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Tim Burton (Y junio 2013 Sede Filmoteca Española: Sala de proyección: C/ Magdalena,10 Cine Doré 28012 Madrid C/ Santa Isabel, 3 Tim Burton (y II) Tel.: 91 467 2600 28012 Madrid Fax: 91 467 2611 Tel.: 91 369 1125 (taquilla) [email protected] 91 369 2118 (gerencia) Olivier Assayas (y II) www.mcu.es/cine/MC/FE/index.html Fax: 91 369 1250 La subversión de la moral del deseo en la Transición Precio: Normal: Entrada libre a cafetería 2,50 t por sesión y sala y librería. Recuerdo de Erland Josephson, Theo Angelopoulos, Tonino Guerra, Patricia Medina, Paulo Rocha 20,00 t abono de 10 sesiones. Estudiante: Horario de cafetería: Año Dual España-Japón: 36 directores japoneses 2,00 t por sesión y sala 16.00 h. – 23.00 h. 15,00 t abono de 10 sesiones. Librería temporalmente cerrada Gil Parrondo Horario de taquilla: 16.15 h. hasta 15 minutos des - Cine Theatre Ensemble: Willy Reilly and His Colleen Bawn (1920) pués del comienzo de la última Lunes cerrado sesión. 10ª Muestra de cine de Lavapiés Venta anticipada: 21.00 h. hasta cierre de la taquilla Cine para todos para las sesiones del día siguiente hasta un tercio del aforo. 1 martes 2 miércoles 3 jueves 1 viernes 1 sábado 2 domingo 17.30 Cine para todos/Tim Burton 17.30 Tim Burton Sala 1 Corpse Bride (La novia cadáver , Tim Bur- Sala 1 Edward Scissorhands (Eduardo Manosti ton, 2005). Animación. EE UU. VE. 77' jeras , Tim Burton, 1990). Int.: Johnny "La película de Tim Burton y Mike Johnson nunca se Depp, Dianne Wiest, Winona Ryder. EE UU. Digital. olvida de rendir cuentas con su pasado, mostrando VOSE. 105' verdadero cariño por la creatividad artesanal de los "Un puro cuento de hadas que podría ser una revis - primeros cartoons, las películas de terror de la Uni - itación posmoderna de la historia de Pinocho con versal de los años 30 y las maravillas del maestro unos toques del mito prometeico de Frankenstein. Ray Harryhausen. La iconografía gótica, tan burtoni - El tono con todo se va haciendo más agrio con - Las sesiones anunciadas pueden sufrir cambios ana desde Bitelchús , predomina en una película que forme la comedia deriva hacia la sátira social hasta debido a la diversidad de la procedencia de las pelí - no solo es un precioso poema de amor sino tam - asumir la crueldad proverbial de los cuentos de culas programadas. bién una insólita reivindicación de la Muerte como hadas que Burton maneja como pretexto para un Las copias que se exhiben son las de mejor calidad una versión corregida, aumentada, mejorada y festi - alegato contra la intolerancia y la vulgaridad." (Jose disponibles. Las duraciones que figuran en el pro - va de una realidad blanquinegra." (Sergi Sánchez) Luis Guarner) grama son aproximadas. Segunda proyección en VE día 22. Proyecciones en Los títulos originales de las películas y los de su dis - VOSE días 16 y 19. 19.35 Olivier Assayas tribución en España figuran en negrita. Los que apa - Entrada libre para menores de 14 años. Sala 1 Clean (Olivier Assayas, 2004). Int.: Maggie recen en cursiva corresponden a una traducción lite - Cheung, Nick Nolte, Béatrice Dalle. Fran - 19.10 Recuerdo de T. Angelopoulos/T. Guerra cia. VOSE. 111' ral del original o a títulos habitualmente utilizados en Sala 1 Topio stin omichli (Paisaje en la niebla , Segunda proyección y nota día 13. español. Theo Angelopoulos, 1988). Int.: Tania Para las películas cuyo idioma original no es el es- Palaiogou, Michalis Zeke, Stratos Tzortzoglou. 20.00 La subversión del deseo pañol, se señala mediante siglas la versión de la copia Grecia/ Francia/ Italia. VOSE. 120' Sala 2 A un dios desconocido (Jaime Chávarri, prevista para la proyección. Las siglas VOSE indican Segunda proyección y nota día 19. 1977). Int.: Héctor Alterio, Xabier Elorria - que la copia está en versión original con subtítulos en ga, Rosa Valenty. España. 108' español. El asterisco (*) significa que éstos son elec- 19.30 Olivier Assayas "Lorca, presentado como una sombra misteriosa, se trónicos. En las copias subtituladas en otra lengua, se Sala 2 Eldorado: creation (Olivier Assayas, 2008). encuentra objetizado en una relación metonímica incluye la inicial del idioma correspondiente seguida Int.: Angelin Preljocaj, Karlheinz Stock - con su obra. El ritual que establece José con la Oda de /E* (subtítulos electrónicos en español). Cuando hausen. Documental. Francia. Vídeo. VOSE. 88' a Walt Whitman se convierte en metáfora de la nos - Segunda proyección y nota día 4. talgia por el objeto de deseo perdido. Pedro ya no sea necesario especificar el idioma de la versión origi - está, y José focaliza ese amor desaparecido en la nal proyectada, se añade su inicial tras las siglas VO. 21.30 Recuerdo de Jorge Semprún figura fascinante que Pedro persiguió un día. El Siglas utilizadas en este programa: Sala 1 Les Deux Mémoires (Las dos memorias ,Jor- poeta se convierte en la fuerza de deseo de todo el ge Semprún, 1974). Con Santiago Carrillo, film, en símbolo de un amor que ni siquiera a él le MRISE* Muda con rótulos en inglés y subtitula Federica Montseny, María Casares. España/ Francia. correspondía, pero que se erige como fetiche da en español electrónico VOSE*. 141' romántico." (Paula Bordonada) VE Versión española Rodada durante el verano de 1972, Semprún no Segunda proyección día 19. VOSE Versión original subtitulada en español consiguió estrenar la película hasta dos años VOSE* Versión original subtitulada en español después, en Francia. En España la película fue cen - 21.50 Recuerdo de Erland Josephson surada y no fue proyectada más que dos veces en Sala 1 En passion (Pasión , Ingmar Bergman,1969). electrónico la Filmoteca Española en 1981. La película consiste Int.: Liv Ullmann, Bibi Andersson, Max von VOSI/E* Versión original sutitulada en inglés y en dos horas de testimonios de políticos como Car - Sydow. Suecia. VOSE. 101'. español electrónico rillo, artistas comprometidos, como Yves Montand, "La idea fundamental de Pasión es la de que las y también dirigentes del bando franquista, para relaciones humanas son incapaces de satisfacer los obtener 'las dos memorias'. profundos anhelos humanos, pero que, con todo y Restauración realizada en 2012 por la Filmoteca eso, es lo único que tenemos. De ahí las constantes Carlos, le film (Carlos , Olivier Assayas, 2011). Española, la Cinémathèque Française con la tensiones a las que se someten continuamente los colaboración de la Filmoteca de Catalunya. personajes." (Robin Wood). Segunda proyección día 6. 4 martes 5 miércoles 6 jueves 7 viernes 8 sábado 9 domingo 17.30 La subversión del deseo 17.30 Rec. de T.Angelopoulos/E.Josephson/ T.Guerra 17.30 Recuerdo de Erland Josephson 17.30 IVAHM'13/Rec. de T.Guerra/E. Josephson 17.30 Cine para todos/Tim Burton 17.30 Tim Burton Sala 1 Mi querida señorita (Jaime de Armiñán, Sala 1 To Vlemma tou Odyssea (La mirada de Sala 1 En passion (Pasión , Ingmar Bergman,1969). Sala 1 Offret (Sacrificio , Andrei Tarkovsky, 1986). Sala 1 Charlie and the Chocolate Factory (Char Sala 1 Ed Wood (Ed Wood , Tim Burton, 1994).Int.: 1971). Int.: José Luis López Vázquez, Ulises , Theo Angelopoulos, 1995). Int.: Int.: Liv Ullmann, Bibi Andersson, Max von Sydow. Int.: Erland Josephson, Susan Fleetwood. lie y la fábrica de chocolate , Tim Burton, Johnny Depp, Martin Landau, Sarah Jessica Julieta Serrano, Antonio Ferrandis. España. 83' Harvey Keitel, Maïa Morgenstern, Erland Joseph - Suecia. VOSE. 101'. Suecia/Francia/Gran Bretaña. VOSE*. 148' 2005). Int.: Christopher Lee, Freddie Highmore, Parker. EE UU. VOSE. 127' "Entre los pliegues de esa difícil y dolorosa historia son. Grecia/Francia/Italia. VOSE. 176' Ver nota día 2. Con motivo de la celebración del IVAHM se proyec - Johnny Depp. EE UU. VE. 115' Ver nota día 4. de amor que vertebra la narración de la película, Guión: Tonino Guerra . "Un cineasta vuelve después tará el film dentro del marco de colaboración con Proyecciones en VOSE día 19 y nota día 30. 18.00 IVAHM'13 de 35 años a su Grecia natal y aprovecha para bus - 19.30 Suecia como país invitado. El film es un ejemplo de Entrada libre para menores de 14 años. especie de perverso y tierno cuento de hadas Sala 2 Well (Juha Mäki-Jussila, 2012). 4'. Sudenly, car el primer material rodado en los Balcanes. Su Sala 1 The Spanish Earth (Tierra española , Joris cine de vanguardia y experimentación audiovisual. sexual […], sus autores parecen transmitir un pro - Ivens, 1937). Documental. EE UU. 53'. Heart of Last Summer (Juha Mäki-Jussila, 2012). 4'. I odisea propicia una meditación sobre las fronteras, Andréi Tarkovski genera un paisajismo audiovisual 19.00 Recuerdo de Patricia Medina Walk Alone In The Dark On My Own Well Known fundo y pudoroso respeto hacia las relaciones que la identidad y la relación del cine con la realidad his - Spain (Herbert Kline y Geza Karphati, 1937). Docu - de belleza tal que cada fotograma nos introduce en Sala 2 The Three Muskeeters (Los tres mosque- se sitúan en la marginalidad social o fuera de las mental. EE UU. 30'. VOSE*. Total programa: 83' Island (Pasi Autio, 2012). 9'. Labyrinth (Outi Sunila, tórica y política." (Geoff Andrews) un lienzo vivo aportando a la narración lenguajes teros , George Sidney, 1948). Int.: Gene 2009). 4'. Little Red Riding Hood and Wolf (Minna normas imperantes." (Carlos F. Heredero) Segunda proyección día 30 . Spanish Earth : "La triple acción que Joris Ivens puramente pictóricos. Kelly, Lana Turner, Vincent Price, Patricia Medina. quería para su film logró plena efectividad desde el Suoniemi, 2012).1'. Locked Groove (Petri Kuljuntaus - Segunda proyección día 27. EE UU. VOSE. 116' ta y Klaus Nyqvis, 2013).7'. 9 to 5 (Tero Puha, 2008) 19.15 Recuerdo de T.
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