1. Planches Originales Et Fac-Similés
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
JUDGE of BEAUTY Estate of the Honorable Paul H
STEPHEN GEPPI DIXIE CARTER SANDY KOUFAX MAGAZINE FOR THE INTELLIGENT COLLECTOR SPRing 2009 $9.95 JUDGE OF BEAUTY Estate of the Honorable Paul H. Buchanan Jr. includes works by landmark figures in the canon of American Art CONTENTS HIGHLIGHTS JUDGE OF BEAUTY Estate of the Honorable Paul H. 30 Buchanan Jr. includes works by landmark figures in the canon of American art SUPER COLLectoR A relentless passion for classic American 42 pop culture has turned Stephen Geppi into one of the world’s top collectors IT’S A Mad, Mad, Mad, Mad (MagaZINE) WORLD 50 Demand for original cover art reflects iconic status of humor magazine SIX THINgs I LeaRNed FRom WARREN Buffett 56 Using the legendary investor’s secrets of success in today’s rare-coins market IN EVERY ISSUE 4 Staff & Contributors 6 Auction Calendar 8 Looking Back … 1934 10 News 62 Receptions 63 Events Calendar 64 Experts 65 Consignment Deadlines On the cover: McGregor Paxton’s Rose and Blue from the Paul H. Buchanan Jr. Collection (page 30) Movie poster for the Mickey Mouse short The Mad Doctor, considered one of the rarest of all Disney posters, from the Stephen Geppi collection (page 42) HERITAGE MAGAZINE — SPRING 2009 1 CONTENTS TREAsures 12 MOVIE POSTER: One sheet for 1933’s Flying Down to Rio, which introduced Fred Astaire and Ginger Rogers to the world 14 COI N S: New Orleans issued 1854-O Double Eagle among rarest in Liberty series 16 FINE ART: Julian Onderdonk considered the father of Texas painting Batman #1 DC, 1940 CGC FN/VF 7.0, off-white to white pages Estimate: $50,000+ From the Chicorel Collection Vintage Comics & Comic Art Signature® Auction #7007 (page 35) Sandy Koufax Game-Worn Fielder’s Glove, 1966 Estimate: $60,000+ Sports Memorabilia Signature® Auction #714 (page 26) 2 HERITAGE MAGAZINE — SPRING 2009 CONTENTS AUCTION PrevieWS 18 ENTERTAINMENT: Ernie Kovacs and Edie Adams left their mark on the entertainment industry 23 CURRENCY: Legendary Deadwood sheriff Seth Bullock signed note as bank officer 24 MILITARIA: Franklin Pierce went from battlefields of war to the U.S. -
TUCSON Comic Book and a Macbook Auction <Font Color
09/28/21 09:36:26 TUCSON Comic Book And A MacBook Auction <font color = 00ccff> Friday 6:30 PM 6/7/19 </font> ID: 820 <br> <font color = red> (FREE TRANSFER TO OUR TEMPE WAREHOUSE FOR THIS AUCTION) </font> Auction Opens: Fri, May 31 2:20pm MT Auction Closes: Fri, Jun 7 6:30pm MT Lot Title Lot Title 1700 Valiant Comics No 28 Dec Solar Man of the 1732 Eclipse Comics No 5 Star Reach Classics Atom 1733 Eclipse Comics No 6 Star Reach Classics 1701 Valiant Comics No 28 Dec Solar Man of the 1735 First Comics #20 Sep Starslayer Atom 1736 First Comics #20 Sep Starslayer 1702 Marvel Comics #1 Soleil 1737 First Comics #25 Feb Starslayer 1703 Blaspho Publishing No 1 This is SOLD-OUT 1738 First Comics #26 Mar Starslayer 1704 Blaspho Publishing No 1 This is SOLD-OUT 1739 First Comics #27 Apr Starslayer 1705 Malibu Comics #5 Ultraverse Solitaire 1740 First Comics #28 May Starslayer 1706 Malibu Comics #5 Ultraverse The Solution 1741 First Comics #29 Jun Starslayer 1707 Eclipse Comics No 5 Somerset Holmes 1742 First Comics #30 Jul Starslayer 1709 Archie 65th Anniv Sega Sonic the Hedgehog 1743 First Comics #33 Oct Starslayer 1710 Image Comics #1 Soulwind 1744 First Comics #34 Nov Starslayer 1712 DC Comics #1 Jul 95 Sovern Seven 1745 DC Comics No 0 Jul 99 Stars and S.T.R.I.P.E. 1713 DC Comics #1 Jul 95 Sovern Seven 1746 DC Comics No 1 Aug 99 Stars and S.T.R.I.P.E. -
ISSUE for a WILD NEW SOUND • • • Listen to ALFRED E
SPECIAL"JUNE-GROOM" ISSUE FOR A WILD NEW SOUND • • • Listen to ALFRED E. NEUMAN VOCALIZE IT'S A GAS!" on this real 1 33 /3R.P.M RECORD You get it as a FREE BONUS in this latest MAD ANNUAL Which also contains articles, ad satires and other garbage — the best from past issues! PLUS A SPECIAL FREE BONUS WITH A WILD NEW SOUND: ON SALE NOW! Rush out and buy a copy! ON A REAL 33/3RPM RECORD It's a "Sound Investment"! N UMBER 104 JULY 1966 VITAL FEATURES ADVERTISING CAMPAIGNS 'There's one thing we know for sure about the speed of light: WITH ULTERIOR It gets here too early in the morning!"—Alfred E. Neuman MOTIVES PG.4 WILLIAM M. GAINES publisher ALBERT B. FELDSTEIN editor JOHN PUTNAM art director LEONARD BRENNER production JERRY DE FUCCIO, NICK MECLIN associate editors MARTIN J. SCHEIMAN lawsuits RICHARD BERNSTEIN publicity GLORIA ORLANDO, CELIA MORELLI, RICHARD GRILLO Subscriptions CONTRIBUTING ARTISTS AND WRITERS the usual gang of idiots FUTURE WIT AND WISDOM DEPARTMENTS BOOKS PG. 10 BERGS-EYE VIEW DEPARTMENT The Lighter Side Of High School 28 DON MARTIN DEPARTMENT In The Hospital 13 Later On In The Hospital 25 Still Later On In The Hospital 42 FUNNY-BONE-HEADS DEPARTMENT MAD VISITS THE AMERICAN Future Wit And Wisdom Books •. 10 MEDIOCRITY HIGHWAY RIBBERY DEPARTMENT ACADEMY Road Signs We'd Really Like To See 32 PG. 21 INSTITUTION FOR THE CRIMINALLY INANE DEPARTMENT MAD Visits The American Mediocrity Academy 21 LETTERS DEPARTMENT Random Samplings Of Reader Mail 2 LICKING THE PROBLEM DEPARTMENT Postage Stamp Advertising 34 MIXING MARGINAL THINKING DEPARTMENT POLITICS Drawn-Out Dramas ** WITH MICROFOLK DEPARTMENT CAREERS Another MAD Peek Through The Microscope 8 PG. -
The Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E
Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Frontmatter More Information i The Cambridge History of THE GRAPHIC NOVEL The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth cen- tury to its rise and startling success in the twentieth and twenty- i rst century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the i eld. Thirty- i ve leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children’s enter- tainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and rel ect on their publishing history as well as their social and political ef ects. This ambitious history of ers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students. Jan Baetens is the co- author, with Hugo Frey, of The Graphic Novel: An Introduction (Cambridge University Press, 2015). He has written various books (in French) on comics and graphic novels, including Herg é é crivain (2006). A specialist of the photo novel and the i lm photo novel, he has also widely published on i lm and literature (an English translation of his book Novelization will be published in 2018). He is the founding editor of the journal Image [&] Narrative , which is one of the leading journals in the i eld. -
Actuel and the Acclimation of US Comix in France in the 1970S Jean-Paul Gabilliet
Actuel and the acclimation of US comix in France in the 1970s Jean-Paul Gabilliet To cite this version: Jean-Paul Gabilliet. Actuel and the acclimation of US comix in France in the 1970s. 2019. hal- 02275648 HAL Id: hal-02275648 https://hal.archives-ouvertes.fr/hal-02275648 Preprint submitted on 10 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. “Comics and Travel” conference, 5th July 2019, Oxford “Actuel and the acclimation of US comix in France in the 1970s”1 Jean-Paul Gabilliet, Université Bordeaux Montaigne (France) 01 In the historiography of French bande dessinée, the period following the May 1968 student and labour protest movement is generally addressed from the angle of the “adult” comic magazines that appeared in those years. The most famous of them were the post-spring 1968 Pilote, Charlie Mensuel (debut issue in February 1969), L’Écho des savanes (May 1972), Métal Hurlant (January 1975), and Fluide glacial (May 1975). 02 There appeared simultaneously a handful of more or less short-lived titles— including Zinc (1971-1974), Le Canard sauvage (1973-1974), Mormoil (1974-1975)— whose quick or not-so-quick demises stemmed from insufficiently attractive contents and/or faulty distribution. -
O Entretenimento Como Arte Séria: a Revista MAD E a Crítica Ao Consumismo
O entretenimento como arte séria: a revista MAD e a crítica ao consumismo Entertainment as serious art: MAD magazine and criticism of consumerism revis tadel itera tura Michel Lagerlöf outra (UFJF) trave Gilvan Procópio Ribeiro ssia (UFJF) https://doi.org/10.5007/2176-8552.2019.e73771 Universidade Federal de Santa Catarina - 2º Semestre de 2019 - 94 Resumo O presente artigo estabelece relações entre a revista MAD, revista de humor norte-americana, e a hibridização entre a arte leve e a arte séria, segundo o pensamento de Andreas Huyssen. As duas esferas da arte serão problematizadas a partir da atualidade do conceito de indústria cultural e seu conjunto de ideais. Na sequência, abordaremos as características gerais da revista em busca de uma síntese com as ideias apresentadas. Por fim, tratar-se-á do tema do consumismo, que atravessa por diversas vezes a publicação, como uma forma de engajamento crítico, que é um atributo da arte séria, em reação aos mecanismos de dominação de uma sociedade baseada na cultura do consumo. Palavras-chave: Indústria Cultural; Arte Séria; Arte Leve; Revista MAD; Consumismo Abstract This article establishes the connection between MAD magazine, a North America humor magazine, and the hybridization between ight art and serious art, according to Andreas Huysen’s thoughts. The two art spheres will face problems with the current culture industry concept and its set of ideas. In the sequence, we will approach the general characteristics of the magazine as we look for a synthesis with the ideas we present. In summary, the article will discuss the theme of consumerism, which appears several times in the publication, as a form of critical engagement, which is an attribute of serious art, as a reaction to the domination mechanisms of a society based on the consumerism culture. -
Interviewing R. Sikoryak, Creator of the Unquotable Trump Written by Robert A
Pop-Culture & Trump: Interviewing R. Sikoryak, Creator of the Unquotable Trump Written by Robert A. Saunders This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Pop-Culture & Trump: Interviewing R. Sikoryak, Creator of the Unquotable Trump https://www.e-ir.info/2017/10/01/pop-culture-trump-interviewing-r-sikoryak-creator-of-the-unquotable-trump/ ROBERT A. SAUNDERS, OCT 1 2017 I recently sat down with Robert Sikoryak, who typically works under the name R. Sikoryak, to discuss his recent project The Unquotable Trump. Building on the artist’s expertise at adapting great works of literature to the comic book format, the collection of retooled iconic covers uses Trump’s bombastic quotes cast against fantastic scenes to satirize the U.S. president and his policies. With this explicitly political project, Sikoryak joins the ranks of other cartoonists who have turned their pen into a weapon against the billionaire reality-TV host-turned-leader of the free world, from Stephen Byrne’s ‘Trump Rally’ to Pia Guerra’s Bannon-Trump ‘Big Boy’ to the feminist anthology ‘Resist’. In many of Sikoryak’s depictions, Trump assumes the role of a super-powered antagonist, such as a winning- obsessed Magneto taking on the ‘Ex-Men’, an apish campaigner chastising ‘The Black Voter’, and a Dr. Doom-like overlord trying to nab some ‘Hombres Fantásticos’ (all of which reprise famous covers from Marvel ComicsThe ( Uncanny X-Men,The Black Panther, and The Fantastic Four, respectively). -
Click Above for a Preview, Or Download
INSIDE: HOW TO WRITE FOR HOLLYWOOD! $595 In the USA HOWARD MAGAZINE May CHAYKIN 2003 DENNY O’NEIL PAUL DINI FABIAN NICIEZA KURT BUSIEK DeFALCO & FRENZ n i k y a h C d r a w o H 3 0 0 2 © & M T g g a l F n a c i r e m A MAGAZINE Issue #4 May 2003 Read Now! Message from the Editor . page 2 Chaykin All Over Interview with Howard Chaykin . page 3 A Man for All Media Interview with Paul Dini . page 20 Not the Las t... ...Interview with Dennis O’Neil Part 2 . page 33 Astro City’s Marvel Interview with Kurt Busiek Part 2 . page 48 All He Wants to Do Is Change the World! Interview with Fabian Nicieza . page 56 Feedback . page 76 Books on Writing . page 77 Nuts & Bolts Department Thumbnails to Script to Finished Art: MIGHTY LOVE Story and art by Howard Chaykin . page 8 Conceived & Edited by Live Action TV Scripting 1: THE FLASH DANNY FINGEROTH Opening pages from “Watching the Detectives” by Howard Chaykin . page 12 Designer Live Action TV Scripting 2: MUTANT X CHRISTOPHER DAY Closing pages from “The Shock of the New” by Howard Chaykin . page 16 Compact Storytelling 1: JINGLE BELLE Transcribers Script and finished art: “Jingle Belle” 2-pager, written by Paul Dini, STEVEN TICE, the LONGBOX.COM STAFF art by Steve Rolston . page 28 and PETER SANDERSON Comics 101/Classes 3 & 4 Publisher Notes by Dennis O’Neil for the writing and editing classes JOHN MORROW he teaches at DC Comics . -
Moore Layout Original
Bibliography Within your dictionary, next to word “prolific” you’ll created with their respective co-creators/artists) printing of this issue was pulped by DC hierarchy find a photo of Alan Moore – who since his profes - because of a Marvel Co. feminine hygiene product ad. AMERICA’S BEST COMICS 64 PAGE GIANT – Tom sional writing debut in the late Seventies has written A few copies were saved from the company’s shred - Strong “Skull & Bones” – Art: H. Ramos & John hundreds of stories for a wide range of publications, der and are now costly collectibles) Totleben / “Jack B. Quick’s Amazing World of both in the United States and the UK, from child fare Science Part 1” – Art: Kevin Nowlan / Top Ten: THE LEAGUE OF EXTRAORDINARY GENTLEMEN like Star Wars to more adult publications such as “Deadfellas” – Art: Zander Cannon / “The FIRST (Volume One) #6 – “6: The Day of Be With Us” & Knave . We’ve organized the entries by publishers and First American” – Art: Sergio Aragonés / “The “Chapter 6: Allan and the Sundered Veil’s The listed every relevant work (comics, prose, articles, League Of Extraordinary Gentlemen Game” – Art: Awakening” – Art: Kevin O’Neill – 1999 artwork, reviews, etc...) written by the author accord - Kevin O’Neill / Splash Brannigan: “Specters from ingly. You’ll also see that I’ve made an emphasis on THE LEAGUE OF EXTRAORDINARY GENTLEMEN Projectors” – Art: Kyle Baker / Cobweb: “He Tied mentioning the title of all his penned stories because VOLUME 1 – Art: Kevin O’Neill – 2000 (Note: Me To a Buzzsaw (And It Felt Like a Kiss)” – Art: it is a pet peeve of mine when folks only remember Hardcover and softcover feature compilation of the Dame Darcy / “Jack B. -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Star Wars © 2012 Lucasfilm Ltd
THE RETRO COMICS EXPERIENCE! 1 2 A pril 20 .55 No 5 $ 8 . 9 l l l l A A . 2 2 ™ ™ 1 1 0 0 & & 2 2 . d d © © t t L L s s r r m m a a l l i i f f W W s s a a r r c c a a t t u u L L S S STARat D arWk HorAse CRomiScs! 3 0 8 2 6 7 7 2 8 5 6 LICENSED COMICS ISSUE: Indiana Jones • Edgar Rice Burroughs—Beyond Tarzan • Man from Atlantis 2 8 and an interview with Carol Serling, wife of “Twilight Zone” creator Rod Serling 1 Volume 1, Number 55 April 2012 Celebrating the Best The Retro Comics Experience! Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Brian Koschack COVER COLORIST Dan Jackson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Allie Karl Kesel . BACK SEAT DRIVER: Editorial by Michael Eury . .2 ™ Kevin J. Anderson Dave Land & Michael Aushenker Rick Leonardi . d FLASHBACK: Edgar Rice Burroughs’ Weird Worlds . .3 t L Jeremy Barlow Lucasfilm m l i Wolfman, Kaluta, and Weiss recall their DC Comics journeys to Barsoom, Venus, and beyond f Mike Baron Pop Mahn s a c Mike W. Barr Ron Marz u L BEYOND CAPES: John Carter Lives! . .11 2 Haden Blackman Bob McLeod 1 0 Monthly adventures on Barsoom in Marvel Comics’ John Carter, Warlord of Mars 2 Eliot R. Brown David Michelinie © . Jarrod and Allen Milgrom s n BACKSTAGE PASS: Who Shot Down Man from Atlantis ? .