Spectra Cyc 100 UV Data Sheet.Indd

Total Page：16

File Type：pdf, Size：1020Kb

SPECTRA CYC UV WASH LIGHTING Catalog Numbers The Spectra Cyc UV is a 100 Watt cyclorama/wall SSCYC100-UV-**SSCYC100-UV-** wash luminaire utilizing high output 365nm UV LED emitters. Designed for theatrical and architectural applications, the Spectra Cyc UV blends the output via a refl ector providing smooth and even distribution. The on-board power supply allows for direct power & data input which can be daisy chained through up to 20 units. Designed for use on 6’-8’ centers, individual units can be linked side by side for greater saturation of light. The Spectra Cyc UV is compatible with both DMX and RDM protocols, and comes with a library of pre-programmed fi xed intensities and various intensity eff ects. Units can be utilized for both fl oor and Sky-Cyc applications. 11.65 100 WATT SPECTRA CYC UV Features • Uses 365nm UV LEDs • Convection Cooled • Asymmetrical refl ector designed for broad, even distribution • On-board multi-voltage power supply 100-240VAC. • Feed through power and data capabilities using powerCON and 5-pin XLR connectors. • Compatible with DMX and RDM protocols. • Push button addressing. 11.20 • Pre-programmed modes for fi xed intensities, timed fades, changes and strobes. • 11 lbs. • ETL and cETL listed 7.45 • Made in the USA Ordering Example: (Select item from each box) ModelWattage - LED Array - Finish Color SSCYC100- UV - Project: Approval Date: Location: Fixture Type: Lighting 57 Alexander St., Yonkers, NY 10701 Tel: 914-476-7987 Visit our website at www.altmanlighting.com BRINGING IMAGINATION TO LIGHT © 2012 Altman Stage Lighting, Inc. SPECTRA CYC UV WASH LIGHTING Specifi cations: Accessories: Materials: Construction employs all Model Number corrosion-resistant materials and hardware. SC-36-BK Black Safety Cable (Included) Housing: Lightweight aluminum SS-CYC-SHIELD LED Cyc Safety Shield (Included) fabrication. 510 Malleable Iron Pipe Clamp (2 lbs.) Light Engine: 9 - 365nm UV LEDs FT Black Floor Trunion, Pair Refl ector: Proprietary curve, specular SS-CYC-LINK-* Spectra Series LED Cyc Link Plates with aluminum Hardware SS-CYC100-CF-* 100-Watt Spectra Series LED Cyc Color Rating: Multi-Voltage; 100-240 volt AC Frame operation SS-CYC100-YOKE* Spectra Cyc 100 Yoke with Hardware for 1 Fixture (does NOT include C-clamp.) Data Ports: 1 Male & 1 Female fl ush mount *Add the following code for fi nish: -B, -W, -S 5-Pin XLR Power Cable: 5’ total length powerCON in and standard connector. AC Out: Flush mount powerCON for feed thru power to other Spectra Cyc units only. Max 20 Spectra Cyc’s per power daisy chain Finish: Black, White or Silver TGIC polyester, electrostatic application. Custom colors available Weight: Approx. 11 lbs. (4.99 kg) Note: C-Clamp is not included with the fi xture and must be ordered in addition. Lighting 57 Alexander St., Yonkers, NY 10701 Tel: 914-476-7987 Visit our website at www.altmanlighting.com BRINGING IMAGINATION TO LIGHT © 2012 Altman Stage Lighting, Inc..

Copy Link

Recommended publications

John's List of Tech Theater Terms
Department of THEATER & DANCE Office of the TECHNICAL DIRECTOR Tech Theater Terms file last updated: 7.29.2010 (JDE) All information contained in this document is original material copyright © 2005 by John D. Ervin and is intended for the use of my students. Please contact me at [email protected] for permission to use this material in any other way. This is a work-in-progress and will be occasionally appended. Apron – The portion of the stage or playing space that is downstage of the proscenium arch. In traditional proscenium-style theaters, acting on the apron was a big “no-no” because it violated the stage picture being created by the proscenium arch. Thus many older theaters have very shallow aprons. Nowadays though, Directors can’t get enough of having their actors as close to the audience as possible; despite how uncomfortable it makes some audience members. This is all done under the umbrella of ‘intimacy’ and we all know how much artists love that stuff. Sometimes the apron is referred to as the “Forestage”. (See Figure 1 and 2) Arbor – Part of a fly system. A device mounted in one of the wings, which is connected to the lift lines at the opposite end from the batten. Stage weights are stacked on the arbor to balance the load suspended from the batten. In the case of a counterweight fly system, a rope hand line is connected to the top of the arbor, passes sequentially through the head block and tension block, and is terminated to the bottom of the arbor, forming a loop.
[Show full text]
These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system.
[Show full text]
Backstage Lighting Terminology
Break-out: Adapter consisting of multiple receptacles (FM) wired to a single multipin (M) connector; may be a box or a cable assembly. Synonym: Break-out Box, Fan-out Burn Out: Failed lamp or color media that is burned through Channel: Specific control parameter encompassing single or multiple device attributes (lighting dimmers, audio signals, etc.) controlled as a unit Lighting and Electrics Terminology (A-Le) Channel Hookup: Paperwork designating the connection of Adapter: Electrical accessory that transitions between dimmer circuits to channels of control dissimilar connectors; may be a molded unit, box or cable assembly Circuit: Path for electricity to flow from the source, through a conductor, to a device(s) Amperes: Unit of measure for the quantity of electricity flowing in a conductor. Synonym: A, Amp, Current Circuit Breaker: Mechanical/Electrical device that is designed to automatically open (trip) if the current exceeds the rated Automated Luminaire: Lighting instrument with attributes level protecting the circuit; may be operated manually that are remotely controlled. Synonym: Automated Fixture, Synonym: Breaker, CB, OCPD, Overcurrent Protective Device Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light Color Extender: Top hat with color media holder. Synonym: Gel Extender Backlight: A lighting source that is behind the talent or subject from the viewers perspective. Synonym: Backs, Back Color Frame: Metal or heat resistant device that holds the Wash, Bx, Hair Light, Rim Light color media in front of a luminaire. Synonym: Gel Frame Balcony Rail: Lighting position mounted in front of or on the Color Media: Translucent material used to color light face of the balcony.
[Show full text]
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.
[Show full text]
Stage Lighting Technician Handbook
The Stage Lighting Technician’s Handbook A compilation of general knowledge and tricks of the lighting trade Compiled by Freelancers in the entertainment lighting industry The Stage Lighting Technician's Handbook Stage Terminology: Learning Objectives/Outcomes. Understanding directions given in context as to where a job or piece of equipment is to be located. Applying these terms in conjunction with other disciplines to perform the work as directed. Lighting Terms: Learning Objectives/Outcome Learning the descriptive terms used in the use and handling of different types of lighting equipment. Applying these terms, as to the location and types of equipment a stagehand is expected to handle. Electrical Safety: Learning Objectives/Outcomes. Learning about the hazards, when one works with electricity. Applying basic safety ideas, to mitigate ones exposure to them in the field. Electricity: Learning Objectives/Outcomes. Learning the basic concepts of what electricity is and its components. To facilitate ones ability to perform the mathematics to compute loads, wattages and the like in order to safely assemble, determine electrical needs and solve problems. Lighting Equipment Learning Objectives/Outcomes. Recognize the different types of lighting equipment, use’s and proper handling. Gain basic trouble shooting skills to successfully complete a task. Build a basic understanding of applying these skills in the different venues that we work in to competently complete assigned tasks. On-sight Lighting Techniques Learning Objectives/Outcomes. Combing the technical knowledge previously gained to execute lighting request while on site, whether in a ballroom or theatre. Approaches, to lighting a presentation to aspects of theatrical lighting to meet a client’s expectations.
[Show full text]
Fill in the Blank, Multiple Choice, Short Answer • Costume Design Usually Involves Researching, D
Costume/Set Design notes – fill in the blank, multiple choice, short answer Costume design usually involves researching, designing and building the actual items from conception. Four types of costumes are used in theatrical design, Historical, fantastic, dance, and modern. Designs are first sketched out and approved In its earliest form, costumes consisted of theatrical prop masks The leading characters will have more detail and design to make them stand out Scenic design (also known as stage design, set design or production design) is the creation of theatrical scenery. Scenic designers are responsible for creating scale models of the scenery, renderings, and paint elevations as part of their communication with other production staff. Theatrical scenery is that which is used as a setting for a theatrical production. Flats, short for Scenery Flats, are flat pieces of theatrical scenery which are painted and positioned on stage so as to give the appearance of buildings or other backgrounds. Soft covered flats (covered with canvas or muslin) A fly system is a system of lines, counterweights, pulleys Improv Notes – short answer Describe what shapes the action of an Improv scene? Audience suggestions or unknown topics List two things that make Improv different from traditional theatre? The elements of spontaneity, unpredictability and risk of not knowing if the scene will work out Why do you think there is no guarantee that an Improv scene will work? You never know what the suggestions or topics will be ahead of time List at least three ways that an actor defines the reality of the scene? Giving someone a name, identifying a relationship, identifying a location, using space object work to define the physical environment Describe what “Blocking” means.
[Show full text]
Basic Principles and Techniques of Lighting
Lighting 102 Basic Principles and Techniques of Lighting by John J. Rankin VINCENTLIGHTING.COM 1 /" -Ê"Ê-/ Ê/ The following criteria should be used to determine if stage lighting is necessary and effective. £°Ê 6- /9 Visibility is a very important function of stage lighting. The audience should be able to see exactly what you want them to see, or not see those things that should remain hidden. Therefore, we might rename this function as “selective visibility.” An example of selective visibility can be found in the play, Wait Until Dark by Frederick Knott. A blind woman is terrorized by a murderer hiding in her apartment. To even her odds against him, she smashes all of the light bulbs thus plunging him - and the audience - into darkness. The action is revealed verbally and occasionally visually with flashlights, matches, and a very surprising source of light at the climax of the play. Ó°Ê , 6 /" Ê"Ê", Similar to selective visibility, revealing the form of the actor, dancer, or speaker will make them stand out from their background. Using techniques described later in this article, you will be able to make the subject appear natural and be the focus of attention for the viewers. For example, when lighting a ballet it is important for the stage lighting to reveal the form of the dancers. The audience wishes to see the dancers move through the space and stand apart from the background. Lighting ballet has been described as “lighting fish in an aquarium.” Light is the same as water in this metaphor.
[Show full text]
Glossary of Theatre Terms
GLOSSARY OF THEATRE TERMS Excerpted from these books: High School Theatre Operations The High School Theatre Lighting Rep Plot High School Theatre Lighting for Architects Other books available: High School Theatre Safety Manual High School Theatre Signs and Documents You can find these books at: http://www.presett.org/helpful-books.html * indicates that the definition of this term can be found in the Glossary. Spelling: you will see hyphens and spaces and compound words used interchangeably. For example: off-stage, off stage, offstage or stage-right, stage right or stageright. APRON The part of the stage deck* that is downstage* of the proscenium*. APRON STRIP LIGHTS This is a band of lights – usually blue - that goes from one side of the stage to the other, just upstage of the stage deck that covers the pit, so that when the pit is open they warn a performer (who can be blinded by the production lights shining in their eyes) where the edge of the stage is. Some apron strip lights have a small red light in the middle, which dancers can use for spotting, and to let all performers know where the center stage line is. ARBOR The framework that holds the pig irons* that counter balance the weight of anything hung on the battens* in the counterweight system*. ARM The strip of stage deck* that protrudes out along the wall of the house* alongside the front part of the seating. BACKSTAGE The area of the stage deck* that is hidden from the audience’s view, either by drapes* or set pieces.
[Show full text]
Lights and Lasers May Be Used As a Visual Effect
PURPOSE 1 Stage lighting has multiple functions, including: • Selective visibility: The ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters, unless this is the explicit intent. • Revelation of form: Altering the perception of shapes onstage, particularly three- dimensional stage elements. • Focus: Directing the audience's attention to an area of the stage or distracting them from another. • Mood: Setting the tone of a scene. Harsh red light has a different effect than soft lavender light. • Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of mechanical ﬁlters ("gobos") to project sky scenes, the Moon, etc. • Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage. • Plot (script): A lighting event may trigger or advance the action onstage and off. • Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".[4][5] • Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way. There is a modern movement that states that the lighting design helps to create the environment in which the action takes place while supporting the style of the piece. "Mood" is arguable while the environment is essential. 1) Selective visiblity: The #1 function of light is to see, to illuminate, to make visible to the nake human eye.
[Show full text]
52927614.Pdf
STAGE LIGHTING AND ITS INFLUENCE ON ARCHITECTURAL LIGHTING A TH E S IS SUBMITTED TO THE DEPARTMENT OF INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN AND THE INSTITUTE OF FINE ARTS OF BILKENT UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF AAASTER OF FINE ARTS By Hüsnü Aydın Ozatilgan June, 1 9 9 4 PN 209{ .tu оъг \щ Б.023425 I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. Assoc. Prof. Dr.)Ceng/z Yener (Advisor) I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. Assoc. Prof. D r^ ld irim Ygvuz Approved by the Institute of Fine Arts Prof. Dr. Bülent Özgüç Director of the Institute of Fine Arts ABSTRACT STAGE UGHTrNG AND ITS INFLUENCE ON ARCHITECTURAL LIGHTING Aydın Özatılgan M .F.A . in Interior Architecture and Environmental Design Supen/isor: Assoc. Prof. Dr. Cengiz Yener May 1 9 9 4 In this work, fundamentals of stage lighting are analyzed along with their historical and technological background. It is stated that there is an influence of stage lighting on architectural lighting. Consequently it is stated that stage lighting is the basis of architectural lighting and there is an important interaction between them.
[Show full text]
Technical Information
Technical Information Kirkland Fine Arts Center Millikin University 1184 West Main Street Decatur, IL 62522-2084 Table of Contents Stage Information: 5. Stage Floor Plan with Measurements 6. North Section View of Theatre 7. Loading and Stage Information ° Loading ° Stage 8. Orchestra Pit/Lift Orchestra Shell and Ceiling Musical Equipment 9. Risers Marley Dance Floor Ladders 10. Fly System Act Curtain Other House Soft Goods 11. Fly Line Sets Lighting System: 13. House Board Dimmers Circuiting Company Switch 14. Lighting Equipment Other Lighting Equipment Sound System: 16. Main Speakers House Mixer Playback & Recording Equipment Monitor Systems 17. Paging System Wireless System Sound Circuiting 18. Microphones Sound Accessories 19. Theatre Communications Supplemental P.A. Company Switch 20. Speaker System Diagram General Auditorium Information: 22. Auditorium Seating Plan (Main Floor and Balcony) 23. Kirkland Main Level Ground Plan 24. Kirkland Lower Level Ground Plan 25. Dressing Rooms, Green Room, and Backstage ° Use of Spaces ° Campus Security ° Special Effects 26. Theatrical Suppliers 27. Medical Emergency Contact Information Traveling Information: 29. Map—Illinois Reference with Major Highways 30. Map—Champaign/Urbana to Decatur Springfield to Decatur 31. Map—Bloomington/Normal to Decatur Transportation 32. Map—Decatur Area 33. Map—Millikin University Campus 34. Decatur Area Lodging Information 35. Decatur Area Dining Information 2 Kirkland Fine Arts Center Millikin University 1184 West Main Street Decatur, IL 62522-2084 Tel (217)
[Show full text]
Waterman Theatre Tech Packet
Waterman Theatre Tech Packet GENERAL INFORMATION • Built in 1968, with a renovation completed in Fall 2016, the Charlotte Waterman Theatre is located in Tyler Hall, and consists of a proscenium stage with seating for 400-425. • A Serapid Orchestra Pit lift provides a curved forestage extending 14' from plaster line at stage center. • Stage deck is 2'- 6" above the floor of the first row of seats. • A crossover hallway behind the stage is accessible via doors upstage left and right. • A Fire Curtain is installed 5 ½” upstage of the plaster line which will automatically lower if the smoke detectors installed in the theatre are tripped. It takes approximately 60 seconds to raise and lower, but cannot be raised until the system is clear of smoke. STAGE DIMENSIONS: Proscenium: • Width 40'-0"; Height 18'-0" Depth: • Plaster line to back wall: 40'-0" • Plaster line to last free lineset: 32'-9" • Plaster line to cyclorama: 30'-11" • Plaster line to edge of stage: 2'-3" • Plaster line to DSC edge of orchestra pit lift: 13'-1" • Plaster line to “advance truss”: 4” • Plaster line to edge of near catwalk (at centerline): 20'-6" • Plaster line to edge of far catwalk (at centerline): 38’6” Width: • SL wall to lock rail SR: 83'-3" • Stage center to SL wall: 43'-0" • Stage center to lock rail SR: 40'-3" • Stage center to edge of galleries SL: 30'-5" • Pipe batten width: 50'-0" • Length of each “advance truss” pipe: 17’ • Length of pipe on near catwalk: 51’ • Length of pipe on far catwalk: 24’ on each side of the spot booth Height: • Grid deck from stage
[Show full text]