AUGUST, 2010 Trinity Parish Episcopal Church Seattle
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Tove Kjellmark Born 1977 Based in Stockholm, Sweden
Tove Kjellmark Born 1977 Based in Stockholm, Sweden P. +46 (0)73 622 77 51 M. [email protected] W. www.tovekjellmark.com S. Wip:sthlm Årsta Skolgränd 12 B 117 43 Stockholm CV 1/2 Tove Kjellmark +46(0)736227751 [email protected] EDUCATION 2016 The Imitation Game, 12.02.2016-05.06.2016 2014 Introduction to artistic research at Konstfack; at Manchester Art Gallery University College of Arts, Crafts and Design in Stockholm Promises of Monsters, 28.04.2016-29.04.2016 2003-2009 Master of fine Arts at The Royal Institute of Art, University of Stavanger, Norway Stockholm 2001-2003 Idun Lovén School of Arts, sculptur, Stockholm 2015 SKULPTUR, 04.02.2015-15.05.2015 1999-2000 Ecole des Beaux-Arts, Perpignan, France Royal British Society of Sculptors in London Och vad är frågan?/And what is the question? SOLO SHOWS 05.09.2015 - 15.11.2015 Bohusläns Museeum, Uddevalla 2018 Human Assemblage, 1.11.2018-11.11.2018 2014 New Dimensions, 07.06.2014-22.08.2014 WIP Konsthall, Stockholm Galleri Andersson/Sandström in collaboration with 2018 Another Nature, 17.10.2018-10.11.2018 Umeå2014 European capital of culture Moore contemporary, Perth, Austrailia We don’t have to take our clothes off 2017 Inside, 06.11.2017-03.12.2017 02.03.2014 - 31.03.2014 Verkstad Konsthall, Norrköping Geijutsu Kouminkan,Tokyo 2017 Inside, 07.05.2017-30.06.2017 Katarina Church, Stockholm 2013 Going Dark, 26.09.2013-28.09.2013 2015 Alone Together, 24.11.2015-11.12.2015 LEAP, Lab for Electronic Arts and Performance Berlin Epicenter, Stockholm ABCDEFGHI 20.04.2013-28.07.2013 -
May -June 1968 T E
MAY -JUNE 1968 T E Official Publication of the AMERICAN CHORAL DIRECTORS ASSOCIATION FIRST ROW SECOND ROW Sally Ross, Harriet Steinbaum, Melinda Cummings, Mrs. Mildred Andrews; accompanist; Dr. F. Wil Karen Balkin, Kathryn Miller, Ellen Zucker, Patricia lard Robinson, Principal of Beverly Hills High Cummings, Joanne Hall, lynne Levinson, Carole School; Terry Wolff, Ronald Burger, Geoff Shlaes, White, Melissa Moss, and Janet Harris. Mrs. Rena Brian Bingham, David Loew; Joel Pressman, Henry Hubbard, Assistant Director, and Robert Holmes, Kahn, Barry Pyne, Dwight Holmes, Michael Kan Director, are in front holding the banner. tor, and Neal Spiegel. vent with numerical superiority and fi ic, festival, or meeting by which more d)1UUH tIt,e ------1 nancial strength to speak as the choral choral directors will become aware of voice of this country an'd still maintain the aims, purposes and value of ACDA. our 'dues at the present level of $6.00 a This issue carries the first Dues No Executive Secretary's year the need to double our membership tice for the 1968-69 fiscal year. Although this coming year was expressed by Pres July 1 is the first day of that year, many '--------:Jluk ident Decker and the National, Divisional of you win be away on vacation or at While it. fs impossible to report in de and ,State officers. A renewed plea was summer school and it is the hope of the tail on all meetings of the National issued that each ACDA member make it executive committee that you will help Board, the Executive Committee, the Di his personal obligation to bring in one both the organization and yourself by vision and state Chairmen and open new member this fall to swell the ranks paying your dues now before the end of sessions, several important plans and of ACDA to help us through this coming the current school year. -
Sofia Kyrka Sofia Church
NORDIC EDITION • SEPTEMBER 6–9, 2018 • NORDIC EDITION Svend-Ove Møller Orgel- Te Deum (1949) Sofia kyrka 1903-1949 Sofia Church J. P. E. Hartmann Sonate i g-mol, op. 58 (1855) 1805-1900 1. Allegro marcato 2. Andantino Torsdag 6 september kl 19.30 3. Allegro poco agitato Thursday September 6th, 7.30 p.m. César Franck Prière, op. 20 (1860) 1822-1890 Denmark Christian Præstholm 3 koralforspil til Den Danske Salmebog: 1972- • Alt hvad som fuglevinger fik Kristian Krogsøe, orgel (Mel: Th. Laub) • Min Jesus, lad mit hjerte få (Mel: Carl Nielsen) • Denne er dagen, som Herren har gjort (Mel: Melchior Vulpius/Laub) Maurice Duruflé Scherzo, op. 2 (1926) 1902-1986 Jeanne Demessieux Te Deum, op. 11 (1957-58) 1921-1986 Mingel efter konserten, ingen föranmälan behövs. Welcome to a mingle after the concert. 2 ORGANSPACE |2018 Kristian Krogsøe Kristian Krogsøe (b. 1982) has been the Spring 2012 his first CD was released with Aarhus Cathedral organist since 2007 and the complete organ works by Duruflé and teaches the organ at the Royal Academy of his Requiem and Motets together with Music in Aarhus. Aarhus Cathedral Choir and featuring Bo Skovhus and Randi Stene. The recording He studied with prof. Ulrik Spang-Hanssen has recently won the german critics’ award at the Royal Academy of Music in Aarhus “Preis der deutschen Schallplattenkritik”. and later on, he studied with prof. Leo van Doeselaar and Erwin Wiersinga at the Kristian has also appeared as a soloist with Soloists Class at the University of Arts in orchestras. In the year 2008 he played the Berlin, Germany. -
Walking in the Hague
EN Walking in The Hague NINE CENTURIES OF HAGUE ARCHITECTURE A walking tour along historic and modern buildings in The Hague www.denhaag.com 1 Walking in The Hague Nine centuries of Hague architecture Welcome to The Hague. For over 400 years now, the city has been the seat of the Dutch government. Since 1981, it is a royal city again and a city of peace and justice. The Hague is more than 750 years old and has, over the last century-and-a-half, developed into a large urban conglomerate, with a great deal of activity, cultural facilities and first-rate shops. From a town of 75,000 inhabitants in 1850, The Hague has grown into the third largest city of the Netherlands with almost 500,000 inhabitants. Owing to this late but explosive growth, The Hague has very striking architecture from the 19th th and 20 century. The Hague Convention and Visitors Bureau has From 1900, the well-known architect H.P. Berlage created an interesting walk especially for lovers of (1856-1934) made his mark on the city. His brick architecture. You begin this walk of about two-and- buildings are sober in character; the decorations a-half hours on Hofweg, indicated on the map by a have been made subordinate to the architecture. We advise you to follow the route on the map. After Berlage, the architects of De Stijl and the New Of course, you can always take a break during your Realism strove for taut and functional architecture. walk for a visit to a museum or a nice cup of coffee. -
Why the Dutch? the Historical Context of New Netherland
1 Why the Dutch? The Historical Context of New Netherland Charles T. Gehring The past is elusive. No matter how hard we try to imagine what the world was like centuries ago, the attempt conjures up only blurry images, which slip away like a dream. However, we do have tools available to sharpen these images of the past: primary source materials and archaeological evi- dence. With both we can attempt to construct a world in which we never lived. If we have any advantage at all, it’s only that we know what that past world’s future will be like.proof The goal of this book is to provide the latest archaeology of the area that the Dutch once called Nieuw Nederlandt. As an increasing number of translations of the records of this West India Company (WIC) endeavor become available to researchers, it is hoped that this collection of articles will enhance the words that the Dutch left behind. It’s fitting that we review why the Dutch were here in the first place. Most of the narrative facts of the Dutch story are well known and ac- cepted among historians who specialize in the history of the Dutch Repub- lic and its colonial undertakings. Accordingly, I use citations here spar- ingly; however, the reader wishing a deeper understanding should consult the sources cited at the end of this chapter. In the seventeenth century, the Dutch possessions lay between the New England colonies to the northeast and the tobacco colonies of Maryland and Virginia to the southwest. In 1614 the region appeared in a document of the States General of the United Provinces of the Netherlands as New Netherland. -
Fusing the Voices: the Appropriation and Distillation of the Waste Land
Fusing the voices: the appropriation and distillation of The waste land Martin John Fletcher Submetido em 19 de julho de 2015. Aceito para publicação em 23 de outubro de 2015. Cadernos do IL, Porto Alegre, n.º 51, dezembro de 2015. p. 51-66 ______________________________________________________________________ POLÍTICA DE DIREITO AUTORAL Autores que publicam nesta revista concordam com os seguintes termos: (a) Os autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Creative Commons Attribution License, permitindo o compartilhamento do trabalho com reconhecimento da autoria do trabalho e publicação inicial nesta revista. (b) Os autores têm autorização para assumir contratos adicionais separadamente, para distribuição não exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista. (c) Os autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado. (d) Os autores estão conscientes de que a revista não se responsabiliza pela solicitação ou pelo pagamento de direitos autorais referentes às imagens incorporadas ao artigo. A obtenção de autorização para a publicação de imagens, de autoria do próprio autor do artigo ou de terceiros, é de responsabilidade do autor. Por esta razão, para todos os artigos que contenham imagens, o autor deve ter uma autorização do uso da imagem, sem qualquer ônus financeiro para os Cadernos do IL. -
Collaboration of Interreligious Workers and the Perception of Help Seekers in Interreligious Organizations
Ersta Sköndal Bräcke University Department of Social Sciences Master’s program in voluntary social work with focus on organizational analysis and development in civil society, 120 university credits Collaboration of interreligious workers and the perception of help seekers in interreligious organizations. Christabel Hellberg Degree project in voluntary social work at advanced level, 30 university credits Course: SM40, D thesis, Master's degree Supervisor: Johan von Essen Examiner: Lars Sörnsen Acknowledgement Foremost, I would like to express my deepest gratitude to all those who participated in my research. I would not have been given the opportunity to do this research without your participation. Secondly, I would like to take this opportunity to thank my supervisor Johan Von Essen, professor, researcher and lecturer at Ersta Sköndal Bräcke Högskola for your generosity, support and guidance. I would like to thank Hanna Berg for your plentiful support and encouragement. Furthermore, I would like to thank Johan Gärde, lecture and docent at Ersta Sköndal Bräcke Högskola for your support and guidance. Last but not least I would like to thank my family starting with my niece Patricia Kamwela for your abundant support; my husband Robert Hellberg and my son Nils Hellberg for your generosity, support, and understanding; my parents-in-law Evy Hellberg and Ingvar Hellberg, who made it possible for me to attend the Swedish language classes by taking care of my son; my late mother Grace Mwania and my daddy Joseph Mwania Manyenze, who supported gender equality and made it possible for me to attend secondary school which wasn’t possible for many girls in my home village. -
Cultural & Heritagetourism
Cultural & HeritageTourism a Handbook for Community Champions A publication of: The Federal-Provincial-Territorial Ministers’ Table on Culture and Heritage (FPT) Table of Contents The views presented here reflect the Acknowledgements 2 Section B – Planning for Cultural/Heritage Tourism 32 opinions of the authors, and do not How to Use this Handbook 3 5. Plan for a Community-Based Cultural/Heritage Tourism Destination ������������������������������������������������ 32 necessarily represent the official posi- 5�1 Understand the Planning Process ������������������������������������������������������������������������������� 32 tion of the Provinces and Territories Developed for Community “Champions” ��������������������������������������� 3 which supported the project: Handbook Organization ����������������������������������������������������� 3 5�2 Get Ready for Visitors ����������������������������������������������������������������������������������������� 33 Showcase Studies ���������������������������������������������������������� 4 Alberta Showcase: Head-Smashed-In Buffalo Jump and the Fort Museum of the NWMP Develop Aboriginal Partnerships ��� 34 Learn More… �������������������������������������������������������������� 4 5�3 Assess Your Potential (Baseline Surveys and Inventory) ������������������������������������������������������������� 37 6. Prepare Your People �������������������������������������������������������������������������������������������� 41 Section A – Why Cultural/Heritage Tourism is Important 5 6�1 Welcome -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY '_ --~~~ - -- - ·- - -- ~--'- -'. Orbil ID™eeclronic 1yn~e1izer P,UJ ~ -~eo~re01pinel organ equo1... ~e newe;I woy lo mo <emu1ic rromWur ilzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-1272 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. ha.~the ,vay cover- photo ••• Sidney Torch at the Console of the Christie Organ, Regal Theatre, Edmonton. The glass panels surrounding the keyboards were illuminated by several sets of differently colored lights, controlled by motorized rheostats which created Journal of the American Theatre Organ Society different color effects as the lights were dimmed and brightened - an exclusive English feature! See the interview of Sidney Torch by Judd Walton and Frank Volume 14, No. -
Volume 34, Number 07 (July 1916) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1916 Volume 34, Number 07 (July 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 07 (July 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/626 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ----- Price 15 Cents 1 473 THE ETUDE PRESSER’S MUSICAL MAGAZINE CONTENTS FOR JULY 1916 World of Music . Success Guides.G. if. Grecnhalyh A Practice Hour of Pleasure.C. W. London Can You Pass This Examination .'. The Part the Piano Should Pla^. .J. K. MacDonald The Layman's Attitude T W.’ R. Bpaldint Teaching Use of Bass Clef.Russell Carter 482 The Effect of Mechanical Ins :s Upon Musical jojuucu Lion.(Symposium) Royal Performers on the Flute. The Real Meaning of Rhythm.. .Lerou B. Campbell A Useful Finger Exercise.Wilbur F. Unger Discouraging the Pupil.Edna J. Warren Can There Be Any Real New Music?... How Parents Can Help...Geo. -
Scriptie Tjebbe Onnes
Master Thesis Tjebbe Onnes Master Thesis Football Teams and City Brand Awareness Tjebbe Onnes 15-06-2010 Coach: Dr. Eric Braun Master Economics and Business Co-Reader: Dr. Alexander Otgaar Student nr.: 283874 [email protected] 1 Master Thesis Tjebbe Onnes Preface Although I have studied Economics and Business and I will shortly start my working career at Ahold N.V. it is no secret that both do not fulfill my ultimate goal; that of being a professional football player. However, it is safe to say that with my qualities such a career will always stay a dream. My interest in football is still very much present and therefore I am pleased to have gotten the possibility to combine football and economics. Sport and particularly football (in Europe) generates emotion. This emotion and high level of involvement triggers economists to investigate sport economics, as the real economic impact of sport is minimal. This level of attachment has also been my inspiration. The financial crisis and the mismanagement of many Dutch professional football teams have created substantial financial problems in Dutch professional football. This year FC Haarlem, VV Veendam went bankrupt, while Willem II, NAC Breda, Feyenoord, Fortuna Sittard, MVV and other were facing financial deficits. Those developments show the relevance and good timing of my research. Local governments are more frequently requested to financially support these football teams. As football teams do not contribute significantly in direct economic figures, intangible assets are often used by municipality leaders when explaining financial help paid by tax money. I would like to thank Mr. -
Door Wijsheid Wordt Een Huis Gebouwd, Door Inzicht Houdt Het Stand Over Het Langdurig Behoud Van Monumentwaarden Bij Het Herbestemmen Van Kerken
Door wijsheid wordt een huis gebouwd, door inzicht houdt het stand Over het langdurig behoud van monumentwaarden bij het herbestemmen van kerken Annelee Zomer 3217701 Universiteit Utrecht Faculteit Geesteswetenschappen Master Kunstgeschiedenis Architectuurgeschiedenis en Monumentenzorg Begeleider: dr. G. van Tussenbroek Tweede lezer: drs. P.T.T.E. Rosenberg November 2014 1 Inhoudsopgave Voorwoord 5 Inleiding 7 Hoofdstuk 1: Herbestemmen van kerken 10 Geschiedenis van het herbestemmen van kerken 10 Oorzaken kerkafstotingen 10 Gevolgen kerkafstotingen 11 Nieuwe functies 12 Betrokken partijen bij herbestemming 14 Kerkeigenaren 14 Visie Rooms-Katholieke Kerk 14 Visie Protestantse Kerk in Nederland 15 Overheid 16 Rijksoverheid 16 Provincies 16 Gemeenten 17 Overige partijen 17 Kerkgangers en buurtbewoners 18 Organisaties 18 Projectontwikkelaars 19 Hoofdstuk 2: Casestudy Buurkerk Utrecht 20 2.1 Waardestelling 20 Administratieve gegevens 21 Bouwgeschiedenis 21 Bouwhistorische beschrijving – situatie 1976 24 Stedenbouwkundige situatie 24 Exterieur 24 Bouwmassa 24 Gevels 24 Noordgevel 24 Zuidgevel 25 Oostgevel 25 Westgevel 26 Constructie 26 Kelder 26 Draagconstructie 26 Kapconstructie 27 2 Interieur 27 Waardestelling 29 Algemene historische waarden 29 Ensemblewaarden 29 Architectuurhistorische waarden 29 Bouwhistorische waarden 29 Waarden vanuit de gebruikshistorie 30 Waardestellende plattegrond 30 2.2 Analyse herbestemming 31 Herbestemming kerk naar museum 31 Ontwerp 32 Indeling 32 Architectuur 33 Monumentwaarden 33 Algemene historische waarden