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ABSTRACT Reading Dreams: an Audience-Critical Approach to the Dreams in the Gospel of Matthew Derek S. Dodson, B.A., M.Div
ABSTRACT Reading Dreams: An Audience-Critical Approach to the Dreams in the Gospel of Matthew Derek S. Dodson, B.A., M.Div. Mentor: Charles H. Talbert, Ph.D. This dissertation seeks to read the dreams in the Gospel of Matthew (1:18b-25; 2:12, 13-15, 19-21, 22; 27:19) as the authorial audience. This approach requires an understanding of the social and literary character of dreams in the Greco-Roman world. Chapter Two describes the social function of dreams, noting that dreams constituted one form of divination in the ancient world. This religious character of dreams is further described by considering the practice of dreams in ancient magic and Greco-Roman cults as well as the role of dream interpreters. This chapter also includes a sketch of the theories and classification of dreams that developed in the ancient world. Chapters Three and Four demonstrate the literary dimensions of dreams in Greco-Roman literature. I refer to this literary character of dreams as the “script of dreams;” that is, there is a “script” (form) to how one narrates or reports dreams in ancient literature, and at the same time dreams could be adapted, or “scripted,” for a range of literary functions. This exploration of the literary representation of dreams is nuanced by considering the literary form of dreams, dreams in the Greco-Roman rhetorical tradition, the inventiveness of literary dreams, and the literary function of dreams. In light of the social and literary contexts of dreams, the dreams of the Gospel of Matthew are analyzed in Chapter Five. -
Ebook Download the Politics of Sacrifice in Early Greek Myth And
THE POLITICS OF SACRIFICE IN EARLY GREEK MYTH AND POETRY 1ST EDITION PDF, EPUB, EBOOK Charles Heiko Stocking | 9781107164260 | | | | | The Politics of Sacrifice in Early Greek Myth and Poetry 1st edition PDF Book As the centuries passed both the inside of popular temples and the area surrounding them accumulated statues and small shrines or other buildings as gifts, and military trophies, paintings and items in precious metals, effectively turning them into a type of museum. Interpreting the Politics of Greek Sacrifice 17 power in general, as an inherently unstable social structure, constructed and negotiated through rituals of sacrifice and commensality. Notify me of new posts via email. Lambert —; Parker 21— On interpreting Greek epic in terms of a mythic rather than strictly textualized sequence, informed by the orally derived nature of these texts, see Clay 15; Clay ; Muellner 94— Achilles island Delos. This book represents the most comprehensive study to date of his early output as a unified literary production. Austin Cline. Only about half of the Mycenaean pantheon seem to survive the Greek Dark Ages though. Women who voluntarily chose to become priestesses received an increase in social and legal status to the public, and after death, they received a public burial site. Share Flipboard Email. The Idea of the Holy trans. There was also clearly cultural evolution from the Late Helladic Mycenaean religion of the Mycenaean civilization. Includes bibliographical references and index. Whereas previous studies have noted how the geras is used to bestow honour or how seating can reflect and establish ranking, this present investigation deepens and advances our understanding by offering a more subtle appreciation of the symbolic nature of the geras. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
TH[MKSTOK<L[AN
HESPERIA 68.4, I999 PAINTING FRM THE ll\v\ TH[MKSTOK<L[ANWALL A RECONSTRUCTION 1. The principaltreatments of the The Neilonides base, now in the Athens EpigraphicalMuseum (EM 12870, Neilonides base are Philadelpheus Figs. 1 and 2), was discovered in 1922 by the Greek archaeologist Alexan- 1922a, 1922b, and 1923; Casson 1925; dros Philadelpheus built into the lowest courses of the Themistoklean wall Rumpf 1938; Raubitschek1939, cols. 62-68; Jeffery 1962, p. 127, no. 19; and south of the Piraeus gate in Athens.' The base consists of a single rectan- Viviers 1992, pp. 67-77. gular block smoothed on three sides; in shape it is a tall, slightly irregular I would like to thank the director, rectangle longer on the front and back sides than on the flanks.2The ob- CharalambosKritzas, and staff of the long plinth cavity on the top surface of the base reveals that it originally EpigraphicalMuseum in Athens for supported a marble statue of the Archaic kouros type. A shallow, rectan- granting me permissionto study EM 12870. Chara Karapa-Molisaniin gular mortise on its underside shows that it was in turn supported by a particularprovided me with daily help rectangularpillar, now lost. and hospitalityduring the summersof Previously,interest in the Neilonides base has focused on its inscrip- 1996 and 1997. Guy Cobolet provided tions and on the circumstances of its discovery. Two inscriptions, both access to the archivesof the Ecole written in the Attic alphabet, appear on the base's front face. The longer francaised'Athenes, and Martin Schafer inscription, first deciphered by A. E. -
Read Book Religion in the Ancient Greek City 1St Edition Kindle
RELIGION IN THE ANCIENT GREEK CITY 1ST EDITION PDF, EPUB, EBOOK Louise Bruit Zaidman | 9780521423571 | | | | | Religion in the Ancient Greek City 1st edition PDF Book Altogether the year in Athens included some days that were religious festivals of some sort, though varying greatly in importance. Some of these mysteries, like the mysteries of Eleusis and Samothrace , were ancient and local. Athens Atlanta, Georgia: Scholars Press. At some date, Zeus and other deities were identified locally with heroes and heroines from the Homeric poems and called by such names as Zeus Agamemnon. The temple was the house of the deity it was dedicated to, who in some sense resided in the cult image in the cella or main room inside, normally facing the only door. Historical religions. Christianization of saints and feasts Christianity and Paganism Constantinian shift Hellenistic religion Iconoclasm Neoplatonism Religio licita Virtuous pagan. Sacred Islands. See Article History. Sim Lyriti rated it it was amazing Mar 03, Priests simply looked after cults; they did not constitute a clergy , and there were no sacred books. I much prefer Price's text for many reasons. At times certain gods would be opposed to others, and they would try to outdo each other. An unintended consequence since the Greeks were monogamous was that Zeus in particular became markedly polygamous. Plato's disciple, Aristotle , also disagreed that polytheistic deities existed, because he could not find enough empirical evidence for it. Once established there in a conspicuous position, the Olympians came to be identified with local deities and to be assigned as consorts to the local god or goddess. -
Vicarious Lulu5 FINALEST VAN NIEUWE DEFINITIVE2 Allerbest …
Envoy When in the Spring of 2015 I started on the editing of this book, it was out of dissatisfaction. The definitive book on my life-long Nkoya research (‘Our Drums Are Always On My Mind’, in press (a)) only required some tedious up- dating for which I lacked the inspiration, and my ongoing ‘Sunda’ empirical research on ‘Rethinking Africa’s transcontinental continuities in pre- and pro- tohistory’, recently enriched by a spell of field-work on the Bamileke Plateau, Cameroon, had reached a break-through. The models of transcontinental inter- action which I had hitherto applied, had turned out to need more rethinking than I had bargained for, and the prospects of bringing out the Nkoya or the Sunda book by the end of the year were thwarted. I thought to remedy this unpleasant situation by quickly compiling a book of my many articles on inter- cultural philosophy. Most of these had already been published and therefore could be expected to be in an accomplished state of textual editing. But I had totally misjudged, both the amount of work involved (given my current stan- dards of perfection), and the centrality this new project was to occupy within the entire scope of my intellectual production. Only gradually did I come to realise what I was really doing: writing my philosophical and Africanist testa- ment, by bringing to bear, upon the original arguments conceived for a phi- losophical audience, the full extent of my comparative empirical research over the last two decades. In this way, what emerged was increasingly a coherent statement on empirically-grounded intercultural philosophy, greatly inspired and intellectually equipped by my philosophical adventure around the Rotter- dam chair of Foundations of Intercultural Philosophy, yet revisiting and reviv- ing the methods and theories of my original training, research and teaching as an anthropologist. -
Representations of the Afterlife in Luke-Acts Somov, A
VU Research Portal Representations of the Afterlife in Luke-Acts Somov, A. 2014 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Somov, A. (2014). Representations of the Afterlife in Luke-Acts. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 25. Sep. 2021 ACKNOWLEDGEMENTS This work could not have been completed without the help and support of several people whom I would like to thank here. First of all, I am very grateful to my supervisor Prof. Dr. Bert Jan Lietaert Peerbolte to whom I would like to express my deepest appreciation for his careful reading of my manuscript, generous and effective feedback, and advice as well as encouragement throughout the years of my research. Secondly, I would like to give my sincere thanks to my co-supervisors Dr. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
The Promise of Hades
The Promise of Hades The Hades Trials Eliza Raine Rose Wilson Copyright © 2020 by Eliza Raine All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review. Editors: Christopher Mitchell, Kyra Wilson Cover: Kim’s Covers For everyone who is convinced that there’s a goddess of hell inside them… Contents 1. Persephone 2. Persephone 3. Hades 4. Persephone 5. Persephone 6. Persephone 7. Persephone 8. Hades 9. Persephone 10. Persephone 11. Persephone 12. Hades 13. Persephone 14. Persephone 15. Persephone 16. Hades 17. Persephone 18. Persephone 19. Persephone 20. Hades 21. Persephone 22. Persephone 23. Hades 24. Persephone 25. Persephone 26. Persephone 27. Hades 28. Persephone 29. Persephone 30. Persephone 31. Persephone The Warrior God - Chapter One Thanks for Reading! Chapter One Persephone "Wait, wait, wait. Slow down. You seriously expect me to believe that you were kidnapped by Zeus and taken to Olympus?" My brother stared at me as I paced frantically up and down my small room, his hazel eyes wide. "Yes! It's true. I was there for weeks.’ "Persy, I spoke to you on the phone yesterday." He ran a hand through his sandy hair and shook his head as he glanced around my trashed room. "Should I call mom? Are you OK?" I stopped pacing and screwed my face up. Gods, I'd love to see my mom and dad. But they were nearly a thousand miles away in their RV, touring Atlanta. -
Religious Discourse in Hellenistic and Roman Times: Content Topoi in Greek Epigraphic Cult Foundations and Sacred Norms
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 30 | 2017 Varia Religious discourse in Hellenistic and Roman times: content topoi in Greek epigraphic cult foundations and sacred norms María-Paz de Hoz Electronic version URL: http://journals.openedition.org/kernos/2496 DOI: 10.4000/kernos.2496 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 October 2017 Number of pages: 187-220 ISSN: 0776-3824 Electronic reference María-Paz de Hoz, « Religious discourse in Hellenistic and Roman times: content topoi in Greek epigraphic cult foundations and sacred norms », Kernos [Online], 30 | 2017, Online since 01 October 2019, connection on 18 September 2020. URL : http://journals.openedition.org/kernos/2496 ; DOI : https://doi.org/10.4000/kernos.2496 This text was automatically generated on 18 September 2020. Kernos Religious discourse in Hellenistic and Roman times: content topoi in Greek ep... 1 Religious discourse in Hellenistic and Roman times: content topoi in Greek epigraphic cult foundations and sacred norms María-Paz de Hoz This paper has been realized with financial support of the Spanish Ministry of Science and Innovation (Project: Hellenization in the Greco-Roman East: processes of assimilation and perception in the local cultures: FFI2015–63956–P). For the abbreviations used for the inscriptions mentioned see list in p. 217. I would like to thank the anonymous referee for his comments and suggestions, which have improved the final version. Introduction 1 The fact that ancient and modern studies on rhetoric of religion focus on hymns is very understandable because hymns include the main elements in any communication with the gods.1 They include acclamation and praise to the gods with different elements and special topoi, and they include prayer, often based on arguments related to, or exposed in, the preceding praise. -
A Lively Afterlife and Beyond: the Soul in Plato, Homer, and the Orphica
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2014 A Lively Afterlife and Beyond: The oulS in Plato, Homer, and the Orphica Radcliffe dmondE s III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, R.E. "A Lively Afterlife and Beyond: The oulS in Plato, Homer, and the Orphic." Études platoniciennes 11: Platon et ses prédécesseurs – Psukhê: (2014) [on line: http://etudesplatoniciennes.revues.org/517].] This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/112 For more information, please contact [email protected]. Études Platoniciennes 11 - 2014 Platon et la psychè Radcliffe G. EDMONDS III A Lively Afterlife and Beyond : The Soul in Plato, Homer, and the Orphica Avertissement Le contenu de ce site relève de la législation française sur la propriété intellectuelle et est la propriété exclusive de l'éditeur. Les œuvres figurant sur ce site peuvent être consultées et reproduites sur un support papier ou numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale. La reproduction devra obligatoirement mentionner l'éditeur, le nom de la revue, l'auteur et la référence du document. Toute autre reproduction est interdite sauf accord préalable de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. -
Greek Mythology for Teens: Classic Myths in Todays World Pdf, Epub, Ebook
GREEK MYTHOLOGY FOR TEENS: CLASSIC MYTHS IN TODAYS WORLD PDF, EPUB, EBOOK Zachary Hamby PH.D. | 199 pages | 01 Jul 2011 | Sourcebooks | 9781593637170 | English | Naperville, United Kingdom Greek Mythology for Teens: Classic Myths in Todays World PDF Book The Nineteenth-century Visual Culture Reader. The Truth About Myths. Nielsen, Jennifer A. Enlarge cover. The Trojan Horse , a seemingly benign gift that allowed entrance by a malicious force, gave its name to the computer hacking methodology called Trojans. When his wife, Eurydice, was killed by a snake, Orpheus went to the underworld in search of her. Products were bought by others. Mythology for Teens: Classic Myths for Today's World By Zachary Hamby Age Level: Teachers, have you ever wondered how mythology can relate to your student's life or how to make mythology relevant in the classroom? Opera from the Greek: Studies in the Poetics of Appropriation. Another hero known for his descent to the underworld was Orpheus. Bryant Age Level: Do you know who Poseidon is, or what he would look like? Jenny rated it it was amazing May 20, Orpheus and Eurydice. Christina rated it liked it Jan 21, It sounds so much more fun than the dry book we usually use. Oxford University Press. A new, third level of content, designed specially to meet the advanced needs of the sophisticated scholar. Retrieved 19 December Retrieved 22 December Children's Literature. New other. Many Greek myths recount the love affairs and quarrels of the gods. Jul 17, Zach rated it liked it Shelves: book-scavenger-hunt , He then became the chief god.