ABSTRACT Reading Dreams: an Audience-Critical Approach to the Dreams in the Gospel of Matthew Derek S. Dodson, B.A., M.Div
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The Jews of Hellenistic Egypt Jews in Egypt Judahites to E
15 April 2019 Septuagint, Synagogue, and Symbiosis: Jews in Egypt The Jews of Hellenistic Egypt Those who escaped the Babylonian advance on Jerusalem, 605‐586 B.C.E. Gary A. Rendsburg Rutgers University Jeremiah 44:1 ַה ָדּ ָב ֙ר ֲא ֶ ֣שׁר ָהָי֣ה ֶ ֽא ִל־יְר ְמָ֔יהוּ ֶ֚אל ָכּל־ ַהְיּ ִ֔הוּדים ַהיֹּ ְשׁ ִ ֖בים ְבּ ֶ ֣אֶר ץ ִמ ְצָ ֑ר ִים Mandelbaum House ַהיֹּ ְשׁ ִ ֤בים ְבּ ִמ ְגדֹּ ֙ל ְוּב ַת ְח ַפּ ְנ ֵ ֣חס ְוּב֔נֹף וּ ְב ֶ ֥אֶרץ ַפּ ְת ֖רוֹס ֵל ֽ ֹאמר׃ April 2019 4 The word which was to Jeremiah, concerning all the Jews who dwell in the land of Egypt, who dwell in Migdol, Tahpanhes, Noph, and the land of Pathros, saying. Judahites to Egypt 600 – 585 B.C.E. Pathros Map of the Persian (Achaemenid) Empire 538 – 333 B.C.E. Bust of the young Alexander the Great (c. 100 B.C.E.) (British Museum) Empire of Alexander the Great (356‐323 B.C.E.) / (r. 336‐323 B.C.E.) 1 15 April 2019 Cartouche of Alexander the Great N L c. 330 B.C.E. D I K A (Louvre, Paris) R S S The Four Successor Kingdoms to Alexander the Great Ptolemies – Alexandria, Egypt (blue) Selecudis – Seleukia / Antioch (golden) Ptolemy Dynasty Jews under Alexander and Ptolemy I 305 B.C.E. – 30 B.C.E. Josephus, Antiquities of the Jews, Book 12, Chapter 1 • Ptolemy brought Jews from Judea and Jerusalem to Egypt. Founded by Ptolemy I, • He had heard that the Jews had been loyal to Alexander. -
81288967.6.Pdf
*v tmtmmmmmmmmm /'(^,:'.' •' ; i V I I IJailtj/l ]>oKMS OFl)SSIA>'. ' ^ TO TllE EDITOR OF THB NOllTH BBITI3H DAILT UAU.. Sir - In your iritùfuc on the traiislation o£ the poeuis of Ossian, in yesterJay's issue, I tìnd that both thu traniilatur and writer of the article have fallen into a vei-y curious mistake iu their transla- lation of the only Gaelic iiuotation thereiu, liaving remUred thcword "ahviil" intosails, in placeofeye in its proper signiiication, the word for sails being this connection "shiuil." The ciuotation will then read translated, keeping for the rest to the ' writt'r'tì text— •• Tliim eji', I) m.v frieii.l: is l.. iiie | Like lu-ifililtìDÌiii; ol' morn ..ut of c!..iiil. , wbiih, I think, is a inore apposite tìgure than tbe I other.—I am, &e., <Jae[.. I Ardrishaig, ".th J,inu.%ry. " [Tlie word in the original is " shiuil." ShuU" ia simijly a typographical error. The whole passage •willbefound in the " Fingal," Duan II.,bBtweon verse :!41 aml o.'il. It is the cxclamation of CuchuUin as he sees the war ships of Fiugal bearing down to. Iii8 aid on the Irish coast. If the werd ha.l be?n •' shuil" the remark ot our correspcjndent would be • iiuite accurate.—Ed. N.B.D.M.] : siiouiKj Bq'j ^vin a]qBqo.ia Bi qi sonapiAa uoa£) •(, Aiuo eq:) si gg^x 3« oiISE;) pa^uijd eqx 'paiisu •jnud ui iioi;'EM[qtid JI3IH mi\i aopjo i[onn] ein suuoj BBq ^diJOBUUEM •(Bqj joj 'iioa pa)utjdaa '[ ;u9eajd Jiaq; u; s~,xi\ OH-'^O ^'l^ ^'^'I^ E9Aoad peaa)iB si qoiqii '.i08T "! :)d!aosnuBra s,u"oEjaqdo- eouapiAa jo dtrjjB ouo ^ou puE 'oipEf) «[U0Bna9A -
Maritime Carrier's Liability for Loss of Or Damage to Goods Under The
Maritime Carrier's Liability for Loss of or Damage to Goods under the Hague Rules, Visby Rules and the Hamburg Rules, compared with his Liability as an Operator under the Relevant Rules of the International Multimodal Transport Convention. A Thesis Submitted for the Degree of Doctor of Philosophy by Hani M.S. Abdulrahim The School of Law, Faculty of Law and Financial Studies, University of Glasgow February 1994 © Hani M.S. Abdulrahim, 1994 ProQuest Number: 11007904 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11007904 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 “ILhl m i GLASGOW C>p I UNIVERr'T library ii To My mother, brothers, sisters and in memory of my father. Acknowledgements I wish with considerable enthusiasm to acknowledge and express my deepest grateful thanks and gratitude to Dr. W. Balekjian and Mr Alan Gamble for their invaluable guidance and encouragement in supervising this thesis. They have given unsparingly of their time to it. It gives me great pleasure to acknowledge the helpfulness of the Glasgow University library staff, and also my deep gratitude to Mrs Cara Wilson who kindly typed this work. -
The Greatest Mirror: Heavenly Counterparts in the Jewish Pseudepigrapha
The Greatest Mirror Heavenly Counterparts in the Jewish Pseudepigrapha Andrei A. Orlov On the cover: The Baleful Head, by Edward Burne-Jones. Oil on canvas, dated 1886– 1887. Courtesy of Art Resource. Published by State University of New York Press, Albany © 2017 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Dana Foote Marketing, Fran Keneston Library of Congress Cataloging-in-Publication Data Names: Orlov, Andrei A., 1960– author. Title: The greatest mirror : heavenly counterparts in the Jewish Pseudepigrapha / Andrei A. Orlov. Description: Albany, New York : State University of New York Press, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2016052228 (print) | LCCN 2016053193 (ebook) | ISBN 9781438466910 (hardcover : alk. paper) | ISBN 9781438466927 (ebook) Subjects: LCSH: Apocryphal books (Old Testament)—Criticism, interpretation, etc. Classification: LCC BS1700 .O775 2017 (print) | LCC BS1700 (ebook) | DDC 229/.9106—dc23 LC record available at https://lccn.loc.gov/2016052228 10 9 8 7 6 5 4 3 2 1 For April DeConick . in the season when my body was completed in its maturity, there imme- diately flew down and appeared before me that most beautiful and greatest mirror-image of myself. -
Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations. -
Radical Psychoanalysis
RADICAL PSYCHOANALYSIS Only by the method of free-association could Sigmund Freud have demonstrated how human consciousness is formed by the repression of thoughts and feelings that we consider dangerous. Yet today most therapists ignore this truth about our psychic life. This book offers a critique of the many brands of contemporary psychoanalysis and psychotherapy that have forgotten Freud’s revolutionary discovery. Barnaby B. Barratt offers a fresh and compelling vision of the structure and function of the human psyche, building on the pioneering work of theorists such as André Green and Jean Laplanche, as well as contemporary deconstruction, feminism, and liberation philosophy. He explores how “drive” or desire operates dynamically between our biological body and our mental representations of ourselves, of others, and of the world we inhabit. This dynamic vision not only demonstrates how the only authentic freedom from our internal imprisonments comes through free-associative praxis, it also shows the extent to which other models of psychoanalysis (such as ego-psychology, object-relations, self-psychology, and interpersonal-relations) tend to stray disastrously from Freud’s original and revolutionary insights. This is a vision that understands the central issues that imprison our psychic lives—the way in which the reflections of consciousness are based on the repression of our innermost desires, the way in which our erotic vitality is so often repudiated, and the way in which our socialization oppressively stifles our human spirit. Radical Psychoanalysis restores to the discipline of psychoanalysis the revolutionary impetus that has so often been lost. It will be essential reading for psychoanalysts, psychoanalytic psychotherapists, mental health practitioners, as well as students and academics with an interest in the history of psychoanalysis. -
Freud's Wishful Dream Book
Freud’s Wishful Dream Book A L E X A N D E R W E L S H Freud’s Wishful Dream Book princeton university press, princeton, n. j. Copyright 1994 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Chichester, West Sussex All Rights Reserved Library of Congress Cataloging-in-Publication Data Welsh, Alexander. Freud’s wishful dream book / Alexander Welsh. p. cm. Includes bibliographical references and index. ISBN 0-691-03718-3 (cloth) 1. Freud, Sigmund, 1856–1939. Traumdeutung. 2.Dream interpretation. 3. Psychoanalysis. I. Title. BF175.5.D74W45 1994 154.6′34—dc20 94-10758 This book has been composed in Adobe Garamond Princeton University Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Printed in the United States of America 13579108642 The whole thing is planned on the model of an imagi- nary walk. At the beginning, the dark forest of authors (who do not see the trees), hopelessly lost on wrong tracks. Then a concealed pass through which I lead the reader—my specimen dream with its peculiarities, details, indiscretions, bad jokes—and then suddenly the high ground and the view and the question: which way do you wish to go now? Sigmund Freud to Wilhelm Fliess, 6 August 1899 C O N T E N T S preface ix chapter one “A Dream Is the Fulfilment of a Wish” 3 chapter two “Dreams Really Have a Secret Meaning” 29 chapter three “So Far as I Knew, I Was Not an Ambitious Man” 51 chapter four “It Had Been Possible to Hoodwink the Censorship” 79 chapter five “The Only Villain among the Crowd of Noble Characters” 109 index of works cited 139 P R E F A C E This short book consists of a commentary in five parts on Freud’s The Interpretation of Dreams, as published in the last months of 1899 and revised over the years until the author’s death in 1939. -
Religion and the Greeks Free Download
RELIGION AND THE GREEKS FREE DOWNLOAD Robert Garland | 128 pages | 01 Apr 2013 | Bloomsbury Publishing PLC | 9781853994098 | English | London, United Kingdom Greek religion Politics Constitution Constitutional amendments, Constitutions, Supreme Special Court. One would never finish listing all the gods that Rome added to the gods of Greece; never did a Greek or Religion and the Greeks village have so Religion and the Greeks. The first Greeks had seen the gods travel and live among them. List of ancient Greeks. They wanted gods of truly divine nature, gods disengaged from matter. Thus perished three Decius, all three of them consuls; such were the voluntary sacrifices that Rome admired, and yet it did not order them. Although pride and vanity were not considered sins themselves, the Greeks emphasized moderation. While much religious practice was, as well as personal, aimed at developing solidarity within the polisa number of important sanctuaries developed a "Panhellenic" status, drawing visitors from Religion and the Greeks over the Greek world. Korean shamanism Cheondoism Jeungsanism. This process was certainly under way by the 9th century, and probably started earlier. However, there are many fewer followers than Greek Orthodox Christianity. The Trojan Palladiumfamous from the myths of the Epic Cycle and supposedly ending up in Rome, was one of these. Overall, the Ancient Greeks used their religion to help explain the world around them. Generally, the Greeks put more faith in observing the behavior of birds. For example, most households had an alter dedicated to Hestia, the goddess of the hearth. The name of Cassandra is famous, and Cicero Religion and the Greeks why this princess in a furor discovered the future, while Priam her father, in the tranquility of his reason, saw nothing. -
Ebook Download the Politics of Sacrifice in Early Greek Myth And
THE POLITICS OF SACRIFICE IN EARLY GREEK MYTH AND POETRY 1ST EDITION PDF, EPUB, EBOOK Charles Heiko Stocking | 9781107164260 | | | | | The Politics of Sacrifice in Early Greek Myth and Poetry 1st edition PDF Book As the centuries passed both the inside of popular temples and the area surrounding them accumulated statues and small shrines or other buildings as gifts, and military trophies, paintings and items in precious metals, effectively turning them into a type of museum. Interpreting the Politics of Greek Sacrifice 17 power in general, as an inherently unstable social structure, constructed and negotiated through rituals of sacrifice and commensality. Notify me of new posts via email. Lambert —; Parker 21— On interpreting Greek epic in terms of a mythic rather than strictly textualized sequence, informed by the orally derived nature of these texts, see Clay 15; Clay ; Muellner 94— Achilles island Delos. This book represents the most comprehensive study to date of his early output as a unified literary production. Austin Cline. Only about half of the Mycenaean pantheon seem to survive the Greek Dark Ages though. Women who voluntarily chose to become priestesses received an increase in social and legal status to the public, and after death, they received a public burial site. Share Flipboard Email. The Idea of the Holy trans. There was also clearly cultural evolution from the Late Helladic Mycenaean religion of the Mycenaean civilization. Includes bibliographical references and index. Whereas previous studies have noted how the geras is used to bestow honour or how seating can reflect and establish ranking, this present investigation deepens and advances our understanding by offering a more subtle appreciation of the symbolic nature of the geras. -
UNIVERSITY of CALIFORNIA Los Angeles Homer's Roads Not Taken
UNIVERSITY OF CALIFORNIA Los Angeles Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Craig Morrison Russell 2013 ABSTRACT OF THE DISSERTATION Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey by Craig Morrison Russell Doctor of Philosophy in Classics University of California, Los Angeles, 2013 Professor Alex C. Purves, Chair This dissertation is a consideration of how narratives in the Iliad and Odyssey find their shapes. Applying insights from scholars working in the fields of narratology and oral poetics, I consider moments in Homeric epic when characters make stories out of their lives and tell them to each other. My focus is on the concept of “creativity” — the extent to which the poet and his characters create and alter the reality in which they live by controlling the shape of the reality they mould in their storytelling. The first two chapters each examine storytelling by internal characters. In the first chapter I read Achilles’ and Agamemnon’s quarrel as a set of competing attempts to create the authoritative narrative of the situation the Achaeans find themselves in, and Achilles’ retelling of the quarrel to Thetis as part of the move towards the acceptance of his version over that of Agamemnon or even the Homeric Narrator that occurs over the course of the epic. In the second chapter I consider the constant storytelling that [ii ] occurs at the end of the Odyssey as a competition between the families of Odysseus and the suitors to control the narrative that will be created out of Odysseus’s homecoming. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
Future Philology! by Ulrich Von Wilamowitz-Moellendorff - Rt Anslated by G
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2000 Future Philology! by Ulrich von Wilamowitz- Moellendorff - rT anslated by G. Postl, B. Babich, and H. Schmid Babette babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Classical Literature and Philology Commons, Continental Philosophy Commons, German Language and Literature Commons, and the History of Philosophy Commons Recommended Citation babich, Babette, "Future Philology! by Ulrich von Wilamowitz-Moellendorff - rT anslated by G. Postl, B. Babich, and H. Schmid" (2000). Articles and Chapters in Academic Book Collections. 3. https://fordham.bepress.com/phil_babich/3 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. FUTURE PHILOLOGY!i a reply to FRIEDRICH NIETZSCHE’S Ordinarius Professor of Classical Philology at Basel „birth of tragedy“ by Ulrich von Wilamowitz-Möllendorff Dr. Phil. zÏîùô óéëöéùô âáë&Òò ôåýôëéïí ßðüôñéììá hñÃïí ¦ãêÝöáëïí Ïñßãáíïí êáôáðõãïóýíç ôáØôz ¦óô ðñÎò êñåáò ìÝãá. — Aristophanes, Age 17ii i Zukunftsphilologie is a play upon the 1861 German publication of Wagner’s ironically titled “Zukunftsmusik” [“Music of the Future” — the quotation marks are Wagner’s own], an open letter to Frederic Villot, Conservator of the Picture Museums at the Louvre, first translated into and published in French in 1860. See L. J. Rather, Reading Wagner: A Study in the History of Ideas (Baton Rouge: Louisiana State University Press, 1998), p.