LD, Historian, & Author Kathy A. Perkins April 29 Is Arbor Day And
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Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
Edition 2 | 2019-2020
WELCOME FROM THE OFFICE OF THE DIRECTORS elcome to Paper Mill Playhouse and to Rodgers + Hammerstein’s Cinderella. We’ve worked magic to bring you this delightful musical fairy tale complete Wwith dance, romance, laughs, and timeless tunes. Our fabulously talented cast features favorite Paper Mill alumni alongside some of the brightest newcomers; the design team is first-class; and Mark S. Hoebee is back in the director’s chair, thrilled as always to collaborate with choreographer JoAnn M. Hunter and music director Michael Borth. It’s not too late to secure your seats for the rest of our exciting 2019–2020 season by becoming a subscriber. Up next, we are proud to produce the world premiere of Unmasked: The Music of Andrew Lloyd Webber, celebrating the most prolific Broadway composer of our day. Then, the “divine” comedy smash Sister Act ushers in the spring and is guaranteed to make you sing praises. We close with The Wanderer, another world premiere, based on the life and music of rock and roll sensation Dion. It’s already selling like gangbusters, so don’t miss out. Subscribers should have received our “State of the Theater” newsletter, which highlights many of the accomplishments of the past year and demonstrates Paper Mill’s far-reaching impact across the state of New Jersey and around the world. You may also view it online at PaperMill.org/stateofthetheater. Paper Mill is stronger than ever, with great thanks to you, our audience, donors, and funders. And before the clock ticks down on another year, we hope you will renew your support or consider becoming a Member with a tax-deductible contribution (read more below). -
Beverly Hills Is Beverly Hills
SPECIAL SECTION: Celebrate Love Pages 20-21 VOLUME XXXXIV NUMBER XX $135 PER YEAR - $1.25 PER COPY • www.bhcourier.com February 13, 2009 City Still Hiring, Despite L.A.’s Recent Freeze By Abbey Hood will be charged with strengthen- Although the Los Angeles ing the economic base of Beverly County Board of Supervisors ap- Hills, primarily attracting and re- proved a hiring freeze on Tues- taining the best businesses to day, it appears Beverly Hills is Beverly Hills. He will also be in not following in their footsteps. charge of marketing the City to Late Wednesday, the City an- maximize sales and success. nounced the appointment of for- “Now, more than ever, the mer director of Community De- City requires increased resources velopment Mahdi Aluzri to a to sustain and grow Beverly Hills' newly created position, assistant economic base,” said Wood. STARRY NIGHT TO FIGHT CANCER–The Entertainment Industry Foundation’s Women’s Cancer Research City manager for economic sus- “Mahdi Aluzri joins the City Fund was the benefit as Saks Fifth Avenue staged its 14th “Unforgettable Evening” at The Beverly Wilshire tainability. manager's office as a revenue- Tuesday. From left, emcee Tom Hanks and his wife Rita Wilson were there to honor Gwyneth Paltrow and In his new position Aluzri (see ‘HIRING,’ page 17) Courteney Cox for their work in helping to fight cancer. Photo by Gilbert Flores/CelebrityPhoto.com Sparks Fly At Otherwise City’s Water Preliminary Report to Citizens Boring Board Meeting Supply Courier Candidate Questioned By Amanda Peabody This -
E1.56-2018 Entertainment Technology – Rigging Support Points
E1.56-2018 Entertainment Technology – Rigging Support Points Approved by the ANSI Board of Standards Review on 06 November 2018 Rig/2015-2034r8 © 2018 The Entertainment Services and Technology Association (ESTA) E1.56-2018 Entertainment Technology – Rigging Support Points Notice and Disclaimer ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance with an ESTA standard or recommended practice is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guaranties nor warrants the accuracy or completeness of any information published herein and disclaim liability for any personal injury, property or other damage or injury of any nature whatsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document. In issuing and distributing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on their own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise -
67Th Annual Tony Awards
The American Theatre Wing's The 2013 Tony Awards® Sunday, June 9th at 8/7c on CBS 67TH ANNUAL TONY AWARDS Best Play Best Performance by an Actress in a Leading Role in a Musical Best Costume Design of a Musical The! Assembled Parties (Richard Greenberg) Stephanie! J. Block, The Mystery of Edwin Drood Gregg! Barnes, Kinky Boots Lucky Guy (Nora Ephron) Carolee Carmello, Scandalous Rob Howell, Matilda The Musical The Testament of Mary (Colm Toíbín) Valisia LeKae, Motown The Musical Dominique Lemieux, Pippin Vanya and Sonia and Masha and Spike (Christopher Durang) Patina Miller, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella Laura Osnes, Rodgers + Hammerstein’s Cinderella Best Musical Bring! It On: The Musical Best Performance by an Actor in a Featured Role in a Play Best Lighting Design of a Play A Christmas Story, The Musical Danny! Burstein, Golden Boy Jules! Fisher & Peggy Eisenhauer, Lucky Guy Kinky Boots Richard Kind, The Big Knife Donald Holder, Golden Boy Matilda The Musical Billy Magnussen, Vanya and Sonia and Masha and Spike Jennifer Tipton, The Testament of Mary Tony Shalhoub, Golden Boy Japhy Weideman, The Nance Best Book of a Musical Courtney B. Vance, Lucky Guy A! Christmas Story, The Musical (Joseph Robinette) Best Lighting Design of a Musical Kinky Boots (Harvey Fierstein) Best Performance by an Actress in a Featured Role in a Play Kenneth! Posner, Kinky Boots Matilda The Musical (Dennis Kelly) Carrie! Coon, Who’s Afraid of Virginia Woolf? Kenneth Posner, Pippin Rodgers + Hammerstein’s Cinderella (Douglas Carter -
USITT :: Sightlines :: May 2016
USITT :: Sightlines :: May 2016 May 2016 Print this page › NEWS & NOTICES: Lead story › Member Spotlight USITT Member Spotlight: Scenic Designer William Gateway Mentoring Bloodgood 2016 YD&T Awards Q&A with William Bloodgood, scene designer & educator, on his process & advice... more » eSET Certificates Glerum Masterclasses Gateway Mentors & Mentees Bond at USITT 2016 Announcements The third Gateway cohort brought new faces, ideas, and energy to Grad Book Bundles USITT 2016 and the Diversity Initiative... more » Last Word: When the Fire Fades YD&T Awards Left Memorable Impressions USITT’s 2016 Young Designers & Technicians received their awards NEWS FROM: with inspiration and gratitude... more » Around the Institute Industry Members eSET Presents First Certificates, Quiz Show Winners Transitions Ten people passed exams to receive the first eSET certificates; others aced the Quiz Bowl at USITT 2016... more » New Products USITT's President June Masterclasses on Rigging and Electrics OISTAT The first Jay O. Glerum Rigging Masterclasses – and an Electrical Workshop – come to Denver June 13-14... more » Spotlight on Giving USITT's Executive Director Gift Ideas From the USITT Bookstore Regional Sections USITT offers its Designs of books on famous artists bundled for graduation giving... COMMISSIONS: more » Scene Design: Blow It Up USITT’s President: Opening Soon – Act Three Costume Symposium Mark Shanda unveils plans to Act III of USITT, mapping a path to the Lighting Design: future... more » Compendium CONFERENCE & STAGE Spotlight On Giving: Ribbons for Rigging EXPO: Every little bit helps keep USITT programs going – in this case, $1 per Videos & Wrap-ups ribbon... more » FOR THE RECORD: Leadership Executive Director: Why We Took a Stand on Discriminatory Laws Contributing Members David Grindle on the rationale behind USITT’s statement on the anti- Sustaining Members LBGTQ laws in North Carolina and Mississippi.. -
Pittsburgh CLO Thanks Its Many Community Partners Who Have Supported the 2013 Annual Pittsburgh CLO Thanks the Guild and Listing Is Complete As of 5/31/13
The Pittsburgh Keep a work-life balance. Civic Light Opera Association Keep ahead of health costs. OFFICERS Keep your head from spinning. Honorary Chairman of the Board Vice Presidents/ Vice President/Special Events Julie Andrews Education & Outreach Laurie M. Mushinsky Christine M. Kobus Chairman of the Board Gary R. Truitt Vice Presidents Joseph C. Guyaux G. Reynolds Clark Vice Presidents/Human Resources James R. Kane President Todd C. Moules William M. Lambert Charlene Petrelli Secretary Vice President/CLO Ambassadors Johanna G. O’Loughlin Vice Presidents/ Frederick C. Leech Long Range Planning Treasurer Vice Presidents/Audit Michael E. Bleier Edward T. Karlovich Timothy K. Zimmerman Alvaro Garcia-Tunon Joseph C. Guyaux Executive Director Emeritus Chairman of the Board Todd C. Moules Vice Presidents/Marketing Charles Gray Michael F. Walsh Vice Presidents/Budget & Finance Corporate Counsel Timothy K. Zimmerman Richard S. Hamilton James M. Doerfler John C. Williams, Jr. Vice Presidents/New Works Chairmen of the Board Emeritus Development & Funding Vice President/Cabaret Theater John C. Williams, Jr. William J. Copeland Daniel I. Booker Mark J. Minnaugh George A. Davidson, Jr. Vice President/ James E. Rohr Construction Center & Facilities Vice Presidents/Nominating Daniel I. Booker Floyd R. Ganassi Scott F. Neill Louis D. Astorino John E. Kosar Vice Presidents/Development Executive Producer Tony Bucci Vice Presidents/Production Van Kaplan Mark J. Minnaugh Helen Hanna Casey Ronald L. Violi Peter J. Germain William M. Lambert President DIRECTORS Neil H. Alexander Stacy Leshock Dee Edward T. Karlovich Mark J. Minnaugh Joann L. Tissue Michael E. Bleier Eric F. Dickerson Joseph M. Klaja Mildred E. -
Lin-Manuel Miranda Quiara Alegría Hudes
Artistic Director Nathaniel Shaw Managing Director Phil Whiteway PREMIER SPONSOR PRODUCTION SPONSOR MUSIC AND LYRICS BY BOOK BY LIN-MANUEL QUIARA MIRANDA ALEGRÍA HUDES CONCEIVED BY SEASON SPONSORS LIN-MANUEL MIRANDA Development of In The Heights was supported by the Eugene O’Neill Theater Center during a residency at the Music Theater Conference of 2005. Initially developed by Back House Productions. Originally Produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis,Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper E. Rhodes and Leona B. IN THE HEIGHTS is presented through special arrangement Carpenter Foundation with R & H Theatricals: www.rnh.com STAGE MANAGEMENT SOUND DESIGN Christi B. Spann* Derek Dumais COSTUME DESIGN LIGHT DESIGN SET DESIGN Sarah Grady Joe Doran+ Anna Louizos+ MUSIC DIRECTION CHOREOGRAPHY Ben Miller Karla Garcia DIRECTION Nathaniel Shaw^ SARA BELLE AND NEIL NOVEMBER THEATRE | MARJORIE ARENSTEIN STAGE CAST MUSICAL NUMBERS AND SCENES Usnavi ...............................................................JJ Caruncho* ACT I Vanessa ............................................................ Arielle Jacobs* In The Heights ................................................... Usnavi, Company Nina ................................................................. Shea Gomez Breathe ........................................................... Nina, Company Benny ................................................................. Josh Marin* Benny’s Dispatch ..................................................... -
Counterweight Rigging Manual
Manual Counterweight Rigging Systems Operation and Maintenance Manual P.O. Box 9327 South El Monte, CA 91733 626-575-0776 | 800-221-9995 www.hhspecialties.com © 2012 H & H Specialties Inc. TABLE OF CONTENTS Introduction ................................................................................................................. 1 Definitions .................................................................................................................... 2 Description of Counterweight Rigging System .......................................................... 4 Operating Instructions ................................................................................................ 6 General Safety Rules ................................................................................................... 7 Operation of a Theatrical Rigging System .................................................................. 8 Balancing a Line Set ............................................................................................... 10 Loading and Unloading of Counterweights Without Loading Bridge(s) ............. 11 Run-Away Line Set ................................................................................................. 13 Maintenance and Inspection of Rigging System ....................................................... 14 Maintenance Instructions .......................................................................................... 17 Manual Counterweight Rigging System Maintenance Schedule .............................. 18 -
Carnegie Mellon University 1
Carnegie Mellon University 1 School of Drama Peter Cooke, Head of School Office: Purnell Center for the Arts, 221 http://www.drama.cmu.edu Music Theater Option The students in the Music Theater program share the training philosophy The information contained in this section is accurate as of July 31, 2016 and much of the same curriculum as others in the acting option. In addition, and is subject to change. Please contact the School of Drama with any they take courses particular to the demands of Music Theater. These include questions. private voice along with training in a variety of dance techniques (Ballet, The School of Drama at Carnegie Mellon University is the oldest drama Jazz, Tap and Broadway Styles) and music theater styles and skills. program in the country. CMU Drama offers rigorous, world-class classical training in theater while providing thorough preparation for contemporary media. Design Option As a member of the Consortium of Conservatory Theater Training Programs, Design students are expected to develop artistic ability in the conception the school chooses students to participate in the program based on their and execution of scene, lighting, sound and costume design for plays of potential ability. Every Drama student is treated as a member of a theatrical all periods under varying theatrical conditions. Students may elect to have organization and must acquire experience in all phases of the dramatic a focus on one or two areas but must have a solid background in all four. arts. Students are also asked to broaden their knowledge through courses Freshmen in design receive instruction in drawing and painting, three- in the other colleges of the university. -
Resisting Gentrification in Quiara Alegría Hudes and Lin-Manuel Miranda’S in the Heights and Ernesto Quiñonez’S Bodega Dreams
Resisting Gentrification 89 Resisting Gentrification in Quiara Alegría Hudes and Lin-Manuel Miranda’s In the Heights and Ernesto Quiñonez’s Bodega Dreams Gabriela Cázares Introduction As housing and changes in land use regulations have increased, long-term working-class residents in Latinx1 neighborhoods, or barrios, have been dis- placed to make way for affluent middle-class residents—a process known as gentrification. Through an examination of Lin-Manuel Miranda and Quiara Alegría Hudes’s play In the Heights as well as Ernesto Quiñonez’s novel Bo- dega Dreams, this article sheds light on the importance of community networks necessary in combating high levels of poverty and general lack of resources due to private, state, and federal disinvestment. It is my argument that multi- generational Latinx communities (re)assert their lived space—specific to the manner in which actual residents define and navigate the barrio on a daily ba- sis—through the planning and construction of memorial murals. While gentri- fication displaces long-term working-class Latinx residents, memorial murals function as a means of affirming the collective history of the barrio, depicting shared struggles and lived experiences. Faced with minimal, if any, economic and political capital, residents often turn to alternative means to compensate for socioeconomic stratification and the conditions that breed economic neglect. The texts function as representational examples of the challenges associated with gentrification. This includes disinvestment in working-class neighbor- 0026-3079/2017//5602-089$2.50/0 American Studies, 56:2 (2017): 89–107 89 90 Gabriela Cázares hoods by governmental agencies, lack of affordable and safe housing, and in- creased levels of violence that many times plague low-income neighborhoods. -
USITT :: Sightlines :: November 2015
USITT :: Sightlines :: November 2015 November 2015 Print this page › NEWS & NOTICES: Lead story › Member Spotlight (New!) USITT Member Spotlight: Joe Kucharski & Tyranny of Vote & Nominate for BOD Style 2016 DeGaetani Award What started as Joe Kucharski's personal writing project is now a top costume and fashion blog... more » #GivingTuesday 2016 Special Citation USITT's 2015 Board Election is Open Oct. 30 – Dec. 10. Announcements USITT members asked to vote for six new board members to start their Last Word: USITT Midwest service in 2016... more » NEWS FROM: Salt Lake's Keven Myhre to Receive 2016 DeGaetani Around the Institute Award Industry Members A devoted contributor to Salt Lake City theatre, Myhre has played every role on and off-stage... more » USITT's President Spotlight on Giving USITT Celebrates #GivingTuesday on Dec. 1 USITT's Executive Director Consider a gift to your fave non-profit tech theatre org the day after Cyber Monday... more » Regional Sections OISTAT Former TD&T Editors Rodger & Hazlett to be Honored in Early Career Mentoring 2016 COMMISSIONS: David Rodger & Deborah Hazlett will receive a Special Citation for 17 years of service to USITT... more » New for 2016: Lighting Studio USITT’s President: How to Learn … by Doing Poster Sessions Mark Shanda's – and Truman Capote's and Steve Martin's – answer to Education Portfolios a FAQ... more » Safety & Health Mentoring Recognizing Engineering Spotlight On Giving Excellence Tammy Honesty on why she believes in USITT... more » Sound Inclusion Initiative Scholarship CONFERENCE & STAGE Executive Director: Building USITT Partnerships EXPO: David Grindle on USITT's mission to build alliances and partnerships..