Dan O╎neill Comic Art Archive
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The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
The Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E
Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Frontmatter More Information i The Cambridge History of THE GRAPHIC NOVEL The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth cen- tury to its rise and startling success in the twentieth and twenty- i rst century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the i eld. Thirty- i ve leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children’s enter- tainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and rel ect on their publishing history as well as their social and political ef ects. This ambitious history of ers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students. Jan Baetens is the co- author, with Hugo Frey, of The Graphic Novel: An Introduction (Cambridge University Press, 2015). He has written various books (in French) on comics and graphic novels, including Herg é é crivain (2006). A specialist of the photo novel and the i lm photo novel, he has also widely published on i lm and literature (an English translation of his book Novelization will be published in 2018). He is the founding editor of the journal Image [&] Narrative , which is one of the leading journals in the i eld. -
Actuel and the Acclimation of US Comix in France in the 1970S Jean-Paul Gabilliet
Actuel and the acclimation of US comix in France in the 1970s Jean-Paul Gabilliet To cite this version: Jean-Paul Gabilliet. Actuel and the acclimation of US comix in France in the 1970s. 2019. hal- 02275648 HAL Id: hal-02275648 https://hal.archives-ouvertes.fr/hal-02275648 Preprint submitted on 10 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. “Comics and Travel” conference, 5th July 2019, Oxford “Actuel and the acclimation of US comix in France in the 1970s”1 Jean-Paul Gabilliet, Université Bordeaux Montaigne (France) 01 In the historiography of French bande dessinée, the period following the May 1968 student and labour protest movement is generally addressed from the angle of the “adult” comic magazines that appeared in those years. The most famous of them were the post-spring 1968 Pilote, Charlie Mensuel (debut issue in February 1969), L’Écho des savanes (May 1972), Métal Hurlant (January 1975), and Fluide glacial (May 1975). 02 There appeared simultaneously a handful of more or less short-lived titles— including Zinc (1971-1974), Le Canard sauvage (1973-1974), Mormoil (1974-1975)— whose quick or not-so-quick demises stemmed from insufficiently attractive contents and/or faulty distribution. -
Unterhelios 2 Siclari 1972
UNTERHELIOS UnterHelios Unterhelios unterhelios unterHelios # 2 Table OR Contents THE EDITORIAL EVE.....................................................................................................................................2 INSIDE THE HAR 0n THE WORLDS by ''ike Scott.............................................................................. 4 DO’TN UNDER (Underground Conix) by Rich Small........................................................................10 NOREASCON THE SLICK COM by Linda Bushyaper................. 25 AMERICAN HORROR (Prosnectus on Films, 1931-36) by ’’ichael Order.............................28 ’fEDIATUS (reviews by ”ike Scott, Joseph Daniels 4 ye ed)............................................. 31 .. .AND DROOGS TOO by Paul Grieman................................................ 38 THE PRINCE OP PEASANT;’AN IA (Interview, part 2) by Narren ’’illiams......................... 40 OUT OP YOUR MINDS by You................................................................................................................... 48 ’UTTER,MUTTER, the small ed speaks............................................................................................. 57 THE FRA’^GS IS CONIN’" by Brad Linaweaver and ’’arren ’’’illiams.......................................59 HHY I FORCED THIS OH YOU..................................................................... 60 APT CREDITS: " , .. unterHelios may be obtained thru trades, contributions, Art cover bjz Stephen Fabian printed or substantial LoCs, Front cover bv Stu Smith -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Trots and Bonnie Pdf, Epub, Ebook
TROTS AND BONNIE PDF, EPUB, EBOOK Shary Flenniken | 160 pages | 11 May 2021 | The New York Review of Books, Inc | 9781681374857 | English | New York, United States Trots and Bonnie PDF Book Those are my drawings! Solomon Davidoff says:. This is great. Jon B. Trots and Bonnie. How can I turn this down? This is the first time this long- running National Lampoon cartoon has been collected and published. And then people would theoretically jam out ideas at that meeting. The Best of the Wizard of Id. Newer Post Older Post Home. Well I once asked Flenniken herself about this, when she was a guest at a Big Apple Con, and I think she just wanted to make sure she had the right publisher. Product Details. It was 10 parodies of movie genres, which would make it in minutes, 12 minutes apiece. I did those with a Sharpie! When you talk about concepts and people just give you that blank stare … [Having similar people around is] really supportive and it really makes you want to write more stuff. They became real live action commercials. Bob Weber, Sr. Add to Cart. Shary Flenniken is an absolute genius. You can listen to the interview on YouTube. So it was whatever you wanted. Did you ever see those? This is a long-lasting idea; fertile ground. Learn More - opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. At long last, a collection of B. Father and Son. And three segments in minutes — it was probably 90 by that time — was half an hour a piece. -
Um Estudo Sobre Maus De Art Spiegelman1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXVIII Congresso Brasileiro de Ciências da Comunicação – Uerj – 5 a 9 de setembro de 2005 XXVIII Congresso Brasileiro de Ciências da Comunicação História em Quadrinhos Como Ferramenta Ideológica: Um Estudo Sobre Maus de Art Spiegelman1 Bruno Amato Reame Leandro Key Higuchi Yanaze Luciana Fernandes Regis2 Faculdade de Comunicação Social Cásper Líbero O Curso de Pós-Graduação Lato Sensu Resumo O trabalho, sob orientação do Prof. Dr. Flávio Mário de Alcântara Calazans, trata de Maus, uma história em quadrinhos escrita e desenhada por Art Spiegelman, que narra a história de Vladek Spiegelman, seu pai, um sobrevivente do Holocausto. O objetivo desse trabalho é investigar as minúcias desta obra rica e cheia de nuances, e justamente apontar os detalhes que tornam a leitura de Maus imprescindível. Nossa meta é mostrar que Maus não é simplesmente mais uma “historinha” sobre o Holocausto, mas é uma ferramenta ideológica anti-nazista, que mostra o horror do nazismo, seu funcionamento e sua lógica absurda. Através de análises detalhadas, vamos desvendar as possíveis intenções de Art Spiegelman por trás de cada decisão artística e provar a importância e eficiência de Maus como instrumento pedagógico e ideológico. Palavras-chave Quadrinhos; Nazismo; Maus; Spiegelman, Holocausto 1 Trabalho apresentado à Sessão de Temas Livres. 2 Bruno é graduado em “Comunicação Social” pela ESPM, concluído em 2003, e é pós-graduando na área de especialização “Comunicação Jornalística” do Curso -
The Rip Off Press Mail Order Catalog
Spread some cheer this year, with comix from The Rip Off Press Mail Order Catalog No-Pictures Edition Stuff for sale December 2012 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- WHAT TO DO IN CASE OF ORDER PROBLEMS puter, go to your public library and somebody will be happy to help you log on: www. If there is any problem with your order, probably the quickest and most effective way to ripoffpress.com. After our previous website’s hosting company vanished without a trace deal with it is to send us an e-mail. That way you can get through to us at your conve- in August of 2012, we have not yet gotten online ordering enabled. But you can get a nience, and we will see your message within a few hours at a time when we have access better idea of what you want, then place a mail order from this product listing or from to all of our records. Our e-mail address is [email protected]. If you’re not yet the Adobe PDF format order form available as a download on our home page. one of the millions of people with access to e-mail, you can call us by phone. Please call 530 885-8183. If we’re not there to answer your call you can usually leave a message PLACING YOUR ORDER on our answering machine. You may also notify us of order problems by letter (P.O. -
The Rip Off Press Mail Order Catalog
The Rip Off Press Mail Order Catalog Absolutely No Pictures Edition Stuff for sale December 2018 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- If phoning in your order (Charged to one of the aforementioned cards only): Call puter, go to your public library and somebody will be happy to help you log on: www. 530 885-8183 (toll free inside US only, 888-978-3049). Have your want list and ripoffpress.com. You can order online using Visa, MasterCard, or American Express, or your charge card handy. We’ll take it from there. We are usually available to answer save a cart and then email or call us. We can access the cart online, check stock, and the phone in person from 8 a.m. to 3 p.m. and 5 p.m. to 10 p.m. Pacific time, Monday give you a total you can use to pay us via Paypal or check/money order. through Friday. Weekend hours vary. Ordering for Delivery Outside the U.S. PLACING YOUR ORDER Payment must be made in US Dollars. Checks or money orders must be payable Sorry, we do not ship C.O.D.! through a U.S. bank, so charge cards or Paypal are the preferred payment method. We With orders to be mailed in we accept US checks or money orders, Visa, ship via International Priority Mail (First Class on posters), which generally takes a week Mastercard, and American Express. -
Cut-Up and Redrawn: Reading Charles Burns’ Swipe Files.” Inks: the Journal of the Comics Studies Society 1, No
AUTHOR ACCEPTED MANUSCRIPT VERSION Crucifix, Benoît. “Cut-Up and Redrawn: Reading Charles Burns’ Swipe Files.” Inks: The Journal of the Comics Studies Society 1, no. 3 (2017): 309–33. For citation, refer to the post-print version, which can be downloaded here: https://muse.jhu.edu/article/679770 (or request at benoit.crucifix(a)gmail.com) 1 Cut-Up and Redrawn: Reading Charles Burns’s Swipe Files1 Benoît Crucifix One of Charles Burns’s “most prized possessions,” as displayed in Todd Hignite’s In the Studio, is a scrapbook of comic strip clippings put together by his cartoonist-dilettante father.2 The scrapbook contains a collection of comic strips which he used for reference when drawing: it assembles panels and details clipped out from various newspaper comic strips from the 1940s, such as Milton Caniff’s Terry and the Pirates, collecting material that could then be copied and imitated (Figure 1). < Insert Figure 1 here > A collage of comics panels, the scrapbook classifies and arranges them according to topic, size, perspective: it is the model definition of a swipe file, a collection of images cut out from other comics that can then be redrawn into the cartoonist’s own work. Burns’s father’s scrapbook is not an odd piece in comics history. Going back to the nineteenth-century, newspaper readers have assembled scrapbooks archiving their favorite comic strips, a tradition of “writing with scissors” in which the pleasures of rereading and sharing favorite strips resulted in the widespread saving and collating of such material.3 For artists, -
Moore Collection of Underground Comix
http://oac.cdlib.org/findaid/ark:/13030/c8pz5bcb No online items Moore Collection of Underground Comix Special Collections and Archives Department Robert E. Kennedy Library 1 Grand Avenue California Polytechnic State University San Luis Obispo, CA 93407 Phone: 805/756-2305 Fax: 805/756-5770 Email: [email protected] URL: http://www.lib.calpoly.edu/specialcollections/ © 1992, 2007 Trustees of the California State University. All rights reserved. Moore Collection of Underground MS 052 1 Comix Moore Collection of Underground Comix Special Collections and Archives Department Robert E. Kennedy Library 1 Grand Avenue California Polytechnic State University San Luis Obispo, CA 93407 Contact Information Special Collections and Archives Department Robert E. Kennedy Library 1 Grand Avenue California Polytechnic State University San Luis Obispo, CA 93407 Phone: 805/756-2305 Fax: 805/756-5770 Email: [email protected] URL: http://www.lib.calpoly.edu/specialcollections/ Processed by: Ken Kenyon Date Completed: 2007 Encoded by: Byte Managers, 2013 © 1992, 2007 Trustees of the California State University. All rights reserved. Descriptive Summary Title: Moore Collection of Underground Comix Date (inclusive): 1907-1993 Date (bulk): (bulk 1969-1992) Collection number: MS 052 Creator: Moore, Michael Extent: 21 Paige boxes, 1 Hollinger box, 1 oversize box (26 linear feet) Repository: Special Collections and Archives, Robert E. Kennedy Library, California Polytechnic State University, San Luis Obispo, California 93407 Abstract: Comic book publisher and collector Michael Moore donated this collection of underground comix in 1993. The collection contains comics from 1907 to 1993, with the bulk of issues representing underground comix in the late 1960s and early 1970s.