Film Noir Classics -- Movie Posters 1948-1950
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Thesewaneepurplev69n14020652
The Official Organ of the Students ot The University of the South Vol. LXIX, No. 14 SEWANEE, TENNESSEE, FEBRUARY 6, 1952 Henning Made Cadet Commanding Officer Eleven ROTC Juniors Awarded Commissions By GU. DENT Purple News Editor Stan Henning, junior from Memphis, Tennessee, was made the commanding officer of the Sewanee AF ROTC Unit today nk of major. Henning transferred to Sewanee thi year Kenyon Colle Ohio awarded the rank competitic :n othe Other officers commissioned today by order of Lt. Colonel William Flinn Gilland, the PAS&T at Sewanee, Debate Men Cadet Captain Robie S. Moise also from Memphis; 1st Lieutenants C. Da- vid Little from Jacksonville, Fla. Plan Flight group adjutant; Robert C. Mumby. Jacksonville, Squadron "A" Comman- Lachman to Fly der; and James A. Elam from Cory- don, Ind., Squadron "B" Commander. Team to Miami Cadet 2nd Lieutenants are Frank Y. Hill, Laredo, Texas. William D. Aus- Two of Sewanee's debate teams are tin, Bainbridge, Ga.; Edward G. Sharp, scheduled to take off today in a pri- Birmingham, Ala.; Charles L. Jennings, Bridge Fans vate plane piloted by Stan Lachman Winnsboro, S. C; William F. Low, for a three-day tournament at the Williamsburg, Va.; and E. Lucas Myers, University of Miami in Florida. They Sewanee, Tenn. Now holding the rank Plan Match will return Sunday, Barter stars, Patricia O'CormcI and Dinah Farr, rehearse their parts of Technical Sergeants are William H. This is the first time that the De- Smith of Gaffney, S. C, and ^li.ikespearian play "Merchant o f Venice" which the group will present in the Gene A. -
Town 11:30 to 0:00—Same As Monday Ex
#• • •::•• Hagasan Msmorlal Library Page Sixteen East Haven, Conn. THE BRAHFORD REVIEW-EAST HAVEN NEWS Thursday, December G, 1951 cat. Also for the first time In anv Cat Exposition oaslcrn feline exposition. judRini' Emma M. Blair Rites DONKEY POLO will be conducted under a special This Week Draws llfthdnR arranKciheni, dayllKhl for I I I I Ir niKhlJudghiR. Held This Morning Over 20p2elines Three JudRlnR rings have hcon Funeral services for Kmma I.'. Oef Quick Gash Results set up. .ludRhiR Ihe All Rreed will lilair were held this mornlnR from w The best .and most InlerestlnR of bo Mrs. Wllllom Iledrlcb of Andover, the W. S. Clancy Memorial Home at nil Connectlciii Cat Shows Is expect- Ohio. The Siamese rlnR will be pre sided over by Mrs. G. Kolsey from 8;.30. A requiem hlRli funeral mfl« SELL at AUCTION 0(1 on Friday nnil SnlUrdny of lliis WoslcHester, Pn., and the T.ibby, wa.s' RUnR hy the liev. Wlllnm wct!l< when more llinn 200 cats will rortlcs and ,Solid Colors will be Whihey In SI. Mary'i! Church at n Combined With The Branford Review ho honchcd at the Second Cliam- JudRcd by Mrs. Christine Ilarlmann o'clock. Burial was in Ml. SI. Dene- lilon.slilp Show (o be held at the of Long Island. diet's Cemetery in llarlford FINE FURNITURE, RUGS, ANTIQUES, ART IIolol Gnrde, New Haven, from 10 Mrs. Hlalr, wife of Ihe late ICd- VOL. VII—NO. 13 EAST HAVEN, CONNECTICUT, THURSDAY. DECEMBER 13, 1951 S Cents Per Copy—S2.50 A Year A. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Pictures Afraid You Have Your Dalys Mixed Up
What's New SUSAN HAYWARD from Coast to Coast exciting (Continued from page 10) really sisters. Their ages are: Christine, 25, Dorothy, 23, and Phyllis, 22.... Miss A. Y., Milwaukee, Wisconsin: Johnny Des- mond is on a two -month leave of absence new from the Breakfast Club program, so he can make personal appearances. He is due back on the show October 23.... Miss J. F., San Antonio, Texas: Yes, John Daly is married, and has been for many years. I'm pictures afraid you have your Dalys mixed up. In- JEFF HUNTER cidentally, John recently signed a long- term contract with the American Broad- casting Company as a vice -president in of charge of news. He will continue to be Off-Guard Candids Your the emcee on What's My Line? however. To all of the readers who wrote about Frank Dane, who played Knap Drewer on Favorite Movie Stars the Hawkins Falls show: Frank is no longer on the program because the part of Drewer is no longer in the script. Knap chartered All the selective skill of our ace a private plane to fly from London to the * Isle of Man, in the story, and was killed cameramen went into the making when the plane crashed into the Irish of these startling, 4 x 5, quality DORIS DAY Sea. glossy prints. What ever Happened To . ? John Beal, the movie actor, who used to appear on the Freedom Rings TV show? Since leaving this show, John hasn't been * New poses and names are con- on any regular program, but has been stantly added. -
Aster of Suspense: Alfred Hitchcock
Visual arts example A IB DIPLOMA- VISUAL ARTS EXTENDED ESSAY aster of Suspense: Alfred Hitchcock How does Alfred Hitchcock visually guide viewers as he creates suspense in films such as ''The Pleasure Garden,''''The Lodger,'' ''Strangers on a Train'' and 'Psycho''? Candidate Number: Word Count: 3780 IMAGES: Please note that until copyright has been confirmed, all images have been removed. Apologies for the inconvenience. Extended essay 1 Visual arts example A IB VISUAL ARTS - EXTENDED ESSAY Contents INTRODUCTION ...................................................................................................................... 3 THE BEGINNING OF FILM .................................................................................................... 4 BACKGROUND OF ALFRED HITCHCOCK ......................................................................... 5 EARLY SILENT FILMS ............................................................................................................ 6 THE AMERICAN FILMS FROM THE 1950s ONWARDS ................................................... 11 Strangers on a Train (1951) .............................................................................................................. 11 Pyscho (1963) .................................................................................................................................... 13 INFLUENCE ON CONTEMPORARYFILMS ...................................................................... 17 CONCLUSION ....................................................................................................................... -
Elegant Memo
Office of the Governor David Ronald Musgrove Governor Greetings! On behalf of the State of Mississippi, thank you for expressing an interest in our state, its history and the life of its citizens. I am proud to serve Mississippians as their governor. Mississippi is a beautiful state with a rich culture and a promising future. Our state is experiencing tremendous growth as evidenced by the lowest unemployment rate in thirty years, the significant increase in personal income levels, the astounding number of small businesses created in Mississippi, and national recognition of Mississippi’s potential for economic growth. Our schools are stronger. Our hope is broader, and our determination is unwavering. This is our Mississippi. Together, we have the courage, the confidence, the commitment to set unprecedented goals and to make unparalleled progress. Best wishes in all of your endeavors. May God bless you, the State of Mississippi and America! Very truly yours, RONNIE MUSGROVE State Symbols State Flag The committee to design a State Flag was appointed by legislative action February 7, 1894, and provided that the flag reported by the committee should become the official flag. The committee recommended for the flag “one with width two-thirds of its length; with the union square, in width two-thirds of the width of the flag; the State ground of the union to be red and a broad blue saltier Coat of Arms thereon, bordered with white and emblazoned with The committee to design a Coat of Arms was thirteen (13) mullets or five-pointed stars, corresponding appointed by legislative action on February 7, 1894, and with the number of the original States of the Union; the the design proposed by that committee was accepted and field to be divided into three bars of equal width, the became the official Coat of Arms. -
Film Essay for "The Best Years of Our Lives"
The Best Years of Our Lives Homer By Gabriel Miller Wermels (Harold Russell), a “The Best Years of Our Lives” originated in a recommen- seaman, who dation from producer Samuel Goldwyn's wife that he read has long a “Time” magazine article entitled "The Way Home" been en- (1944), about Marines who were having difficulty readjust- gaged to the ing to life after returning home from the war. Goldwyn girl next door. hired novelist MacKinlay Kantor, who had flown missions He returns as a correspondent with the Eighth Air Force and the from the war Royal Air Force (and would go on to win the Pulitzer Prize a spastic, in 1955 for his Civil War novel “Andersonville”), to use that unable to article as the basis for a fictional adaptation of approxi- control his mately 100 pages. Inexplicably, Kantor turned in a novel movements. in verse that ran closer to 300 pages. Goldwyn could barely follow it, and he wanted to shelve the project but Sherwood was talked into letting Kantor work on a treatment. and Wyler made some William Wyler, his star director, returned to Goldwyn significant Studios in 1946, having been honorably discharged from changes that the Air Force as a colonel, also receiving the Legion of added more Merit Award. Wyler's feelings about his life and profession complexity had changed: "The war had been an escape into reality … and dramatic Only relationships with people who might be dead tomor- force to the row were important." Wyler still owed Goldwyn one more story. In film, and the producer wanted him to make “The Bishop's Kantor's ver- Wife” with David Niven. -
Wedding Ceremonies
Weddings Rev. William A. Moffitt, D.D. Wedding Ceremonies And More Compiled by Reverend William Moffitt, D.D. Table of Contents INTRODUCTION............................................................................................................. 1 GENERAL INFORMATION ON CEREMONIES ....................................................... 2 THE MARRIAGE LICENSE. ........................................................................................ 3 REGULAR MARRIAGE LICENSE .............................................................................. 3 CONFIDENTIAL MARRIAGE LICENSE .................................................................... 4 THE RECEPTION .......................................................................................................... 5 PHOTOGRAPHERS AND VIDEOGRAPHERS ............................................................. 8 CLOTHES..................................................................................................................... 10 TRANSPORTATION ................................................................................................... 11 FLOWERS .................................................................................................................... 12 MUSIC .......................................................................................................................... 12 MASTER OF CEREMONIES ....................................................................................... 12 PROFESSIONAL WEDDING CONSULTANTS ....................................................... -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of JM Barrie, SR Crocket
: R. L. S. AND HIS CONTEMPORARIES 225 XII R. L. S. AND HIS CONTEMPORARIES Few authors of note have seen so many and frank judg- ments of their work from the pens of their contemporaries as Stevenson saw. He was a ^persona grata ' with the whole world of letters, and some of his m,ost admiring critics were they of his own craft—poets, novelists, essayists. In the following pages the object in view has been to garner a sheaf of memories and criticisms written—before and after his death—for the most part by eminent contemporaries of the novelist, and interesting, apart from intrinsic worth, by reason of their writers. Mr. Henry James, in his ' Partial Portraits,' devotes a long and brilliant essay to Stevenson. Although written seven years prior to Stevenson's death, and thus before some of the most remarkable productions of his genius had appeared, there is but little in -i^^^ Mr. James's paper which would require modi- fication to-day. Himself the wielder of a literary style more elusive, more tricksy than Stevenson's, it is difficult to take single passages from his paper, the whole galaxy of thought and suggestion being so cleverly meshed about by the dainty frippery of his manner. Mr. James begins by regretting the 'extinction of the pleasant fashion of the literary portrait,' and while deciding that no individual can bring it back, he goes on to say It is sufficient to note, in passing, that if Mr. Stevenson had P 226 STEVENSONIANA presented himself in an age, or in a country, of portraiture, the painters would certainly each have had a turn at him. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.