WHY VIDEO? Video Content Engages Viewers at Every Level – It Educates, Entertains and Inspires Them
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State of Oklahoma
STATE OF OKLAHOMA 1st Extraordinary Session of the 47th Legislature (1999) SENATE BILL 1x By: Robinson AS INTRODUCED An Act relating to the Corporation Commission; amending Section 2, Chapter 408, O.S.L. 1997, as amended by Section 9, Chapter 246, O.S.L. 1998 (17 O.S. Supp. 1998, Section 139.102), which relates to the Oklahoma Telecommunications Act; modifying definition; and providing an effective date. BE IT ENACTED BY THE PEOPLE OF THE STATE OF OKLAHOMA: SECTION 1. AMENDATORY Section 2, Chapter 408, O.S.L. 1997, as amended by Section 9, Chapter 246, O.S.L. 1998 (17 O.S. Supp. 1998, Section 139.102), is amended to read as follows: Section 139.102 As used in the Oklahoma Telecommunications Act of 1997: 1. "Access line" means the facility provided and maintained by a telecommunications service provider which permits access to or from the public switched network; 2. "Commission" means the Corporation Commission of this state; 3. "Competitive local exchange carrier" or "CLEC" means, with respect to an area or exchange, a telecommunications service provider that is certificated by the Commission to provide local exchange services in that area or exchange within the state after July 1, 1995; 4. "Competitively neutral" means not advantaging or favoring one person over another; 5. "End User Common Line Charge" means the flat-rate monthly interstate access charge required by the Federal Communications Commission that contributes to the cost of local service; Req. No. 5010 Page 1 6. "Enhanced service" means a service that is delivered over communications transmission facilities and that uses computer processing applications to: a. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
Regional Development in Russia, an Issue Which Is Widely Discussed Due to the Size and Diversity of the World’S Largest Country
Summer 2015 Regional development With AEB updates on: regional HR trends, leasing market, corporate banking... and more AEB SPONSORS 2015 Allianz IC OJSC MERCK LLC Alstom Messe Frankfurt Rus Atos MetLife Bank Credit Suisse (Moscow) METRO GROUP BP Michelin BSH Group MOL Plc Cargill Enterprises Inc. Novartis Group Clifford Chance OBI Russia Continental Tires RUS LLC Oriflame Crocus International Procter & Gamble Deloitte PwC DuPont Science & Technologies Raiffeisenbank AO E.ON Russia ROCA Enel Russia OJSC Shell Exploration & Production Services (RF) B.V. ENGIE Statoil ASA Eni S.p.A. Telenor Russia AS EY TMF Group HeidelbergCement Total E&P Russie ING Commercial Banking Volkswagen Group Rus OOO John Deere Agricultural Holdings Inc. Volvo Cars LLC KPMG YIT Rakennus Representative Office LEROY MERLIN Russia YOKOHAMA RUSSIA LLC Mercedes-Benz Russia | Introduction AEB Business Quarterly | Summer 2015 Dear reader, I am glad to welcome you to the 2nd issue of the AEB Business Quarterly in 2015. It is devoted to regional development in Russia, an issue which is widely discussed due to the size and diversity of the world’s largest country. Starting business in Russia is not always as easy as in other countries, but success is possible. Many factors influence this, but one of the key issues is to choose the right place for development. However, the current crisis enforces companies to optimise their structures. Despite this, many persevere and see opportunities especially in the regions. Cost efficiency, easy management, logistics, market opportunities are all, of course, very important for any development. But the direction of the business also strongly depends on the region: an area may be suitable for one kind of entrepreneur- ship but not necessarily for another. -
The Epic Guide to Branded Video “There's Always Room for a Story That Can Transport People to Another Place.”
The Epic Guide to Branded Video “There's always room for a story that can transport people to another place.” J.K. Rowling Foreword Jerrid Grimm Co-Founder & CEO, Pressboard Our sincerest thanks to The power of video is undeniable. The combination of sight and sound evokes emotional responses difficult to replicate through any other format. A story told through video can make people burst into laughter or shed tears of sadness. Video transports the viewer to another place, another time — and with advances in virtual reality it’s even possible to see the world through someone else’s eyes. What video is not, by any means, is easy. Fraught with challenges in production, distribution and measurement, video is one of the most resource-heavy creative processes out there. As brands move from making one or two TV commercials a year to creating weekly or even daily video for social media, these challenges grow exponentially. Pressboard is a story marketplace. We make it easy for brands to collaborate with hundreds of media publishers on video content — instead of ads. In that same collaborative spirit, we created this guide to combine the wisdom of the greatest video minds in the world and turn those insights into actionable advice that marketers, publishers, creators and technologists can all apply to their own brands. We cannot wait to see the stories that you will tell. 3 Foreword Mark Greenspan Chief Influencer, influenceTHIS Founding Members In an effort to support the growth of the branded content industry in Canada we have partnered with Pressboard to distribute this report to marketers, advertisers, influencer networks and creators. -
The C-Suite Guide to Video for Business
The C-Suite Guide to Video for Business Video eBook Written by Brian Overson Phone: 952-829-9091 [email protected] storytellermn.com e Brian Overson is the Marketing Associate at StoryTeller Media + Communications in Bloomington, Minnesota. StoryTeller is an inbound marketing and video production agency, earning three Midwest Regional Emmy awards for video storytelling. Other titles by Brian Overson: Business Blogging: Te C-Suite Guide to Producing Written Content, Part I Copyright © 2015, Brian Overson, StoryTeller Media + Communications Table of Contents Introduction............................................................................4 Where Do I Start?........................................................................7 Content.................................................................................13 Production.........................................................................19 SEO.......................................................................................26 How Do I Use It?........................................................................29 Conclusion...........................................................................33 Resources............................................................................35 CHAPTER 1 Introduction “When it’s done well, video can take you somewhere. It can make you feel like you were at that place, or with that person.” – Gregg Litman Brand Content Manager StoryTeller Media + Communications Emmy Award-winning Video Producer INTRODUCTION Welcome -
Digital Transformation Through Data: a Guide for News and Media Companies to Drive Value with Data March 2019 Content
In collaboration with the Activation Guide Digital transformation through data: a guide for news and media companies to drive value with data March 2019 Content Data foundations 7 Culture and ways of working ............................................ 8 Skills ................................................................................... 10 Technology........................................................................ 12 Data ................................................................................... 14 Use cases 17 Improve overall reader engagement Content planning ............................................................. 18 Recirculation ..................................................................... 20 Reader experience ........................................................... 22 Increase direct-paying relationships with readers Subscription pricing and promotion ............................. 24 Design for reader lifetime value (LTV) ........................... 26 Revenue diversification ................................................... 28 Drive revenue from advertisers Audience-based advertising ........................................... 30 Advertising pricing strategy ............................................ 32 Inventory yield management ......................................... 34 Data activation guide: news and media companies | INTRODUCTION 3 Introduction Digital innovation has reshaped the news To capitalize on this evolution, news and and media industry. The transition from print media companies -
The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and -
The State of Recorded Sound Preservation in the United States: a National Legacy at Risk in the Digital Age
The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 Commissioned for and sponsored by the CounCil on library and information resourCes and the library of Congress The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 from last round: National Recording Preservation Board OF THE LIBRARY OF CONGRESS revised: Commissioned for and sponsored by the National Recording Preservation Board OF THE LIBRARY OF CONGRESS Council on Library and Information Resources and The Library of Congress Washington, D.C. National Recording Registry OF THE LIBRARY OF CONGRESS The National Recording Preservation Board The National Recording Preservation Board was established at the Library of Congress by the National Recording Preservation Act of 2000. Among the provisions of the law are a directive to the Board to study and report on the state of sound recording preservation in the United States. More information about the National Recording Preservation Board can be found at http://www.loc.gov/rr/record/nrpb/. ISBN 978-1-932326-36-9 CLIR Publication No. 148 Copublished by: Council on Library and Information Resources 1752 N Street NW, Suite 800 Washington, DC 20036 Web site at http://www.clir.org and The Library of Congress 101 Independence Avenue, SE Washington, DC 20540 Web site at http://www.loc.gov Additional copies are available for $30 each. Orders must be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/abstract/pub148abst.html. -
Landon Cat.PM
VIDEO UNIVERSITY HOW TO START OR EXPAND A SUCCESSFUL HOME-BASED BUSINESS PRODUCING CORPORATE VIDEOS ■#77 PROFESSIONAL VIDEO PRODUCER - A Comprehensive Course If you love making videos as much as I do, you know it’s an expensive hobby. That’s why I produce videos for others. So they can help pay for my equipment. For the last 12 years I’ve been producing corporate videos, having been in the film and video business for over 20 years. And over those years I have learned a lot! NEW VIDEO What they don’t teach you in college College courses costing hundreds of dollars are great for learning the theory of visual communication, but they don’t teach you how to build a profitable business and support BUSINESSES ARE yourself. That’s why I wrote Professional Video Producer to show you the real world of video business from people who actually run successful production companies. In this HOTTER unique home study course you’ll discover the techniques and strategies used by large and small video production companies who’ve learned the most important lesson of all - how THAN EVER… to make a profit in this $8 BILLION business. But before we explore that, let me tell you the FOUR THINGS I LOVE about this work: ARE YOU 1. Variety Since I started producing corporate videos, I've been paid to learn about and produce GETTING YOUR videos on subjects ranging from dock building, lipstick manufacturing, electronic surveying, furniture sales training, computer programs, architecture, nursing, interstate highway SHARE? building, sexual harassment, waterfront reconstruction, book printing, food preparation and many more. -
Ritualizando Cuerpos Y Paisajes: Títol
Environmental governance and new ICTs: the impact of new information and communication technologies on global environmental governance Jérôme Duberry TESI DOCTORAL UPF / 2014 PROFESSOR JOSEP IBAÑEZ DEPARTAMENT DE DRET ii Acknowledgements I would like to thank the Law Department of the University Pompeu Fabra and in particular my tutor Professor Dr. Josep Ibáñez Muñoz for his academic and personal support, and members of the Secretariat Lluïsa and Adela. I also would like to thank my parents for their encouragement, Max for his valuable comments and faithful support, Angela for her faith in me, my dear local friends Diego and Jessica, my Bloom and Boom dream team, and all those whose presence from close or far made this thesis possible. iii iv Abstract The doctoral dissertation deals with the impact of the use of new information and communication technologies (ICTs) on global environmental governance. The objective of the research is to analyze the influence of these technologies on the legitimacy of global governance tools and on the competences of global non-state actors –as part of global civil society– involved in processes of environmental politics. After defining the context in which new ICTs emerge, the thesis develops two case studies. The first one analyzes the resolution and recommendation process of the International Union for Conservation of Nature and Natural Resources (IUCN). It illustrates that the use of new ICT improves the participation and the creation of consensus around certain values, and shows therefore that the use of new ICTs has a positive impact on the legitimacy of this global governance mechanism. -
Blu-Ray Disc PLAYER Thank You for Buying This Pioneer Product
Operating Instructions Blu-ray Disc PLAYER Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. IMPORTANT CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol, CAUTION: The exclamation point within an equilateral within an equilateral triangle, is intended to TO PREVENT THE RISK OF ELECTRIC triangle is intended to alert the user to the alert the user to the presence of uninsulated SHOCK, DO NOT REMOVE COVER (OR presence of important operating and "dangerous voltage" within the product's BACK). NO USER-SERVICEABLE PARTS maintenance (servicing) instructions in the enclosure that may be of sufficient INSIDE. REFER SERVICING TO QUALIFIED literature accompanying the appliance. magnitude to constitute a risk of electric SERVICE PERSONNEL. shock to persons. D3-4-2-1-1_En-A IMPORTANT NOTICE D1-4-2-6-1_En NOTE: !#"!"!"#"'%"""! !!"$# !#"" "" #!!"! !" $ ! ""!" #" !"!""!#" "!#!! " #' '" !"#! %""!" #"!'#! #" " #"! %$ " !# """" %"# "# !"" "!#"! #! #" " "$! "%" '"# "#" "#! !# "" '" """ ' "%!# ! ( " "" $" ( !"! ""%"#" $ ( ""#""#"" #" " """%" $ !" ( !#"" & " D8-10-1-2_En Information to User D8-10-2_En !# CAUTION: D8-10-3a_En "! !!$ !-.6)*9.(*(3140.*6:.7-4&57 3+7-*80*64*5&7.32.668'/*(7737-*+3003:.2,7:3(32).7.326!-.6 )*9.(*1&;237(&86*-&51+80.27*5+*5*2(*&2) 7-.6)*9.(*1867&((*47&2;.27*5+*5*2(*5*(*.9*).2(08).2, .27*5+*5*2(*7-&71&;(&86*82)*6.5*)34*5&7.32 53)8(7&1*085&;.6( $ 3)*081'*5 *64326.'0*&57;&1*! # ))5*66 "% ! " -32* CAUTION : USE OF CONTROLS OR ADJUSTMENTS OR PERFORMANCE OF PROCEDURES OTHER THAN THOSE SPECIFIED HEREIN MAY RESULT IN HAZARDOUS RADIATION EXPOSURE. -
Creating and Archiving Born Digital Video: Part 4. Resource Guide
Federal Agencies Digitization Guidelines Initiative Creating and Archiving Born Digital Video Part IV. Resource Guide September 8, 2014 The FADGI Audio-Visual Working Group http://www.digitizationguidelines.gov/audio-visual/ Creating and Archiving Born Digital Video IV: Resource Guide By the Federal Agencies Digitization Guidelines Initiative Audio-Visual Working Group http://www.digitizationguidelines.gov/audio-visual/ Version 1.0, September 8, 2014 TABLE OF CONTENTS Introduction .............................................................................................................................................................. 3 General Resources .................................................................................................................................................... 3 Digital Storage .......................................................................................................................................................... 4 Transcoding and Editing Software Applications and Other Technical Tools .................................................... 5 Inventorying and Processing ................................................................................................................................... 5 Digitization/Capture, Preservation and Quality Control ...................................................................................... 6 Authenticity, Fixity and Integrity ..........................................................................................................................