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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
We Spoke Out: Comic Books and the Holocaust
W E SPOKE OUT COMIC BOOKS W E SPOKE OUT COMIC BOOKS AND THE HOLOCAUST AND NEAL ADAMS RAFAEL MEDOFF CRAIG YOE INTRODUCTION AND THE HOLOCAUST AFTERWORD BY STAN LEE NEAL ADAMS MEDOFF RAFAEL CRAIG YOE LEE STAN “RIVETING!” —Prof. Walter Reich, Former Director, United States Holocaust Memorial Museum Long before the Holocaust was widely taught in schools or dramatized in films such asSchindler’s List, America’s youth was learning about the Nazi genocide from Batman, X-Men, and Captain America. Join iconic artist Neal Adams, the legend- ary Stan Lee, Holocaust scholar Dr. Rafael Medoff, and Eisner-winning comics historian Craig Yoe as they take you on an extraordinary journey in We Spoke Out: Comic Books and the Holocaust. We Spoke Out showcases classic comic book stories about the Holocaust and includes commentaries by some of their pres- tigious creators. Writers whose work is featured include Chris Claremont, Archie Goodwin, Al Feldstein, Robert Kanigher, Harvey Kurtzman, and Roy Thomas. Along with Neal Adams (who also drew the cover of this remarkable volume), artists in- clude Gene Colan, Jack Davis, Carmine Infantino, Gil Kane, Bernie Krigstein, Frank Miller, John Severin, and Wally Wood. In We Spoke Out, you’ll see how these amazing comics creators helped introduce an entire generation to a compelling and important subject—a topic as relevant today as ever. ® Visit ISBN: 978-1-63140-888-5 YoeBooks.com idwpublishing.com $49.99 US/ $65.99 CAN ® ACKNOWLEDGMENTS The authors are grateful to friends and colleagues who assisted with various aspects of this project: Kris Stone and Peter Stone, of Continuity Studios; Gregory Pan, of Marvel Comics; Thomas Wood, Jay Kogan, and Mandy Noack-Barr, of DC Comics; Dan Braun, of New Comic Company (Warren Publications); Corey Mifsud, Cathy Gaines-Mifsud, and Dorothy Crouch of EC Comics; Robert Carter, Jon Gotthold, Michelle Nolan, Thomas Martin, Steve Fears, Rich Arndt, Kevin Reddy, Steve Bergson, and Jeff Reid, who provided information or scans; Jon B. -
Spring 2007 Newsletter
Dance Studio Art Create/Explore/InNovate DramaUCIArts Quarterly Spring 2007 Music The Art of Sound Design in UCI Drama he Drama Department’s new Drama Chair Robert Cohen empa- a professor at the beginning of the year, graduate program in sound sized the need for sound design initia- brings a bounty of experience with him. design is a major step in the tive in 2005 as a way to fill a gap in “Sound design is the art of provid- † The sound design program Tdepartment’s continuing evolution as the department’s curriculum. “Sound ing an aural narrative, soundscape, contributed to the success of Sunday in The Park With George. a premier institution for stagecraft. design—which refers to all audio reinforcement or musical score for generation, resonation, the performing arts—namely, but not performance and enhance- limited to, theater,” Hooker explains. ment during theatrical or “Unlike the recording engineer or film film production—has now sound editor, we create and control become an absolutely the audio from initial concept right vital component” of any down to the system it is heard on.” quality production. He spent seven years with Walt “Creating a sound Disney Imagineering, where he designed design program,” he con- sound projects for nine of its 11 theme tinued, “would propel UCI’s parks. His projects included Cinemagique, Drama program—and the an interactive film show starring actor collaborative activities of Martin Short at Walt Disney Studios its faculty—to the high- Paris; the Mermaid Lagoon, an area fea- est national distinction.” turing several water-themed attractions With the addition of at Tokyo Disney Sea; and holiday overlays Michael Hooker to the fac- for the Haunted Mansion and It’s a Small ulty, the department is well World attractions at Tokyo Disneyland. -
Weekend Movie Schedule Photo Can Be Fixed
The Goodland Star-News / Friday, May 12, 2006 5 MONDAY EVENING MAY 15, 2006 brassiere). However, speaking as a 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 fellow sugar addict, my advice is to E S E = Eagle Cable S = S&T Telephone Photo can be fixed start cutting back on the sugar, be- The First 48: Twisted Tattoo Fixation Influences; Inked Inked Crossing Jordan (TV14) The First 48: Twisted 36 47 A&E DEAR ABBY: My husband, cause not only is it addictive, it also Honor; Vultures designs. (TVPG) (TVPG) (TVPG) (HD) Honor; Vultures abigail Oprah Winfrey’s Legends Grey’s Anatomy: Deterioration of the Fight or Flight KAKE News (:35) Nightline (:05) Jimmy Kimmel Live “Keith,” and I are eagerly awaiting makes you crave more and more. And 4 6 ABC an hour after you’ve consumed it, Ball (N) Response/Losing My Religion (N) (HD) at 10 (N) (TV14) the birth of our first child. Sadly, van buren Animal Precinct: New Be- Miami Animal Police: Miami Animal Police: Animal Precinct: New Be- Miami Animal Police: Keith’s mother is in very poor health. you’ll feel as fatigued as you felt “en- 26 54 ANPL ginnings (TV G) Gators Galore (TVPG) Gator Love Bite ginnings (TV G) Gators Galore (TVPG) ergized” immediately afterward. The West Wing: Tomor- “A Bronx Tale” (‘93, Drama) Robert De Niro. A ‘60s bus driver “A Bronx Tale” (‘93, Drama) A man She’s not expected to live more than 63 67 BRAVO a few months after the birth of her dear abby DEAR ABBY: I was adopted by a row (TVPG) (HD) struggles to bring up his son right amid temptations. -
Program Notes
02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 1 Sponsored by Prudential Investment Management Wednesday Evening, February 4, 2015, at 8:30 m a r g Judy Kuhn Sings Richard Rodgers, o r Mary Rodgers, and Adam Guettel P Todd Almond , Arranger and Musical Director e Josh Clayton , Orchestrator h Malcolm Gets , Director T Jeremy Clayton , Woodwinds Suzy Perelman , Violin Peter Sachon , Cello Michael Aarons , Guitar Alana Dawes , Bass John Hadfield , Drums This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall 02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 2 American Songbook Additional support for Lincoln Center’s American Songbook is provided by The Brown Foundation, Inc., of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Endowment support is provided by Bank of America. Public support is provided by the New York State Council on the Arts. Artist catering is provided by Zabar’s and zabars.com. MetLife is the National Sponsor of Lincoln Center. Movado is an Official Sponsor of Lincoln Center. -
Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
I ABBREVIATIONS
SPECIAL SUMMER TRAVEL ISSUE • I ftr«*; '-^iisI I 'i N •' A / t? \ **4 '"'•mawmmiw :LLY FREAS -^ Even this much can cause plenty trouble Mainly for us! If you think carbon makes Gulp is all we can say when we think trouble for You, just wait till you see of how profits will shrink. Because just how much trouble this tiny little bit of this much will run your car for a year! fissionable material will make for Us! GULP SAYS THE OIL CORPORATIONS Gasoline Companies Against Nuclear Fuels NUMBER 65 SEPTEMBER 1961 VITAL FEATURES REALISTIC CHILDREN'S BOOKS 4 Our satire of those basic definitions in children's books (i.e. "A hole is to dig!") will convince you "A MAD is to throw out!" "Some people are like blisters, they show up right after the work is done!" —Alfred E. Neuman TV FOR LATE, LATE AUDIENCES 14 PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein The best TV can be seen from 2 to 6 A.M., mainly ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner because there's nothing EDITORIAL ASSOCIATES: Jerry De Fuccio, Nick Meglin on! However, here's what LAWSUITS: Martin J. Scheiman PROPAGANDA MINISTER: Larry Gore can be done to fix that! SUBSCRIPTIONS: Gloria Orlando, Celia Morelli, Anthony Giordano CONTRIBUTING ARTISTS AND WRITERS: The Usual Gang of Idiots A MAD LOOK AT THE BEACH 18 You won't starve on the beach because of "sand- DEPARTMENTS which-is" there, but you BRAND X MARKS THE SPOT DEPARTMENT can die laughing because TV Commercials With Suspense 28 of clods which are there. -
JUDGE of BEAUTY Estate of the Honorable Paul H
STEPHEN GEPPI DIXIE CARTER SANDY KOUFAX MAGAZINE FOR THE INTELLIGENT COLLECTOR SPRing 2009 $9.95 JUDGE OF BEAUTY Estate of the Honorable Paul H. Buchanan Jr. includes works by landmark figures in the canon of American Art CONTENTS HIGHLIGHTS JUDGE OF BEAUTY Estate of the Honorable Paul H. 30 Buchanan Jr. includes works by landmark figures in the canon of American art SUPER COLLectoR A relentless passion for classic American 42 pop culture has turned Stephen Geppi into one of the world’s top collectors IT’S A Mad, Mad, Mad, Mad (MagaZINE) WORLD 50 Demand for original cover art reflects iconic status of humor magazine SIX THINgs I LeaRNed FRom WARREN Buffett 56 Using the legendary investor’s secrets of success in today’s rare-coins market IN EVERY ISSUE 4 Staff & Contributors 6 Auction Calendar 8 Looking Back … 1934 10 News 62 Receptions 63 Events Calendar 64 Experts 65 Consignment Deadlines On the cover: McGregor Paxton’s Rose and Blue from the Paul H. Buchanan Jr. Collection (page 30) Movie poster for the Mickey Mouse short The Mad Doctor, considered one of the rarest of all Disney posters, from the Stephen Geppi collection (page 42) HERITAGE MAGAZINE — SPRING 2009 1 CONTENTS TREAsures 12 MOVIE POSTER: One sheet for 1933’s Flying Down to Rio, which introduced Fred Astaire and Ginger Rogers to the world 14 COI N S: New Orleans issued 1854-O Double Eagle among rarest in Liberty series 16 FINE ART: Julian Onderdonk considered the father of Texas painting Batman #1 DC, 1940 CGC FN/VF 7.0, off-white to white pages Estimate: $50,000+ From the Chicorel Collection Vintage Comics & Comic Art Signature® Auction #7007 (page 35) Sandy Koufax Game-Worn Fielder’s Glove, 1966 Estimate: $60,000+ Sports Memorabilia Signature® Auction #714 (page 26) 2 HERITAGE MAGAZINE — SPRING 2009 CONTENTS AUCTION PrevieWS 18 ENTERTAINMENT: Ernie Kovacs and Edie Adams left their mark on the entertainment industry 23 CURRENCY: Legendary Deadwood sheriff Seth Bullock signed note as bank officer 24 MILITARIA: Franklin Pierce went from battlefields of war to the U.S. -
THE MENTOR 86 “The Magazine Ahead of Its Time”
THE MENTOR 86 “The Magazine Ahead of its Time” APRIL 1995 page 1 So this is the world that “swirls around us”, here where we A PLANET MUCH LIKE live in the most quite and forgotten of sites, shielded to our west by the Santa Barbara Range, (perhaps 2,500 metres high, or higher maybe); to our south by the valley’s own heights where lie the vast domains of El EARTH Fuerte... and beyond it there’s a national park, too far to reach easily from here, at the every centre of a geological fault, so that severe earthquakes can occur. To our east just beyond another ridge stretch the wastes of Chaco, becoming more and more swampy as the great BY Mae Strelkov rivers coming down from Brazil encounter difficulty in emptying their burdens into the Atlantic Ocean far to the south-east of us here. Somewhere in the wilds to our east, moreover lies the mysterious homeland of the Guaranies, now called Paraguay To our north there are not cities, just some sugar-producing ingenios employing thousands of peones, so that small thriving towns cluster around such sites. The brisk north wind, whoever, by the time it comes roaring across our own piece of land where we are, halfway This is the story of a bulldozer in a steamy jungle. It is the up this great valley, is so pure it’s a pleasure to have it as our steadiest story of myself, born in China, married to a Russian refugee, with wind the whole year through. -
AVANT-POP 101. Here's a List of Works That Helped to Shape Avant-Pop Ideology and Aesthetics, Along with Books, Albums, Films, T
Larry McCaffery AVANT-POP 101. Here's a list of works that helped to shape Avant-Pop ideology and aesthetics, along with books, albums, films, television shows, works of criticism, and other cultural artifacts by the Avant-Pop artists themselves, in roughly chronological order. PRECURSORS: The Odyssey (Homer, c. 700 B.C.). Homer's The Odyssey had it all: a memorable, larger-than-life super-hero (Ulysses); a war grand enough that its name alone (Trojan) is still used to sell condoms; descriptions of travels through exotic places; hideous bad-guys (like the Cyclops) and bad gals (Circe); an enduring love affair (Penelope); a happy ending. Commentators have long regarded The Odyssey as Western literature's first epic and masterpiece. What hasn't been noted until now, however, is that its central features—for instance, its blend of high seriousness with popular culture, a self-conscious narrator, magical realism, appropriation, plagiarism, casual blending of historical materials with purely invented ones, foregrounding of its own artifice, reflexivity, the use of montage and jump cuts—also made it the first postmodern, A-P masterpiece, as well. Choju giga (Bishop Toba, 12th century). Choju giga—or the "Animal Scrolls," as Toba's work is known—was a narrative picture scroll that portrayed, among other things, Walt Disney-style anthropomorphized animals engaged in a series of wild (and occasionally wildly erotic) antics that mocked Toba's own calling (the Buddhist clergy); in its surrealist blend of nightmare and revelry, Toba Choju giga can rightly be said to be the origins not only of cartoons but of an avant-pop aesthetics of cartoon forms that successfully serve "serious" purposes of satire, philosophical speculation and social commentary. -
Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000S
SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s By © 2017 Christina H. Hodel M.A., New York University, 2008 B.A., California State University, Long Beach, 2006 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Germaine Halegoua, Ph.D. Joshua Miner, Ph.D. Catherine Preston, Ph.D. Ronald Wilson, Ph.D. Alesha Doan, Ph.D. Date Defended: 18 November 2016 The dissertation committee for Christina H. Hodel certifies that this is the approved version of the following dissertation: SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s Chair: Germaine Halegoua, Ph.D. Date Approved: 25 January 2017 ii ABSTRACT Conformity messaging and subversive practices potentially harmful to healthy models of feminine identity are critical interpretations of the differential depiction of the hiding and usage of tween girl characters’ extraordinary abilities (e.g., super/magical abilities and celebrity powers) in Disney Channel television sitcoms from 2001-2011. Male counterparts in similar programs aired by the same network openly displayed their extraordinariness and were portrayed as having considerable and usually uncontested agency. These alternative depictions of differential hiding and secrecy in sitcoms are far from speculative; these ideas were synthesized from analyses of sitcom episodes, commentary in magazine articles, and web-based discussions of these series. Content analysis, industrial analysis (including interviews with industry personnel), and critical discourse analysis utilizing the multi-faceted lens of feminist theory throughout is used in this study to demonstrate a unique decade in children’s programming about super powered girls.