DOCSLIB.ORG

Performing Arts Product Catalog Wenger and J.R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Performing Arts Product Catalog Wenger and J.R Performing Arts Product Catalog Wenger and J.R. Clancy have been enhancing performances across the world, for decades. Bringing all of our creative engineering skills together, and working closely with our partners, we develop solutions for performance spaces that enable artists to perform at their best and provide audiences with unforgettable experiences. We are Wenger | J.R. Clancy. Les Misérables at Hanna Theater, Cleveland, Ohio © Roger Mastroianni TABLE OF CONTENTS Stage Engineering and Rigging . 4-12 Hoists . 6-8 Control Systems . 9-11 Counterweight Rigging . 12-13 Fire Safety Curtain Systems . 14 Pre-Engineered Acoustical Doors . 15 Transcend® Active Acoustics . 16 Transform™ Acoustical Banners . 17 Diva® Acoustical Shells . 18-19 Maestro® Acoustical Shells . 20 Virtuoso™ Acoustical Shell . 21 STRATA® Orchestra Pit Filler . 22 STRATA® Event Staging . 23 StageTek™ Staging System . 24-25 Upper Deck Audience Seating® Tiered Risers . 26 Signature® Choral Risers . 27 Portable Audience Chairs . 28-29 Fixed Audience Seating . 30-31 Theatre Storage . 32 GearBoss® Shelving . 33 Rack 'n Roll Garment Rack . 34 OnBoard® Cargo Cart . 35 Media Storage Cabinets . 36-37 Studio® Makeup Station . 38 Backstage® Makeup Station . 39 flipFORMS® . 40 Symphony Chair . 42 Cellist Chair . 43 Nota® Chairs . 44 Nota ConBrio® Chairs . 45 Bravo™ Music Stand . 46 Roughneck® Music Stand . 47 Classic 50® Music Stand . 48 Preface® Music Stand . 49 Conductor's Equipment . 50 TIM™ Training, Inspection and Maintenance . 51-52 Proud of our innovative product line . For over seventy years we’ve designed and built many of the innovative products you’ll find in music and theatrical performance spaces. In fact, it’s hard to find theatre, concert venue or worship space anywhere that doesn’t contain at least some products stamped with the Wenger or J .R . Clancy logo . Our commitment to smart functionality, long-lasting durability and attractive design is evident in our entire product line. Please take the time to discover everything we offer, whether it be in this catalogue or at our new and improved website . C B A A Acoustical Shells Wenger acoustical shells are known for their dramatic appearance Motion Control and their dynamic Systems improvement of your acoustics . Limitless motion control E and dramatic visual effects for performances. Hoists and Counter- weight Rigging From manual counter- weight systems to fully A automated systems, we have the right rigging for every need . B C H D D Media Storage Smart and secure storage Makeup Stations cabinets for your With the right lighting and electronics help you ergonomic space, actors organize your valuable will get ready faster and and fragile equipment . more professionally . 1-800-493-6437 • www.wengercorp.com/performance page 2 E G F H Fire Safety Curtains Transform™ The essential safety Transcend® Active Acoustical Banners curtains that meet all Acoustics Adjustable banners to modern building codes . State-of-the-art sound quickly control the levels processing to improve of sound absorption and manipulate the and reflection in your acoustics of your performance space . performance space . Staging Systems StageTek™ staging is versatile enough to create, stages, risers, seating platforms and much more . F G J I J I flipFORMS® Changeable, movable and incredibly durable – these flipFORMS will have infinite uses in your theatre . Orchestra Pit Filler Audience Seating A custom fit, amazing From portable to support and a structure permanent, we’ve got that opens up more space the seating style that beneath . fits your space. 1-800-493-6437 • www.wengercorp.com/performance page 3 QUALITY SINCE 1885 STAGEQUALITY ENGINEERING SINCE 1885 SOLUTIONS From simple to complex, J.R. Clancy has offered the most complete line of stage rigging and hoists for over 130 years. EXPERTS FOR OVER 130 YEARS COMMITTED TO QUALITY J.R. Clancy has been designing and manufacturing rigging and J.R. Clancy isn’t a consolidator – we design, engineer and theatrical equipment since 1885. Our clients span the globe. manufacture equipment in house to meet the most rigorous We provide everything from simple stage hardware to highly standards. By keeping control we can assure you of the highest sophisticated stage engineered systems for theatres, concert quality. halls, arenas, churches, casino showrooms, opera houses and With a company-wide dedication to excellence, you benefit with even cruise ships. service and orders that are on time, complete and correct. You J.R. Clancy was the first full line theatrical equipment company also benefit with exceptional equipment backed by our in North America to become ISO 9001:2008 certified. This industry-leading, three-year standard guarantee. commitment to quality is evident in our unique guarantee where we promise that your equipment will be on time, complete and EXTRAORDINARY PROJECT MANAGEMENT correct. Period. Projects are often complex, and even the smallest There is a simple reason for the company’s exten sive client list conflicts or errors in scheduling, design and manu facturing and longevity. “Provide solutions and quality equipment. Make can be costly. When you choose J.R. Clancy, you benefit with sure it works. And if people have a problem, solve it immediately,” award winning project management for seamless production says Mike Murphy, J.R. Clancy's General Manager, Performing from inception to installation. Arts. A dedicated project manager is assigned to oversee every facet of your project. From in-house design and drawings through YOUR SINGLE SOURCE manufacture and performance testing, your project manager You can obtain the performance motion equipment you need ensures your installation will be a success. for your facility, simply and economically from J.R. Clancy. With worldwide installation capability, an extensive equipment line and the most experienced team of engineers and installers, J.R. Clancy is the answer to the question, “Can I get it all from one supplier?” Arsht Center for the Performing Arts, Miami, Florida Segerson Concert Hall, Orange County, California (Photo by Damian Doria) 1-800-493-6437 • www.wengercorp.com/performance page 4 QUALITY SINCE 1885 STAGE ENGINEERING SOLUTIONS QUALITY SINCE 1885 HOISTS The J.R. Clancy family of hoists provides you with more flexibility than any other manufacturer to help find the right solution for your performance space. With our line of hoists we will meet your creative, technical and budget requirements. We have designed, built and installed thousands of custom hoists. When you are in need of a solution not shown in this catalog or online, we most likely have already designed something similar, and will provide the expertise needed to meet your requirements. Valley Baptist Church, Bakersfield, California MOTION CONTROL SYSTEMS J.R. Clancy has a complete line of control systems from simple push button and presets to complex 3D motion control and show programming. Our SceneControl® control consoles are designed for ease of use and maximum reliability for use in the demanding backstage environment. From simple and intuitive operation of your electric sets, to complex and coordinated motion control, our consoles provide a superior level of performance. COUNTERWEIGHT RIGGING SYSTEMS J.R. Clancy pioneered innovation in counterweight rigging systems, and we have thousands of sets lifting equipment safely worldwide! If you need a cost effective solution, manual rigging can be the answer. Northrop Auditorium, Minneapolis, Minnesota Long Beach Convention Center, Long Beach, California Hollywood Bowl, Hollywood, California 1-800-493-6437 • www.wengercorp.com/performance page 5 HOISTS J.R. Clancy has many automated hoist options to meet your creative, technical and budget requirements. HOISTS Hannah Theatre at Playhouse Square, Cleveland, Ohio J.R. Clancy offers the most extensive line of automated hoists in the industry, with standard and custom design choices for performance venues of all sizes, each delivering unequaled reliability, safety, and ease. Whether you are lifting a large grid above an arena, a front-of-house lighting batten, or creating three-dimensional motion control, J.R. Clancy has a reliable and safe option for your project. ∹ Enhanced Performance – Precision and speed to help you better control your performance equipment . ∹ Safety – Improve the safety environment backstage by limiting the need for manual manipulation of ropes and counterweights . ∹ Time Savings – Speed up changeovers . ∹ Space Savings – Create additional space backstage by moving your rigging to the fly loft. Valley Baptist Church, Bakersfield, California The Hoist Experts – Since 1885 From their founding in 1885, J.R. Clancy has provided their expertise to rigging projects worldwide. From simple to complex to custom, they’ve completed tens of thousands of projects with a strict commitment to quality and safety. No other company has the experience, products, commitment or support to ensure your project’s success like J.R. Clancy. SOLUTIONS FOR PERFORMANCE VENUES OF ALL SIZES. When it comes to automation, one hoist does not fit all. J.R. Clancy has several automated hoists to meet your creative, technical, and budget requirements. Custom hoists can also be developed for unique projects. A HELIOS™ HOIST Helios is an economical, automated hoist ideal for smaller venues and available in fixed or variable speeds. The patent-pending drum and innovative brake design offer a compact A solution where space is a premium. Helios’ access panel and operation lights
Load more

Recommended publications
  • Stagehand Course Curriculum
    Alaska Center for the Performing Arts Stagehand Training Effective July 1, 2010 1 Table of Contents Grip 3 Lead Audio 4 Audio 6 Audio Boards Operator 7 Lead Carpenter 9 Carpenter 11 Lead Fly person 13 Fly person 15 Lead Rigger 16 Rigger 18 Lead Electrician 19 Electrician 21 Follow Spot operator 23 Light Console Programmer and Operator 24 Lead Prop Person 26 Prop Person 28 Lead Wardrobe 30 Wardrobe 32 Dresser 34 Wig and Makeup Person 36 Alaska Center for the Performing Arts 2 Alaska Center for the Performing Arts Stagecraft Class (Grip) Outline A: Theatrical Terminology 1) Stage Directions 2) Common theatrical descriptions 3) Common theatrical terms B: Safety Course 1) Definition of Safety 2) MSDS sheets description and review 3) Proper lifting techniques C: Instruction of the standard operational methods and chain of responsibility 1) Review the standard operational methods 2) Review chain of responsibility 3) Review the chain of command 4) ACPA storage of equipment D: Basic safe operations of hand and power tools E: Ladder usage 1) How to set up a ladder 2) Ladder safety Stagecraft Class Exam (Grip) Written exam 1) Stage directions 2) Common theatrical terminology 3) Chain of responsibility 4) Chain of command Practical exam 1) Demonstration of proper lifting techniques 2) Demonstration of basic safe operations of hand and power tools 3) Demonstration of proper ladder usage 3 Alaska Center for the Performing Arts Lead Audio Technician Class Outline A: ACPA patching system Atwood, Discovery, and Sydney 1) Knowledge of patch system 2) Training on patch bays and input signal routing schemes for each theater 3) Patch system options and risk 4) Signal to Voth 5) Do’s and Don’ts B: ACPA audio equipment knowledge and mastery 1) Audio system power activation 2) Installation and operation of a mixing consoles 3) Operation of the FOH PA system 4) Operation of the backstage audio monitors 5) Operation of Center auxiliary audio systems a.
    [Show full text]
  • Technical Theatre Class
    Technical Theatre Class Instructor: Mrs. Tabitha Peck Classroom: Theatre Email: [email protected] Telephone: 850‐617‐5700 x.2390 website: www.leonperformingarts.org click on “Theatre Tech” Dear Student and Parent: I would like to take this time to welcome you to the 2012‐2013 Technical Theatre class. I am excited about this year, and look forward to working with each of you. As you read over this syllabus with your student; please make note of any questions that you have concerning this information. I hope that when you have completed studying the syllabus, you will have a strong understanding of what will be required from the student, as well as what the student can expect from me. I want to personally invite each parent to take an active role in helping the student, and myself, have a productive and successful experience in class this year. The last page of the syllabus is the individual student contract, which must be returned to me, signed by both the parent, and student. This gives me a written confirmation that both the parent and student have read the syllabus, understand procedures, rules, consequences, and will abide by them. So please read each page of the syllabus carefully before signing the contract. This contract will be kept in the student’s personal information file. Once again let me welcome you to the class, it’s going to be an exciting year! Technical Theatre ‐ 0400410 Syllabus Objective: Students focus on developing the basic tools and procedures for creating elements of technical theatre as listed below.
    [Show full text]
  • John's List of Tech Theater Terms
    Department of THEATER & DANCE Office of the TECHNICAL DIRECTOR Tech Theater Terms file last updated: 7.29.2010 (JDE) All information contained in this document is original material copyright © 2005 by John D. Ervin and is intended for the use of my students. Please contact me at [email protected] for permission to use this material in any other way. This is a work-in-progress and will be occasionally appended. Apron – The portion of the stage or playing space that is downstage of the proscenium arch. In traditional proscenium-style theaters, acting on the apron was a big “no-no” because it violated the stage picture being created by the proscenium arch. Thus many older theaters have very shallow aprons. Nowadays though, Directors can’t get enough of having their actors as close to the audience as possible; despite how uncomfortable it makes some audience members. This is all done under the umbrella of ‘intimacy’ and we all know how much artists love that stuff. Sometimes the apron is referred to as the “Forestage”. (See Figure 1 and 2) Arbor – Part of a fly system. A device mounted in one of the wings, which is connected to the lift lines at the opposite end from the batten. Stage weights are stacked on the arbor to balance the load suspended from the batten. In the case of a counterweight fly system, a rope hand line is connected to the top of the arbor, passes sequentially through the head block and tension block, and is terminated to the bottom of the arbor, forming a loop.
    [Show full text]
  • These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
    LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system.
    [Show full text]
  • Renaissance and Baroque Stage Technology and Its Meaning for Today's Theatre
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2004 Renaissance and baroque stage technology and its meaning for today's theatre Stan Kubalcik Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Theatre and Performance Studies Commons Recommended Citation Kubalcik, S. (2004). Renaissance and baroque stage technology and its meaning for today's theatre. https://ro.ecu.edu.au/theses/792 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/792 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • Facility Information
    Revised August 17, 2016 Facility Information Temple Theatre 203 N. Washington Ave. Saginaw, MI 48607 Phone: (800) 754-SHOW Fax: (989) 754-9039 [email protected] Temple Theatre Staff Administrative Executive Director Stacey Gannon (989) 600-1231 Controller Sue Kuck (989) 754-7469 ext. 33 Event Coordinator Anne Schroeder (989) 754-7469 ext. 32 [email protected] Front-Of-House Manager Tom McGarrity (989) 754-7469 [email protected] Technical Staff Technical Director Rich Hazzard (989) 737-2733 Head Projectionist Paul Finn (989) 754-7469 ext. 27 Theatre Consultant Ken Weupper (989) 754-7469 1 Saved: F://Facilities Revised August 17, 2016 Temple Theatre – Past, Present, Future The Temple Theatre is Saginaw’s only remaining vaudeville and silent movie theatre and was reopened in November 2003 after an extensive restoration of both the exterior and interior of the building. During the six-month restoration period, the interior and exterior were refurbished, the power supply was increased, modern conveniences were added, and the connected banquet facilities were renovated. Since reopening, it has been used as a performance space for choral groups, symphony orchestras, dance and jazz performances, as well as parties and meetings. The Temple was built in 1927 in a Classic Revival style. Originally part of the Butterfield Theatre chain it was used as a vaudeville/silent movie house for several years and then as a first-run movie theatre until 1976. At that point it passed through the hands of several promoters and community arts organizations during which it served as a venue for live performances and movies. Dr.
    [Show full text]
  • A Lighting Design Process for a Production of Stephen Schwartz’S Working
    A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred.
    [Show full text]
  • Backstage Lighting Terminology
    Break-out: Adapter consisting of multiple receptacles (FM) wired to a single multipin (M) connector; may be a box or a cable assembly. Synonym: Break-out Box, Fan-out Burn Out: Failed lamp or color media that is burned through Channel: Specific control parameter encompassing single or multiple device attributes (lighting dimmers, audio signals, etc.) controlled as a unit Lighting and Electrics Terminology (A-Le) Channel Hookup: Paperwork designating the connection of Adapter: Electrical accessory that transitions between dimmer circuits to channels of control dissimilar connectors; may be a molded unit, box or cable assembly Circuit: Path for electricity to flow from the source, through a conductor, to a device(s) Amperes: Unit of measure for the quantity of electricity flowing in a conductor. Synonym: A, Amp, Current Circuit Breaker: Mechanical/Electrical device that is designed to automatically open (trip) if the current exceeds the rated Automated Luminaire: Lighting instrument with attributes level protecting the circuit; may be operated manually that are remotely controlled. Synonym: Automated Fixture, Synonym: Breaker, CB, OCPD, Overcurrent Protective Device Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light Color Extender: Top hat with color media holder. Synonym: Gel Extender Backlight: A lighting source that is behind the talent or subject from the viewers perspective. Synonym: Backs, Back Color Frame: Metal or heat resistant device that holds the Wash, Bx, Hair Light, Rim Light color media in front of a luminaire. Synonym: Gel Frame Balcony Rail: Lighting position mounted in front of or on the Color Media: Translucent material used to color light face of the balcony.
    [Show full text]
  • A GLOSSARY of THEATRE TERMS © Peter D
    A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.
    [Show full text]
  • LSA Template
    SPECTACLE Copyright Lighting &Sound America December 2017 http://www.lightingandsoundamerica.com/LSA.html 62 • December 2017 • Lighting &Sound America T P%& !l La Perle is Franco Dragone’s most ambitious water show to date D"#By: Sharon Stancavage $ want to provide a little piece of eternity for the dards, and make them their own, so they don’t have re- region, a place of escape that any culture and invent the wheel. If something was good for the CE, it was ethnicity can understand and enjoy. I was so inspired good enough for us; we just had to supply the rules and by Dubai and it is an honor to introduce that vision to the show them that it was the consensus.” world,” explains Franco Dragone, founder and artistic The theatre has a mere 14 rows, but seats a total of director of Dragone Studio, when asked about La Perle , 1,250 patrons. “We wanted it to feel as if you were inside a his new water extravaganza in the United Arab Emirates. grotto or a cave, and we wanted to be able to change the Located in Al Habtoor city, La Perle takes place in the mood of the cave by using video projection,” Marcouiller only purpose-built theatre in the UAE. “In Dubai, there is reports. The lower levels of seating are irregular and based not a tradition of places where you go sit to see a live per - on the curves of the wet stage. “You have curves and lev - “Iformance; there are shows that are based on Arabic tradi - els, so the seating is made in that concept that people are tions and then you have rental spaces in convention cen - sitting on something like a grassy knoll where they sit ters.
    [Show full text]
  • Spectra Cyc 100 UV Data Sheet.Indd
    SPECTRA CYC UV WASH LIGHTING Catalog Numbers The Spectra Cyc UV is a 100 Watt cyclorama/wall SSCYC100-UV-**SSCYC100-UV-** wash luminaire utilizing high output 365nm UV LED emitters. Designed for theatrical and architectural applications, the Spectra Cyc UV blends the output via a refl ector providing smooth and even distribution. The on-board power supply allows for direct power & data input which can be daisy chained through up to 20 units. Designed for use on 6’-8’ centers, individual units can be linked side by side for greater saturation of light. The Spectra Cyc UV is compatible with both DMX and RDM protocols, and comes with a library of pre-programmed fi xed intensities and various intensity eff ects. Units can be utilized for both fl oor and Sky-Cyc applications. 11.65 100 WATT SPECTRA CYC UV Features • Uses 365nm UV LEDs • Convection Cooled • Asymmetrical refl ector designed for broad, even distribution • On-board multi-voltage power supply 100-240VAC. • Feed through power and data capabilities using powerCON and 5-pin XLR connectors. • Compatible with DMX and RDM protocols. • Push button addressing. 11.20 • Pre-programmed modes for fi xed intensities, timed fades, changes and strobes. • 11 lbs. • ETL and cETL listed 7.45 • Made in the USA Ordering Example: (Select item from each box) ModelWattage - LED Array - Finish Color SSCYC100- UV - Project: Approval Date: Location: Fixture Type: Lighting 57 Alexander St., Yonkers, NY 10701 Tel: 914-476-7987 Visit our website at www.altmanlighting.com BRINGING IMAGINATION TO LIGHT © 2012 Altman Stage Lighting, Inc. SPECTRA CYC UV WASH LIGHTING Specifi cations: Accessories: Materials: Construction employs all Model Number corrosion-resistant materials and hardware.
    [Show full text]
  • Stage Lighting Technician Handbook
    The Stage Lighting Technician’s Handbook A compilation of general knowledge and tricks of the lighting trade Compiled by Freelancers in the entertainment lighting industry The Stage Lighting Technician's Handbook Stage Terminology: Learning Objectives/Outcomes. Understanding directions given in context as to where a job or piece of equipment is to be located. Applying these terms in conjunction with other disciplines to perform the work as directed. Lighting Terms: Learning Objectives/Outcome Learning the descriptive terms used in the use and handling of different types of lighting equipment. Applying these terms, as to the location and types of equipment a stagehand is expected to handle. Electrical Safety: Learning Objectives/Outcomes. Learning about the hazards, when one works with electricity. Applying basic safety ideas, to mitigate ones exposure to them in the field. Electricity: Learning Objectives/Outcomes. Learning the basic concepts of what electricity is and its components. To facilitate ones ability to perform the mathematics to compute loads, wattages and the like in order to safely assemble, determine electrical needs and solve problems. Lighting Equipment Learning Objectives/Outcomes. Recognize the different types of lighting equipment, use’s and proper handling. Gain basic trouble shooting skills to successfully complete a task. Build a basic understanding of applying these skills in the different venues that we work in to competently complete assigned tasks. On-sight Lighting Techniques Learning Objectives/Outcomes. Combing the technical knowledge previously gained to execute lighting request while on site, whether in a ballroom or theatre. Approaches, to lighting a presentation to aspects of theatrical lighting to meet a client’s expectations.
    [Show full text]