Concerts and Master Classes
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
University Musical Society Oslo Philharmonic
UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise. -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
REVIEW by Prof. Dr. DANIELA ANDONOVA NMA "Prof. P. Vladigerov ”, Piano Department IF of the Dissertation of MILKO DOYCHEV
REVIEW by Prof. Dr. DANIELA ANDONOVA NMA "Prof. P. Vladigerov ”, Piano Department IF of the dissertation of MILKO DOYCHEV MILKOV PhD student at NEW BULGARIAN UNIVERSITY MUSIC DEPARTMENT for awarding the educational and scientific "Doctor's" degree ON THE TOPIC CONTEMPORARY INTERPRETATION PROBLEMS IN PIANO CHAMBER AND SOLO MUSIC professional field 8.3 Music and dance art, scientific field: 8. Arts with scientific supervisor Prof. Dr. Milena Shushulova-Pavlova Milko Milkov graduated from the Dobri Hristov High School of Music in Varna and the National Academy of Music “Prof. Pancho Vladigerov ” in Sofia, in the piano class of professors Julia and Konstantin Ganevi. In the period 1993-1995, with a scholarship from the Ministry of Culture of Italy, he specialized in the master classes of the Academy of Music "Santa Cecilia" - Rome (Italy), where he studied piano with Maestro Sergio Perticaroli and chamber music with Maestro Felix Ayo. Participates in master classes on interpretation of Professors Marcello Abado (Italy), Germain Munier (France) and Lev Naumov (Russia). Milko Milkov is the winner of the 1st prize of the National Competition "Svetoslav Obretenov" - Provadia; He is a laureate of the International Competition for Pianists "Senigallia" - Italy and the International Competition for Young Musicians "Trofeo di Tortona" - Italy. Participates in a number of music festivals, including the International Music Festival "Trinita' dei Monti" in Rome, the International Music Festival "Varna Summer", "European Music Festival", the International Music Festival "Sofia Music Weeks" and others. Milkov carries out joint projects - concerts and recordings, with musicians such as pianist Yovcho Krushev, clarinetist Borislav Yotsov, cellists Stanimir Todorov, Hristo Tanev and Antonio Mostaci (Italy), violinists Dimitar Burov and Varti Manuelyan, singers Tatiana Davidova and Julian Konstantinov. -
Roman Simovic Violin
Roman Simovic violin Roman Simovic's brilliant virtuosity and seemingly-inborn musicality, fueled by a limitless imagination, has taken him throughout all continents performing on many of world's leading stages including the Carnegie Hall, Bolshoi Hall of the Tchaikovsky Conservatory, Mariinsky Hall in St. Petersburg, Grand Opera House in Tel-Aviv, Victoria Hall in Geneva, Rudolfinum Hall in Prague, Barbican Hall in London, Art Centre in Seoul, Grieg Hall in Bergen, Rachmaninov Hall in Moscow, to name a few. Roman Simovic has been awarded prizes at numerous international competitions among which are: "Premio Rodolfo Lipizer" (Italy, first prize winner and winner of 12 Audience prizes), Sion-Valais (Switzerland), Yampolsky Violin Competition (Russia) and the Henryk Wieniawski Violin Competition (Poland), placing him among the foremost violinists of his generation. As soloist, Roman has appeared with the world leading orchestras: London Symphony Orchestra, Mariinsky Theatre Symphony Orchestra, Teatro Regio Torino, Symphony Nova Scotia (Canada), Franz Liszt Chamber Orchestra (Hungary), Camerata Bern (Switzerland), Camerata Salzburg (Austria), CRR Chamber Orchestra (Turkey), Poznan Philharmonia, Prague Philharmonia, North Brabant (Holland)...with conductors like: Valery Gergiev, Antonio Pappano, Daniel Harding, Gianandrea Noseda, Kristian Jarvi, Jiri Belohlavek, Pablo Heras Casado, Nikolai Znaider. In 2021 Roman will appear as a soloist with the Quebec Symphony Orchestra (Canada) and the conductor Fabien Gabel, RTVE Symphony Orchestra (Spain) where Roman will be playing and directing Prokofiev Violin Concerto No.2, I Pomeriggi Musicali (Italy) and conductor Alessandro Cadario, Braunschweig Staatsorchester and conductor Srba Dinić (Germany), Ulster Orchestra and conductor Daniele Rustioni (Northern Ireland), Malta Philarmonic Orchestra and conductor Sergey Smbatyan (Malta), Kristiansand Chamber Orchestra playing and directing (Norway), London Symphony Orchestra and conductor Sir Simon Rattle playing Miklos Rosza Violin Concerto, among others. -
Settimane Musicali Di Stresa
PROGRAMMA UFFICIALE SETTIMANE MUSICALI DI STRESA 26 AGOSTO - 16 SETTEMBRE 1963 TEATRO DEL PALAZZO DEI CONGRESSI SALONE DEGLI ARAZZI DI PALAZZO BORROMEO ALL'ISOLA BELLA L’ Orchestra della Scala La consuetudine milanese, invalsa a mezzo il. Settecento, ed àuspice Giambattista Sanmartini, di regolari e frequenti concerti orchestrali nel cortile del Palazzo Sforzesco, se ebbe storico rilievo nella formazione della sinfonia, non mancò di influire anche sulla costituzione dell’or chestra destinata agli spettacoli lirici e coreografici della Scala: e invero, sin dall’inaugurazione del teatro — avvenuta nel 1778 con /’Europa Ri conosciuta di Salieri — l’orchestra scaligera presenta un organico di settanta elementi, cifra assai superiore allo standard teatrale dell’epoca. Gli statuti del 1802 e l’assunzione di uno stabile maestro al cembalo nella persona del Lavigna, maestro di Verdi, ne vanno poi progressi vamente migliorando l’efficienza, sì che nel 1830 l’inglese William Staf- ford può constatare come l’orchestra della Scala sia « migliore e più numerosa che in qualsiasi altra città italiana ». Stabilizzatosi sugli ottanta elementi, l’organico viene elevato nel 18J5 a cento da Franco Faccio: il quale estende insieme l’attività dell’or chestra al settore sinfonico, allora pressoché sconosciuto in Italia. Al l’Esposizione Universale di Parigi (1878) la rinnovata orchestra della Scala incontra entusiastiche accoglienze; l’anno seguente si costituisce la Società Orchestrale della Scala, e le stagioni liriche avranno perma nenie complemento sinfonico. Applaudita nelle principali città d’Italia, ma ancora in Francia, in Gran Bretagna e in Svizzera, l’orchestra della Scala, nel quarantennio precedente la prima guerra mondiale, vedrà sul podio i pionieri Faccio, Mancinelli e Martucci, seguiti da Toscanini, Guarnieri, Serafin, Mascagni, Gui, Marinuzzi; ed ospiti stranieri innu meri, da Lamoureux a Nikisch, da Fri ed a Schuricht. -
Ton Koopman Hilary Hahn
TON HILARY KOOPMAN HAHN DIRECTOR VIOLÍN DURACIÓN TOTAL APROXIMADA: 100´ W. A. MozArt: Serenata nocturna KV 239 13´ F. MendelSSohn: Concierto para violín y orquesta 26´ W. A. MozArt: Sinfonía nº 40 32´ LA OSCYL Y LOS INTÉRPRETES hilAry hAhn eS lA priMerA Vez que actúA junto A lA oSCyl ton KoopMAn hA dirigido A lA oSCyl en lAS teMporAdAS 2003-04, 2006-07 y 2009-10 LA OSCYL Y LAS OBRAS W. A. MozArt: Serenata nocturna KV 239 TEMPORADA 2004-05. EDUardo LÓPEZ BANZO, director TEMPORADA 2004-05. LoreNZO Ramos, director F. MendelSSohn-BArtholdy: Concierto para violín y orquesta TEMPORADA 1994-95. Elmar OLIVEIra, violín; MAX BraGado, director TEMPORADA 2002-02. JeaN-JacQUes KANToroW, violín; SalVador Mas, director TEMPORADA 2004-05. NIkolaj ZNAIder, violín; JUANjo MENA, director TEMPORADA 2006-07. DMITRY SITkoVETskY, violín Y director TEMPORADA 2008-09. ERZHAN KULIbaeV, violín; AlejaNdro Posada, director TEMPORADA 2009-10. ERZHAN KULIbaeV, violín; MANUel HerNÁNdeZ SILVA, director TEMPORADA 2009-10. ERZHAN KULIbaeV, violín; AlejaNdro Posada, director W. A. MozArt: Sinfonía nº 40 TEMPORADA 1995-96. FelIX AYO, director TEMPORADA 2009-10. VasILY PeTreNko, director TEMPORADA 2010-11. JosÉ LUIS Temes, director Editado por Junta de Castilla y León Consejería de Cultura y Turismo ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN AUDITORIO MIGUEL DELIBES Av. Monasterio Ntra. Sra. de Prado, 2 47015 Valladolid T 983 385 604 [email protected] www.auditoriomigueldelibes.com La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Dep. -
Biografie Shlomo Mintz & Sander Sittig
Critici, colleghi e pubblico sono concordi nel considerare Shlomo Mintz uno dei maggiori violinisti del nostro tempo, stimato per la sua impeccabile musicalità, versatilità stilistica e padronanza tecnica. Nato a Mosca nel 1957, due anni dopo è emigrato con la famiglia in Israele dove ha iniziato a studiare con Ilona Feher. A undici anni ha debuttato con la Israel Philharmonic Orchestra e a sedici anni ha debuttato alla Carnegie Hall di New York con la Pittsburgh Symphony Orchestra, suo mentore fu il grande violinista Isaac Stern. Ha poi continuato gli studi con Dorothy DeLay alla Julliard School of Music di New York. Ha collaborato con direttori storici come Sergiu Celibidache, Pablo Casals, Eugene Ormandy, Claudio Abbado, Lorin Maazel, Mistislav Rosptropovich, Carlo Maria Giulini e continua a collaborare con le orchestre più celebri e i direttori più noti della scena internazionale. Ha vinto numerosi premi di prestigio, quali il Premio Accademia Musicale Chigiana di Siena, il Diapason d’Or, il Grand Prix du Disque, il Gramophone Award e l’Edison Award. Nel 2006 ha ricevuto la laurea honoris causa dall’Università Ben –Gurion di Beersheba. Oltre ad essere violinista e violista Shlomo Mintz ha aggiunto al suo curriculum artistico il ruolo di direttore d’orchestra dirigendo le più importanti orchestre internazionali. Ha fatto parte della giuria di importanti concorsi internazionali di violino, come il Tchaikovsky di Mosca e il Queen Elisabeth International Music Competition di Bruxelles. Sander Sittig, nato a Rotterdam nel 1961, ha studiato al Conservatorio di Amsterdam con Jan Wijn e dopo il diploma ha continuato con Naum Grubert, Willem Brons, Eugene Indjic. -
Elena Ulyanova – Biography
Piano Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Brenna Sluiter Marketing Operations Manager Karrah Cambry Opera and Special Projects Manager Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Contents: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles Biography 415-504-3654 / San Francisco Reviews & Testimonials Skype: pricerubent | marcparella Repertoire Email: Short Notice Concertos [email protected] CD/DVDs [email protected] Recordings Curriculum Vitae Website: http://www.pricerubin.com Complete artist information including video, audio Yahoo!Messenger and interviews are available at www.pricerubin.com pricerubin Elena Ulyanova – Biography Praised as "a phenomenal, gifted performer" by Roy Gillinson of the Beethoven Society of America, Elena Ulyanova is a pianist whose style runs the gamut of power, strength, and technique to a delicate, floating elegant finesse. Hailed by the Moscow Conservatory as one of their most gifted musicians, her Professor Victor Merzhanov noted that she possesses "Great virtuosity, brilliant artistic temperament, unique interpretive expression and a rich sound pallet." At the age of 5, Elena Ulyanova began to study piano with her mother, Larisa Ulyanova, in Saki, Ukraine. After winning several first prizes in Ukrainian and Russian competitions, she was awarded full scholarships for study in Moscow at Gnessin College of Music, Gnessin Academy of Music, and Moscow Tchaikovsky Conservatory. While at Gnessin Academy, she won the Momontov competition, which also resulted in tours of Russia, Bulgaria, and Romania. She was also awarded a tour of Austria, along with the best students representing Gnessin Academy, which included Alexander Kobrin. -
Doktori Értekezés Dla
Liszt Ferenc Zenemővészeti Egyetem Doktori iskola (7.6 Zenemővészet) HUBAY JENİ MŐVÉSZETE ÉS A HUBAY- ISKOLA KÖRMENDY KRISZTINA ANNA TÉMAVEZETİ: VERMES MÁRIA DOKTORI ÉRTEKEZÉS DLA 2008 Tartalomjegyzék BEVEZETÉS 1 I. AZ ELİADÓMŐVÉSZ 5 I. / 1. A tanulóévektıl a szólókarrierig 5 I. / 2. Párizs - A szólókarrier indulása 8 I. / 3. Brüsszel - Vieuxtemps katedrája /1882-1886/ 12 I. / 4. A kamarazene jelentısége a Hubay életmőben 14 I. / 5. Hubay elıadásmódja 19 II. HUBAY, MINT A KOMPONÁLÓ-VIRTUÓZ TRADÍCIÓ EGYIK UTOLSÓ ALAKJA 22 II. / 1. A Hubay kompozíciók stílusa 26 II. / 2. Hubay hegedőre írott mővei 28 II. / 3. Hubay: IV. a-moll hegedőverseny /Concerto all`antica/ (op.101.) elemzı bemutatása hegedőtechnikai szempontból 34 III. A HUBAY ISKOLA 38 III. / 1. A Hubay iskola sikerének társadalmi okai 40 III. / 2. Az ideális tanáregyéniség 43 III. / 3. A Hubay iskola továbbélése 45 IV. A MÓDSZER ÉS A TANÍTOTT REPERTOÁR 51 IV. / 1. A tanított repertoár 53 IV. / 2. A metodikai részkérdések vizsgálata 54 IV. / 2. 1. A jobbkéz helyes mőködésének tudatos kialakítása 56 IV. / 2. 2. A hangképzés / A tónus 59 IV. / 2. 3. A testtartás 61 IV. / 2. 4. Az átállítás folyamata / Az etődanyag feldolgozása 62 IV. / 2. 5. A balkéz feladatairól 63 IV. / 2. 6. Az akkordjáték 66 IV. / 3. Bach mőveirıl 66 IV. / 4. Az elıadásról 67 IV. / 5. A Hubay módszer egy kísérleti-gyakorlati aspektusa 68 IV. / 6. Hubay „módszeré”-nek továbbélése Waldbauer tanításán keresztül, Havas Kató megközelítésében 72 V. HUBAY TEVÉKENYSÉGE MAGYARORSZÁG ÉS BUDAPEST ZENEI ÉLETÉBEN (1886 - 1937) 75 V. / 1. A hazatérés utáni évek (1886-1920) 75 V. -
Trio Shaham Erez Wallfisch
Trio Shaham Erez Wallfisch Trio Shaham Erez Wallfisch THE MENDELSSOHN TRIOS Rachmaninoff Arensky Shostakovich “The trio's sheer pleasure of playing is bouncing off this Elegiac Trio Piano Trio No. 1 Piano Trio No. 2 beautifully recorded CD” Kassieke Zaken “Given excellently balanced recordings, these first class performances are evidence of sensitive and imaginative music-making”. Musicweb-international.com “The trio was given a huge ovation which they responded to with an encore of Mendelssohn's scherzo, from the opus 49 trio, played with magical ease.” Südwest Presse, Hans Herdeg, January 2013 RAVEL • FAURÉ • DEBUSSY Luister Magazine, October 2013 – Top-Rating: 10 “When Trio Shaham Erez Wallfisch was founded in 2009, it was welcomed with great enthusiasm, and again now this trio has hit – exactly like it did with its first recording (Mendelssohn trios) – with breathtaking brilliance, pungency and precision. And all of this fully in support of the music. We could be using more superlatives here, but this recording, to my opinion, is an absolutely essential one for French chamber music, and one which any self- respecting music lover would want to have in their collection… The recording itself is extremely accurate and detailed… Highest recommendation!” www.wyastone.co.uk 8 NI 5917 NI 5917Hagai Shaham, violin Arnon Erez, piano Raphael Wallfisch, 1 cello When the press has them down as “ “ (American Record Guide) and “ ” (Leipziger Volkszeitung) and these three giants decide it’s time to join forces, one had better sit up and take notice -
Stir Herd RICE UNNERSITY Sc~Ol of Music PROGRAM
NEW MUSIC AT RICE presents THE LARK QUARTET EVA GRUESSER, Violin ROBIN MAYFORTH, Violin ANNA KRUGER, Viola ASTRID SCHWEEN, Cello Wednesday, February 10, 1993 8:00p.m. Stude Concert Hall stir herd RICE UNNERSITY Sc~ol Of Music PROGRAM Alauda - concert piece for string quartet (1986) Libby Larsen Second String Quartet (1988) Ellsworth M ifburn (b. 1938) INTERMISSION String Quartet ("musica celestis") (1990) Aaron Jay Kernis Flowing (b.1960) musica celestis - Adagio Scherzo - Trio semplice - Scherzo Quasi una Danza Following the concert, everyone is invited to a reception in the Grand Foyer. 1 In consideration of the performers and members of the audience, please check audible paging devices with the ushers and silence audible timepieces. The taking of photographs and the use of recording equipment are prohibited. II. Development: Transition. Four solos which develop Theme 1 ( separ ated by brief contrasting sections). Re-Transition. III. Recapitulation: Theme 1 (shortened and varied). Contrasting Section (Rhythmic Section A) ending in Climax on Theme 1 variant. Theme 2 and Rhythmic Section B developed simultaneously. Closing Section variant. Harmonic Culmination. Coda. The second movement, musica celestis, is inspired by the medieval conception of that phrase which refers to the singing of the angels in heaven in praise of God without end. "The office of singing pleases God if it is performed with an attentive mind, when in this way we imitate the choirs ofangels who are said to sing the Lord's praises without ceasing." (Aurelian ofReome, translated by Barbara Newman) I don't particularly believe in angels but found this to be a potent image that has been reinforced by listening to a good deal ofmedieval music, especially the soaring work of Hildegard of Bingen ( 1098-1179).