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3.1901 Buffalo Endurance Run.2.Pdf
The Morrisania Court fined David W. Bishop Jr. $10 after he was arrested for exceeding the 15 miles per hour speed limit. This was the very reason that the endurance run committee created a maximum 15 miles per hour speed as most municipalities at that time posted 15 miles per hour speed limits, or less! Photo from the September 18, 1901 issue of Horseless Age magazine. Stage One was dusty with deep and bumpy sandy ruts once the contestants departed New York City. The route was difficult to follow. In one village the speed limit was 4 miles per hour. Some hills were difficult to climb and then the downhill run the cars “frequently exceeded 25 miles per hour!” At the closing of the Poughkeepsie control at 9:30 PM seventy-five of the eighty starters had arrived. For stage Two the weather was good but the roads “varying from good to bad and treacherous.” Sixty-five vehicles arrived in Albany within the time limit. Wednesday September 11 the automobiles had to “slacken their speed” due to wet roads in the morning and heavy rain in the afternoon. All the vehicles “skidded to the point of danger.” 51 vehicles reached Herkimer before 9:40, the time of closing the control. Stage Four on Thursday September 12th was another day of rain. The “roads were mostly miserable in the morning with only a few fair stretches.” Tire and axle failure at this point of the endurance run was high. 48 vehicles arrived at the Syracuse closing of the control at 9:30 PM. -
HISTORIC RESOURCE PROJECT ASSESSMENT St
HISTORIC RESOURCE PROJECT ASSESSMENT St. James Park Capital Vision and Performing Arts Pavilion Project San José, Santa Clara County, California Prepared for: Department of Parks, Recreation and Neighborhood Services City of San José 200 East Santa Clara St. San José, CA 95113 C/o David J. Powers & Associates, Inc. 04.05.2019 (revised 08.12.2019) ARCHIVES & ARCHITECTURE, LLC PO Box 1332 San José, CA 95109-1332 St. James Park Historic Resource Project Assessment Table of Contents Table of Contents HISTORIC RESOURCE PROJECT ASSESSMENT ...................................................................... 1 Table of Contents ........................................................................................................................... 2 Introduction ..................................................................................................................................... 3 Project Description...................................................................................................................... 4 Purpose and Methodology of this Study ..................................................................................... 6 Previous Surveys and Historical Status ...................................................................................... 6 Location Map .............................................................................................................................. 8 Summary of Findings ................................................................................................................. -
State Capitol State Park
STATE CAPITOL STATE PARK Comprehensive Park Plan • 2010 The mission of the Oregon Parks and Recreation Department is to provide and protect outstanding natural, scenic, cultural, historic and recreational sites for the enjoyment and education of present and future generations. OREGON PARKS AND RECREATION DEPARTMENT 725 Summer Street N.E., Suite C Salem, Oregon 97301-0792 Information Center: 1-800-551-6949 egov.oregon.gov/OPRD/index.shtml Title: State Capitol State Park, Parkwide Plan 2010 Prepared by: Kathy Schutt Publication Rights: Information in this report may be copied and used with the condition that credit is give to Oregon Parks and Recreation Department. This report has been prepared for in-house use and will not be made available for sale. Photographs and graphics may not be reproduced for reuse without permission of the owners or the repositories noted in the captions. Booklet Images: OPRD Archives 2010 – State Capitol State Park, Historic images from Salem Public Library Historic Photograph Collections, Salem Public Library, Salem, Oregon and OSU Archives Table of Contents 01: Plan Introduction and Summary ....................................................................1 02: History of the Park Site ...................................................................................9 03: Park Context ..................................................................................................19 04: Park Assessments ..........................................................................................25 05: Park -
Voters' Pamphlet General Election 2018 for Yamhill County
Voters’ Pamphlet Oregon General Election November 6, 2018 Certificate of Correctness I, Dennis Richardson, Secretary of State of the State of Oregon, do hereby certify that this guide has been correctly prepared in accordance with the law in order to assist electors in voting at the General Election to be held throughout the State on November 6, 2018. Witness my hand and the Seal of the State of Oregon in Salem, Oregon, this 24th day of September, 2018. Dennis Richardson Oregon Secretary of State Oregon votes by mail. Ballots will be mailed to registered voters by October 17. OFFICE OF THE SECRETARY OF STATE ELECTIONS DIVISION STEPHEN N. TROUT DENNIS RICHARDSON DIRECTOR SECRETARY OF STATE 255 CAPITOL ST NE, SUITE 501 LESLIE CUMMINGS, PhD SALEM, OREGON 97310 DEPUTY SECRETARY OF STATE (503) 986-1518 Dear Oregon Voter, This November 6, 2018 General Election marks 20 years since Oregon’s voters chose to conduct all elections through the mail. Citizens placed Measure 60 on the ballot through the initiative process and then overwhelmingly approved it at the 1998 General Election. Over these past 20 years, we have realized the benefits of increased access and ease of access to the ballot, higher voter turnout, and improved election security because of our first in the nation vote-by-mail system. Today, those benefits continue as over 2.7 million Oregonians will receive a ballot in the mail beginning on October 17. I would like to congratulate the voters of Grant County who had the highest voter turnout at the Primary Election this past May. -
History of the Courthouse
HISTORY OF THE STARK COUNTY COURTHOUSE Compiled by Marc R. Warner The Stark County Courthouse is a beautiful structure built in the architectural style known as Beaux Arts Classicism. Completed in 1895, it is the third courthouse to occupy this site. The history of the Stark County Courthouse begins earlier, with the first courthouse, built in 1816-1817 on land provided by Bezaleel Wells, the founder of Canton, Ohio. The land he provided, at a cost of $10.00, was specifically designated for a courthouse and has remained so ever since. 1 The first courthouse was a forty-four foot square brick two-story structure with a pitched roof and topped with a cupola. An annex was added in the 1840’s to provide space for other County offices. This first courthouse served the county for more than five decades, including the Civil War years when people would come to the courthouse to hear news of battles and casualty reports. 2 By the late 1860’s, with increasing population and prosperity, Stark County was in need of a larger courthouse. The second courthouse, designed by Architect H.E. Myer, was constructed from 1868 to 1870 and dedicated on Washington’s Birthday on February 22, 1870. Built in the Italianate style of architecture, it featured two towers and had a separate annex constructed in the same style. It contained one courtroom, which would later become known as the “McKinley Courtroom”. A beautiful fountain was installed on the grounds between the courthouse and Market Avenue. The eventual fate of this fountain is unknown. -
Mckinley Revised
THE PRESIDENT FROM CANTON by Grant Segall Greeting the nation from his front porch in Canton, nursing his frail wife, sporting scarlet carnations from a foe, soft-peddling his views, the dapper little William McKinley seemed like the quintessential Victorian. The impression deepened when assassin Leon Czolgosz from Cleveland froze him in time and Teddy Roosevelt rough-rode into the Progressive era. But McKinley launched what became known as the American Century. He helped make a former colony a colonizer and the world’s biggest manufacturer. He planned the Panama Canal and the Open Door policy toward China. He promoted labor rights, mediation and arbitration. He created the White House’s war room, press briefings and press receptions. He also started a century-long rise in presidential power. Future President Woodrow Wilson wrote in 1900, “The president of the United States is now, as of course, at the front of affairs, as no president, except Lincoln, has been since the first quarter of the 19th century.” McKinley broadened a Republican base that mostly dominated until 1932. While he quaintly campaigned from his porch, innovative backers paid the way of an estimated 750,000 visitors from around the country. They also used early polls and movies. Historian Allan Peskin of Cleveland State University once told The Plain Dealer, “McKinley was the first modern president.” Biographer Kevin Phillips wrote, “The Progressive era is said to begin with Teddy Roosevelt, when in fact McKinley put in place the political organization, the antimachine spirit, the critical party realignment, the cadre of skilled GOP statesmen..., the firm commitment to popular and economic democracy and the leadership needed.” 1 Supporters called him the Idol of Ohio. -
Social Technology & the Origins of Popular Philanthropy
University of Kentucky UKnowledge Law Faculty Scholarly Articles Law Faculty Publications Winter 2016 Social Technology & the Origins of Popular Philanthropy Brian L. Frye University of Kentucky College of Law, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/law_facpub Part of the Nonprofit Organizations Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Repository Citation Frye, Brian L., "Social Technology & the Origins of Popular Philanthropy" (2016). Law Faculty Scholarly Articles. 531. https://uknowledge.uky.edu/law_facpub/531 This Article is brought to you for free and open access by the Law Faculty Publications at UKnowledge. It has been accepted for inclusion in Law Faculty Scholarly Articles by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Social Technology & the Origins of Popular Philanthropy Notes/Citation Information Brian L. Frye, Social Technology & the Origins of Popular Philanthropy, 32 Ga. St. U. L. Rev. 413 (2016). This article is available at UKnowledge: https://uknowledge.uky.edu/law_facpub/531 SOCIAL TECHNOLOGY & THE ORIGINS OF POPULAR PHILANTHROPY Brian L. Frye* ABSTRACT The prevailing theory of charity law holds that the charitable contribution deduction is justified because it solves market and government failures in charitable goods by compensating for free riding on charitable contributions. This Article argues that many market and government failures in charitable goods are actually caused by transaction costs, and that social technology can solve those market and government failures by reducing transaction costs. Specifically, it shows that in the early twentieth century, the social technology of charity chain letters solved market and government failures in charitable contributions and facilitated the emergence of popular philanthropy. -
Episode 1, 2006: Mckinley Casket Flag, Battleground, Washington
Episode 1, 2006: McKinley Casket Flag, Battleground, Washington Wes: In this next story, an American tragedy: the point-blank assassination of our 25th President, William McKinley. Kennedy’s final march down the Mall.Reagan’s sunset farewell in California. Whether our nation’s leaders are struck down by tragedy or whether their lives come to a natural end, the last image we have to remember them by is a casket draped in an American flag. The same was true for President William McKinley, who met his death at the end of an assassin’s gun in September 1901. One hundred years later in Cincinnati, Ohio, Sean Kennedy believes he may have the flag that draped McKinley’s coffin. Sean Kennedy: There wasn’t too many Presidents assassinated, and that we actually have one of the flags from one of those caskets is pretty significant. Wes: I’m Wes Cowan. I’m from Cincinnati, and I’m heading to meet Sean to see if I can get to the bottom of this mystery. Sean told me that according to family legend, his great-grandfather was President McKinley’s personal bodyguard. And is there any proof to this story? Sean: No, I have nothing. All I have is a family story that’s been handed down through the generations. Wes: Okay, so, what do you want me to find out? Sean: One, I’d like to know who my great-grandfather was. I’d like to know if he was in fact McKinley’s bodyguard. The other thing: I’d like to know if this flag was actually on McKinley’s coffin. -
Ralph I. Gifford Photographs, Circa 1910S - 1947
Guide to the Ralph I. Gifford Photographs, circa 1910s - 1947 Title Ralph I. Gifford Photographs (P 218-SG 2) Dates circa 1910s - 1947 (inclusive) 1935-1947 (bulk) Creator Gifford, Ralph I. Summary The Ralph I. Gifford Photographs consist of images taken by Gifford throughout Oregon, primarily during the 1930s and 1940s. The photographs depict many Oregon landmarks and scenes, including the Oregon Coast, Crater Lake, Mount Hood, the Wallowa Mountains, and the Snake River Canyon. The collection includes numerous images of sport fishing as well as several photographs of Native Americans. Ralph Gifford was the son of Benjamin A. Gifford and took over his father©s Portland photography business around 1920. In 1936, Ralph became the first photographer of the newly established Travel and Information Department of the Oregon State Highway Department, a position he held until his death in 1947. Quantity 2.5 cubic feet, including 2089 photographs (17 boxes, including 2 oversize boxes, and 1 map folder) Restrictions on Access Collection is open for research. Oregon State University Libraries, University Archives 121 The Valley Library Oregon State University Corvallis, OR 97331-4501 Phone: 541-737-2165 Email: [email protected] Web: http://osulibrary.oregonstate.edu/archives Finding aid prepared by Lawrence A. Landis; updated by Elizabeth Nielsen, 2011. Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities. PDF Created May 28, 2013 Guide to the Ralph I. Gifford Photographs, circa 1910s - 1947 Page 2 of 31 Biographical Note Born in Portland, Ralph I. Gifford (1894-1947) worked in his father©s (Benjamin A. -
National Register of Historic Places Registration Form
NFS Form 10-900 OMB No. 1024-0018 (Rev. 8-86) RECEIVED United States Department of the Interior National Park Service JUN 1 3 1988 National Register of Historic Places NATIONAL Registration Form REGISTER This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property_________________________________________________ historic name Oregon Sfafp Hapifrnl_____________________________________ other names/site number N/A 2. Location street & number Capitol Mall not for publication city, town Salem vicinity state Oregon code county Marion code zip code 3. Classification Ownership of Property Category of Property Number of Resources within Property I I private H building(s) Contributing Noncontributing I I public-local I I district . buildings fxl public-State LJsite . sites I I public-Federal I I structure structures I I object . objects Total Name of related multiple property listing: Number of contributing resources previously _____N/A______________ listed in the National Register N./A___ 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this [xl nonrfhation EH request for determination of eligibility meets the documentation standards for registering properties in the Natior/al/Register«pf Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
James Lee Hansen
JAMES LEE HANSEN This publication and the James Lee Hansen: Sculpture exhibition were produced with assistance from James Lee and Jane Elizabeth Hansen and made possible by the generous support of: Art Dodd and Diane Plumridge Broughton and Mary Bishop Family Advised Fund of the Community Foundation for Southwest Washington Washington State Arts Commission/National Endowment for the Arts. Publication design: Steve Grafe and Anna Fonnier Front and back covers: James Lee Hansen, 2012, photos by Nick Carulli, Camas, WA; www.nickcarulli.com Hands All is of the dust of stars wedded to the dust of hands. —James Lee Hansen, 2014 Inside front cover: James Lee Hansen working on one of his Explorer series, Daybreak Studio, 1980s Inside back cover: James Lee Hansen, Sentinel Study, 1965, bronze, 18” x 6½” x 6½”; Hansen Trust (left) and James Lee Hansen, Explorer Study, 1998, bronze, 20½” x 6¾” x 4”; Hansen Trust (right) Unless noted, all photos are courtesy of the James Lee Hansen Archive, Battle Ground, WA. Copyright © 2014 Maryhill Museum of Art All rights reserved under International and Pan- American Copyright Conventions. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, except brief extracts for the purpose of review, without written permission of the publisher. ISBN: 978-0-9617180-3-9 Published in the United States by: Maryhill Museum of Art 35 Maryhill Museum Drive Goldendale, Washington 98620 www.maryhillmuseum.org JAMES LEE HANSEN Steven L. Grafe uring a career that has spanned more than sixty years, Battle Ground, Washington, artist James Lee Hansen has produced more than seven hun- dred sculptures ranging in size from small studies to monumental works of public art. -
A Collective Study of Four of Buffalo, New York's Early Monuments, 1882-1907 Drew C
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Museum Studies Theses History and Social Studies Education 8-2018 Public Art and Patronage: A Collective Study of Four of Buffalo, New York's Early Monuments, 1882-1907 Drew C. Boyle State University of New York College at Buffalo - Buffalo State College, [email protected] Advisor Cynthia A. Conides, Ph.D. First Reader Cynthia A. Conides, Ph.D. Second Reader Noelle J. Wiedemer Department Chair Andrew D. Nicholls, Ph.D. Professor and Chair To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/museum-studies-ma. Recommended Citation Boyle, Drew C., "Public Art and Patronage: A Collective Study of Four of Buffalo, New York's Early Monuments, 1882-1907" (2018). Museum Studies Theses. 15. http://digitalcommons.buffalostate.edu/museumstudies_theses/15 Follow this and additional works at: http://digitalcommons.buffalostate.edu/museumstudies_theses Part of the American Art and Architecture Commons, Museum Studies Commons, and the United States History Commons i Public Art and Patronage: A Collective Study of Four of Buffalo, New York’s Early Monuments, 1882-1907 An Abstract of a Thesis in Museum Studies by Drew Boyle Submitted in Partial Fulfillment of the Requirements for the Degree of: Master of Arts August 2018 State University of New York College at Buffalo Department of History and Social Studies Education ii Abstract The goal of this paper is to investigate the motivations of the patrons behind four of Buffalo, New York’s early monuments.