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Primary Point, Vol 21 Num 1
our school in the broader context of Korean Buddhist activity in southern California-did you know that there's BrieF Reviews a temple in Los Angeles not in our school known as Kwan Urn Sa? The two longest profiles are ofSarnu Sunim, based judy Reitman jDPSN in Toronto and teaching mostly European-Canadians/ Americans through his Zen Lotus Sociery; and of Zen Butterflies On A Sea Wind: Master Seung Sahn, giving a slightly different version than Beginning Zen by Anne Rudloe, the canonical one most of us have heard. More interesting published by Andrews McNeel, is Samu Sunim's very generous article Turning the Wheel of Kansas Ciry, 2002 Dharma in the West, which has an excellent synopsis of Anne Rudloe is the abbot of the the history of Buddhism in Korea, and then profiles three Cypress Tree Zen Group in teachers: Ven. Dr. Seo, Kyung-Bo, a charismatic teacher Tallahassee, Florida. This book is who towards the end ofhis life became the self-proclaimed I basically a description of what it's world dharma-raja; Kusan Sunim, one of only two (the like to be a relative beginner in Zen other is Zen Master Seung Sahn) Korean teachers who practice, both on and off the went out of their way to encourage western students to cushion. Rudloe brings together three strands of her life: study in Korean monasteries; and Zen Master Seung Sahn. her experience practicing Zen (especially on retreats); her Samu Sunim also gives an extensive history and description personallife-farnily, work, and ecological activism; and of our school, and responds directly to charges made the natural world around her. -
Fall 1969 Wind Bell
PUBLICATION OF ZEN •CENTER Volume Vilt Nos. 1-2 Fall 1969 This fellow was a son of Nobusuke Goemon Ichenose of Takahama, the province of Wakasa. His nature was stupid and tough. When he was young, none of his relatives liked him. When he was twelve years old, he was or<Llined as a monk by Ekkei, Abbot of Myo-shin Monastery. Afterwards, he studied literature under Shungai of Kennin Monastery for three years, and gained nothing. Then he went to Mii-dera and studied Tendai philosophy under Tai-ho for. a summer, and gained nothing. After this, he went to Bizen and studied Zen under the old teacher Gisan for one year, and attained nothing. He then went to the East, to Kamakura, and studied under the Zen master Ko-sen in the Engaku Monastery for six years, and added nothing to the aforesaid nothingness. He was in charge of a little temple, Butsu-nichi, one of the temples in Engaku Cathedral, for one year and from there he went to Tokyo to attend Kei-o College for one year and a half, making himself the worst student there; and forgot the nothingness that he had gained. Then he created for himself new delusions, and came to Ceylon in the spring of 1887; and now, under the Ceylon monk, he is studying the Pali Language and Hinayana Buddhism. Such a wandering mendicant! He ought to <repay the twenty years of debts to those who fed him in the name of Buddhism. July 1888, Ceylon. Soyen Shaku c.--....- Ocean Wind Zendo THE KOSEN ANO HARADA LINEAOES IN AMF.RICAN 7.llN A surname in CAI':> andl(:attt a Uhatma heir• .l.incagea not aignilleant to Zen in Amttka arc not gi•cn. -
Lineage: Beginnings
Soto Zen Buddhism in Australia March 2018, Issue 71 LINEAGE: BEGINNINGS ABBOT’S NEWS I CANNOT STEP ON REMEMBERING RAISING A WALL INDIA STUDY ABROAD Hannah Forsyth THEIR SHADOW NARASAKI ROSHI Katherine Yeo & Karen Sunao Ekin Korematsu & Seido Suzuki Roshi Nonin Chowaney Threlfall Jake Kepper BUDDHA'S BOUNDLESS RETURNING HOME, DIRECT REALISATION BACK TO THE FUTURE SOTO KITCHEN COMPASSION SITTING PEACEFULLY HUT John Hickey Karen Threlfall Ikko Narasaki Roshi Ekai Korematsu Osho Deniz Yener Korematsu MYOJU IS A PUBLICATION OF JIKISHOAN ZEN BUDDHIST COMMUNITY INC Editorial Myoju “Even though the ways of ceaseless practice by our founding Editor: Ekai Korematsu Osho Ancestors are many, I have given you this one for the present.” Editorial Committee: Hannah Forsyth, Shona Innes, Robin Laurie, Jessica Cummins —Dogen Zenji, Shobogenzo Gyoji: On Ceaseless Practice Myoju Coordinator: Jessica Cummins Production: Dan Carter Website Manager: Lee-Anne Armitage As Jikishoan approaches its 20th anniversary in 2019, IBS Teaching Schedule: Hannah Forsyth this year Myoju will explore our identity as a community Jikishoan Calendar of Events: Shona Innes through the theme of Lineage. As a young, lay communi- Contributors: Ikko Narasaki Roshi, Seido Suzuki Roshi, ty, practising in a spiritual tradition that originates far be- Ekai Korematsu Osho, Shudo Hannah Forsyth, Shona yond our land and culture, we do not do so in isolation. Innes, Nonin Chowaney, Deniz Yener Korematsu, 78 generations of the Soto Zen Buddhist tradition are em- Katherine Yeo, Karen Threlfall, John Hickey, Sunao Ekin bodied in the forms of our practice and training, allowing Korematsu, Jake Kepper. us to experience an inclusivity and belonging that takes us Cover Image: Ikko Narasaki Roshi beyond our individual practice. -
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California L
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California Last week I posted on my Monkey Mind blog an essay I titled Soto Zen Buddhism in North America: Some Random Notes From a Work in Progress. There I wrote, along with a couple of small digressions and additions I add for this talk: Probably the most important thing here (within our North American Zen and particularly our North American Soto Zen) has been the rise in the importance of lay practice. My sense is that the Japanese hierarchy pretty close to completely have missed this as something important. And, even within the convert Soto ordained community, a type of clericalism that is a sense that only clerical practice is important exists that has also blinded many to this reality. That reality is how Zen practice belongs to all of us, whatever our condition in life, whether ordained, or lay. Now, this clerical bias comes to us honestly enough. Zen within East Asia is project for the ordained only. But, while that is an historical fact, it is very much a problem here. Actually a profound problem here. Throughout Asia the disciplines of Zen have largely been the province of the ordained, whether traditional Vinaya monastics or Japanese and Korean non-celibate priests. This has been particularly so with Japanese Soto Zen, where the myth and history of Dharma transmission has been collapsed into the normative ordination model. Here I feel it needful to note this is not normative in any other Zen context. -
Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching. -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
The Grass Flute Zen Master: Sodo Yokoyama
THE GRASS FLUTE ZEN MASTER ALSO BY ARTHUR BRAVERMAN Translations: Mud and Water: A Collection of Talks by Zen Master Bassui Warrior of Zen: The Diamond-hard Wisdom of Suzuki Shosan A Quiet Room: The Poetry of Zen Master Jakushitsu Non Fiction: Living and Dying in Zazen Fiction: Dharma Brothers: Kodo and Tokujo Bronx Park: A Pelham Parkway Tale Opposite: Yokoyama playing the grass flute at Kaikoen Park Copyright © 2017 by Arthur Braverman All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. Library of Congress Cataloging-in-Publication Data is available. Cover and Interior design by Gopa & Ted2, Inc. ISBN 978-1-61902-892-0 COUNTERPOINT 2560 Ninth Street, Suite 318 Berkeley, CA 94710 www.counterpointpress.com Printed in the United States of America Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 For Ari, Oliver and Sanae: The next generation Contents 1. In Search of a Japanese Maharshi 2. Noodles and Memories of a Leaf-Blowing Monk 3. Sitting with Joko by the Bamboo Grove 4. The Magic Box with the Sound of the Universe 5. Fragrant Mist Travels a Thousand Leagues 6. A Pheasant Teaches Sodo-san about Zazen 7. Always a Little Out of Tune 8. Sodo-san, the Twentieth-Century Ryokan 9. Sodo-san’s Temple Under the Sky 10. Zazen Is Safe. This Life Is Easy. -
Bodhisattva of the Bullheaded Whale
Elegy to the Bone Kimono —Zen Assays— —Reflections on Poetry & Koans— Dane Cervine Elegy to the Bone Kimono Assays on Zen, Poetry & Imagination Dane Cervine Inquiries of the author may be made to: Kado Press c/o Dane Cervine 153 Alta Avenue Santa Cruz, CA 95060 831-706-8866 [email protected] www.DaneCervine.typepad.com Copyright 2016 by Dane Cervine -- All rights reserved – Kado Press Contents PREFACE ........................................................................................................................ 6 Elegy to the Bone Kimono ................................................................................................ 8 Bodhisattva of the Bullheaded Whale ............................................................................ 15 Odysseus’ Mess .................................................................................................................. 20 Procrustes’ Iron Bed, and Tempyo’s Two Wrongs ...................................................... 23 Cosmic Turtles, Screaming Underwater, and the Glittering Knob ............................ 27 Snow Lion, Earthworm, Invisible Ink ............................................................................ 31 The Angel and the Zen Master ....................................................................................... 35 The Jeweled Cobweb of Indra ........................................................................................ 40 The Mindful Life: Russian Ostyt &The Eros of Patience ............................................ 45 -
Spring 2018 Ango Training Commitment Training Retreats
Mountains and Rivers Order – Spring 2018 Ango Training Commitment Name: ______________________________________ Ango is a wonderful time to work toward making our lives more unified with practice. In addition to practicing moment-to-moment awareness in your daily activities, what other ways can you bring yourself into contact with the dharma during the day? Let this question guide you as you formulate your commitments for the ango. Ideally, your ango will include deliberate periods of practice in which you set aside time for one or two of the Eight Gates, as well as an ongoing effort to bring elements of the Eight Gates into the midst of your regular routines. Return this sheet to the Monastery Training Office by 2/27/18. Consider joining the sangha for the Ango Opening Ceremony on Sunday, March 4 at ZMM or Sunday, March 11th at the Temple. Please call the Training Office if you have questions. Training Retreats Training within the sangha is an essential aspect of Ango. Indicate the two retreats, at least one of them at the Monastery, that you commit to attending. 1. An Intensive Meditation Retreat at Zen Mountain Monastery: Note: The Peaceful Dwelling Intensive, Sesshin, and the Ango Intensive all fulfill this requirement. 2. A Second Retreat at ZMM, ZCNYC, or an MRO Affiliate*: Any retreat, zazenkai or a second sesshin fulfills this requirement; so does a short period of residency at the Monastery (we especially encourage this for MRO students). Please note that for the first time, we are offering a zazenkai at the Monastery this ango, in addition to those regularly offered at the Temple. -
Sesshin Sessho
41 On Expressing One’s True Nature by Expressing One’s Intent (Sesshin Sesshō) Translator’s Introduction: This title contains an ambiguity that is lost in translation. The term sesshin can be rendered either as ‘expressing one’s intent’ or as ‘expressing one’s mind’. However, Dōgen refers to the phrase ‘expressing one’s mind’ as a misinterpretation, especially if ‘expressing’ is taken to mean ‘talking about’, implying an intellectual discussion about the nature of mind. Sesshō, ‘expressing one’s intent’, refers specifically to actively expressing one’s spiritual intention to help all sentient beings reach the Other Shore. This is the way in which someone expresses his or her True Nature, which Dōgen identifies as one’s Buddha Nature. And the expression of one’s True Nature takes the form of expressing one’s spiritual intent. Once when Meditation Master Shinzan Sōmitsu was out on a walk with Great Master Tōzan Ryokai, the latter pointed to a nearby temple and said, “Within that temple, there is one who is expressing his True Nature by expressing his intention.” Shinzan, his elder brother in the Sangha, asked, “And who is that one?” Tōzan replied, “With your asking this one question, my elder brother in the Sangha, that one has forthwith succeeded in completely passing away into death.” His elder brother Shinzan then asked, “Then who is it that is expressing his intention and expressing his True Nature?” Tōzan replied, “He has revived from within death.” 1 The statement “To express one’s intention is to express one’s True Nature” is the foundation of the Buddha’s Way from which Buddha after Buddha and Ancestor after Ancestor have emerged. -
Opening the Hand of Thought : Approach To
TRANSLATED BY SHOHAKl AND TOM WRIGHT ARKANA OPENING THE HAND OF THOUGHT Kosho Uchiyama Roshi was born in Tokyo in 1911. He received a master's degree in Western philosophy at Waseda University in 1937 and became a Zen priest three years later under Kodo Sawaki Roshi. Upon Sawaki Roshi's death in 1965, he assumed the abbotship of Antaiji, a temple and monastery then located near Kyoto. Uchiyama Roshi developed the practice at Anataiji, including monthly five-day sesshins, and often traveled throughout Japan, lec- turing and leading sesshins. He retired from Antaiji in 1975 and now lives with his wife at N6ke-in, a small temple outside Kyoto. He has written over twenty texts on Zen, including translations of Dogen Zenji into modern Japanese with commentaries, one of which is available in English (Refining Your Life, Tokyo: Weatherhill, 1983). Uchiyama Roshi is also well known in the world of origami, of which he is a master; he has published several books on origami. Shohaku Okumura was born in Osaka, Japan, in 1948. He studied Zen Buddhism at Komazawa University in Tokyo and was ordained as a priest by Uchiyama Roshi in 1970, practicing under him at An- taiji. From 1975 to 1982 he practiced at the Pioneer Valley Zendo in Massachusetts. After he returned to Japan, he began translating Dogen Zenji's and Uchiyama Roshi's writings into English with Tom Wright and other American practitioners. From 1984 to 1992 Rev. Okumura led practice at Shorinji, near Kyoto, as a teacher of the Kyoto Soto Zen Center, working mainly with Westerners.