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What the Upanisads Teach
What the Upanisads Teach by Suhotra Swami Part One The Muktikopanisad lists the names of 108 Upanisads (see Cd Adi 7. 108p). Of these, Srila Prabhupada states that 11 are considered to be the topmost: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Taittiriya, Aitareya, Chandogya, Brhadaranyaka and Svetasvatara . For the first 10 of these 11, Sankaracarya and Madhvacarya wrote commentaries. Besides these commentaries, in their bhasyas on Vedanta-sutra they have cited passages from Svetasvatara Upanisad , as well as Subala, Kausitaki and Mahanarayana Upanisads. Ramanujacarya commented on the important passages of 9 of the first 10 Upanisads. Because the first 10 received special attention from the 3 great bhasyakaras , they are called Dasopanisad . Along with the 11 listed as topmost by Srila Prabhupada, 3 which Sankara and Madhva quoted in their sutra-bhasyas -- Subala, Kausitaki and Mahanarayana Upanisads --are considered more important than the remaining 97 Upanisads. That is because these 14 Upanisads are directly referred to by Srila Vyasadeva himself in Vedanta-sutra . Thus the 14 Upanisads of Vedanta are: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Aitareya, Taittiriya, Brhadaranyaka, Chandogya, Svetasvatara, Kausitaki, Subala and Mahanarayana. These 14 belong to various portions of the 4 Vedas-- Rg, Yajus, Sama and Atharva. Of the 14, 8 ( Brhadaranyaka, Chandogya, Taittrirya, Mundaka, Katha, Aitareya, Prasna and Svetasvatara ) are employed by Vyasa in sutras that are considered especially important. In the Gaudiya Vaisnava sampradaya , Srila Baladeva Vidyabhusana shines as an acarya of vedanta-darsana. Other great Gaudiya acaryas were not met with the need to demonstrate the link between Mahaprabhu's siksa and the Upanisads and Vedanta-sutra. -
Dvaita Vedanta
Dvaita Vedanta Madhva’s Vaisnava Theism K R Paramahamsa Table of Contents Dvaita System Of Vedanta ................................................ 1 Cognition ............................................................................ 5 Introduction..................................................................... 5 Pratyaksa, Sense Perception .......................................... 6 Anumana, Inference ....................................................... 9 Sabda, Word Testimony ............................................... 10 Metaphysical Categories ................................................ 13 General ........................................................................ 13 Nature .......................................................................... 14 Individual Soul (Jiva) ..................................................... 17 God .............................................................................. 21 Purusartha, Human Goal ................................................ 30 Purusartha .................................................................... 30 Sadhana, Means of Attainment ..................................... 32 Evolution of Dvaita Thought .......................................... 37 Madhva Hagiology .......................................................... 42 Works of Madhva-Sarvamula ......................................... 44 An Outline .................................................................... 44 Gitabhashya ................................................................ -
Secrets of Srimad Bhagavad Gita Revealed
Secrets of Srimad Bhagavad Gita Revealed By Manga Viswanadha Rao Introduction The Bhagavad Gita, the greatest devotional book of Hinduism, has long been recognized as one of the world‘s spiritual classics and a guide to all on the path of Truth. The land of the Vedas and the Upanishads – that is India. India has a rich culture of respecting the Father, Mother, Elders and Teachers. The influence of Western Culture and the glitz of Materialism is misleading the children of India and corrupting the society by compromising the values. This is an attempt to lead the people in the right direction. Let us read the mantra from Yajur Veda (36-24) and understand the deep meaning and spiritual significance it upholds. Let us live long. Without depending on anyone. I am deeply pained by the children over speeding for the thrill on the streets of India. The immaturity of some children is evident with their utter disregard to their self well-being when they forget that ―Speed Thrills, But also Kills‖. Some other children want to depend their entire lives on the hard work of their parents. Let us take Vedas as an example of how we need to live our lives. Let us make a firm resolve to lead Young India by example with the inspiration of Swami Vivekananda. Let us make a firm resolve to lead the Future generations of Young India with the inspiration provided by the teachings of Lord Krishna in Bhagavad Gita. Let us learn to take good care of ourselves. TACHCHA KSHURDEVHITAM PURASTACHRUKRAMMUCHARAT PASHYEM SHARADAHA SHATAM JIVEMA SHRADAHA SHATAM SHRUNUYAMA SHARADAHA SHATAM PRA BRAYAMA SHARADAHA SHATMADINAHA SYAM SHARADAHA SHATAM BHUYASHCHA SHARADAHA SHATAM BHUYASHCHA SHARADAHA SHATATA -------------(36/24, Yajurveda) He first arose who was the doer of good to the scholars and was blessed with pure eyes of knowledge. -
Philosophy of Sri Madhvacarya
PHILOSOPHY OF SRI MADHVAGARYA by Vidyabhusana Dr. B. N. K. SHARMA, m. a., Ph. d., Head of the Department of Sanskrit and Ardhamagadhl, Ruparel College, Bombay- 16. 1962 BHARATIYA VIDYA BHAVAN BOMBAY-7 Copyright and rights of translation and reproduction reserved by the author.. First published.' March, 1962 Pri/e Rs. 15/- Prlnted in India By h. G. Gore at the Perfecta Printing Works, 109A, Industrial Aiea, Sion, Bombay 22. and published by S. Ramakrishnan, Executive Secrelaiy Bharatiya Vidya Bhavan, Bombay 1. Dedicated to &R1 MADHVACARYA Who showed how Philosophy could fulfil its purpose and attain its goal by enabling man to realize the eternal and indissoluble bond of Bitnbapratibimbabhava that exists between the Infinite and the finite. ABBREVIATIONS AV. Anu-Vyakhyana Bhag. Bhagavata B. T. Bhagavata-Tatparya B. S. Brahma-Sutra B. S. B. Brahmasutra Bhasya Brh. Up. Brhadaranyaka-Upanisad C. Commentary Chan. Up. Chandogya Upanisad Cri. Sur. I. Phil. A Critical Survey of Indian Philosophy D. M. S. Daivi Mimamsa Sutras I. Phil. Indian Philosophy G. B. Glta-Bha»sya G. T. Glta-Tatparya KN. Karma-Nirnaya KN. t. Karma Nirpaya Tika M. G. B. Madhva's GTta Bhasya M. Vij. Madhvavijaya M. S. Madhvasiddhantasara Mbh. Mahabharata Mbh. T. N. Mahabharata Tatparya Nirnaya Man. Up. Mandukya Upanisad Mith. Kh.t. Mithyatvanumana Khandana Tika Mund.Up. Mundaka Upanisad Nym- Nyayamrta NS. Nyaya Sudha NV. Nyaya Vivarapa PP- Pramana Paddhati P- M. S. Purva Mlmamsa Sutras R- V. Rg Veda R.G.B. Ramanuja's Glta Bhasya S. N. R. Sannyaya Ratnavalf Svet. Up. Svetaivatara Upanisad Tg. ( Nyayamrta )-Tarangini TS. -
The Life and Stories of the Jaina Savior, Parvanatha
THE LIFE AND STORIES OF THE JAINA SAVIOR PARCVANATHA BY MAURICE BLOOMFIELD Professor of Sanskrit and Comparative Philology in the Johns Hopkins University baltimore The Johns Hopkins Press 1919 J. H. FURST COMPANY,, PRINTERS BALTIMORE ^?Z . CONTENTS PAGE Preface ix Introduction 1 Digest of Bhavadevasuri's Parcvanatha Caritra 25 Sarga the First Invocation of Arhats and Divinities 25 Frame story : The brothers Kamatha and Marubhuti 25 Story of Lalitanga and his servant Sajjana 26 Parable of the hunter who was moved to compassion 28 Story of Lalitanga, continued 29 Fable of the swan and the crow 32 Story of Lalitanga, continued 33 Story of the parrot that brought the fruit of immortality .... 34 Story of Lalitanga, continued 35 Story of the Cravaka Gandhara who rejected magic art. 36 Story of Lalitanga, concluded 38 Frame story: The enmity between the brothers Kamatha and Marubhuti 38 Two parables 40 Frame story: The enmity between the brothers Kamatha and Marubhuti, continued 41 Sarga the Second Frame story : King Kiranavega 43 Story of Prince Bhima and his friend Matisagara 44 Parable of the six men who started to destroy a hostile village 44 Story of King Naladharma and the deer 45 Parable of the illusory deluge 45 Story of King Naladharma and the deer, continued 47 Story of Prince Bhima and his friend Matisagara, continued. The wicked Kapalika 47 iii iv Contents PAGE Story of Prince Bhima and his friend Matisagara, continued. Qibi motif 51 Story of mother and son punished for cursing one another by implication 54 Parable of the impatient beggar who went to hell 56 Story of King Vasu who violated the truth 56 Story of the thief who was destined to die like Absalom. -
Srimad-Bhagavatam Is Glorified As the Ripened Fruit of the Tree of Vedic Knowledge and the Representative of God in Book Form
The First Book of the SRI-SAFSANDARBHA Tdtion& Commentary Satya Niirliyana D&a Kundali DIsa L-P- -- -- Srila Prabhupada has often glorified Srila Jiva Gosvami for h is wonderful accomplishment-SH-sad-~andahha (Thesix Essences) In the Caitanya-caritamrta he writes: False devotees, lacking the conclusion of-tran- scendental knowledge, think that artificially shedding tears will deliver them. Similarly, other false devotees think that studying books of the previous Bcaryas is unadvisable, like studying dry empiric philosophies. But srila Jiva Gosvami, following the previous acaryas, has inculcated the conclusions of the scriptures in the six theses called the Sat-sandarbhas. False devotees who have very little knowledge of such conclusions fail to achieve pure devotion for want of zeal in accepting the favorable di- rections for devotional service given by self- - realized devotees. Such false devotees are like impersonalists, who also consider devotional service no better than ordinary fruitive actions. Here hila Prabhupada asserts that the conclusions of the scriptures are in the Sat-Sandarbhas. Devotees eager to be fortified with these conclusions will there- fore pay close attention to the presentation of the Sandarbhas in English, complete with illuminating com- mentary on the words of ~rilaJiva Gosvami. Such scrutinizing study is especially cherished by devotees who are dedicated to the preaching mission of Lord Caitanya Mahaprabhu.Today, sadly, even among those in the direct line of Jiva Gosvami, study of the Sandarbhas is neglected. ~rilaPrabhupada, however, before embarking on his mission to bring Krsna.. con- l sciousness to the Western world, prepared himself by studying the Sat-Sandarbhas and has encouraged his followers to do the same. -
Shlok Varni-Vesh-Ramaneeya-Darshanam, Mand-Haas-Ruchi-Raan-Naan-Bhujam Pujitam-Suranaro-Tamair-Muda, Dharmanandan-Maham-Vichinty
Shree Swaminarayan Temple Willesden Shlok Varni-Vesh-Ramaneeya-Darshanam, Mand-Haas-Ruchi-Raan-Naan-Bhujam Pujitam-Suranaro-Tamair-Muda, Dharmanandan-Maham-Vichintye Janmangal Stotra 1. Om Shree Krushnaay Namah. I Bow Down To Shree Krishna (Lord Swaminarayan Himself) 2. Om Shree Vasudevaay Namah I Bow Down To Shree Vasudev 3. Om Shree Nar-Narayanaay Namah I Bow Down To NarNarayan 4. Om Shree Prabhave Namah I Bow Down To Prabhu, The Almighty 5. Om Shree Bhakti-Dharmaat-Majaay Namah I Bow Down To The Son Of Bhaktimata And Dharmadev 6. Om Shree Ajanmane Namah I Bow Down To The Eternal 7. Om Shree Krushnaay Namah I Bow Down To Shree Krishna (The Enchanter Of Devotees) 8. Om Shree Narayanaay Namah I Bow Down To Shree Narayan 9. Om Shree Haraye Namah I Bow Down To Shree Hari (The Remover Of Miseries Of His Beloved Ones) 10. Om Shree Hari-Krushnaay Namah I Bow Down To Shree Hari Krishna (The Remover Of Miseries And The Giver Of Bliss) 11. Om Shree Ghanshyamaay Namah I Bow Down To Shree Ghanshyam (The Lord With Beautiful Dark Cloudy Complexion) 12. Om Shree Dharmikaay Namah I Bow Down To The Religious One 13. Om Shree Bhakti-Nandanaay Namah I Bow Down To The Giver Of Joy To Bhaktimata 14. Om Shree Brhad-Vrat-Dharaay Namah I Bow Down To The Observer Of Great Vows 15. Om Shree Shuddhaay Namah I Bow Down To The Pure One 16. Om Shree Radha-Krushna-Ishta-Devataay Namah I Bow Down To The One Whom Radha-Krishna Is Very Dear 17. -
A Logical Illuminatioi\I of the Advaita Theory of Perception : Some Problems
A LOGICAL ILLUMINATIOI\I OF THE ADVAITA THEORY OF PERCEPTION : SOME PROBLEMS THESIS SUBMITTED FOR THE AWARD OF THE DOCTOR OF PHILOSOPHY (PI--J.D.) DEGREE OF THE UNIVERSITY OF NORTH BENGAL By Srnt. Madhuban _Mukherjee 2002 ·Supervised by Prof. Raghunath Ghosh Professor of Philosophy UNIVERSITY OF NORTH BENGAL l2e.j /g;. 7cf!2. ;...--/'353/2 . r: 5990 l \) \ •w- \J 2 3 SEP 2003- .·' . { PREFACE The research work entitled: 'A Logical illumination ~f the Advaita ·Theory of Perception' is the result of intensive and critical study on the Advaita theory of Perception, which is unique and novel in character in comparison to the theories of perception in other systems. The work is based mainly on the analysis of the Sanskrit texts like VedantajJaribhaSa · by Dharmaraja Adhvarindra etc. Apart from this . some basic teXts like Brahmasutra with Samkarabhasya, Bhamati, Vedantasara, Pancadasi, Tattvapradipika known as .Citsukhi have. been consulted to highlight the Advaita position. An effort has been made to throw some light on some knotty issues in connection with the theory of perception, which .is followed by some critical and. evaluative remar~s. The scholars . and experts in this field will judge how far I am successful. The thesis would not have found . the light of the day, had there been no constant inspiration, encouragement and proper guidance· frorp. my respected teacher, Professor Raghunath Ghosh, -who had spent much time and energy in supervising the whole work and teaching me the original. texts. Hence I convey my heartfelt gratitude and regards to him. Professor Dikshit Gupta of Calcutta University had shown me a right path from the beginnmg of my carrier with his advice and guidance for which he deserves my regards. -
Reflections of Art in the Sculptures of Sarasvati at Hoysaleshvara Temple, Halebid
Reflections of Art in the Sculptures of Sarasvati at Hoysaleshvara Temple, Halebid Rohitha Eswer1 and Vrushab Mahesh2 1. Departments of Ancient History and Archaeology and Archaeology and Museology, Maharaja’s College, University of Mysore, Karnataka, India (Email: [email protected]) 2. Department of Archaeology and Ancient History, The Maharaja Sayajirao University of Baroda, Vadodara, Gujarat, India (Email: [email protected]) Received: 10 August 2015; Accepted: 14 September 2015; Revised: 09 October 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 19‐32 Abstract: Sarasvati in India is regarded as the Goddess of knowledge. She has a multi‐dimensional representation in Indian literature and art. It is important and interesting to note that over Sarasvati has undergone transformation from the mute river to the embodiment of sound. In the Hoysala sculptures she is depicted in dance mode as she is regarded as the goddess of Vak and music. The understanding of Sarasvati does not stop with the description of the four hands, however, has a deep symbolic communication of the embodiment of the concept ‘Saravati’. In this paper an attempt has been made to understand Sarasvati sculptures at Hoysaleshvara temple, Halebid, through different dimensions of knowledge. The media chosen for the analysis are Natyashastra and Naada yoga. The paper throws light on the interpretation of the dance aspects as she is seen with different technical aspects of dance. Sarasvati is also depicted as an adept in playing the veena. The concept of Naada that emerges from the instrument and its understanding through Naada yoga has been analyzed through these sculptural representations. -
The Buddhist Forum
THE BUDDHIST FORUM VOLUME VI Tadeusz Skorupski THE INSTITUTE OF BUDDHIST STUDIES, TRING, UK THE INSTITUTE OF BUDDHIST STUDIES, BERKELEY, USA 2013 First published by the Institute of Buddhist Studies, Tring, UK, 2001 © Online copyright 2013 belongs to: The Institute of Buddhist Studies, Tring, UK & The Institute of Buddhist Studies, Berkeley, USA ISBN 0 9515424 8 6 ISSN 0959-0596 Contents List of Illustrations ............................................................................................................ ix Preface .............................................................................................................................. xi The Historical Spectrum of the Bodhisattva Ideal.............................................................. 1 Bodhisattva Vow by Bodhibhadra ................................................................................... 15 Sevenfold Practice of the Dharma by Śākyaśrībhadra ..................................................... 23 Mental Attitude During Daily Activities ......................................................................... 25 Eulogy of the Twelve Deeds of the Buddha .................................................................... 31 Two Eulogies of the Eight Great Caityas ........................................................................ 37 Hymn to the Thirty-five Buddhas of Confession ............................................................. 57 Presentation of Offerings to the Ḍākinīs ......................................................................... -
Chapter Four
Chapter Four IV. An Annotated Translation of the Dasabhumika-Sutra 1. The First Stage named Pramudita [ Introductory Stanza ] Those who are desirous of attaining the Enlightenment should listen to the Dasabhumika Sutra^^^ in which the ten Perfections/'^ the highest virtues, are presented methodically. Ten stages are declared by the Buddha ' for the well-being of the world, and the pure middle way which 311 It is also called Dasabhumaka, Dasabhumikasastra, Dasabhumlsvara. ^'^ The Da.bhu. is apparently based on the ten paramitas, namely, Dana, Sila, khanti, Viriya, Jhana, Pahfid, Updya, Pranidhdna, Bala, and tidna relating to ten Bhumis respectively. ^'^ EOB. vol. IV, p.318. The exact date and the author of the text are not known. The Mahdyanists, however, regard this as being preached by the Buddha. According to the Text, the expositor of the doctrines of the Da.bhu. is the Bodhisattva Vajragarbha. 164 is free from destruction and permanence^''* is announced.^'' [A] I have heard thus. Once the Blessed One was staying in the divine abodes of Paranirmitavasavartin^^^ gods. Not long after his perfect enlightenment, in the second week, he was in the palace of the king Vasavartin, which was full of Mani jewels, shining, together with a large group of Bodhisattvas who were all not liable to turn back (from the SN. II, p. 17. The Buddha rejected both the belief in the extremes {antagrahadrsti) of etemalism (sdsvata) and nihilism (ucchedd): "To say that everything exists an extreme, to say nothing exists is another extreme; rejecting both extremes, the Blessed One teaches a middle position." ^'' This stanza appears in MSs of the text before the prose portion of the introduction, which provides information about the text. -
What the Upanisads Teach
What the Upanisads Teach by Suhotra Swami Part One The Muktikopanisad lists the names of 108 Upanisads (see Cd Adi 7. 108p). Of these, Srila Prabhupada states that 11 are considered to be the topmost: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Taittiriya, Aitareya, Chandogya, Brhadaranyaka and Svetasvatara . For the first 10 of these 11, Sankaracarya and Madhvacarya wrote commentaries. Besides these commentaries, in their bhasyas on Vedanta-sutra they have cited passages from Svetasvatara Upanisad , as well as Subala, Kausitaki and Mahanarayana Upanisads. Ramanujacarya commented on the important passages of 9 of the first 10 Upanisads. Because the first 10 received special attention from the 3 great bhasyakaras , they are called Dasopanisad . Along with the 11 listed as topmost by Srila Prabhupada, 3 which Sankara and Madhva quoted in their sutra-bhasyas -- Subala, Kausitaki and Mahanarayana Upanisads --are considered more important than the remaining 97 Upanisads. That is because these 14 Upanisads are directly referred to by Srila Vyasadeva himself in Vedanta-sutra . Thus the 14 Upanisads of Vedanta are: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Aitareya, Taittiriya, Brhadaranyaka, Chandogya, Svetasvatara, Kausitaki, Subala and Mahanarayana. These 14 belong to various portions of the 4 Vedas-- Rg, Yajus, Sama and Atharva. Of the 14, 8 ( Brhadaranyaka, Chandogya, Taittrirya, Mundaka, Katha, Aitareya, Prasna and Svetasvatara ) are employed by Vyasa in sutras that are considered especially important. In the Gaudiya Vaisnava sampradaya , Srila Baladeva Vidyabhusana shines as an acarya of vedanta-darsana. Other great Gaudiya acaryas were not met with the need to demonstrate the link between Mahaprabhu's siksa and the Upanisads and Vedanta-sutra.