WHY DID THEY COME? Chinese and Japanese Zen Melon, Peaches from Their Practices Is the Same

Total Page:16

File Type:pdf, Size:1020Kb

WHY DID THEY COME? Chinese and Japanese Zen Melon, Peaches from Their Practices Is the Same February 2008 Vol. 5 No. 1 In the presence of Ming Hai, headed south to the village of the 39-year-old abbot of Master Huike, Bodhidharma’s Cypress Grove, who wel- only student and China’s comed us warmly in English, Second Patriarch. Nowhere we strongly sensed a trans- were we more enthusiastically parency of space and time. welcomed. The villagers lined We were the monks of old sit- the pathways, old men sitting ting as sangha before the mas- in doorways, young men ter being encouraged to pay standing with bicycles, adoles- Still attention to each moment of cent girls grouped together our life; to see Zhaozhou’s with their arms around each heart, and have tea; and to other, women and men hold- . look at the cypress in the ing babies while curious chil- News from Still Mind Zendo courtyard. For Ming Hai, an dren peeked from behind their “open mind and self-faith” are legs, and the resident monk the core of Chan (Zen). In gave us a formal welcome. those moments it seemed so Out of the abundance of their clear that the essence of poverty they served us water- WHY DID THEY COME? Chinese and Japanese Zen melon, peaches from their practices is the same. At trees, and tea. Flanked in a Two Pilgrims in China breakfast Ming Hai admon- spontaneous procession we By Julia McEvoy & Peggy Grote ished us to eat every grain of climbed a dirt path to stand in rice because farmers had reverence before three epic- worked so hard to bring us sized statues of the Buddha – this rice. Daily from the win- Amathaba, Shakyamuni, and We got on the bus. We got off cypress tree in the courtyard.” dows of our tour bus we saw Medicine Buddha. We were the bus. We could neither We stood gazing at a descen- people, wearing woven cone treated as lost brothers and read nor speak the language. dent of that tree, in that court- hats for shade, working the sisters who had come back We didn’t always know what yard, and did not forget the fields by hand. We took Ming home. Instant replay of our it was we were eating. We question. Hai’s words into our hearts. digital photos was never so were 6,800 miles from home. For three mornings we rose to We were grateful and ate enjoyed as when the children We were in China: Zen stu- darkness at 4:30. The clear every grain of rice. peered into the tiny screens dents eager to experience the voice of a monk, from high in Second Ancestor’s Village: and recognized themselves. roots of our practice and to the drum tower, chanted a From Bailin in the north we (Continues on Pg.3) encounter our early masters. sutra. We silently walked the Starting and ending in Beijing, stone road as monks of old for 11 days we would visit walked, to reach the immense celebrated sites, some only Buddha Hall, which glowed recently rediscovered, on a orange from within against the tour that our guide Andy faint blue light of dawn. For Ferguson dubbed the “sesshin- 90 minutes we chanted and on-wheels.” Without language bowed in a traditional we listened attentively to Buddhist service, with 120 faces, gestures and deeds. We monks, nuns and Chinese lay came to observe and found visitors. We were the only ourselves observed. We took Westerners. We ate breakfast photos of strangers and found in silence at long tables with ourselves being photographed the women on one side of the as strangers. Amazing China, hall facing the men on the where past, present and future other. can be seen at once, woven At Cypress Grove stands a together like strands of a doorway leading to the monks’ silken braid; where 1.3 billion private quarters. The calligra- people, in 56 different nation- phy overhead reads in alities, live. Chinese: “The Gateless Gate.” Cypress Grove Monastery in In this compound Master Bailin, seat of Zen Master Wumen (Jpn: Mumon) assem- Zhaozhou (Japanese:Joshu): bled 36 koans with commen- Here, 1700 years ago, tary. We photographed each Nanquan (Jpn:Nansen) asked, other, secretly hoping for “Why did Bodhidharma come immediate transmission and to A descendent of “the cypress tree in the courtyard” taken at from the West?” and his stu- return to SMZ as koan Cypress Grove Monastery in Bailin by Julia McEvoy. dent Zhaozhou replied, “The geniuses! SWEEPING THE ZENDO MEMBER NEWS By David Mintz Mayumi Ishino traveled in southeast Asia from February to May. She On this warm July morning I hear no sound but my own activity and birdsong. It is Still hiked into rural mountain villages in Mind’s week-long sesshin at Seven Meadows Farm. My job is to sweep the zendo thor- Laos and Burma, then traveled to oughly each morning during our formal samu period, and as needed over the course of Indonesia for an international per- the day. formance art festival (Java) and to give a workshop to young artists The barn where we sit commands respect; it has stood for (Bali). See photos from her trip at well over a century. The zabutons lie in rows along the http://tinyurl.com/3y7zrt. sides of the room. Along the front of the mats are black burlap runners, perhaps 16 inches wide, to protect our feet Alain Mentha and Jennifer Strong from splinters. The floorboards look original –coarse and were married on July 14 in a ceremo- uneven, gray with age. Each push of the broom raises ny officiated by Sensei Gregory. The another cloud of ancient dust, making the dustmask a neces- precepts were incorporated into their sity. One might as well try to sweep clean the surface of the wedding vows. In addition, Alain ran moon: let go the quest for perfection. I collect little piles of the New York City marathon in 4 dirt, dust and sometimes bat droppings, brush them into a hours and 5 minutes on November 4. plastic dustpan. Walk outside into the sunlight, empty the Photo by Mark Rubin He had trained for 4 months, running dustpan in the grass nearby. 25-45 miles a week, and plans to run the Cincinnati marathon next. Having covered the bare surface and left it cleaner than before, I pick up the corn broom. The broomstick’s light blue paint is worn and peeled. Its sound is sweeter, more sibilant Geoff Brewer and than the heavy scraping of the pushbroom. I go from mat to mat, sweeping each clean of his wife, Regan, had lint. I sweep the burlap, holding it in place with my feet because it is not fastened down. their first child, When I sweep before dawn it’s too dark to see what I am doing, but it doesn’t matter. Henry Alexander, on August 13. Henry At first, paying attention to the task is fairly easy. As the routine grows familiar, this is happy, healthy, cooing and smiling. becomes more challenging. Mindful or no, I am fortunate to have been assigned this job. There can be no greater honor than to sweep these mats. Tom Carney qualified for the “88 Club” at the Yonkers Swim Club. David Mintz is a member of SMZ. This means he has swum a mile a day, 6 days a week, for a year. Tom says it’s “really a big deal for me, considering that my 71st birthday ZEN CHAPLAINS was in September!” On October 12, at Gracie Mansion, Sensei Janet attended a breakfast In September, Peggy Grote and Ronde Bradley enrolled in the Buddhist Chaplaincy gathering of Buddhist leaders from Training Program at the New York Zen Center for Contemplative Care. The year-long the greater New York City area. program offers an introduction to spiritual care skills from a Buddhist perspective. Mayor Michael Bloomberg organized Graduates go on to become chaplains in hospitals, hospices or jails, or spiritual coun- the breakfast, a first for the city, selors for the sick and dying in other settings. based on an idea from a young police “Finding chaplains in hospitals is a lot more difficult than the average person may real- officer at the NYPD’s Office of ize,” Peggy says. “So when this came to my attention I was delighted to respond.” Community Relations who is a Ronde enrolled in the program “because I believed it would give me a better grounding Buddhist. The Dalai Lama, in town in palliative care for my hospice volunteering and give me another way of practicing for the weekend, was a surprise Zen.” guest. There are 34 students in this year’s class. The core faculty includes Roshi Pat Enkyo O’Hara, abbot of Village Zendo in Manhattan. Instruction takes place on one Saturday In September, Christian Toth earned per month, as well as through guest lectures and field trips. his second degree in kung-fu from “On the field day in November, I rode with the police in Chelsea, sat in on arraignment Alan Lee’s Chinese Kung-Fu Wu-Su court, and attended a lecture by a New York Police Department chaplain,” Ronde Association. The test to obtain this recalls. She is doing her “internship” at Beacon Hospice in Boston, while Peggy is degree takes 7 hours to complete, interning at Beth Israel Hospital as a volunteer chaplain. consisting of a 3-hour written exam “Both Ronde and I have gained so much insight into our Zen practice and the precepts, and a 4-hour physical exam. which are intertwined into all teachings of compassion,” Peggy says.
Recommended publications
  • Still Mind at 20 Years: a Personal Reflection GATE
    March 2014 Vol.10 No. 1 in a one-room zendo in Jersey City. So I invited folks from a series of meditation sessions that Roshi had led at a church in Manhattan, as well as people I was seeing in my spiritual direction work who were interested in meditation. We called ourselves Greenwich Village Zen Community (GVZC) and Sensei Kennedy became our first teacher. We sat on chairs or, in some cases, on toss pillows that were strewn on the comfortable library sofa; there was no altar, no daisan, only two periods of sitting with kin-hin in between, along with some basic instruction. My major . enduring memory is that on most Tuesdays as we began Still sitting at 7 pm, the chapel organist would begin his weekly practice. The organ was on the other side of the library wall so our sitting space was usually filled with Bach & Co. Having come to Zen to “be in silence,” it drove me rather crazy. Still Mind at 20 Years: I didn’t have to worry too much, though, because after a few months the staff told us the library was no longer available. So we moved, literally down the street, to the A Personal Reflection (cont. on pg 2) by Sensei Janet Jiryu Abels Still Mind Zendo was founded on a selfish act. I needed a sangha to support my solo practice and, since none existed, I formed one. Now, 20 years later, how grateful I am that enough people wanted to come practice with each other back then, for this same sangha has proved to be the very rock of my continuing awakening.
    [Show full text]
  • Buddhism in America
    Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper.
    [Show full text]
  • Sandokai – Annotated by Domyo Burk – 2017 Page 1 of 5 the Harmony of Difference and Sameness
    Sandokai, by Shitou Xiqian (Sekito Kisen) – Text translation by Soto Zen Translation Project Explanations and free-association commentary by Domyo Burk, 2017 The Harmony of Difference and Sameness - You might call this teaching poem, “The San – many, difference, diversity, variety; used as a synonym for “ji” or the concrete, Apparently Paradoxical Fact that Absolute and phenomenal aspect of our life (Okumura) Relative are Intimately Related and Mutually Do – one, sameness, equality, commonality, unity; used as synonym for “ri” or the Dependent.” It tries to point out how each thing is absolute or ultimate reality of emptiness beyond discrimination (Okumura) simultaneously a thing (or being), differentiated Kai – promise, agreement, tally; in ancient times, merchants wrote a contract on a tally from all others, and part of an overall unity within (piece of wood), then broke it in half; could later confirm agreement by putting together which all things are ultimately equal, and have the the two halves. (Okumura) Absolute and relative, then, are like two halves of one thing. same fundamentally empty nature. The mind of the great sage of India is intimately transmitted from west to east. We have a chance to encounter the full truth of The insight/reality of awakening (mind) reached by Shakyamuni Buddha (great sage of Buddhism right here and now. Despite its India) is carefully and authentically passed from person to person, face-to-face transmission through space and time, it has not (intimately transmitted). There are many differences between countries and cultures dissipated or changed. It’s a living reality affirmed (west and east), but the essence of the Buddha’s teaching does not change.
    [Show full text]
  • Primary Point, Vol 21 Num 1
    our school in the broader context of Korean Buddhist activity in southern California-did you know that there's BrieF Reviews a temple in Los Angeles not in our school known as Kwan Urn Sa? The two longest profiles are ofSarnu Sunim, based judy Reitman jDPSN in Toronto and teaching mostly European-Canadians/ Americans through his Zen Lotus Sociery; and of Zen Butterflies On A Sea Wind: Master Seung Sahn, giving a slightly different version than Beginning Zen by Anne Rudloe, the canonical one most of us have heard. More interesting published by Andrews McNeel, is Samu Sunim's very generous article Turning the Wheel of Kansas Ciry, 2002 Dharma in the West, which has an excellent synopsis of Anne Rudloe is the abbot of the the history of Buddhism in Korea, and then profiles three Cypress Tree Zen Group in teachers: Ven. Dr. Seo, Kyung-Bo, a charismatic teacher Tallahassee, Florida. This book is who towards the end ofhis life became the self-proclaimed I basically a description of what it's world dharma-raja; Kusan Sunim, one of only two (the like to be a relative beginner in Zen other is Zen Master Seung Sahn) Korean teachers who practice, both on and off the went out of their way to encourage western students to cushion. Rudloe brings together three strands of her life: study in Korean monasteries; and Zen Master Seung Sahn. her experience practicing Zen (especially on retreats); her Samu Sunim also gives an extensive history and description personallife-farnily, work, and ecological activism; and of our school, and responds directly to charges made the natural world around her.
    [Show full text]
  • Lineage: Beginnings
    Soto Zen Buddhism in Australia March 2018, Issue 71 LINEAGE: BEGINNINGS ABBOT’S NEWS I CANNOT STEP ON REMEMBERING RAISING A WALL INDIA STUDY ABROAD Hannah Forsyth THEIR SHADOW NARASAKI ROSHI Katherine Yeo & Karen Sunao Ekin Korematsu & Seido Suzuki Roshi Nonin Chowaney Threlfall Jake Kepper BUDDHA'S BOUNDLESS RETURNING HOME, DIRECT REALISATION BACK TO THE FUTURE SOTO KITCHEN COMPASSION SITTING PEACEFULLY HUT John Hickey Karen Threlfall Ikko Narasaki Roshi Ekai Korematsu Osho Deniz Yener Korematsu MYOJU IS A PUBLICATION OF JIKISHOAN ZEN BUDDHIST COMMUNITY INC Editorial Myoju “Even though the ways of ceaseless practice by our founding Editor: Ekai Korematsu Osho Ancestors are many, I have given you this one for the present.” Editorial Committee: Hannah Forsyth, Shona Innes, Robin Laurie, Jessica Cummins —Dogen Zenji, Shobogenzo Gyoji: On Ceaseless Practice Myoju Coordinator: Jessica Cummins Production: Dan Carter Website Manager: Lee-Anne Armitage As Jikishoan approaches its 20th anniversary in 2019, IBS Teaching Schedule: Hannah Forsyth this year Myoju will explore our identity as a community Jikishoan Calendar of Events: Shona Innes through the theme of Lineage. As a young, lay communi- Contributors: Ikko Narasaki Roshi, Seido Suzuki Roshi, ty, practising in a spiritual tradition that originates far be- Ekai Korematsu Osho, Shudo Hannah Forsyth, Shona yond our land and culture, we do not do so in isolation. Innes, Nonin Chowaney, Deniz Yener Korematsu, 78 generations of the Soto Zen Buddhist tradition are em- Katherine Yeo, Karen Threlfall, John Hickey, Sunao Ekin bodied in the forms of our practice and training, allowing Korematsu, Jake Kepper. us to experience an inclusivity and belonging that takes us Cover Image: Ikko Narasaki Roshi beyond our individual practice.
    [Show full text]
  • Lankavatara-Sutra.Pdf
    Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching.
    [Show full text]
  • Shodoka Formatted
    Shodoka - CHENG-TAO-KO – By Yung-chia Hsuan-chueh [Zhengdaoge] (C.); (J. Shodoka (J.); Song of Enlightenment - .English transl. copyright (c) 1991 by R. Aitken & the Diamond Sangha, Hawaii. There is the leisurely one, Walking the Tao, beyond philosophy, Not avoiding fantasy, not seeking truth. The real nature of ignorance is the Buddha-nature itself; The empty delusory body is the very body of the Dharma. When the Dharma body awakens completely, There is nothing at all. The source of our self-nature Is the Buddha of innocent truth. Mental and physical reactions come and go Like clouds in the empty sky; Greed, hatred, and ignorance appear and disappear Like bubbles on the surface of the sea. When we realize actuality, There is no distinction between mind and thing And the path to hell instantly vanishes. If this is a lie to fool the world, My tongue may be cut out forever. Once we awaken to the Tathagata-Zen, The six noble deeds and the ten thousand good actions Are already complete within us. 1 In our dream we see the six levels of illusion clearly; After we awaken the whole universe is empty. No bad fortune, no good fortune, no loss, no gain; Never seek such things in eternal serenity. For years the dusty mirror has gone uncleaned, Now let us polish it completely, once and for all. Who has no-thought? Who is not-born? If we are truly not-born, We are not un-born either. Ask a robot if this is not so. How can we realize ourselves By virtuous deeds or by seeking the Buddha? Release your hold on earth, water, fire, wind; Drink and eat as you wish in eternal serenity.
    [Show full text]
  • Excerpts for Distribution
    EXCERPTS FOR DISTRIBUTION Two Shores of Zen An American Monk’s Japan _____________________________ Jiryu Mark Rutschman-Byler Order the book at WWW.LULU.COM/SHORESOFZEN Join the conversation at WWW.SHORESOFZEN.COM NO ZEN IN THE WEST When a young American Buddhist monk can no longer bear the pop-psychology, sexual intrigue, and free-flowing peanut butter that he insists pollute his spiritual community, he sets out for Japan on an archetypal journey to find “True Zen,” a magical elixir to relieve all suffering. Arriving at an austere Japanese monastery and meeting a fierce old Zen Master, he feels confirmed in his suspicion that the Western Buddhist approach is a spineless imitation of authentic spiritual effort. However, over the course of a year and a half of bitter initiations, relentless meditation and labor, intense cold, brutal discipline, insanity, overwhelming lust, and false breakthroughs, he grows disenchanted with the Asian model as well. Finally completing the classic journey of the seeker who travels far to discover the home he has left, he returns to the U.S. with a more mature appreciation of Western Buddhism and a new confidence in his life as it is. Two Shores of Zen weaves together scenes from Japanese and American Zen to offer a timely, compelling contribution to the ongoing conversation about Western Buddhism’s stark departures from Asian traditions. How far has Western Buddhism come from its roots, or indeed how far has it fallen? JIRYU MARK RUTSCHMAN-BYLER is a Soto Zen priest in the lineage of Shunryu Suzuki Roshi. He has lived in Buddhist temples and monasteries in the U.S.
    [Show full text]
  • New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 2011 New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M. Just Florida International University, [email protected] DOI: 10.25148/etd.FI11120903 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Just, Courtney M., "New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice" (2011). FIU Electronic Theses and Dissertations. 527. https://digitalcommons.fiu.edu/etd/527 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida NEW AMERICAN ZEN: EXAMINING AMERICAN WOMEN’S ADAPTATION OF TRADITIONAL JAPANESE SOTO ZEN PRACTICE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in LIBERAL STUDIES by Courtney Just 2011 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Courtney Just, and entitled New American Zen: Examining American Women’s Adaptation of Traditional Japanese Soto Zen Practice, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. –––––––––––––––––––––––––––––––––––– Laurie Shrage ––––––––––––––––––––––––––––––––––––– Kiriake Xerohemona ––––––––––––––––––––––––––––––––––––– Lesley A. Northup, Major Professor Date of Defense: November 10, 2011 The thesis of Courtney Just is approved. –––––––––––––––––––––––––––––––––––––––– Dean Kenneth Furton College of Arts and Science ––––––––––––––––––––––––––––––––––––––––– Dean Lakshmi N.
    [Show full text]
  • Introduction Shunryu Suzuki Sojun Mel Weitsman
    Introduction Shunryu Suzuki Sojun Mel Weitsman INTHE SUMMER OF 1970 Suzuki Roshi gave these talks on the Sandokai of Sekito Kisen. BRANCHING Suzuki Roshi had come to America in 1959, leaving Rinso-in, his tem­ STREAMS ple in Yaizu, Japan, to serve as FLOW IN THE priest for the Japanese-American congregation at Sokoji temple at DARKNESS 1881 Bush Street in San Francisco. During those years a large number of people came to practice with him, and San Francisco Zen Center Zen Talks on the Sandokai was born. Suzuki Roshi became By tht author of Z~n Mind. Beginne~s Mind surrounded by so many enthusias- tic American Zen students that in 1969 he and his students moved to a large building at 300 Page Street and established Beginner's Mind Temple. Two years earlier, Zen Center had acquired the Tassajara resort and hot springs, which is at the end of a four­ teen-mile dirt road that winds through the rugged mountains of the Los Padres National Forest near the central coast of California. He and his stu­ dents created the first Zen Buddhist monastery in America, Zenshinji (Zen Mind/Heart Te mple). We were starting from scratch under Suzuki Roshi's guidance. Each year Tassajara Zen Mountain Center has two intensive practice­ period retreats: October through December, and January through March. These two practice periods include many hours of zazen (cross-legged seated meditation) each day, lectures, study, and physical work. The students are there for the entire time. In the spring and summer months (May through August), Tassajara provides a guest season for people who are attracted by the hot mineral baths and the quiet atmosphere.
    [Show full text]
  • The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer.
    [Show full text]
  • Life Is an Ever-Rolling Wheel and Every Day Is the Right One. He Who Recites Poems at His Death Adds Frost to Snow
    April 16, 2007 UPAYA ZEN CENTER Santa Fe, New Mexico 505-986-8518 [email protected] www.upaya.org Life is an ever-rolling wheel And every day is the right one. He who recites poems at his death Adds frost to snow. --- Mumon Genshen, d. 1390 Scott Eberle's book, The Final Crossing, has an intriguing subtitle: "Learning to Die In Order to Live." Last week, he and Meredith Little shared their 4-step rite of passage (as taught at Meredith's School of Lost Borders and derived from native American traditions) for those on the cusp of death: 1. Decision Road, when you become conscious of the fact that your time to die is close at hand, and begins to muster the strength to accept and embrace that fact; 2. Death Lodge, where the focus is on "completing" your relationships with the living: to forgive and be forgiven, to express thanks and love, and to say goodbye; 3. Purpose Circle, a period of deep introspection, of "ruthless self-honesty without judgement" in which the goal is to make peace with yourself and your life, to realize a sense of integrity rather than despair; and 4. Stepping Into The Ballcourt, which is an in-between-worlds transitional phase where one is completely open to and ready for the "final crossing" to arise (or however we choose to imagine death). This parallels the spiritual process which many Buddhist meditators seek to undergo, as Scott laid out: 1. Setting the intention of your practice, especially through making vows; 2. Learning to let go of your attachments and unresolved conflicts; 3.
    [Show full text]