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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Want to Have Some Fun with Tech and Pol Cart
Want To Have Some Fun With Technology and Political Cartoons? Dr. Susan A. Lancaster Florida Educational Technology Conference FETC Political and Editorial Cartoons In U.S. History http://dewey.chs.chico.k12.ca.us/edpolcart.html • Political cartoons are for the most part composed of two elements: caricature, which parodies the individual, and allusion, which creates the situation or context into which the individual is placed. • Caricature as a Western discipline goes back to Leonardo da Vinci's artistic explorations of "the ideal type of deformity"-- the grotesque-- which he used to better understand the concept of ideal beauty 2 • Develop Cognitive • Historical and Thinking and Higher Government Events Levels of Evaluation, • Group Work Analysis and Synthesis • Individual Work • Create Student • Current Events Drawings and Interpretations • Sports Events • Express Personal • Editorial Issues Opinions • Foreign Language and • Real World Issues Foreign Events • Visual Literacy and • Authentic Learning Interpretation • Critical Observation and Interpretation • Warm-up Activities • Writing Prompts 3 • Perspective A good editorial cartoonist can produce smiles at the nation's breakfast tables and, at the same time, screams around the White House. That's the point of cartooning: to tickle those who agree with you, torture those who don't, and maybe sway the remainder. 4 http://www.newseum.org/horsey/ Why include Political Cartoons in your curriculum? My goal was to somehow get the students to think in a more advanced way about current events and to make connections to both past and present Tammy Sulsona http://nieonline.com/detroit/cftc.cfm?cftcfeature=tammy 5 Cartoon Analysis Level 1 Visuals Words (not all cartoons include words) List the objects or people you see in the cartoon. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
November 2019 - No
MEANWHILE FORM FOLLOWS DYSFUNCTION 741.5 NEW EXPERIMENTAL COMICS BY -HUIZENGA —WARE— HANSELMANN- NOVEMBER 2019 - NO. 35 PLUS...HILDA GOES HOLLYWOOD! Davis Lewis Trondheim Hubert Chevillard’s Travis Dandro Aimee de Jongh Dandro Sergio Toppi. The Comics & Graphic Novel Bulletin of Far away from the 3D blockbuster on funny animal comics stands out Galvan follows that pattern, but to emphasize the universality of mentality of commercial comics, a from the madding crowd. As usu- cools it down with geometric their stories as each make their new breed of cartoonists are ex- al, this issue of KE also runs mate- figures and a low-key approach to way through life in the Big City. In panding the means and meaning of rial from the past; this time, it’s narrative. Colors and shapes from contrast, Nickerson’s buildings the Ninth Art. Like its forebears Gasoline Alley Sunday pages and a Suprematist painting overlay a and backgrounds are very de- RAW and Blab!, the anthology Kra- Shary Flenniken’s sweet but sala- alien yet familiar world of dehu- tailed and life-like. That same mer’s Ergot provides a showcase of cious Trots & Bonnie strips from manized relationships defined by struggle between coherence and today’s most outrageous cartoon- the heyday of National Lampoon. hope and paranoia. In contrast to chaos is the central aspect of ists presenting comics that verge But most of this issue features Press Enter to Continue, Sylvia Tommi Masturi’s The Anthology of on avant garde art. The 10th issue work that comes on like W.S. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Join Together #4 Corflu 31 Memory Book July 2014 Join Together #4
JOIN TOGETHER #4 CORFLU 31 MEMORY BOOK JULY 2014 JOIN TOGETHER #4 CONTENTS COVER PHOTO GoH Gre! Trend, by Gary """"""""" Mattingly " CORFLU 31 LOGO Jay Kinney/Nic Farey 3 ONE CO- CHAIRMAN’S BIT Nic Farey 5 PROGRAM IN PICTURES Gary Mattingly 12 A CONSUITE CONVERSATION Aileen Forman 15 CONREP Rich Coad 21 VIRTUAL VIEWS Divers hands 24 A FEW MORE ‘OLIDAY PHOOTS Keith Freeman 27 FAAn AWARDS SUMMARY Compiled by Andy Hooper 31 MEMBER LIST Corflu 31 team: Sandra Bond, Randy Byers, Nic Farey, Aileen Forman, Ken Forman, Andy Hooper, Nathan Madison, John Nielsen-Hall, Curt Phillips Corflu.org webmaster: Bill “Magister” Burns Virtual convention streaming & recording: by Bill Burns & Rob Jackson Lifetime Achievement Award panel: Claire Brialey, Nic Farey, Andy Hooper, Earl Kemp, Dan Stefan, Damien Warman, Ted White For the Doubletree: Jason Whitt, Robin Stannard For Hotelplanner.com: Aedan Whitaker Franklin Document Services: Bryan Norris franklindocs.com PAGE 2 CORFLU 31 MEMORY BOOK JULY 2014 In Praise of... by NIC FAREY Yes, Virginia, that was a Corflu! I was massively grateful to be able to attend, meaning that there was only one of the top echelon team missing from proceedings (Randy Byers), who due to the exigencies of work, would only have been able to flit in for barely two days of Desperate Fun. Them Chungas know their fanac though, don’t they just? Andy Hooper’s sterling contributions to the program in particular and the whole event in general might have led the proverbial Martian drop-in to conclude that it was another of his Corflus after all. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
Corflu 26 PR 4
2 Introduction Welcome to AmaZed and CorfluZed the retrogression report for Corflu Zed (26) which was held in Seattle, 13-15 March, 2009 at the fabulous Hotel Deca in the University District. Contributors Art John D. Berry cover Dan Steffan 2 Gary Mattingly throughout Nic Farey 9 Brad Foster 17, 20, 24, 35 Innocent Bystander 10 Words Letter from the Chair 3 Chris Wrdnrd 5 Nic Farey 8 Rob Jackson 14 Ian Sorensen 18 Mark Manning 19 Andy Hooper, et al 21 Jerry Kaufman 28 Suzanne Tompkins 30 Andy Hooper 31 Letter Column 32 Membership List 34 And a tip o‘ the pubzed beanie to carl juarez and John D. Berry for typographical assistance and software advice. AmaZed and CorfluZed #4 3 Letter from the Chair by Randy Byers ell, Corflu Zed has come and gone, and all the Beloved that’s left is to say, “Thank godthat’s over Fanthology, Wwith!” which went into No, no, that’s not right. I actually enjoyed the the membership convention a great deal, and I was grateful that packets. (That those of us running it were not struck with any major was Ulrika’s idea, disasters — just a few minor catastrophes. As so by the way.) Pat often when I get involved in an elaborate fannish and Curt “Corflu project like this, I was reminded of how willing Fiddy” Phillips people are to lend their shoulders to the work. (Of did a whole lot pushing the convention up the hill? Hmm.) So my of work on the own variation on looking backward is going to consist pre-convention of acknowledging a few non-committee members membership Randy chairs another on-topic and who helped us out. -
Nieuwigheden Anderstalige Strips 2014
NIEUWIGHEDEN ANDERSTALIGE STRIPS 2014 WEEK 2 Engels All New X-Men 1: Yesterday’s X-Men (€ 19,99) (Stuart Immonen & Brian Mickael Bendis / Marvel) All New X-Men / Superior Spider-Men / Indestructible Hulk: The Arms of The Octopus (€ 14,99) (Kris Anka & Mike Costa / Marvel) Avengers A.I.: Human After All (€ 16, 99) (André Araujo & Sam Humphries / Marvel) Batman: Arkham Unhinged (€ 14,99) (David Lopez & Derek Fridols / DC Comics) Batman Detective Comics 2: Scare Tactics (€ 16,99) (Tony S. Daniel / DC Comics) Batman: The Dark Knight 2: Cycle of Violence (€ 14,99) (David Finch & Gregg Hurwitz / DC Comics) Batman: The TV Stories (€ 14,99) (Diverse auteurs / DC Comics) Fantastic Four / Inhumans: Atlantis Rising (€ 39,99) (Diverse auteurs / Marvel) Simpsons Comics: Shake-Up (€ 15,99) (Studio Matt Groening / Bongo Comics) Star Wars Omnibus: Adventures (€ 24,99) (Diverse auteurs / Dark Horse) Star Wars Omnibus: Dark Times (€ 24,99) (Diverse auteurs / Dark Horse) Superior Spider-Men Team-Up: Friendly Fire (€ 17,99) (Diverse auteurs / Marvel) Swamp Thing 1 (€ 19,99) (Roger Peterson & Brian K. Vaughan / Vertigo) The Best of Wonder Wart-Hog (€ 29,95) (Gilbert Shelton / Knockabout) West Coast Avengers: Sins of the Past (€ 29,99) (Al Milgrom & Steve Englehart / Marvel) Manga – Engelstalig: Naruto 64 (€ 9,99) (Masashi Kishimoto / Viz) Naruto: Three-in-One 7 (€ 14,99) (Masashi Kishimoto / Viz) Marvel Omnibussen in aanbieding !!! Avengers: West Coast Avengers vol. 1 $ 99,99 NU: 49,99 Euro !!! Marvel Now ! $ 99,99 NU: 49,99 Euro !!! Punisher by Rick Remender $ 99,99 NU: 49,99 Euro !!! The Avengers vol. 1 $ 99,99 NU: 49,99 Euro !!! Ultimate Spider-Man: Death of Spider-Man $ 75 NU: 39,99 Euro !!! Untold Tales of Spider-Man $ 99,99 NU: 49,99 Euro !!! X-Force vol. -
Captain Marvel
Roy Thomas’On-The-Marc Comics Fanzine AND $8.95 In the USA No.119 August 2013 A 100th Birthday Tribute to MARC SWAYZE PLUS: SHELDON MOLDOFF OTTO BINDER C.C. BECK JUNE SWAYZE and all the usual SHAZAM! SUSPECTS! 7 0 5 3 6 [Art ©2013 DC7 Comics Inc.] 7 BONUS FEATURE! 2 8 THE MANY COMIC ART 5 6 WORLDS OF 2 TM & © DC Comics. 8 MEL KEEFER 1 Vol. 3, No. 119 / August 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek William J. Dowlding Cover Artists Marc Swayze Cover Colorist Contents Tom Ziuko Writer/Editorial: Marc Of A Gentleman . 2 With Special Thanks to: The Multi-Talented Mel Keefer . 3 Heidi Amash Aron Laikin Alberto Becattini queries the artist about 40 years in comics, illustration, animation, & film. Terrance Armstard Mark Lewis Mr.Monster’sComicCrypt!TheMenWhoWouldBeKurtzman! 29 Richard J. Arndt Alan Light Mark Arnold Richard Lupoff Michael T. Gilbert showcases the influence of the legendary Harvey K. on other great talents. Paul Bach Giancarlo Malagutti Comic Fandom Archive: Spotlight On Bill Schelly . 35 Bob Bailey Brian K. Morris Alberto Becattini Kevin Patrick Gary Brown throws a 2011 San Diego Comic-Con spotlight on A/E’s associate editor. Judy Swayze Barry Pearl re: [correspondence, comments, & corrections] . 43 Blackman Grey Ray Gary Brown Warren Reece Tributes to Fran Matera, Paul Laikin, & Monty Wedd . -
TEEN AGE -A Construção Da Narrativa Gráfica a Partir Da Autobiografia
TEEN AGE A Construção da Narrativa Gráfica a Partir da Autobiografia Ana Raquel Cunha Diogo Relatório de Projeto para Obtenção de grau de Mestre em Artes Plásticas, Especialização em Desenho Orientador Professor Doutor Mário Moura Porto, 2019 Agradecimentos | i Quero agradecer ao meu orientador, Professor Mário Moura, pela sua disponibilidade em orientar-me, e acompanhar-me ao longo deste processo de trabalho. Agradeço principalmente aos meus pais pelo apoio e esforço que sempre fizeram ao longo destes anos de estudo. A Bárbara e Maria, que sempre me acompanharam durante este caminho e sempre me incentivaram para continuar, às suas recomendações e conhecimentos partilhados. Ao Pedro, pela paciência e motivação, e por me ajudar a nunca desistir. Aos meus colegas e amigos de mestrado, pelos bons e maus momentos, entreajuda, partilha de ideias e opiniões. Resumo | ii O presente relatório de projeto tem como principal objetivo abordar a banda desenhada autobiográfica como um modo expressivo de contar histórias aos quadradinhos em que os autores se assumem nas suas histórias como personagens, da mesma forma que se expressam perante a sociedade. O nosso caso de estudo é a banda desenhada do movimento artístico norte-americano criado na década de 60 e chamado Comix-Underground. A autobiografia é uma forma inevitável de exprimir o pessoal de cada um, visível ao leitor. Falamos assim de um projeto autorrepresentativo e do papel da mulher na sociedade nomeadamente na prática de skate na qual é assumida com a dominação masculina e se torna visível a desigualdade entre estes experienciando assim pequenos episódios de discriminação, preconceitos e estereótipos presentes na modalidade.