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A Guide for Lighting the Stage
A Guide for Lighting the Stage visual environment technologies | etcconnect.com ETC® and ColorSource are either registered trademarks or trademarks of Electronic Theatre Controls, Inc. in the United States and other countries. All other trademarks, both marked and not marked, are the property of their respective owners. This content may be used, copied and freely distributed for educational purposes without written permission from ETC. Introduction The aim of this guide is to help teachers better understand and explain the basic elements of stage lighting. This resource is intended to supplement existing teaching materials, providing additional information and relevant product examples to add colour to lessons and presentations. The content can be applied to a variety of venues, including school halls, drama studios, college and university venues, dance venues, village halls, arts centres, concerts and student television studios. The following chapters cover basic illumination techniques using the ColorSource family of products from ETC and provide a pathway towards more artistic lighting designs. The guide is supported by an optional set of posters, available from ETC (send an email to [email protected] to request a poster set). Founded in 1975, ETC is a global leader in the manufacture of lighting and rigging technology for entertainment and architectural applications. ETC products are found in small and large venues worldwide. All ETC products are made to the same high standards, which is why they are used in so many professional and amateur venues. The ETC ColorSource family of equipment delivers LED lighting on a budget by offering high quality lighting, data distribution and power control in a plug- and-play format. -
John's List of Tech Theater Terms
Department of THEATER & DANCE Office of the TECHNICAL DIRECTOR Tech Theater Terms file last updated: 7.29.2010 (JDE) All information contained in this document is original material copyright © 2005 by John D. Ervin and is intended for the use of my students. Please contact me at [email protected] for permission to use this material in any other way. This is a work-in-progress and will be occasionally appended. Apron – The portion of the stage or playing space that is downstage of the proscenium arch. In traditional proscenium-style theaters, acting on the apron was a big “no-no” because it violated the stage picture being created by the proscenium arch. Thus many older theaters have very shallow aprons. Nowadays though, Directors can’t get enough of having their actors as close to the audience as possible; despite how uncomfortable it makes some audience members. This is all done under the umbrella of ‘intimacy’ and we all know how much artists love that stuff. Sometimes the apron is referred to as the “Forestage”. (See Figure 1 and 2) Arbor – Part of a fly system. A device mounted in one of the wings, which is connected to the lift lines at the opposite end from the batten. Stage weights are stacked on the arbor to balance the load suspended from the batten. In the case of a counterweight fly system, a rope hand line is connected to the top of the arbor, passes sequentially through the head block and tension block, and is terminated to the bottom of the arbor, forming a loop. -
Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry
Journal of Intellectual Property Law Volume 28 Issue 2 Article 3 October 2020 Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry Mark Bailey University of Georgia School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Intellectual Property Law Commons Recommended Citation Mark Bailey, Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry, 28 J. INTELL. PROP. L. 365 (2020). Available at: https://digitalcommons.law.uga.edu/jipl/vol28/iss2/3 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry Cover Page Footnote J.D. Candidate, 2022, University of Georgia School of Law. Before coming to law school, I spent ten years working as a lighting designer and technician in the theatre and entertainment industry. My past professional credits include: Light Board Programmer at the Yale Repertory Theatre and Yale School of Drama, Assistant Master Electrician at Point Park University's Conservatory of Performing Arts, and various design credits around the country. I dedicate this note to all the talented theatre professionals I have worked with that have faced down unique challenges the pandemic brought to the industry. -
Resume Examples
RÉSUMÉ TEMPLATES The following examples are provided to help you create your first résumé. There are six templates: 1) actor 2) designer/technician 3) stage manager 4) director 5) playwright 6) first-time résumé for someone just out of high school, combined with a general theatre résumé covering multiple areas of experience Length: An actor’s résumé should be a single page in length. When attached to a headshot, it should be trimmed to 8” x 10”. Résumés for other areas do not need to be limited to one page. There are many possible variations in style and format, and each template has a slightly different approach. Look over all of the samples for formatting ideas, even those that do not apply to your specific area of interest. You are also encouraged to contact faculty for advice and feedback on your drafts. Please note, résumés for graduate schools in theatre, professional theatres, and theatre internships are different from your typical business résumés. The sample résumés provided by the Center for Community Engagement and Career Education <http://www.csub.edu/cece/students/who_method.shtml> are useful if you are applying for a position outside of theatre, but their formats should not be used for jobs or graduate school applications within the theatre field. ACTOR TEMPLATE DAVID DRAMA [email protected] Height: 5’ 11” (661) 123-5678 Hair: Brown Tenor Theatre Death of a Salesman Biff Anita DuPratt Bakersfield Community Theatre Lend Me a Tenor Max Zoe Saba CSU Bakersfield Antigone in New York Sasha * Maria-Tania Becerra CSUB Evita Magaldi Mandy Rees CSUB Richard III Hastings Peter Brook Empty Space “Wiley and the Hairy Man” Wiley Kamala Kruszka CSUB and on tour “Unwrapped” (premiere) John Jessica Boles CSUB * Kennedy Center American College Theater Festival Irene Ryan Acting Scholarship nominee Education/Training B.A. -
Master Electrician
MASTER ELECTRICIAN Position Description Position Title: Circle Theatre Master Electrician Reports To: Technical Director and Lighting Designer Compensation: $500.00 per show stipend - paid at end of run Total Hours: Varies by needs of show Work Dates: Cabaret, July 5-Aug 1; Noises Off! Aug 2-29; Hair, Aug 30 – Sept 26. *Dates include the performance runs, which MEs are not required to attend but will need to be available to come in for repairs if needed during the run of the show. General Purpose Responsible for reading lighting designers plans and implementing the hanging of instruments; work with the Lighting Designer during focus and tech week. Up to 3 positions to fill (or one person for all three shows). 1 load-in/focus/strike period per production, $500 stipend per production. Minimum Job Requirements Education / Experience • Experience with theatrical stage lighting (conventional and LED), and with standard lighting conversion (i.e. desk lamps conversion to stage pin) Experience • Photography, graphic design, communications LIMITATIONS AND DISCLAIMER The above internship description is meant to describe the general nature and level of work being performed; it is not intended to be construed as an exhaustive list of all responsibilities, duties and skills required for the position. All job requirements are subject to possible modification to reasonably accommodate individuals with disabilities. Some requirements may exclude individuals who pose a direct threat or significant risk to the health and safety of themselves or other employees. This job description in no way states or implies that these are the only duties to be performed by the employee occupying this position. -
Table of Contents Ordering Info & Terms
Table of Contents Ordering Info & Terms Pricing Installations & Web ................... 1 Prices shown are current at time of printing. Prices and specifications subject to change Pipe & Drape .............................. 2 without notice. Please call or e-mail for confirmation of prices and specifications. Updated Draperies ............................... 3 product pricing is also posted at our website: www.bmisupply.com. Payment Terms Fabric ............................... 4 - 5 Amex, Visa, MasterCard, Discover accepted, along with cash/check in advance or COD in Tape ............................... 6 select cases. Most government, Federal, college, university and private school purchase orders accepted on open account at the discretion of BMI Supply. Open account terms Hardware ............................... 7 - 11 are Net 30 from invoice date, unless other arrangements are agreed upon by BMI Supply. Rigging ............................... 12 - 17 Payments received Net 31 and later incur a 1.5% service charge initially, and for every thirty Cordage ............................... 18 (30) days thereafter. Any collection and/or legal fees are the responsibility of the purchaser. Ordering Curtain Track .............................. 19 - 21 All orders subject to acceptance by BMI Supply. Orders may be placed via web, phone, Special Effects .......................... 22 - 29 fax, email, or US mail. Whichever is most convenient for you. Tech-cessories .......................... 30 Returns Lighting Accessories ................ 31 - 44 We understand circumstances arise that necessitate a product return. Returns will not be accepted without a return authorization (RA#) number issued by BMI Supply. Request for a Electrics ............................... 45 - 62 RA# must be placed with BMI Supply within 10 days of receipt of order by customer. Returns Parts & Sockets ......................... 63 expire 20 days after issuance of RA#. All returns are subject to a minimum 20% restocking Lamps ............................. -
A Lighting Design Process for a Production of Stephen Schwartz’S Working
A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred. -
Boll Theatre Specifications
Dayton, Ohio Boll Theatre Technical Specifications For Bookings and Reservations: 937-229-3333 Boll Theatre Manager: Matthew J. Evans 937-229-3834 Email: [email protected] 1 BOLL THEATRE The John F. Kennedy Memorial Union, University of Dayton TECHNICAL INFORMATION SUMMARY: The stage is a proscenium style stage. The floor is flat, ¼" Masonite painted black, and can be fastened into with permission. There are pre-cut traps and floor pockets. The seating is all on the main floor with no balcony. There are two entrances into the theatre; one left and one right. The control booth is located on the 2nd floor. Theatre Capacity: 371 Theatre Capacity: 359 with tech table for audio Stage Width: 57’6” (Side wall to side wall) Stage Depth: 30’ (Proscenium to back wall) 38’ (With stage lift at stage level) Grid Iron Height: Top: 45’11 5/8” Bottom: 44’11 ½” Grid Iron Ceiling: 52’0 ¾” Loading Bridge: Top: 36’ 10 3/8” Bottom: 36’5” Operator’s Bridge: Top: 15’7 13/16” Bottom: 14’3 3/8” Maximum Batten Height: 42’ (depending on arbor size) Proscenium Height: 20’ Proscenium Width: 32’ Stage Lift: 24’ x 8’ (Hydraulic) Depth in Front of Curtain: 3’ (Without stage lift) LIGHTING EQUIPMENT: 1 ETC ION XE 20 Light Control Console 99 ETC Source Four lamp body 575w 32 Source Four lens tube (6x16) 19 degrees 65 Source Four lens tube (6x12) 26 degrees 58 Source Four lens tube (6x9) 36 degrees 10 Source Four lens tube (4.5x6) 50 degrees 10 Source Four Zoom 15-30/25-50 degrees 2 High-End Sola Frame 750 Moving Lights 32 ETC ColorSource Spots – Deep Blue 21 ETC ColorSource -
Backstage Lighting Terminology
Break-out: Adapter consisting of multiple receptacles (FM) wired to a single multipin (M) connector; may be a box or a cable assembly. Synonym: Break-out Box, Fan-out Burn Out: Failed lamp or color media that is burned through Channel: Specific control parameter encompassing single or multiple device attributes (lighting dimmers, audio signals, etc.) controlled as a unit Lighting and Electrics Terminology (A-Le) Channel Hookup: Paperwork designating the connection of Adapter: Electrical accessory that transitions between dimmer circuits to channels of control dissimilar connectors; may be a molded unit, box or cable assembly Circuit: Path for electricity to flow from the source, through a conductor, to a device(s) Amperes: Unit of measure for the quantity of electricity flowing in a conductor. Synonym: A, Amp, Current Circuit Breaker: Mechanical/Electrical device that is designed to automatically open (trip) if the current exceeds the rated Automated Luminaire: Lighting instrument with attributes level protecting the circuit; may be operated manually that are remotely controlled. Synonym: Automated Fixture, Synonym: Breaker, CB, OCPD, Overcurrent Protective Device Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light Color Extender: Top hat with color media holder. Synonym: Gel Extender Backlight: A lighting source that is behind the talent or subject from the viewers perspective. Synonym: Backs, Back Color Frame: Metal or heat resistant device that holds the Wash, Bx, Hair Light, Rim Light color media in front of a luminaire. Synonym: Gel Frame Balcony Rail: Lighting position mounted in front of or on the Color Media: Translucent material used to color light face of the balcony. -
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam. -
Masterspin ®
WARRANTY Altman Stage Lighting Co., Inc., herein referred MASTERSPIN ® to as Altman, guarantees this product to be free of defects in materials and workmanship as follows: UL LISTED—GOBO ROTATOR This warranty extends to the original purchaser of this product for 12 months after the date of shipment. The warranty is limited to rectifying any such defect and/or replacing such INSTRUCTIONS defectiVe part, that an authorized Altman AND representatiVe determines by inspection to be WARRANTY defectiVe in material and/or workmanship. Requests for warranty work must be made in writing to Altman Stage Lighting Co., Inc., Attn: Customer SerVice, 57 Alexander Street, Yonkers, NY 10701, U.S.A. The product must be returned (shipping prepaid) and in original packaging to the above address along with a Valid RMA number obtained from Altman. MasterSpin® Warranty services will not include “In Field Labor” costs for the installation of this product. Is a registered trademark of Altman Stage Lighting. This warranty is Void and Altman assumes no Specifications are subject to change without responsibility for damage or faulty notice. performance on any product that has been Product is distributed by: improperly installed, oVerloaded, short circuited, abused, or altered in any manner. Altman Stage Lighting Co., Inc. 57 Alexander Street Distributed by: Neither the seller nor the manufacturer shall Yonkers, NY 10701 Phone (914) 476-7987 be liable for any injury loss or damage, direct Fax (914) 963-7304 Altman Stage Lighting Co., Inc. or consequential, arising out of the use of or the inability to use the product. No other 120VAC Version UL Listed for user exclusively with 57 Alexander Street Altman Master Ellipse and Micro Ellipse warranty, expressed or implied, is giVen and no Luminaires. -
Spectra Cyc 100 UV Data Sheet.Indd
SPECTRA CYC UV WASH LIGHTING Catalog Numbers The Spectra Cyc UV is a 100 Watt cyclorama/wall SSCYC100-UV-**SSCYC100-UV-** wash luminaire utilizing high output 365nm UV LED emitters. Designed for theatrical and architectural applications, the Spectra Cyc UV blends the output via a refl ector providing smooth and even distribution. The on-board power supply allows for direct power & data input which can be daisy chained through up to 20 units. Designed for use on 6’-8’ centers, individual units can be linked side by side for greater saturation of light. The Spectra Cyc UV is compatible with both DMX and RDM protocols, and comes with a library of pre-programmed fi xed intensities and various intensity eff ects. Units can be utilized for both fl oor and Sky-Cyc applications. 11.65 100 WATT SPECTRA CYC UV Features • Uses 365nm UV LEDs • Convection Cooled • Asymmetrical refl ector designed for broad, even distribution • On-board multi-voltage power supply 100-240VAC. • Feed through power and data capabilities using powerCON and 5-pin XLR connectors. • Compatible with DMX and RDM protocols. • Push button addressing. 11.20 • Pre-programmed modes for fi xed intensities, timed fades, changes and strobes. • 11 lbs. • ETL and cETL listed 7.45 • Made in the USA Ordering Example: (Select item from each box) ModelWattage - LED Array - Finish Color SSCYC100- UV - Project: Approval Date: Location: Fixture Type: Lighting 57 Alexander St., Yonkers, NY 10701 Tel: 914-476-7987 Visit our website at www.altmanlighting.com BRINGING IMAGINATION TO LIGHT © 2012 Altman Stage Lighting, Inc. SPECTRA CYC UV WASH LIGHTING Specifi cations: Accessories: Materials: Construction employs all Model Number corrosion-resistant materials and hardware.