Tech Requirements
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Stagehand Course Curriculum
Alaska Center for the Performing Arts Stagehand Training Effective July 1, 2010 1 Table of Contents Grip 3 Lead Audio 4 Audio 6 Audio Boards Operator 7 Lead Carpenter 9 Carpenter 11 Lead Fly person 13 Fly person 15 Lead Rigger 16 Rigger 18 Lead Electrician 19 Electrician 21 Follow Spot operator 23 Light Console Programmer and Operator 24 Lead Prop Person 26 Prop Person 28 Lead Wardrobe 30 Wardrobe 32 Dresser 34 Wig and Makeup Person 36 Alaska Center for the Performing Arts 2 Alaska Center for the Performing Arts Stagecraft Class (Grip) Outline A: Theatrical Terminology 1) Stage Directions 2) Common theatrical descriptions 3) Common theatrical terms B: Safety Course 1) Definition of Safety 2) MSDS sheets description and review 3) Proper lifting techniques C: Instruction of the standard operational methods and chain of responsibility 1) Review the standard operational methods 2) Review chain of responsibility 3) Review the chain of command 4) ACPA storage of equipment D: Basic safe operations of hand and power tools E: Ladder usage 1) How to set up a ladder 2) Ladder safety Stagecraft Class Exam (Grip) Written exam 1) Stage directions 2) Common theatrical terminology 3) Chain of responsibility 4) Chain of command Practical exam 1) Demonstration of proper lifting techniques 2) Demonstration of basic safe operations of hand and power tools 3) Demonstration of proper ladder usage 3 Alaska Center for the Performing Arts Lead Audio Technician Class Outline A: ACPA patching system Atwood, Discovery, and Sydney 1) Knowledge of patch system 2) Training on patch bays and input signal routing schemes for each theater 3) Patch system options and risk 4) Signal to Voth 5) Do’s and Don’ts B: ACPA audio equipment knowledge and mastery 1) Audio system power activation 2) Installation and operation of a mixing consoles 3) Operation of the FOH PA system 4) Operation of the backstage audio monitors 5) Operation of Center auxiliary audio systems a. -
John's List of Tech Theater Terms
Department of THEATER & DANCE Office of the TECHNICAL DIRECTOR Tech Theater Terms file last updated: 7.29.2010 (JDE) All information contained in this document is original material copyright © 2005 by John D. Ervin and is intended for the use of my students. Please contact me at [email protected] for permission to use this material in any other way. This is a work-in-progress and will be occasionally appended. Apron – The portion of the stage or playing space that is downstage of the proscenium arch. In traditional proscenium-style theaters, acting on the apron was a big “no-no” because it violated the stage picture being created by the proscenium arch. Thus many older theaters have very shallow aprons. Nowadays though, Directors can’t get enough of having their actors as close to the audience as possible; despite how uncomfortable it makes some audience members. This is all done under the umbrella of ‘intimacy’ and we all know how much artists love that stuff. Sometimes the apron is referred to as the “Forestage”. (See Figure 1 and 2) Arbor – Part of a fly system. A device mounted in one of the wings, which is connected to the lift lines at the opposite end from the batten. Stage weights are stacked on the arbor to balance the load suspended from the batten. In the case of a counterweight fly system, a rope hand line is connected to the top of the arbor, passes sequentially through the head block and tension block, and is terminated to the bottom of the arbor, forming a loop. -
These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system. -
Resume Examples
RÉSUMÉ TEMPLATES The following examples are provided to help you create your first résumé. There are six templates: 1) actor 2) designer/technician 3) stage manager 4) director 5) playwright 6) first-time résumé for someone just out of high school, combined with a general theatre résumé covering multiple areas of experience Length: An actor’s résumé should be a single page in length. When attached to a headshot, it should be trimmed to 8” x 10”. Résumés for other areas do not need to be limited to one page. There are many possible variations in style and format, and each template has a slightly different approach. Look over all of the samples for formatting ideas, even those that do not apply to your specific area of interest. You are also encouraged to contact faculty for advice and feedback on your drafts. Please note, résumés for graduate schools in theatre, professional theatres, and theatre internships are different from your typical business résumés. The sample résumés provided by the Center for Community Engagement and Career Education <http://www.csub.edu/cece/students/who_method.shtml> are useful if you are applying for a position outside of theatre, but their formats should not be used for jobs or graduate school applications within the theatre field. ACTOR TEMPLATE DAVID DRAMA [email protected] Height: 5’ 11” (661) 123-5678 Hair: Brown Tenor Theatre Death of a Salesman Biff Anita DuPratt Bakersfield Community Theatre Lend Me a Tenor Max Zoe Saba CSU Bakersfield Antigone in New York Sasha * Maria-Tania Becerra CSUB Evita Magaldi Mandy Rees CSUB Richard III Hastings Peter Brook Empty Space “Wiley and the Hairy Man” Wiley Kamala Kruszka CSUB and on tour “Unwrapped” (premiere) John Jessica Boles CSUB * Kennedy Center American College Theater Festival Irene Ryan Acting Scholarship nominee Education/Training B.A. -
Master Electrician
MASTER ELECTRICIAN Position Description Position Title: Circle Theatre Master Electrician Reports To: Technical Director and Lighting Designer Compensation: $500.00 per show stipend - paid at end of run Total Hours: Varies by needs of show Work Dates: Cabaret, July 5-Aug 1; Noises Off! Aug 2-29; Hair, Aug 30 – Sept 26. *Dates include the performance runs, which MEs are not required to attend but will need to be available to come in for repairs if needed during the run of the show. General Purpose Responsible for reading lighting designers plans and implementing the hanging of instruments; work with the Lighting Designer during focus and tech week. Up to 3 positions to fill (or one person for all three shows). 1 load-in/focus/strike period per production, $500 stipend per production. Minimum Job Requirements Education / Experience • Experience with theatrical stage lighting (conventional and LED), and with standard lighting conversion (i.e. desk lamps conversion to stage pin) Experience • Photography, graphic design, communications LIMITATIONS AND DISCLAIMER The above internship description is meant to describe the general nature and level of work being performed; it is not intended to be construed as an exhaustive list of all responsibilities, duties and skills required for the position. All job requirements are subject to possible modification to reasonably accommodate individuals with disabilities. Some requirements may exclude individuals who pose a direct threat or significant risk to the health and safety of themselves or other employees. This job description in no way states or implies that these are the only duties to be performed by the employee occupying this position. -
Backstage Lighting Terminology
Break-out: Adapter consisting of multiple receptacles (FM) wired to a single multipin (M) connector; may be a box or a cable assembly. Synonym: Break-out Box, Fan-out Burn Out: Failed lamp or color media that is burned through Channel: Specific control parameter encompassing single or multiple device attributes (lighting dimmers, audio signals, etc.) controlled as a unit Lighting and Electrics Terminology (A-Le) Channel Hookup: Paperwork designating the connection of Adapter: Electrical accessory that transitions between dimmer circuits to channels of control dissimilar connectors; may be a molded unit, box or cable assembly Circuit: Path for electricity to flow from the source, through a conductor, to a device(s) Amperes: Unit of measure for the quantity of electricity flowing in a conductor. Synonym: A, Amp, Current Circuit Breaker: Mechanical/Electrical device that is designed to automatically open (trip) if the current exceeds the rated Automated Luminaire: Lighting instrument with attributes level protecting the circuit; may be operated manually that are remotely controlled. Synonym: Automated Fixture, Synonym: Breaker, CB, OCPD, Overcurrent Protective Device Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light Color Extender: Top hat with color media holder. Synonym: Gel Extender Backlight: A lighting source that is behind the talent or subject from the viewers perspective. Synonym: Backs, Back Color Frame: Metal or heat resistant device that holds the Wash, Bx, Hair Light, Rim Light color media in front of a luminaire. Synonym: Gel Frame Balcony Rail: Lighting position mounted in front of or on the Color Media: Translucent material used to color light face of the balcony. -
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam. -
Spectra Cyc 100 UV Data Sheet.Indd
SPECTRA CYC UV WASH LIGHTING Catalog Numbers The Spectra Cyc UV is a 100 Watt cyclorama/wall SSCYC100-UV-**SSCYC100-UV-** wash luminaire utilizing high output 365nm UV LED emitters. Designed for theatrical and architectural applications, the Spectra Cyc UV blends the output via a refl ector providing smooth and even distribution. The on-board power supply allows for direct power & data input which can be daisy chained through up to 20 units. Designed for use on 6’-8’ centers, individual units can be linked side by side for greater saturation of light. The Spectra Cyc UV is compatible with both DMX and RDM protocols, and comes with a library of pre-programmed fi xed intensities and various intensity eff ects. Units can be utilized for both fl oor and Sky-Cyc applications. 11.65 100 WATT SPECTRA CYC UV Features • Uses 365nm UV LEDs • Convection Cooled • Asymmetrical refl ector designed for broad, even distribution • On-board multi-voltage power supply 100-240VAC. • Feed through power and data capabilities using powerCON and 5-pin XLR connectors. • Compatible with DMX and RDM protocols. • Push button addressing. 11.20 • Pre-programmed modes for fi xed intensities, timed fades, changes and strobes. • 11 lbs. • ETL and cETL listed 7.45 • Made in the USA Ordering Example: (Select item from each box) ModelWattage - LED Array - Finish Color SSCYC100- UV - Project: Approval Date: Location: Fixture Type: Lighting 57 Alexander St., Yonkers, NY 10701 Tel: 914-476-7987 Visit our website at www.altmanlighting.com BRINGING IMAGINATION TO LIGHT © 2012 Altman Stage Lighting, Inc. SPECTRA CYC UV WASH LIGHTING Specifi cations: Accessories: Materials: Construction employs all Model Number corrosion-resistant materials and hardware. -
Stage Lighting Technician Handbook
The Stage Lighting Technician’s Handbook A compilation of general knowledge and tricks of the lighting trade Compiled by Freelancers in the entertainment lighting industry The Stage Lighting Technician's Handbook Stage Terminology: Learning Objectives/Outcomes. Understanding directions given in context as to where a job or piece of equipment is to be located. Applying these terms in conjunction with other disciplines to perform the work as directed. Lighting Terms: Learning Objectives/Outcome Learning the descriptive terms used in the use and handling of different types of lighting equipment. Applying these terms, as to the location and types of equipment a stagehand is expected to handle. Electrical Safety: Learning Objectives/Outcomes. Learning about the hazards, when one works with electricity. Applying basic safety ideas, to mitigate ones exposure to them in the field. Electricity: Learning Objectives/Outcomes. Learning the basic concepts of what electricity is and its components. To facilitate ones ability to perform the mathematics to compute loads, wattages and the like in order to safely assemble, determine electrical needs and solve problems. Lighting Equipment Learning Objectives/Outcomes. Recognize the different types of lighting equipment, use’s and proper handling. Gain basic trouble shooting skills to successfully complete a task. Build a basic understanding of applying these skills in the different venues that we work in to competently complete assigned tasks. On-sight Lighting Techniques Learning Objectives/Outcomes. Combing the technical knowledge previously gained to execute lighting request while on site, whether in a ballroom or theatre. Approaches, to lighting a presentation to aspects of theatrical lighting to meet a client’s expectations. -
Master Electrician
Longwood University 2013 Master Electrician Weekly: • Ensure that you meet with the lighting designer to discuss any ideas for how to overcome any unusual lighting challenges and provide an update to the overall process. Rehearsal Period: • Meet with the lighting designer shortly after receiving this position. o Discuss the production concept. o Be sure to receive the light plot and other paperwork. • Hold a workshop with all lighting crew members (electricians, spotlight operators, and board operator). o The workshop will be run by your and supervised by the lighting designer. o Cover all the basics of working with lighting. • Analyze all the lighting paperwork. o Ensure the realization of the light plot completely. o Create a list of what instruments, gels and specialty equipment will be need to implement the design. • Create any additional paperwork not given to you by the lighting designer. o Make sure the lighting designer and stage manager receive this paperwork. • Create and maintain an inventory of instruments, gels, and special effects. • Meet with the lighting designer a second time. o Discuss a tentative focus call schedule, any special positions or effects and the equipment inventory/orders. • Create a crew call schedule. Notify the technical director of crew calls. o Send out crew calls to electricians as early as possible. • Maintain all lighting instruments, cable, and accessories during the production. o Keep the mezzanine and catwalk neat, clean, and safe. • You are responsible for keeping all of the electrics paperwork up-to-date and distributed to the appropriate individuals. • You must personally implement any specialty lighting/electrical work. -
Head Electrician
JOB DESCRIPTION Job Title: Head Electrician Department: Production Reports To: Technical Director FLSA Status: Non-Exempt This position is covered by a collective bargaining agreement between I.A.T.S.E. Local 1 and the Apollo Theater. Organization: Founded in 1991, The Apollo Theater Foundation, Inc. is dedicated to the preservation and development of the legendary Apollo Theater through the Apollo Experience of world-class live performances and education programs that: Honor the influence and advance the contributions of African-American artists; and Advance emerging creative voices across cultural and artistic media. Our vision is to expand the reach of the Apollo Experience to a worldwide audience. This position is covered by the Apollo's Collective Bargaining Agreement with Local One. Both Union and Non-Union candidates are invited to apply. Position Summary: Manage, maintain, and operate theatrical lighting systems and equipment to ensure the timely and accurate realization of all lighting elements for The Apollo Theater in both the Main stage and the Sound Stage. The Head Electrician is responsible for scheduling and managing over hire electricians. Essential Duties and Responsibilities during technical rehearsals and performances: Consult with Designer, TD and/or PM to determine use of circuits for lighting plots Supervise the strike of theatrical lighting and equipment and restore of House Hang Responsible for hanging and focusing the lighting plots Supervise the crew during the Lx hang, and focus Move, re-focus, re-patch -
Julia Elaine Mills [JEM]
Julia Elaine Mills [email protected] Owner: Cerulean Blue, LLC (917)975.5150 IATSE Local 52 Hire www.juliafilm.com Australian Cinematographer’s [JEM] IMDB: Julia Elaine Mills Society Member PROFESSIONAL WORK Sony Entertainment NAB Floor Representative for F5 and 4K Cameras – NAB, Las Vegas, April, 2013 Monkey Bay Productions (Production Intern/International Communication Liaison) – France, Summer 2012 Eastern Effects Lighting and Grip Equipment Rental House (Day Player/Contractor) – Summer 2011 Handheld Films Camera Rental House (Intern) – Summer 2011 City Stage (Sound Stage) Production Facility (Production Intern) – Spring 2011 NYU Tisch Film Teaching Soundstage (Camera Classes Technical Assistant) – Fall 2012‐Spring 2013 FILM EXPERIENCE Features/TV/Commercials “Royal Pains” USA Network Grip: TV Drama “Elementary” CBS Grip: TV Drama “The Michael J Fox Show” NBC Grip: TV Comedy “The Following” Fox Grip: TV Drama “The Blacklist” NBC Grip: TV Drama “The Carrie Diaries” HBO Grip: TV Comedy “Us & Them” Fox Grip: TV Comedy “Alpha House” Amazon Original Grip: TV Comedy Drama “Shelter” BiFrost Pictures Grip/BBG: Feature starring Jennifer Director Paul Bettany Connelly and Anthony Mackie “Petunia” Yale Productions/Cranium Ent. Grip: Feature starring Thora Birch and Producers Jordan Yale LeVine, Thora Birch Brittany Snow “Person of Interest” CBS Grip/Electrician: TV Drama “Squirrels to the Nuts” Lagniappe Films Grip/Electrician: Comedy starring Director Peter BogdanoVich Jennifer Anniston and Owen Wilson “Beware the Night” Screen Gems