Reproductions D'œuvres D'art Disponibles Au Prêt Liste Au 06/09/2010

Total Page:16

File Type:pdf, Size:1020Kb

Reproductions D'œuvres D'art Disponibles Au Prêt Liste Au 06/09/2010 Reproductions d'œuvres d'art disponibles au prêt Liste au 06/09/2010 A Artiste Titre Date de création Format cm Orientation Cote N° exemplaire Recto/Verso Adami, Valerio Marat assassiné 1982 66 x 49 Portrait AFF ADA 12742 Plight (1985) Joseph Beuys Anselmo, Giovanni 1969 66 x 49 Portrait AFF VAN 12641 La chambre à Arles – Vincent Van Gogh (1889) Arcimboldo, L'homme-potager ou plaisanterie 1590 22,5 X 32 portrait AFF ARC 2040 Giuseppe avec légumes (image réversible) Arman Accumulation Renault N°109 II 57,5 X 45,5 Portrait AFF ARM 12139 Fagot de clarinettes 1976 44 X 59 Paysage AFF ARM 12495 Arp, Hans dit Jean Selon les lois du hasard 1916/1917 22,5 X 32 Portrait AFF ARP 3088 Arp Atlan, Jean-Michel La Kahena 1958 66 X 49 Portrait AFF ATL 12639 Un grand de la terre (1860) Antoine Wiertz B Artiste Titre Date de Format cm Orientation Cote N° Recto/Verso création exemplaire Bacon, Francis Portrait of Lucian Freud 1965 66 X 49 Portrait AFF BAC 12653 Le Manteau (Demeure 5) (1962) Etienne-Martin Bailly, David Vanitas 1620 22,4 X 32 paysage AFF BAI 8732 Balthus Jeune fille à la fenêtre 1955 66 X 49 Portrait AFF SIM 12638 Rock Flower (1986) Charles Simonds Baselitz, Georg Die Mädchen von Olmo 1981 66 X 49 Portrait AFF POL 12775 Cameleonardo da Willich (1979) Sigmar Polke Beatus Le Seigneur sur les nues extrait entre 1028 et 66 X 49 Portrait AFF BEA 12734 Sainte Véronique ( Vers 1410-1420) de l'Apocalypse de Saint-Sever 1072 Maître de La Véronique de Munich Beckwith, Carol Peinture corporelle 1999 42 X 26,5 Portrait AFF BEC 6178 Bellini, Giovanni Allégorie sacrée 27 X 37,4 Paysage AFF BEL 12858 Portrait du doge Léonardo 37,4 X 27 Portrait 12861 Loredan La Vierge aux deux arbres 37,4 X 27 Portrait 12863 Femme à sa toilette 27 X 37,4 Paysage 12865 Bernaerts, Combats de coqs et de poules 45,5 X 57,5 paysage AFF BER 12184 Nicasius Beuys, Joseph Plight 1985 49 X 66 Paysage AFF PIC 12742 Marat assassiné (1982) Valerio Adami Bill, Max Ruban sans fin 49 X 66 Paysage AFF BIL 12755 Painting Emphasizing Stillness (1962) David Hockney Birmann, Samuel La mer de glace vue du 44 X 59 Paysage AFF BIR 12452 Montanvert Blake, Peter The Toy Shop 1962 49 X 66 Paysage AFF BLA 12632 Autoportrait (1986) Eugène Leroy Bloemaert, Étude de plantes 44 X 59 Paysage AFF BLO 12401 Abraham (1564- 12661 1651) Boltanski, Sans titre 1986 49 X 66 Paysage AFF BOL 12711 Fétiche Yombe - Zaïre Christian Bonnard, Pierre Le chat blanc 1894 59 X 44 portrait 12400 (1867-1947) 12693 Nu à contre-jour 1908 37,4 X 27 portrait 12866 AFF BON Marthe au corsage rouge 1928 37,4 X 27 portrait 12867 Nature morte aux fruits 1936 27 X 37,4 paysage 12870 Paysage du Cannet, vue des 1941-42 27 X 37,4 paysage 12871 toits Bosch, Jérôme Le portement de croix 1508 49 X 66 paysage AFF RHO 12720 Laocoon et ses fils, vers 50 avant JC, De Rhodes, Agesandros L'enfer du musicien – Triptyque 1503-1505 37,4 X 27 portrait AFF BOS 12876 du Jardin des délices (panneau droit) Triptyque du Jardin des délices 1503-1505 37,4 X 27 portrait 12875 (panneau central) La nef des fous 1490-1500 37,4 X 27 portrait 12874 Saint Jean-Baptiste au désert 1504-1505 37,4 X 27 portrait 12872 Botero, Fernando Dancing in Colombia 45,5 X 57,5 Paysage AFF BOT 12787 Botticelli, Sandro La naissance de Vénus 1482 49 X 66 paysage AFF BON 12709 Le Baiser de Judas (1304) Giotto di Bondone 33 X 54 paysage AFF BOT 13134 Bruegel, Peter Les jeux des enfants 1560 49 X 66 paysage 12729 L'enlèvement des Sabines (vers 1635) Nicolas Poussin Les chasseurs dans la neige 1565 27 X 37,4 paysage 12881 AFF BRU La moisson 1565 27 X 37,4 paysage 12880 La danse de la mariée en plein 1566 27 X 37,4 paysage 12878 air La Tour de Babel 1563 27 X 37,4 paysage 12877 Construction de la Tour de 1563 22,5 X 32 paysage 15810 Babel Buren, Daniel 260 colonnes de Buren de la 1986 22,5 X 32 paysage AFF BUR 13043 cour d'honneur Buri, Samuel Vache-Paysage 44 X 59 Paysage AFF BUR 12220 12694 Burri, René Intérieur du Musée Guggenheim 1997 59 x 44 Portrait AFF BUR 125 de Bilbao 42 X 26,5 portrait AFF BUR 17507 C Artiste Titre Date de création Format cm Orientation Cote N° exemplaire Recto/Verso Calder, Alexandre Vache 45,5 X 57,5 Paysage AFF CAL 12155 Canaletto (Giovanni Le bassin de San Marco et la 1726-28 37,4 X 27 portrait AFF CAN 12886 Antonio Canal, dit) douane vus de la Guidecca (détail) Paysage imaginaire 1754 37,4 X 27 portrait 12884 Le retour du Bucentaure 1729 27 X 37,4 paysage 12883 L'entrée du grand canal avec 1745-46 27 X 37,4 paysage 12882 l'église de la Salute Cézanne, Paul (1839- Pommes vertes Vers 1873 44 X 59 Paysage 12330 1906) Les joueurs de cartes 45,5 X 57,5 Paysage 12790 AFF CEZ Étude d'un arbre Vers 1890 44 X 59 Paysage 12334 12664 6221 Pommes et oranges 1895-1900 49 X 66 Paysage 12722 Bouquet de chrysanthèmes (1884), Auguste Renoir Chagall, Marc L'anniversaire 45,5 X 57,5 Paysage AFF CHA 12169 Chaissac, Gaston Composition 1947/48 66 X 49 portrait AFF CHA 12644 Cezann Still Life 2 (1981) George Segal Champaigne, Philippe Vanité ou Allégorie de la vie 1646 33 x 54 paysage AFF CHA 13135 (de) humaine Chardin, Jean-Baptiste La fontaine de cuivre 1734 59 X 44 Portrait AFF CHA 12505 Siméon Le bénédicité 1710 37,4 X 27 Portrait 12890 La fillette au volant 1737 37,4 X 27 Portrait 12889 Le château de cartes 1741 27 x 37,4 Paysage 12888 Raisins et grenades 1763 27 x 37,4 Paysage 12887 Cheval, Ferdinand (1836 Le Palais du facteur cheval 44 X 59 paysage AFF PAL 12397 -1924) 12663 Le Palais idéal (détail de la 1879/1912 66 X 49 portrait AFF POL 12640 Peinture (silver over façade ouest) black, yellow and red) 1948 Christo La Barrière en fuite 1976 44 X 59 Paysage AFF CHR 12519 Clouet, Jean (1485- François Ier, roi de France Vers 1525 22,5 X 32 portrait AFF CLO 16482 1540) Cornell, Joseph Sans Titre (Mélisande) 1948-1950 66 X 49 Portrait AFF COR 12769 La mer de peau (1959) Jean Dubuffet Corot, Camille Le pont de Mantes 1868-70 44 X 59 Paysage 12444 27 x 37,4 Paysage 12891 AFF COR Souvenir de Mortefontaine 1864 27 x 37,4 Paysage 12899 Le pont de Narni 1826 27 x 37,4 Paysage 12896 Agostina 1866 37,4 X 27 portrait 12900 Courbet, Gustave La Vague 1870 22,5 X 30 Paysage AFF COU 12128 (1819-1877) La Remise des chevreuils au 1866 49 X 66 Paysage AFF MIL 12723 L'Angélus (1859) Millet ruisseau de Plaisir-Fontaine L'atelier (détail) 1855 37,4 X 27 portrait AFF COU 12909 12912 Bonjour Monsieur Courbet 1854 27 x 37,4 Paysage 12907 12908 Le sommeil 1866 27 x 37,4 Paysage 12906 12905 Les cribleuses de blé 1855 27 x 37,4 Paysage 12902 12903 Cuyp, Albert Children and a cow 45,5 X 57,5 Paysage AFF CUY 12201 D Artiste Titre Date de création Format cm Orientation Cote N° exemplaire Recto/Verso Dali, Salvador Le Grand paranoïaque 1936 49 X 66 Paysage 12647 Les cosmonautes (1991) Pierre AFF DAL et Gilles L'image disparaît 1938 66 X 49 Portrait AFF RAY 12749 L'énigme d'Isidore Ducasse (1920) Man Ray Daumier, Honoré La blanchisseuse 57,5 X 45,5 Portrait AFF DAU 12216 Charles Philippon ou le 59 X 44 Portrait AFF DAU 12337 Rieur édenté David, Gérard Période de repos pendant 57,5 X 45,5 Portrait AFF DAV 12213 la fuite en Egypte David (Jacques- Le serment des Horaces 1785 49 X 66 paysage AFF DAV 12730 Jeune femme écrivant une Louis) lettre et sa servante (vers 1667) Jan Vermeer 33 x 54 paysage 13137 32 X 22,5 paysage 16748 Degas, Edgar (1834- Fin d'arabesque ou 1876-1877 32 X 22,5 Portrait AFF DEG 12117 1917) danseuse saluant Delacroix, Eugène Le 28 juillet : la Liberté 49 X 66 Paysage AFF DEL 12732 Sans Titre (La Natte) 1969, guidant le peuple Jannis Kounellis 1830 27 X37,5 paysage 12913 22,5 x 32 paysage 13115 Jeune tigre jouant avec sa 1830 27 X37,5 paysage 1215 mère Orpheline au cimetière 1823 37,5 x 27 portrait 12922 La mort de Sardanapale 1827 27 X37,5 paysage 12923 (détail) Derain, André Paysage à Cassis 1907 33 x 54 paysage AFF DER 13150 Dietman, Erik L'Élan solitaire 1986 66 X 49 Portrait AFF KLE 12629 Verso : Paul KLEE, Jardin zoologique (1918) Dine, Jim Small Heart Painting n°21 1970 49 X 66 Paysage AFF PIC 12645 Idylle (1927) Francis Picabia Dubuffet, Jean Vache au nez subtil 45,5 X 57, 5 Paysage AFF DUB 12131 La mer de peau 1959 66 X 49 Portrait AFF COR 12769 Sans Titre (Mélisande) (1948- 50) Joseph Cornell Dürer, Albrecht Le lièvre 59 X 44 Portrait 12399 (1471-1528) 12696 42 X 26,5 12624 Adam et Eve 1504 59 X 44 Portrait 12432 42 X 26,5 AFF DUR 13060 Rhinocéros 1515 22,5 X 32 paysage 13116 La Mélancolie 1514 66 X 49 Portrait 12719 L'esclave, dit l'Atlante ou Atlas (vers 1530) Michel-Ange Buonarroti Deux musiciens (Rétable 1503-04 37,5 X 27 Portrait 12927 Jabach) Autoportrait 1498 37,5 X 27 Portrait 12926 La grande touffe d'herbe 1503 37,5 X 27 Portrait 12925 Retable Paumgartner 1502-04 27 X 37,5 paysage 12924 Da Fabriano, Gentile L'Adoration des Mages 1423 49 X 66 Paysage AFF FAB 12726 Le paiement du tribut (1424) Masaccio De Chirico, Giorgio Les muses inquiétantes 1916 66 X 49 portrait AFF MAL 12748 Croix noire (1915) Casimir Malevitch De Rhodes, Agesandros Lacocoon et ses fils Vers 50 avant JC 66 X 49 Portrait AFF RHO 12720 Le portement de croix (vers 1508) Jérôme Bosch De Staël, Nicolas Fleurs 1952 59 x 44 portrait AFF STA 12331 12699 Le Lavandou 1952 59 x 44 portrait AFF STA 12434 Les Musiciens, souvenir de 1953 66 X 49 Portrait AFF STA 12651 De la chasse (1990) Jean Sydney Bechet Tinguely De Vinci, Léonard La Vierge, l'Enfant Jésus 1510 66 X 49 Portrait 12727 Le concert champêtre (1510) et Sainte Anne Titien La Madone à l'œillet 37,5 X 27 Portrait 13095 AFF VIN La Joconde Vers 1503 37,5 X 27 Portrait 13096 32 X 22,5 Portrait 13114 L'Annonciation (détail) 37,5 X 27 Portrait
Recommended publications
  • 13Th Biennial Conference of the International Gothic Association
    13th Biennial Conference of the International Gothic Association: Gothic Traditions and Departures Universidad de las Américas Puebla (UDLAP) 18 – 21 July 2017 Conference Draft Programme 1 Conference Schedule Tuesday 18 July 10:00 – 18:00 hrs: Registration, Auditorio Guillermo y Sofía Jenkins (Foyer). 15:00 – 15:30 hrs: Welcome remarks, Auditorio Guillermo y Sofia Jenkins. 15:30 – 16:45 hrs: Opening Plenary Address, Auditorio Guillermo y Sofía Jenkins: Isabella Van Elferen (Kingston University) Dark Sound: Reverberations between Past and Future 16:45 – 18:15 hrs: PARALLEL PANELS SESSION A A1: Scottish Gothic Carol Margaret Davison (University of Windsor): “Gothic Scotland/Scottish Gothic: Theorizing a Scottish Gothic “tradition” from Ossian and Otranto and Beyond” Alison Milbank (University of Nottingham): “Black books and Brownies: The Problem of Mediation in Scottish Gothic” David Punter (University of Bristol): “History, Terror, Tourism: Peter May and Alan Bilton” A2: Gothic Borders: Decolonizing Monsters on the Borderlands Cynthia Saldivar (University of Texas Rio Grande Valley): “Out of Darkness: (Re)Defining Domestic Horror in Americo Paredes's The Shadow” Orquidea Morales (University of Michigan): “Indigenous Monsters: Border Horror Representation of the Border” William A. Calvo-Quirós (University of Michigan): “Border Specters and Monsters of Transformation: The Uncanny history of the U.S.-Mexico Border” A3: Female Gothic Departures Deborah Russell (University of York): “Gendered Traditions: Questioning the ‘Female Gothic’” Eugene
    [Show full text]
  • Download PDF Version
    100 Books With Original Photographs 1846–1919 PAUL M. HERTZMANN, INC. MARGOLIS & MOSS 100 BOOKS With ORIGINAL PHOTOGRAPHS 1846–1919 PAUL M. HERTZMANN, INC. MARGOLIS & MOSS Paul M. Hertzmann & Susan Herzig David Margolis & Jean Moss Post Office Box 40447 Post Office Box 2042 San Francisco, California 94140 Santa Fe, New Mexico 87504-2042 Tel: (415) 626-2677 Fax: (415) 552-4160 Tel: (505) 982-1028 Fax: (505) 982-3256 E-mail: [email protected] E-mail: [email protected] Association of International Photography Art Dealers Antiquarian Booksellers’Association of America Private Art Dealers Association International League of Antiquarian Booksellers 90. TERMS The books are offered subject to prior sale. Customers will be billed for shipping and insurance at cost. Payment is by check, wire transfer, or bank draft. Institutions will be billed to suit their needs. Overseas orders will be sent by air service, insured. Payment from abroad may be made with a check drawn on a U. S. bank, international money order, or direct deposit to our bank account. Items may be returned within 5 days of receipt, provided prior notification has been given. Material must be returned to us in the same manner as it was sent and received by us in the same condition. Inquiries may be addressed to either Paul Hertzmann, Inc. or Margolis & Moss Front cover and title page illustrations: Book no. 82. 2 introduction his catalog, a collaborative effort by Paul M. Hertzmann, Inc., and Margolis & Moss, T reflects our shared passion for the printed word and the photographic
    [Show full text]
  • ACTA UNIVERSITATIS UPSALIENSIS Uppsala Studies in History of Ideas 50
    ACTA UNIVERSITATIS UPSALIENSIS Uppsala Studies in History of Ideas 50 Cover designed by Annelie Drakman and Camilla Eriksson. Life mask of Benjamin Robert Haydon, by unknown artist (c. 1820). Plaster cast. © National Portrait Gallery, London. Every Man His Own Monument Self-Monumentalizing in Romantic Britain Chris Haffenden Dissertation presented at Uppsala University to be publicly examined in Auditorium minus, Gustavianum, Uppsala universitetsmuseum, Akademigatan 3, Uppsala, Friday, 9 November 2018 at 10:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Samantha Matthews (Bristol University, UK). Abstract Haffenden, C. 2018. Every Man His Own Monument. Self-Monumentalizing in Romantic Britain. Uppsala Studies in History of Ideas 50. 263 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-0451-9. From framing private homes as museums, to sitting for life masks and appointing biographers, new forms of self-monumentalizing emerged in the early nineteenth century. In this study I investigate the emergence and configuration of such practices in Romantic Britain. Positioning these practices at the intersection of emergent national pantheons, a modern conception of history, and a newly-formed celebrity culture, I argue that this period witnessed the birth of distinctively modern ways for the individual to make immortality. Faced with a visceral fear of being forgotten, public figures began borrowing from celebrity culture to make their own monuments. Concentrated upon early nineteenth-century London, I characterize these practices as attempts at self-made immortality. I do so by analyzing the legacy projects of three well-known but seldom connected individuals: the Auto-Icon by the philosopher Jeremy Bentham (1748– 1832), the Soane Museum by the architect Sir John Soane (1753–1837), and the life-writing efforts of the painter Benjamin Robert Haydon (1786–1846).
    [Show full text]
  • Antoine Wiertz Un Grand De La Terre
    Sauvons le Musée WIERTZ Marcel Broodthaers, Londres 1974 Antoine Wiertz Un Grand de la Terre, Antoine WIERTZ, Dinant, 1806 - Bruxelles, 1865. Peintre - Sculpteur À propos de l’ensemble du Musée Wiertz Un complexe unique au monde Lettre ouverte à : 1 - Monsieur Koen Geens, Ministre de la Justice, chargé de la Régie des Bâtiments ; - Madame Marie Christine Marghem, Ministre de l’Environnement ; - Madame Sophie Wilmès, Ministre du Budget et de la Fonction Publique ; - A la Commune d’Ixelles, Monsieur Romain De Reusme, Echevin des Travaux Publiques ; et Monsieur Yves Rouyet, en charge du Patrimoine ; - Sven Gatz Ministre bruxellois des Finances,du Budget, de la Promotion du multilinguisme, du Tourisme, de l'Image de Bruxelles. Ministre flamand des Affaires bruxelloises - Laurent Vrijdaghs Administrateur général Régie des Bâtiments - Monsieur Michel Draguet, Directeur des Musées Royaux de Belgique Nous, - Le Comité de Défense du Patrimoine d’Antoine Wiertz - L’association du Quartier Léopold et Européen de Bruxelles - La Fondation Marcel Broodthaers - Antoine Wiertz Fan Club1 - Les 17.000 signataires de la Pétition Change.org2 Bruxelles, le 14 juin 2019 (revue en Septembre) 2 Le Parlement Européen aurait signé une promesse de bail emphytéotique le 29 mars 2019 pour la maison et le jardin d’Antoine Wiertz. Une braderie sans précédent ! Pour un euro symbolique ? NOUS, le comité Wiertz, offrons le double. Rappel des faits et de la problématique qui se pose: À l’occasion du redéploiement de ses activités de représentation pendant la rénovation du ‘Caprice des Dieux’, le Parlement européen jette son dévolu sur le parc/jardin et la maison d'Antoine Wiertz, adjacents au musée du même nom.
    [Show full text]
  • Dorothee Birke Writing the Reader Linguae & Litterae
    Dorothee Birke Writing the Reader linguae & litterae Publications of the School of Language & Literature Freiburg Institute for Advanced Studies Edited by Peter Auer, Gesa von Essen, Werner Frick Editorial Board Michel Espagne (Paris), Marino Freschi (Rom), Ekkehard König (Berlin), Michael Lackner (Erlangen-Nürnberg), Per Linell (Linköping), Angelika Linke (Zürich), Christine Maillard (Strasbourg), Lorenza Mondada (Basel), Pieter Muysken (Nijmegen), Wolfgang Raible (Freiburg), Monika Schmitz-Emans (Bochum) Volume 59 Dorothee Birke Writing the Reader Configurations of a Cultural Practice in the English Novel An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-030763-4 e-ISBN (PDF) 978-3-11-039984-4 e-ISBN (EPUB) 978-3-11-040006-9 ISSN 1869-7054 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at: http://dnb.dnb.de.
    [Show full text]
  • Nineteenth Century European Paintings, Drawings and Sculpture
    NINETEENTH CENTURY EUROPEAN PAINTINGS, DRAWINGS AND SCULPTURE SUMMER EXHIBITION April 20th through June 26th, 2004 Exhibition organized by Robert Kashey and David Wojciechowski Catalogue by Elisabeth Kashey SHEPHERD & DEROM GALLERIES 58 East 79th Street New York, N. Y. 10021 Tel: 1 212 861 4050 Fax: 1 212 772 1314 e-mail: [email protected] © Copyright: Robert J. F. Kashey for Shepherd Gallery, Associates, 2004 COVER ILLUSTRATION: Henri Decaisne, Self-Portrait , 1820, cat. no. 2. GRAPHIC DESIGN: Keith Stout. PHOTOGRAPHY: Hisao Oka. TECHNICAL NOTES: All measurements are in inches and centimeters; height precedes width. All drawings and paintings are framed. Prices and photographs on request. All works subject to prior sale. SHEPHERD GALLERY SERVICES has framed, matted and restored all of the objects in this exhibi- tion which required it. The Service Department is open to the public by appointment, Tuesday through Saturday from 10:00 a.m. to 6:00 p.m. Tel: (212) 744 3392; fax: (212) 744 1525. CATALOGUE 1 THOMIRE, Pierre-Philippe 1751 - 1843 French School Rome (Vienna, Schatz- kammer; Paris, Louvre). CHARIOT, HORSES, AND SIX MALE Thomire’s involvement with porcelain manu- FIGURES, circa 1808 facturers (Sèvres), clock makers and furniture makers leaves a wide field to search for the pur- Wax relief on slate. Squared in graphite on slate. 13 pose of the present wax model. The processional 5/8” x 23 3/4” (34.6 x 60.3 cm). Signed in the wax at line-up and the treatment of the horses echo a lower right: THOMIRE. On verso various fragments of set of bronze mounts Thomire made in 1808 for print on paper; preserved from old backing a Sothe- two consoles, designed by Jacob-Desmalter for by’s label, illegible; also a printed label: J.
    [Show full text]
  • The Alma-Tademas' Studio-Houses and Beyond
    This is a repository copy of Introduction : The Alma-Tademas' Studio-Houses and Beyond. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/134823/ Version: Published Version Article: Prettejohn, Elizabeth Francesca orcid.org/0000-0001-6615-0448 and Trippi, Peter (2018) Introduction : The Alma-Tademas' Studio-Houses and Beyond. British Art Studies. ISSN 2058-5462 10.17658/issn.2058-5462/issue-09/prettejohn-trippi Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial (CC BY-NC) licence. This licence allows you to remix, tweak, and build upon this work non-commercially, and any new works must also acknowledge the authors and be non-commercial. You don’t have to license any derivative works on the same terms. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ British Art Studies Summer 2018 British Art Studies Issue 9, published 7 August 2018 Cover image: Jonathan Law, Pattern, excerpt from ilm, 2018.. Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staf of Leighton House Museum, The Royal Borough of Kensington and Chelsea. PDF generated on 7 August 2018 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally.
    [Show full text]
  • The History of Modern Painting Volume 2
    The History of Modern Painting Volume 2 by Richard Muther The History Of Modern Painting BOOK III THE TRIUMPH OF THE MODERNS CHAPTER XVI THE DRAUGHTSMEN INASMUCH as modern art, in the beginning of its career, held commerce almost exclusively with the spirits of dead men of bygone ages, it had set itself in opposition to all the great epochs that had gone before. All works known to the history of art, from the cathedral pictures of Stephan Lochner down to the works of the followers of Watteau, stand in the closest relationship with the people and times amid which they have originated. Whoever studies the works of Dürer knows his home and his family, the Nuremberg of the sixteenth century, with its narrow lanes and gabled houses; the whole age is reflected in the engravings of this one artist with a truth and distinctness which put to shame those of the most laborious historian. Dürer and his contemporaries in Italy stood in so intimate a relation to reality that in their religious pictures they even set themselves above historical probability, and treated the miraculous stories of sacred tradition as if they had been commonplace incidents of the fifteenth century. Or, to take another instance, with what a striking realism, in the works of Ostade, Brouwer, and Steen, has the entire epoch from which these great artists drew strength and nourishment remained vivid in spirit, sentiment, manners, and costume. Every man whose name has come down to posterity stood firm and unshaken on the ground of his own time, resting like a tree with all its roots buried in its own peculiar soil; a tree whose branches rustled in the breeze of its native land, while the sun which fell on its blossoms and ripened its fruits was that of Italy or Germany, of Spain or the Netherlands, of that time; never the weak reflection of a planet that formerly had shone in other zones.
    [Show full text]
  • Les Relations De Monsieur Wiertz
    Les relations de Monsieur Wiertz Dossier éducatif Bienvenue dans l’exposition consacrée aux œuvres du peintre Antoine Wiertz et de ses relations artistiques. Ce document te permet de faire plus ample connaissance avec Antoine Wiertz et les peintres auxquels il est confronté. Les œuvres présentées dans cette exposition qui se tient au Musée provincial Félicien Rops du 08 septembre au 30 décembre 2007, sont réparties en trois thèmes : le miroir, la femme fatale et la mort. Trois thèmes souvent indissociables au 19ème siècle. Tu trouveras à la fin de ce document, une partie ludique constituée de fiches de jeux, de notices explicatives et d’un questionnaire qui te permet d’apprendre en t’amusant. Bon voyage. Sommaire Aspects théoriques I. Antoine Wiertz, sa vie, son œuvre A. Introduction B. Eléments biographiques C. Glossaire II. Autour d’Antoine Wiertz A. Fernand Khnopff B. James Ensor C. Léon Spilliaert D. Félicien Rops III. Les thèmes abordés dans l’exposition A. Thème 1 : Le miroir 1) Introduction 2) Le thème du miroir dans la peinture 3) Glossaire B. Thème 2 : La femme fatale 1) Introduction 2) Un peu d’histoire 3) La représentation de la femme fatale dans la peinture 4) Glossaire C. Thème 3 : La mort 1) Introduction 2) La mort dans l’art 3) Glossaire Amusons-nous ! I. Fiches de jeux autour d’Antoine Wiertz II. Questionnaire à choix multiples I. Antoine Wiertz, sa vie, son œuvre A. Introduction : Antoine Joseph Wiertz est l’un des plus grands artistes belges du 19ème siècle. Peintre romantique précurseur du symbolisme, il marqua son temps par la création d’œuvres colossales aux émotions fortes et passionnées.
    [Show full text]
  • Homeuniversity Library
    HOME UNIVERSITY LIBRARY ^ r^ M : HOME UNIVERSITY LIBRARY OF MODERN KNOWLEDGE No. 96 Editors HERBERT FISHER, M.A., F.B.A. Prof, gilbert MURRAY, LiTT.D., LL.D., F.B.A. prof. j. arthur thomson, m.a. Prof. William t. brewstbr. m.a. A complete classified list of the volumes of The Home University Library already published will be found at the back of this book. BELGIUM BY R. C. K. ENSOR SOUCTIUS SCHOLAR OF BALLIOL COLLEGE, OXFOaD NEW YORK HENRY HOLT AND COMPANY LONDON WILLIAMS AND NORGATE 32? m W7 ^ CONTENTS OHAP. PAOR I INTRODUCTORY 9 II GENERAL CHARACTERISTICS OP THE COUN- TRY 22 III GENERAL CHARACTERISTICS OF THE PEOPLE 40 IV THE HISTORIC GLORIES OF BELGIUM . 65 V THE HISTORIC SUBJECTION OP BELGIUM . 97 VI THE ESTABLISHMENT OP INDEPENDENCE . 123 VII THE BELGIAN CONSTITUTION . .142 VIII POLITICS AND PARTIES. 166 IX SOCIAL CONDITIONS AND AGENCIES . 195 X ART AND LITERATURE .... 222 BIBLIOGRAPHY . .251 INDEX 253 Digitized by tine Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.arcli ive.org/details/belgiumensorOOensoiala BELGIUM CHAPTER I INTRODUCTORY The events of August 1914 and their sequel have shown Belgium to many in a new light. They have seen a nation where they had supposed that there was only a geographical expression. They have seen martial courage where they had forgotten that it had been famous for centuries. They have been surprised to find in this little land so much chivalrous honour and so much civic patriotism. They need to be reminded that its nobility headed the Crusades and that its common people established the first free city life north of the Alps.
    [Show full text]
  • Nightmare—Anxiety— Apocalypse
    Originalveröffentlichung in: Krämer, Felix (Hrsg.): Dark romanticism : from Goya to Max Ernst ; [in conjunction with the Exhibition Dark Romanticism. From Goya to Max Ernst, Städel Museum, Frankfurt am Main, September 26, 2012 - January 20, 2013], Ostfildern 2012, S. 42-50 NIGHTMARE —ANXIETY — APOCALYPSE THE UNCANNY AND CATASTROPHIC IN THE ART OF MODERNISM Hubertus Kohle There is an immense variety of possibilities if we wish to gain a conceptual grasp of what should be understood as the “modern ” and “modernity. ” It would not be entirely incorrect to describe the modern as an era of upheaval, discovery, and conquest, an age of —perhaps exaggerated —self-confidence and the belief in feasibility, fearful of nothing secret and sub ­ jecting everything to human mastery. One might think of the discovery and conquest of the farthest ends of the earth, the expanses of space, the labyrinthine recesses of the soul, and the depths of the self. And it is part of the dialectic of modernity that these depths are char­ acterized, not only by positive values such as love, constructive desires, and gaiety, but also by the yawning abysses of horror, fear, and destruction. Conquest is always accompanied by destruction, the optimistic mood of discovery by the anxiety of existence. These developments influence an unmistakably large segment of modern art. In particular, they are responsible for the realm that may be termed the “conquest of the self.” It was thus unavoidable that horror would become a subject of modern art. Unavoid­ able indeed, one could say, that some of modern art’s most unforgettable achievements are situated here.
    [Show full text]
  • Antoine Wiertz (1806-1865), Portrait Mother and Child
    anticSwiss 27/09/2021 09:55:19 http://www.anticswiss.com Antoine Wiertz (1806-1865), Portrait Mother and Child FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Spectandum bruxelles Style: Altri stili 00 32 475 648 678 32475648678 Length:97.5cm Height:82cm Width:8cm Price:3950€ DETAILED DESCRIPTION: Antoine Joseph Wiertz was a Belgian romantic painter and sculptor. Born in Dinant, he entered the Antwerp art academy in 1820. Between November 1829 and May 1832, he stayed in Paris, where he studied the old masters at the Louvre. In 1828, Wiertz came out second in the competition for the prestigious Prix de Rome which he attained on his second attempt in 1832; it enabled him to go to the French Academy at Rome, where he resided from May 1834 until February 1837. Upon his return, he established himself in Liège with his mother. The death of his mother in 1844 was a terrible blow to the artist. He left Liège in 1845 to settle in Brussels for good. During this period he painted a confrontation of Beauty and Death (Deux jeunes filles—La Belle Rosine 1847) which remains perhaps his most famous work.Wiertz was also a fine portrait painter Influenced mainly by Rubens and the late Michelangelo, Wiertz' monumental painting often moves between classical academism and lurid romanticism. Wiertz died in his studio. His remains were embalmed in accordance with Ancient Egyptian burial rites and buried in a vault in the municipal cemetery of Ixelles. https://www.anticswiss.com/en/fine-art-antiques/antoine-wiertz-1806-1865--portrait-mother-and-child-18937 1 / 2 anticSwiss 27/09/2021 09:55:19 http://www.anticswiss.com Gallery 2 / 2 Powered by TCPDF (www.tcpdf.org) Powered by TCPDF (www.tcpdf.org).
    [Show full text]