fuji Photo Film Co., Ltd. 210 Nakanuma Minamiashigara-shi (43) Date of publication of application Kanagawa-ken (JP) 24.10.90 Bulletin 90/43 (72) Inventor : Suzuki, Kenji, c/o Fuji Photo Film Publication of the of the Co., Ltd. (45) grant patent : 798 01.02.95 Bulletin 95/05 Miyanodai, Kaisei-machi Ashigarakami-gun, Kanagawa (JP) @ Designated Contracting States : DE FR GB (74) Representative : Patentanwalte Griinecker, Kinkeldey, Stockmair & Partner Maxim ilianstrasse 58 (56) References cited : D-80538 Miinchen (DE) FR-A- 1 324 026 US-A- 4 786 944 US-A- 4 797 713 CO CO CO CO o> CO Note : Within nine months from the publication of the mention of the grant of the European patent, any person may give notice to the European Patent Office of opposition to the European patent granted. Notice of opposition shall be filed in a written reasoned statement. It shall not be deemed to have been LU filed until the opposition fee has been paid (Art. 99(1) European patent convention). Jouve, 18, rue Saint-Denis, 75001 PARIS 1 EP 0 393 661 B1 2 Description Objects of the Invention Field of the Invention The present invention is made to solve the above described problems, and has an object to provide a The present invention relates to a photographic 5 photographic printer in which it is possible to surely printer, and more particularly to a photographic printer detect light for light measurement or for imaging while having a photometerical device for measuring the maintaining the security of photographic films and density of an image to be printed and/or an imaging achieving sufficiently high speed printing of popular device for displaying the image on a monitor. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Robert Berdan © Science & Art Multimedia
This workshop will take you to the next level with Photoshop CS4 and show you how to use curves, adjustment layers, masks, channels, create actions, convert images so they simulate infrared, hand colour BW photos, combine images to expand dynamic range, create impressionistic images and more. This workshop is designed as a follow up to Photoshop I workshop. Robert Berdan Science & Art Multimedia E-mail [email protected] (403) 247-2457 Last Updated January 28, 2010 Suitable for intermediate to advanced level photographers and Photoshop users. The workshop includes a DVD with tutorial images and step by step video clips for self learning. 1. Introduction 1.1 Introduction..................................................................................................... 3 2. Photoshop Lessons 2.1 Introduction to Curves...................................................................................... 4 2.2 Cross Processing using Curves......................................................................... 8 2.3 Adjustment Layers ........................................................................................... 10 2.4 Automated Adjustment Layers ......................................................................... 14 2.5 Adjustment Layer Masks .................................................................................. 16 2.6 Add a layer mask to reveal selected regions of a photograph.......................... 19 2.7 Create a Photomontage.................................................................................. -
Fujifilm Motion Picture Film Manual
FUJIFILM MOTION PICTURE FILM MANUAL Ref.No.KB-0707E 00_motionpicture目次入 07.11.13 0:57 AM ページ1 Contents FUJICOLOR NEGATIVE FILM LIST........ 1 How to read labels ................................. 2 Products..................................................10 FUJICOLOR NEGATIVE FILM FUJICOLOR NEGATIVE FILM ETERNA Vivid 160 .........................................10 TUNGSTEN TYPE DAYLIGHT TYPE ETERNA 250..................................................14 ETERNA 400..................................................18 ETERNA 500..................................................22 ITEM F-64D .............................................................26 ETERNA 250D ...............................................30 35mm 8543 8553 8583 8573 8522 8563 8592 REALA 500D ..................................................34 TYPE No. FUJICOLOR INTERMEDIATE FILM 16mm 8643 8653 8683 8673 8622 8663 8692 ETERNA-CI ....................................................38 FUJICOLOR RECORDING FILM 16 64 125 ETERNA-RDI .................................................42 TUNGSTEN 160 250 400 500 Kodak Daylight Filter No.80A FUJICOLOR POSITIVE FILM E.I. F-CP ...............................................................46 100 160 250 320 ETERNA-CP...................................................50 DAYLIGHT 64 250 500 ETERNA-CP 3521XD.....................................54 Kodak Daylight Filter No.85 Edge Marking of Films...........................58 SIDEPRINT FN43 FN53 FN83 FN73 FN22 FN63 FN92 35mm..........................................................58 -
Discipline Report Hazardous Materials
Discipline Report Hazardous Materials Prepared by: Shannon & Wilson, Inc. November 2004 Draft EIS Magnolia Bridge Replacement City of Seattle Contents Contents ......................................................................................................................... i Executive Summary...................................................................................................... 1 Purpose and Need ........................................................................................................ 5 Purpose .................................................................................................... 5 Need.......................................................................................................... 5 Structural Deficiencies...........................................................................................5 System Linkage .....................................................................................................5 Traffic Capacity......................................................................................................8 Modal Interrelationships ........................................................................................8 Transportation Demand.........................................................................................8 Legislation .............................................................................................................9 Description of Alternatives .......................................................................................