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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Lesbian & Gay Film Festival
University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this -
Patricia Medina Y María Montez. Dos Estrella Coetáneas De Hollywod De
PATRICIA MEDINA Y MARÍA MONTEZ. DOS ESTRELLAS COETÁNE- AS DE HOLLYWOOD DE ASCENDENCIA CANARIA. ANÁLISIS CONTRASTIVO PATRICIA MEDINA AND MARIA MONTEZ. TWO CONTEMPORARY HOLLYWOOD STARS OF CANARY DESCENT. CONTRASTIVE ANALYSIS Inodelbia Ramos Pérez* y Pedro Nolasco Leal Cruz** Cómo citar este artículo/Citation: Ramos Pérez, I. y Leal Cruz, P. N. (2017). Patricia Medina y María Montez dos estrellas coetáneas de Hollywood de ascendencia canaria. Análisis contrastivo. XXII Coloquio de Historia Canario-Americana (2016), XXII-064. http://coloquioscanariasmerica.casadecolon.com/index.php/aea/article/view/10007 Resumen: Patricia Medina y María Montez son dos estrellas de Hollywood de ascendencia canaria, el padre de la primera nació en Las Palmas de Gran Canaria, el de la segunda en Garafía (La Palma). Las dos artistas tuvieron una vida paralela y carreras exitosas. Ambas se casaron con actores muy conocidos del cine del siglo pasado. Nuestro objetivo es hacer un estudio y contraste de estas dos famosas actrices. Palabras clave: Patricia Medina, María Móntez, cine, Gran Canaria, La Palma, Hollywood, Siglo XX Abstract: Patricia Medina and Maria Montez are two Hollywood stars of Canary descent. The father of the former was born in Las Palmas de Gran Canaria and the father of the latter was born in Garafia (La Palma). Both artists had a parallel life and enjoyed successful careers, both stars had well-known husbands in the world of stardom of the twentieth Century. Our aim is to make a study and contrast between them. Keywords: Patricia Medina, Maria Montez, cinema, Gran Canaria, La Palma, Hollywood, XXth Century INTRODUCCIÓN Canarias tiene el orgullo y privilegio de contar con dos artistas de nivel internacional, hijas de padres canarios. -
Tim Burton (Y
junio 2013 Sede Filmoteca Española: Sala de proyección: C/ Magdalena,10 Cine Doré 28012 Madrid C/ Santa Isabel, 3 Tim Burton (y II) Tel.: 91 467 2600 28012 Madrid Fax: 91 467 2611 Tel.: 91 369 1125 (taquilla) [email protected] 91 369 2118 (gerencia) Olivier Assayas (y II) www.mcu.es/cine/MC/FE/index.html Fax: 91 369 1250 La subversión de la moral del deseo en la Transición Precio: Normal: Entrada libre a cafetería 2,50 t por sesión y sala y librería. Recuerdo de Erland Josephson, Theo Angelopoulos, Tonino Guerra, Patricia Medina, Paulo Rocha 20,00 t abono de 10 sesiones. Estudiante: Horario de cafetería: Año Dual España-Japón: 36 directores japoneses 2,00 t por sesión y sala 16.00 h. – 23.00 h. 15,00 t abono de 10 sesiones. Librería temporalmente cerrada Gil Parrondo Horario de taquilla: 16.15 h. hasta 15 minutos des - Cine Theatre Ensemble: Willy Reilly and His Colleen Bawn (1920) pués del comienzo de la última Lunes cerrado sesión. 10ª Muestra de cine de Lavapiés Venta anticipada: 21.00 h. hasta cierre de la taquilla Cine para todos para las sesiones del día siguiente hasta un tercio del aforo. 1 martes 2 miércoles 3 jueves 1 viernes 1 sábado 2 domingo 17.30 Cine para todos/Tim Burton 17.30 Tim Burton Sala 1 Corpse Bride (La novia cadáver , Tim Bur- Sala 1 Edward Scissorhands (Eduardo Manosti ton, 2005). Animación. EE UU. VE. 77' jeras , Tim Burton, 1990). Int.: Johnny "La película de Tim Burton y Mike Johnson nunca se Depp, Dianne Wiest, Winona Ryder. -
From Curtis to Eleanor, What Splendor In-Between; from Curtis to Eleanor, Was It Only a Dream
From Curtis Ken Curtis To Eleanor Eleanor Parker An exercise in Proximity and Happenstance by Clark N. Nelson, Sr. (May be updated periodically: Last update 06-07-20) 1 Prelude The quality within several photographs, in particular, those from the motion pictures ‘Untamed Women’, ‘Santa Fe Passage’, and ‘The King and Four Queens’, might possibly prove questionable, yet were included based upon dwindling sources and time capsule philosophy. Posters and scenes relevant to the motion picture ‘Only Angels Have Wings’ from 1939 are not applicable to my personal accounts, yet are included based upon the flying sequences above Washington County by renowned all-ratings stunt pilot Paul Mantz. Acknowledgements I would like to acknowledge the following individuals for their contributions as well as those providing encouragements toward completion of this document: Emma Fife Pete Ewing LaRee Jones Heber Jones Eldon Hafen George R. Cannon. Jr. Winona Crosby Stanley Don Hafen Jim Kemple Rod Kulyk Kelton Hafen Bert Emett 2 Index Page Overture 4 Birth of a Movie Set 4 Preamble 8 Once Upon a Dime 19 Recognize this 4 year-old? 20 Rex’s Fountain 9 Dick’s Cafe 15 The Films Only Angels Have Wings 22 Stallion Canyon 26 Untamed Women 29 The Vanishing American 46 The Conqueror 51 Santa Fe Passage 71 Run of the Arrow 90 The King and Four Queens 97 3 Overture From the bosom of cataclysmic event, prehistoric sea bed, riddles in sandstone; petrified rainbows, tectonic lava flow; a world upside down; cataclysmic brush strokes, portraits in cataclysm; grandeur in script, grandeur in scene. -
Femalemasculi Ni Ty
FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self- -
Film Noir Classics -- Movie Posters 1948-1950
FILM NOIR CLASSICS -- MOVIE POSTERS 1948-1950 The distinctive style of movies of the golden age of Film Noir, the genre of Hollywood crime dramas distinguished by liberal doses of sex and cynicism, is captured in the striking graphics of these classic movie posters. The portrait that emerges of a darker side of mid-twentieth century America makes them a compelling resource for the study of that period as well as for film history archives. The light-hearted Gary Cooper / Barbara Stanwyck comedy “Ball of Fire” of 1941 that we include at the end of this listing drives home this contrast…but no matter what, somebody is going to get burned… Clicking on the item picture will take you to our website for ordering via our secure online system. We hope that you will enjoy this selection. Elisabeth Burdon & Craig Clinton ____________________________________________________ Backfire. Warner Bros. Hollywood. 1948 - 1950. One-sheet color silk-screen poster, 40 x 30 inches, for the 1950 Warner Brothers production "Backfire" directed by Vincent Sherman and starring Gordon MacRae, Edmond O’Brien, and Virginia Mayo (the film was completed in late 1948 but not released until 1950). The poster, a scarce item and in very good condition, was produced by Western Poster Company, San Francisco. "Backfire," a complicated drama involving numerous flashbacks, concerns a World War II veteran Bob Corey (MacRae), a nurse he meets while hospitalized, Julie Benson (Mayo), and Corey's good friend Steve Connolly (O'Brien). After considerable mayhem as the drama unfolds, including a near fatal attempt on Connolly's life, the film delivers a happy ending with the trio heading for Bob and Julie's new ranch. -
Dental Hygienist List 01/01/2019 1
DENTAL HYGIENIST LIST 01/01/2019 Full Name First Name Middle Name Last Name Suffix Professional Title License Type License Maby Araceli Abarca Maby Araceli Abarca RDH Dental Hygienist 101108 Daveadele M Abel Daveadele M Abel RDH Dental Hygienist 2116 Yohel Berhane Abraha Yohel Berhane Abraha RDH Dental Hygienist 102202 Dawnetta Kay Abraham Dawnetta Kay Abraham RDH Dental Hygienist 2782 Christle Joie Abuan Christle Joie Abuan RDH Dental Hygienist 102423 Merilyn Abundis Merilyn Abundis RDH Dental Hygienist 102405 Vanessa Acevedo Vanessa Acevedo RDH Dental Hygienist 101723 Liezl Lachica Acosta Liezl Lachica Acosta RDH Dental Hygienist 102397 Jennifer Lynn Adamo Jennifer Lynn Adamo RDH Dental Hygienist 101582 Emily Fouse Adams Emily Fouse Adams RDH Dental Hygienist 101416 Grace R Adams Grace R Adams RDH Dental Hygienist 969 Mary Rita Adams Mary Rita Adams RDH Dental Hygienist 2915 Veronica Anne Adams Veronica Anne Adams RDH Dental Hygienist 101803 Mary Alice Adelberg Mary Alice Adelberg RDH Dental Hygienist 2080 Jennifer Ann Agao Jennifer Ann Agao RDH Dental Hygienist 3453 Josselyn Daniela Aguilar Josselyn Daniela Aguilar RDH Dental Hygienist 101925 Gretchen Jessenia Aguirre Gretchen Jessenia Aguirre RDH Dental Hygienist 101171 Ingeborg Agnes Aigner Ingeborg Agnes Aigner RDH Dental Hygienist 2995 Craig Alcantara Alanguilan Craig Alcantara Alanguilan RDH Dental Hygienist 102307 Keosha Aneilia Alcinnat Keosha Aneilia Alcinnat RDH Dental Hygienist 102395 Cam Thi Thuy Aldana Cam Thi Thuy Aldana RDH Dental Hygienist 4212 Valerie Lynn Alexander -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
(Roanoke Rapids, NC). 1945-08-30
to the is persuaded to remain faithful were willing spend night which now a to the earth which so strongly in the town enjoys Test Pilot draws him. Starting from scratch, wartime boom. Carroll, PROGRAM FOR line with his "PRIDE OF THE MARINES" the whole painful process begins waiting in girl it Ann Rutherford, to get anew and, as the film closes, friend, of the towns overcrowd- is indicated the final fusion be- into one is mistaken by THREE DAYS NEXT WEEK AT tween earth and man is assured, ed restaurants DOWNTOWN friend of for old and on its way. Miss Hussey an Starting Sunday and running victory hers. As a result, Carroll lose£ Tuesday at the Peoples some when in the morn- through to get up his girl, his place in line, and a “Pride of the Marines" it tolled IMPERIAL be on THE will ing and, the Sabbath, Wednesday: "The Brighton dollar bonus on a test in the leading thousand with John Garfield the message that services were a- Loder and late. Sunday at the Imperial will be Strangler” with John flight for which he arrived and Eleanor Parker capably To the bell role, bout to begin. many, Rose is a murder movie. Miss Hussey’s doctor- lead. Here a return picture, “Road to Mor- Hobart, Meantime, handling the feminine conveyed this and more, and to John Lo- occo”, starring Bing Crosby and Producers have taken uncle begins a campaign to keep in this movie is 'told in two hours others but to all the bell only part, Bob der, actor in blitzed London, and her in town, where there are more of A1 Schmid, Ma- of Hope. -
American Moviemakers: Directed by Vincente Minnelli
American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.