Modesto Symphony Orchestra Performs Mozart & Mendelssohn on April 3 & 4
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David Lockington
SPOKES NEWSLETTER DISTRICT 5300 * Rotary Club 794 * January 29, 2021 * #21-5 Stay up-to-date at www.pasadenarotary.com This Week's Program DAVID LOCKINGTON Pasadena Symphony & Pops Introducer: MARY WILSON A native of Great Britain, David Lockington began his career as a cellist and was the Principal with the National Youth Orchestra of Great Britain. After completing his BA at the University of Cambridge, Lockington received his Master's degree in cello performance at Yale, where he also studied conducting with Otto Werner Mueller. He was a member of the New Haven Symphony Orchestra and served as assistant principal cellist with the Denver Symphony Orchestra before turning to conducting. Lockington was appointed Music Director of the Pasadena Symphony in 2013 and holds the same position with the Modesto Symphony. He served as Music Director of the Grand Rapids Symphony from 1999 to 2015, and is currently the orchestra's Conductor Laureate. Lockington is also Principal Guest Conductor of the Orquesta Sinfonica del Principado de Asturias in Spain and is an Artistic Partner with Northwest Sinfonietta in Tacoma, Washington. 11:45 am: Greeters Scott Carlson - Jane Waas - Elisabeth Browne Song Leader: Mary Lou Byrne - Inspiration: Christle Balvin Scoot Zone Reporter: Mary Lou Byrne Tech Team: Frank Fish - Robert Lyons - Don Andrues Zoom Team: Scott Carlson - Kat Rogers - Frank Fish -Tammy Silver Elisabeth Browne - Wendy Anderson ** NEED HELP WITH ZOOM** Tammy Silver - [email protected] - 626-744-9533 Pasadena Rotary invites you to its Weekly Wednesday Meeting February 3, 2020 at 12:00pm - 1:15pm * All or part of our weekly Rotary meeting may be recorded to assist with documenting donations, input, or other Pasadena Rotary business. -
Elena Ulyanova – Biography
Piano Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Brenna Sluiter Marketing Operations Manager Karrah Cambry Opera and Special Projects Manager Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Contents: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles Biography 415-504-3654 / San Francisco Reviews & Testimonials Skype: pricerubent | marcparella Repertoire Email: Short Notice Concertos [email protected] CD/DVDs [email protected] Recordings Curriculum Vitae Website: http://www.pricerubin.com Complete artist information including video, audio Yahoo!Messenger and interviews are available at www.pricerubin.com pricerubin Elena Ulyanova – Biography Praised as "a phenomenal, gifted performer" by Roy Gillinson of the Beethoven Society of America, Elena Ulyanova is a pianist whose style runs the gamut of power, strength, and technique to a delicate, floating elegant finesse. Hailed by the Moscow Conservatory as one of their most gifted musicians, her Professor Victor Merzhanov noted that she possesses "Great virtuosity, brilliant artistic temperament, unique interpretive expression and a rich sound pallet." At the age of 5, Elena Ulyanova began to study piano with her mother, Larisa Ulyanova, in Saki, Ukraine. After winning several first prizes in Ukrainian and Russian competitions, she was awarded full scholarships for study in Moscow at Gnessin College of Music, Gnessin Academy of Music, and Moscow Tchaikovsky Conservatory. While at Gnessin Academy, she won the Momontov competition, which also resulted in tours of Russia, Bulgaria, and Romania. She was also awarded a tour of Austria, along with the best students representing Gnessin Academy, which included Alexander Kobrin. -
570452 Bk Karlowicz EU
572190 bk Kletzki 31/12/09 20:28 Page 5 Joseph Banowetz Russian Philharmonic Orchestra Paul GRAMMY® nominated American pianist Joseph Banowetz The Russian Philharmonic Orchestra is firmly rooted in Russia’s rich musical traditions, and has achieved an has been heard as recitalist and orchestral soloist on five impressive and outstanding musical quality by drawing its musicians from the highest ranks of Russia’s most KLETZKI continents, with performances with such orchestras as the St famous orchestras such as the Moscow Radio Symphony Orchestra, the Russian National Orchestra and the State Petersburg Philharmonic, the Moscow State Symphony, the Symphony Orchestra. The Russian Philharmonic Orchestra was originally formed as a recording ensemble and has Prague and Bratislava Radio Orchestras, the Budapest gone on to receive high acclaim also for its concert performances. In addition to regular recordings for leading Symphony, the Barcelona Concert Society Orchestra, the international companies, the orchestra has also undertaken tours to Turkey, Austria, Germany, China, Taiwan, Piano Concerto New Zealand Symphony (on a twelve-concert national Finland and elsewhere. Dmitry Yablonsky was appointed Music Advisor to the orchestra in 2003. In 2006 the tour), the Beijing National Philharmonic, the Shanghai orchestra won a Gramophone Prize for their recording of Shostakovich on Deutsche Grammophon. Symphony, the Hong Kong Philharmonic, and the Seoul Three Preludes • Three Piano Pieces • Fantasie Philharmonic. In December 2007 Banowetz’s recording of Balakirev’s works received two official GRAMMY® Thomas Sanderling nominations. His recordings have been given wide critical Joseph Banowetz, Piano acclaim, including Fanfare (U.S.) describing Banowetz as Thomas Sanderling grew up in St Petersburg, where his “a giant among keyboard artists of our time”. -
Sergey Prokofiev
A PORTRAIT Sergey Prokofiev 1891–1953 Preface Modish confidence and malignant conformity – two extremes that reflect the mores of western liberalism on the one hand and Soviet totalitarianism on the other – are the contradictory social and political poles that shaped the artistic and personal world of Prokofiev. While enjoying the former, and enduring the latter, he displayed an outstandingly original and fertile creativity that places him among the most distinctive and attractive musical voices of the twentieth century. Both his popularity and his status as one of the great composers of recent times are assured, for his music is devoid of intellectual posturing. Rarely does he sacrifice rigorous authenticity for artifice, or exchange well-wrought organic structure for glamour and superficiality. Prokofiev’s orchestral sonorities can be percussively steely and ironic one minute and poignantly romantic and witty the next, but they are always governed by a personal sincerity and fundamental musical honesty. The twentieth century witnessed many trends in music, some of which were self- conscious and indulgent, while others were simply blind alleys. Prokofiev, however, remained largely unaffected by strict artistic creeds (whether self-imposed or compulsorily enforced), and managed to maintain a distinctly independent musical voice that listeners continue to find refreshing. Sergey Prokofiev: A Portrait Contents Page Track List 6 Sergey Prokofiev: A Portrait – by Gregory Hart 10 I: A Provincial Boyhood 12 II: In the Imperial Capital 16 III: Artistic Freedom, War and Revolution 24 IV: An American Interlude 32 V: Paris and Marriage 36 VI: A Russian Interlude 45 VII: Paris Again 50 VIII: Paris or Moscow? 61 IX: Back to Moscow 68 X: Great Patriotic War 77 XI: Post-war Optimism 85 XII: Official Condemnation and Late Flowering 91 Credits 104 5 Sergey Prokofiev: A Portrait Track List CD 1 1 Dreams, Op. -
FOR IMMEDIATE RELEASE Pasadena Symphony Association
FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 For artist bios and images visit: http://pasadenasymphony-pops.org/2017-2018-symphony-classics- season-announcement/ February 16, 2017 PASADENA SYMPHONY ANNOUNCES 2017-18 SEASON & RENEWS ARTISTIC CONTRACTS WITH DAVID LOCKINGTON AND NICHOLAS MCGEGAN THROUGH 2019 Pasadena, CA – The Pasadena Symphony is proud to announce its 90th Season with its expanded schedule of seven concert weekends for 2017-18. The Singpoli Classics Series season commences on October 14th through May 5th with both 2pm and 8pm performances at Pasadena’s historic Ambassador Auditorium. The season also includes the annually sold out Holiday Candlelight Concert on Saturday, December 16, 2017 with both 4pm and 7pm performances at All Saints Church. The Pasadena Symphony further cements its position as the area’s premiere destination for live symphonic music with an eye for long term stability in its artistic leaders by renewing the contracts of both Music Director David Lockington and Principal Guest Conductor Nicholas McGegan through 2019. The 2017-18 season kicks off on October 14, 2017 with Music Director David Lockington and the youngest ever Tchaikovsky Competition Silver Medalist Dylana Jenson performing Tchaikovsky Symphony No. 4. The Pasadena Symphony continues its tradition of showcasing the stars of tomorrow here today with BBC New Generation Artist Zhang Zuo (“Zee Zee”) performing Saint Saens’ Piano Concerto No. 2 alongside Mozart Symphony No. 41 “Jupiter” on November 18, 2017. First prize winner at China's 1st International Piano Concerto Competition, the young Zee Zee has already toured the globe, in performances with the BBC Symphony, BBC Philharmonic, London Philharmonic, Los Angeles Philharmonic, Hong Kong Philharmonic and the Shanghai Symphony Orchestra, among others. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
View Commencement Program
THOSE WHO EXCEL REACH THE STARS FRIDAY, MAY 10, 2019 THE RIVERSIDE CHURCH MANHATTAN SCHOOL OF MUSIC NINETY-THIRD COMMENCEMENT Processional The audience is requested to rise and remain standing during the processional. ANTHONY DILORENZO “The Golden Palace and the Steamship” from The Toymaker (b. 1967) WILLIAM WALTON Crown Imperial: Coronation March (1902–1983) (arr. J. Kreines) BRIAN BALMAGES Fanfare canzonique (b. 1975) Commencement Brass and Percussion Ensemble Kyle Ritenauer (BM ’11, MM ’15), Conductor Gustavo Leite (MM ’19), trumpet Changhyun Cha (MM ’20), trumpet Caleb Laidlaw (BM ’18, MM ’20), trumpet Sean Alexander (BM ’20), trumpet Imani Duhe (BM ’20), trumpet Matthew Beesmer (BM ’20), trumpet Olivia Pidi (MM ’19), trumpet Benjamin Lieberman (BM ’22), trumpet Kevin Newton (MM ’20), horn Jisun Oh (MM ’19), horn Eli Pandolfi (BM ’20), horn Liana Hoffman (BM ’20), horn Emma Potter (BM ’22), horn Kevin Casey (MM ’20), trombone Kenton Campbell (MM ’20), trombone Julia Dombroski (MM ’20), trombone David Farrell (MM ’20), trombone Morgan Fite (PS ’19), bass trombone Patrick Crider (MM ’19), bass trombone Mark Broschinsky (DMA ’11), euphonium Logan Reid (BM ’20), bass trombone Emerick Falta (BM ’21), tuba Brandon Figueroa (BM ’20), tuba Cooper Martell (BM ’20), percussion Hyunjung Choi (BM ’19), percussion Tae McLoughlin (BM ’20), percussion Hamza Able (BM ’20), percussion Introduction Monica Coen Christensen, Dean of Students Greetings Lorraine Gallard, Chair of the Board of Trustees James Gandre, President Presentation of Commencement Awards Laura Sametz, Member of the Musical Theatre faculty and the Board of Trustees Musical Interlude GEORGE LEWIS Artificial Life 2007 (b. 1952) Paul Mizzi (MM ’19), flute Wickliffe Simmons (MM ’19), cello Edward Forstman (MM ’19), piano Thomas Feng (MM ’19), piano Jon Clancy (MM ’19), percussion Presentation of the President’s Medal for Distinguished Service President Gandre Joyce Griggs, Executive Vice President and Provost John K. -
PHILIP SAWYERS Symphonic Music for Strings & Brass the Gale of Life Symphony No.1
PHILIP SAWYERS Symphonic Music for Strings & Brass The Gale of Life Symphony No.1 Philip Groom Landscape of Angels 3 Grand Rapids Symphony David Lockington, music director 8 NI 6129 NI 6129 1 David Lockington has been Music Director of the Grand Rapids Symphony since January 1999 and occupies the Steelcase Foundation Chair. Since arriving to the United States from Great Britain in 1978, his conducting activities have included serving as music director of the Cheyenne Symphony Orchestra, Denver Young Artist’s Orchestra and Boulder Bach Festival. He was founder and conductor of the Academy in the Wilderness Chamber Orchestra and for three years held the post of assistant conductor with the Denver Symphony Orchestra and Opera Colorado. Mr. Lockington served as associate conductor of the Baltimore Symphony from 1992. In Philip Sawyers 1993, he became music director of the Ohio Chamber Orchestra. In 1995, he assumed the title of music director of the New Mexico Symphony Orchestra and was music director of the Long Island Philharmonic from 1996 to 2000. Mr. Lockington is married 1 The Gale of Life 10.32 to violinist Dylana Jenson. They have four children and live in Grand Rapids, Michigan. 2 Symphonic Music for Strings and Brass 18.24 The Grand Rapids Symphony was officially organized in 1930. The orchestra hired its first full-time members in 1973, under Music Director Theo Alcantara. Following Symphony No. 1 Alcantara’s tenure, Music Directors Semyon Bychkov and Catherine Comet nurtured the orchestra as it grew into the second largest orchestra in the State of Michigan. 3 I Moderato 8.28 David Lockington has led the Grand Rapids Symphony to new heights of artistic 4 II Adagio 13.42 excellence during his tenure. -
Oxana Yablonskaya
Oxana Yablonskaya Oxana Yablonskaya’s charismatic piano playing and profound interpretations have brought her acclaim for over thirty years. Known for her powerhouse virtuosity, exquisite sensitivity, and deep emotional drive, Ms. Yablonskaya has enchanted audiences worldwide. Oxana Yablonskaya was born in Moscow. As an adolescent, she attended The Moscow Central School for the gifted children under the tutelage of great Anaida Sumbatyan, with whom she worked with until the age of 16. She later studied at the Conservatory of Moscow with the legendary Aleksandre Goldenweiser. At 22, she began a professional relationship with Tatiana Nikolayeva in the Doctorate Program, later acting as her assistant at the Moscow Conservatory. Following graduation with high honors, she was introduced to the Western World in Paris at the Jacques Long-Thibaud Competition in 1963, the Rio de Janeiro Competition in 1965, and the Vienna Beethoven Competition in 1969. She won top prizes in all three competitions, and received numerous invitations for return engagements, but because of the Cold War, was not allowed to do so. While still in the USSR, Ms. Yablonskaya performed Shostakovich’s Piano Concerto #1 with the Moscow Philharmonic under conductor Yury Simonov at the Composers Jubilee Concert in the Kremlin. She was the first performer to play Rodion Shchedrin’s “Basso Ostinato,” which became her signature piece. Her status as a consummate professional was heightened by many prominent Soviet and foreign composers dedicating their music to her. Despite the reputation she had earned within the Soviet Union and being a prize winner of three international competitions, she was never permitted to play outside the Eastern Bloc. -
INCLASSICA MALTA INTERNATIONAL MUSIC FESTIVAL CELEBRATES 10Th ANNIVERSARY with STAR-STUDDED LINE-UP
INCLASSICA MALTA INTERNATIONAL MUSIC FESTIVAL CELEBRATES 10th ANNIVERSARY WITH STAR-STUDDED LINE-UP 17 April – 11 May 2021 33 Soloists including Martha Argerich, Rudolf Buchbinder, Gautier Capuçon, Danielle De Niese, Daniel Hope, Gidon Kremer, Denis Matsuev, Andreas Ottensammer, Grigory Sokolov and Maxim Vengerov among others 8 Orchestras including Jerusalem Symphony Orchestra, Malta Philharmonic Orchestra, Royal Philharmonic Orchestra, Orchestre Philharmonique Royal de Liège and others directed by Gergely Madaras, Alexander Shelley, Dmitry Yablonsky, Sergey Smbatyan and other leading conductors Alexey Shor is the Festival’s Composer-in-Residence InClassica Malta International Music Festival has established itself as one of the world’s leading music festivals, and for its 10th year anniversary edition is offering music lovers a star-studded line- up in Malta’s historic capital Valletta. Soloists scheduled to appear in the festival represent some of the biggest names in classical music, and include piano legends Martha Argerich and Grigory Sokolov alongside Rudolf Buchbinder, Gautier Capuçon, Danielle De Niese, Daniel Hope, Gidon Kremer, Denis Matsuev, Andreas Ottensammer and Maxim Vengerov. As well as the local Malta Philharmonic Orchestra and Malta Youth Orchestra, visiting orchestras will include the Jerusalem Symphony Orchestra, Royal Philharmonic Orchestra, Orchestre Philharmonique Royal de Liège, Russian National Orchestra and Armenian State Symphony Orchestra, with conductors Gergely Madaras, Marius Stravinsky, Michael Francis, Alexander Sladkovsky, Alexander Shelley, Dmitry Yablonsky, Gianluca Marciano and Sergey Smbatyan. The three-weeks-long festival will present concerts in one of Malta’s oldest and most beautiful 16th century buildings, the Mediterranean Conference Centre, and is organised by the Malta Philharmonic Orchestra and the European Foundation for the Support of Culture (EFSC) which promotes cultural and educational projects throughout the continent. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
Marisa Mccarthy [email protected] (626) 793-7172 Ext
FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 January 17, 2018 For artist bios and images click here: http://pasadenasymphony-pops.org/press-release-stravinsky- firebird-suite/ PASADENA SYMPHONY PRESENTS A WORLD PREMIERE CELEBRATING WOMEN BY RISING STAR COMPOSER DALE TRUMBORE Celebrate Valentine’s Day with Stravinsky’s Firebird Suite and Israeli cellist Inbal Segev on Dvořák’s rapturous Cello Concerto Pasadena CA – Music Director David Lockington returns to the podium on Saturday, February 17 for Stravinsky’s Firebird Suite at Ambassador Auditorium with performances at 2:00 and 8:00pm. The Pasadena Symphony’s ode to romance arrives just in time to celebrate with your Valentine, with Stravinsky’s impassioned fairytale topping off what Lockington calls “a magnificent, warm, and rich Romantic program.” The February concert will also feature Dvořák’s tribute to a long-lost love, his rapturous Cello Concerto, and a world premiere Pasadena Symphony commission by up-and-coming Pasadena composer Dale Trumbore entitled Infinitely and Without Apology. “A rising star among modern choral composers” (AXS), Dale Trumbore’s newest work, Infinitely and Without Apology was written to commemorate the 50th Anniversary of the Women’s Committee of the Pasadena Symphony Association. Her subject is timely, with the piece being written as the #metoo movement came to the fore. This ambitious piece explores the idea of developing confidence, particularly—but not exclusively—as a woman. Trumbore addresses how women develop the kind of resilience it takes to share and project their voice in a world where they are often socialized to be quiet and take up minimal space.