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Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
Actuel and the Acclimation of US Comix in France in the 1970S Jean-Paul Gabilliet
Actuel and the acclimation of US comix in France in the 1970s Jean-Paul Gabilliet To cite this version: Jean-Paul Gabilliet. Actuel and the acclimation of US comix in France in the 1970s. 2019. hal- 02275648 HAL Id: hal-02275648 https://hal.archives-ouvertes.fr/hal-02275648 Preprint submitted on 10 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. “Comics and Travel” conference, 5th July 2019, Oxford “Actuel and the acclimation of US comix in France in the 1970s”1 Jean-Paul Gabilliet, Université Bordeaux Montaigne (France) 01 In the historiography of French bande dessinée, the period following the May 1968 student and labour protest movement is generally addressed from the angle of the “adult” comic magazines that appeared in those years. The most famous of them were the post-spring 1968 Pilote, Charlie Mensuel (debut issue in February 1969), L’Écho des savanes (May 1972), Métal Hurlant (January 1975), and Fluide glacial (May 1975). 02 There appeared simultaneously a handful of more or less short-lived titles— including Zinc (1971-1974), Le Canard sauvage (1973-1974), Mormoil (1974-1975)— whose quick or not-so-quick demises stemmed from insufficiently attractive contents and/or faulty distribution. -
Comics: the (Not Only) Visual Medium
Comics: The (Not Only) Visual Medium by ARCH1IVES MASSACHUST S INSTITUTE OF TECHNOLOGY Lacey Lord SEP 07 2016 B. A. English Ball State University, 2013 LIBRARIES SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES AND WRITING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2016 @ Lacey Lord. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Signature redacted -'/ D tarnt of Comparative Media Studies August 5, 2016 Certified by: Signature redacted Edward Schiappa John E. Burchard Professor of Humanities, Department Head of Comparative Media Studies and Writing, Thepis1Supervisor Accepted by: Signature redacted Heather Hendershot Professor of Comparative Media Studies, Director of Graduate Education of Comparative Media Studies Comics: The (Not Only) Visual Medium by Lacey Lord Submitted to the Department of Comparative Media Studies and Writing on August 5, 2016, in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT Comics studies tends to privilege the visual, and some scholars, like Scott McCloud believe that comics are solely visual. However, as Ian Hague has noted, the idea that comics are a solely visual medium is not only incomplete but does not align with what the sciences of perception and embodied cognition tell us. This paper seeks to build upon Hague's work by calling attention to and analyzing comics which exist without or with little visual imagery. -
X-Men Archives Checklist
X-Men Archives Checklist Base Cards # Card Title [ ] 01 Title Card [ ] 02 Angel [ ] 03 Armor [ ] 04 Beast [ ] 05 Bishop [ ] 06 Blink [ ] 07 Cable [ ] 08 Caliban [ ] 09 Callisto [ ] 10 Cannonball [ ] 11 Captain Britain [ ] 12 Chamber [ ] 13 Colossus [ ] 14 Cyclops [ ] 15 Dazzler [ ] 16 Deadpool [ ] 17 Domino [ ] 18 Dust [ ] 19 Elixir [ ] 20 Emma Frost/White Queen [ ] 21 Forge [ ] 22 Gambit [ ] 23 Guardian [ ] 24 Havok [ ] 25 Hellion [ ] 26 Icarus [ ] 27 Iceman [ ] 28 Ink [ ] 29 Jean Grey [ ] 30 Jubilee [ ] 31 Karma [ ] 32 Kuan-Yin Xorn [ ] 33 Lilandra [ ] 34 Longshot [ ] 35 M [ ] 36 Magik [ ] 37 Magma [ ] 38 Marvel Girl [ ] 39 Mercury [ ] 40 Mimic [ ] 41 Mirage [ ] 42 Morph [ ] 43 Multiple Man [ ] 44 Nightcrawler [ ] 45 Northstar [ ] 46 Omega Sentinel [ ] 47 Pixie [ ] 48 Polaris [ ] 49 Prodigy [ ] 50 Professor Xavier [ ] 51 Psylocke [ ] 52 Quicksilver [ ] 53 Rockslide [ ] 54 Rogue [ ] 55 Sage [ ] 56 Shadowcat [ ] 57 Shatterstar [ ] 58 Shola Inkosi [ ] 59 Siryn [ ] 60 Starjammers [ ] 61 Storm [ ] 62 Strong Guy [ ] 63 Sunfire [ ] 64 Sunspot [ ] 65 Surge [ ] 66 Wallflower [ ] 67 Warpath [ ] 68 Wicked [ ] 69 Wind Dancer [ ] 70 Wolfsbane [ ] 71 Wolverine [ ] 72 X-23 Nemesis (1:8 packs) # Card Title [ ] N1 Mr. Sinister by Greg Land [ ] N2 Magneto by Sean Chen and Sandu Florea [ ] N3 Mystique by Mike Mayhew [ ] N4 Sabretooth by Paolo Rivera [ ] N5 Mojo by Frank Cho [ ] N6 Apocalypse by Salvador Larroca [ ] N7 Juggernaut by Sean Chen [ ] N8 Sentinels by Marc Silvestri and Joe Weems [ ] N9 Brotherhood of Evil Mutants by David Finch Cover Gallery -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Um Estudo Sobre Maus De Art Spiegelman1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXVIII Congresso Brasileiro de Ciências da Comunicação – Uerj – 5 a 9 de setembro de 2005 XXVIII Congresso Brasileiro de Ciências da Comunicação História em Quadrinhos Como Ferramenta Ideológica: Um Estudo Sobre Maus de Art Spiegelman1 Bruno Amato Reame Leandro Key Higuchi Yanaze Luciana Fernandes Regis2 Faculdade de Comunicação Social Cásper Líbero O Curso de Pós-Graduação Lato Sensu Resumo O trabalho, sob orientação do Prof. Dr. Flávio Mário de Alcântara Calazans, trata de Maus, uma história em quadrinhos escrita e desenhada por Art Spiegelman, que narra a história de Vladek Spiegelman, seu pai, um sobrevivente do Holocausto. O objetivo desse trabalho é investigar as minúcias desta obra rica e cheia de nuances, e justamente apontar os detalhes que tornam a leitura de Maus imprescindível. Nossa meta é mostrar que Maus não é simplesmente mais uma “historinha” sobre o Holocausto, mas é uma ferramenta ideológica anti-nazista, que mostra o horror do nazismo, seu funcionamento e sua lógica absurda. Através de análises detalhadas, vamos desvendar as possíveis intenções de Art Spiegelman por trás de cada decisão artística e provar a importância e eficiência de Maus como instrumento pedagógico e ideológico. Palavras-chave Quadrinhos; Nazismo; Maus; Spiegelman, Holocausto 1 Trabalho apresentado à Sessão de Temas Livres. 2 Bruno é graduado em “Comunicação Social” pela ESPM, concluído em 2003, e é pós-graduando na área de especialização “Comunicação Jornalística” do Curso -
Chip Zdarsky Writer Joe Quinones Penciler Joe
THIS IS HOWARD. HOWARD THE DUCK, IN FACT! HOW DID HE GET THAT NAME, YOU ASK? WELL, UH, BECAUSE HE’S AN ANTHROPOMORPHIC TALKING DUCK? I MEAN, HOW OFTEN HAVE YOU EVER SEEN AN ANTHROPOMORPHIC TALKING DUCK? WOULDN’T YOU PUT THE DUCK IN YOUR NAME IF YOU WERE AN ANTHROPOMORPHIC TALKING DUCK? UGH, SOME PEOPLE THESE DAYS… ANYWAY, IN ADDITION TO BEING A DUCK, HE’S ALSO TRAPPED HERE ON EARTH AND TRYING TO REMAIN SENSIBLE IN A WORLD GONE MAD! SO, Y’KNOW, HE BECAME A PRIVATE DETECTIVE. HOWARD’S HAD A ROUGH COUPLE DAYS. HE WAS HIRED TO RECOVER A STOLEN NECKLACE FOR A MYSTERIOUS CLIENT NAMED MR. RICHARDS (TOTALLY NOT HIS REAL NAME). BUT AS SOON AS HE RECOVERED IT, CHIP ZDARSKY HOWARD WAS PROMPTLY MUGGED BY SPIDER-MAN’S AUNT MAY. WRITER (DON’T WORRY, IT’LL MAKE SENSE IN A SECOND.) IT TURNS OUT THAT JOE QUINONES THE ELDERLY OF NEW YORK WERE ACTUALLY BEING HYPNOTIZED BY PENCILER THE RINGMASTER TO ROB PEOPLE! (OKAY, IT KIND OF MAKES SENSE.) JOE RIVERA THANKFULLY, MR. RICHARDS SHOWED UP TO SAVE THE DAY! BUT THEN HE REVEALED TO HOWARD AND HIS NEW FRIEND TARA TAM THAT HE WAS with PAOLO RIVERA NOT MR. RICHARDS (I TOLD YOU!), HE WAS ACTUALLY A DANGEROUS INKERS OUTCAST SKRULL KNOWN AS TALOS THE UNTAMED! RICO RENZI COLOR ARTIST AFTER GOING TO HIS “GOOD” “FRIEND” DR. STRANGE FOR HELP, TRAVIS LANHAM HOWARD LEARNED THAT THE NECKLACE WAS ACTUALLY A PIECE OF LETTERER THE MODERATELY DANGEROUS ABUNDANT GLOVE (WHICH IS TOTALLY NOT AT ALL LIKE THE INFINITY GAUNTLET). -
Dan O╎neill Comic Art Archive
http://oac.cdlib.org/findaid/ark:/13030/c8h999sq No online items Finding Aid to the Dan O’Neill Comic Art Archive Bancroft Library staff The Bancroft Library 2016 The Bancroft Library University of California Berkeley, CA 94720-6000 [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid to the Dan O’Neill BANC PIC 2013.022 1 Comic Art Archive Language of Material: English Contributing Institution: The Bancroft Library Title: Dan O’Neill comic art archive creator: O'Neill, Dan Identifier/Call Number: BANC PIC 2013.022 Physical Description: approximately 2000 items in 9 oversize boxes, 13 oversize folders (ca. 2,000 items), 1 envelope and 1 frame + 1 box (correspondence): chiefly ink drawings, some color ; various sizes Date (inclusive): approximately 1963-2010 Abstract: This collection constitutes the entirety of Dan O'Neill's personal collection of his work that remained in his possession as of 2012. The majority of items are original drawings, numbering 1,517, for the Odd Bodkins comic strip, which ran from 1964 through 1970. Many of the Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the library's online catalog. Content Description This collection constitutes the entirety of Dan O'Neill's personal collection of his work that remained in his possession as of 2012. The majority of items are original drawings, numbering 1,517, for the Odd Bodkins comic strip, which ran from 1964 through 1970. Some later Odd Bodkins sketches are also present. Also includes approximately 170 drawings and several prints representing his strip titled "O'Neill" (1980-1985); a small amount of material related to the comic books "Mickey Mouse Meets the Air Pirates" (aka "Air Pirates Funnies no. -
Clubadd2page Apr08forjun08
H AST X-MEN V. 4 TPB collects #19-24 & GS, $20 H CAP AMERICA DEATH V. 1 TP collects #25-30, $17 H H KABUKI ALCHEMY HC IRON MAN HAUNTED TPB collects #1-9, $30 collects #21-28, $27 H H kirbyGaLactiCBouNTYHuNTeRS ULT F FOUR V. 10 TPB collects #1-6, $20 collects #47-53, $16 H H NEW AVENGERS V. 7 TPB MM ATLAS ERA TOS V.2 HC collects #11-20, $60 collects #32-37 & ANN, $20 H H MM SGT FURY V.2 HC ETERNALS BY NEIL! TPB collects #14-23, $55 collects #1-7, $25 H BPRD Ectoplasmic Man (one-shot) H ANITA BLAKE GP V.2 HC WOLVIE ENEMY STATE ULT Mike Mignola (W/Cover), John Arcudi (W), and Ben Stenbeck (A) This one-shot comic Collects dd,uf21-23,bp28-30, $30 collects #20-32, $30 H tells the origin of Johann Kraus—corresponding with Johann’s appearance in the 2008 H MARVEL ZOMBIES 2 HC ETERNALS BY KIRBY BK1 TP feature film Hellboy II: The Golden Army. The Ectoplasmic Man is the ideal introduction collects #1-5, $20 collects #1-11, $25 to one of the most peculiar members of the remarkable Bureau for Paranormal Re- H H ULT XMEN V. 8 HC HOM AVENGERS TPB search and Defense. collects #75-88, $40 collects #1-5, $14 H BPRD War on Frogs #1 (one shot) H MARVELS PREMIERE HC SSURFER IN THY NAME TPB collects #0-4, $25 collects #1-4, $11 Artist Herb Trimpe joins writers John Arcudi and Mike Mignola for the 1st of 4 one- H H MARVEL ATLAS TPB shots which pick up from the BPRD feature on MySpace/Dark Horse Presents. -
Hellboy.Txt Hellboy Is a Fictional Superhero Created by Writer‐Artist Mike Mignola
Hellboy.txt Hellboy is a fictional superhero created by writer‐artist Mike Mignola. The character first appeared in San Diego Comic‐Con Comics #2 (August 1993), and has since appeared in various eponymous miniseries, one‐shots and intercompany crossovers. The character has been adapted into three live‐action feature films. Two starring Ron Perlman in 2004 and 2008 in the title role, and one in 2019 which starred David Harbour, as well as two straight‐to‐DVD animated films, and three video games – Asylum Seeker, The Science of Evil, and as a playable character in Injustice 2. A well‐meaning half‐Demon (or Cambion) whose true name is Anung Un Rama ("and upon his brow is set a crown of flame"), Hellboy was summoned from Hell to Earth as a baby by Nazi occultists (spawning his hatred for the Third Reich). He was discovered on a fictional Outer Hebrides Island by the Allied Forces; amongst them, Professor Trevor Bruttenholm, who formed the United States Bureau for Paranormal Research and Defense (B.P.R.D.). In time, Hellboy grew to be a large, red‐skinned adult with a tail, horns (which he files off, leaving behind circular stumps on his forehead), cloven hooves for feet, and an oversized right hand made of stone (the "Right Hand of Doom"). He has been described as smelling of dry‐roasted peanuts. Although a bit gruff, he shows none of the malevolence thought to be intrinsic to classical demons and has an ironic sense of humor. This is said to be because of his upbringing under Professor Bruttenholm, who raised him as a normal boy. -
Newfangles 53
z" to wins: KLATTANGLES 53 is the November 1971 -- and penultimate -- issue of a news&opinion fanzine from Don&lvlaggie Thompson, 8786 Hendricks Rd., Kent or OH 44060 at 20'/ a copy. There will be only one more issue and we will publish only enough copies to meet orders. We have 543 subscribers this issue, 490 for next. We have back issues 50 and 52 for 20/ each. 535353535353535353535353535353535353535353535353535353535353535353535353535353535353535353 This is Page 361 of Newfangles. '.ARREN NEWS: Warren is using several European artists and will soon reprint from overseas publications, barren is expanding the search for artists to the Orient. He already is using some extremely talented artists of Spanish descent. There are a number of stories in the Warren backlog-by such writers-worth-watching as T Casey Brennan, Donald McGregor and Douglas iioench. The US Postal Service, when not busy not delivering mail, spends a great deal of time . orking out ways to raise more money. It is almost certain that postal rates will be up by another 3/ per ounce for first class mail by this time next year. The Postal Service also laid out $5 million to Leo Burnett Co., a Chicago ad agency, apparently to find a way to plug renting of post office boxes -- indications are that some attempt may be made to phase out mail delivery iri favor of having everyone rent PO boxes. Jack Kirby is being taken off Jimmy Olsen to work on a top secret project (a new book). It would seem that JO is not selling as well as might be expected, but maybe this is a case /here a major change is being made in a comic that is selling well. -
Editorial: SF Liberalism, Racism, and the ROTC O Many San Francisco Liberals Have Taken to Call- Some Peculiar Twists in American Political History
VOL XXVII NO. 4534 WARREN HINCKLE, EDITOR & PUBLISHER; AMBROSE BIERCE, FOUNDING EDITOR NOVEMBER/DECEMBER 2008 SUPERVISOR: DISTRICT 1: SUE LEE; VOTE NO ON MAR Editorial: SF Liberalism, Racism, and the ROTC o many San Francisco liberals have taken to call- some peculiar twists in American political history. It has ing themselves “progressives” that it’s getting at times, however subtly or overtly, enveloped itself in crowded under that big tent. Traditional liberal- racism. Racists rarely can recognize themselves in the Sism represents gradual progress, but a lot of folks in mirror. This is not, at least on the part of the Argonaut, this town are in a hurry to improve the lot of the com- a neo-right critique, although the bollocks in the right monweal. That’s fine by us, as long as the long march wing. We believe in the referendum and the ballot initia- toward “progressivism” doesn’t include steps backward. tive—let the will of the people will out, that is, after all, Progressive politics, with its populist roots, has taken how democracy sets it’s dinner table. Cont’d. on [p. 5]. Published in San Francisco Since 1877 NEW CALIFORNIA LICENSE PLATE? TAXPAYER ALERT! California now spends as much on the prison system as it does on Higher Education. This is running the State deeper into the red. What to do about it? [p. 5] SUPS: LEE, McCARTHY, CHU, MIRKARIMI, ELSBERND, KNOX • FOR JUDGE: MALLON CITY PROPS: YES ON A, NO ON B & H; STATE PROPS NO ON A, NO ON 8 THE ARGONAUT VOL.