The Promise of Hades
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Book of Condolences
Book of Condolences Ewan Constable RIP JIM xx Thanks for the best childhood memories and pu;ng Dundee United on the footballing map. Ronnie Paterson Thanks for the memories of my youth. Thoughts are with your family. R I P Thank you for all the memoires, you gave me so much happiness when I was growing up. You were someone I looked up to and admired Those days going along to Tanadice were fantasEc, the best were European nights Aaron Bernard under the floodlights and seeing such great European teams come here usually we seen them off. Then winning the league and cups, I know appreciate what an achievement it was and it was all down to you So thank you, you made a young laddie so happy may you be at peace now and free from that horrible condiEon Started following United around 8 years old (1979) so I grew up through Uniteds glory years never even realised Neil smith where the success came from I just thought it was the norm but it wasn’t unEl I got a bit older that i realised that you were the reason behind it all Thank you RIP MR DUNDEE UNITED � � � � � � � � Michael I was an honour to meet u Jim ur a legend and will always will be rest easy jim xxx� � � � � � � � First of all. My condolences to Mr. McLean's family. I was fortunate enough to see Dundee United win all major trophies And it was all down to your vision of how you wanted to play and the kind of players you wanted for Roger Keane Dundee United. -
0 1 5 Road Vs. Street Willie G. a Tale of the Dragon
FOR THE HARLEY-DAVIDSON® ENTHUSIAST SINCE 1916 ROAD VS. STREET WILLIE G. A TALE OF THE DRAGON 2 0 1 2 $4.99 US 015 2 0 1 2 0 1 5 ROAD VS. STREET WILLIE G. A TALE OF THE DRAGON hog . co m Contents 32 Features Departments 26 Glide vs. Glide 10 Editor Two sleek and stylish Touring family bikes square off in a Savannah showdown. 12 Intake 32 Hogs, Trails, and 14 The Word Dragons’ Tails A taste of things to come (on the H.O.G.® Battle 18 Spotlight Cry tour) in Tennessee and North Carolina. 38 20 Next Ride 38 Reflections on a Career H-D icon Willie G. Davidson reflects on his past, 22 Get Going present, and future with the Harley-Davidson Motor Company. 24 Between the Lines 46 Learning to Fly 54 Enthusiasts H.O.G. rally coordinators hit Las Vegas for a whole lot of training and a little bit of fun. 62 Gear 52 $100 Rides 64 Archives Rambling along the Ohio River and a nostalgic camp-out with Dad. 66 Exhaust 46 Photography: Andy Doerr, MessageMakers Andy Doerr, Photography: Backstage Saddlebag Full of Blues Jake and elwood Blues – a.k.a. Wayne Catania and Kieron Lafferty of the Official Blues Brothers Revue – get the crowd revved up at the VIP H.O.G.® event on March 14 during Daytona Bike Week. Great music, perfect weather, enthusiastic crowds, tasty food and drinks, and premium viewing for H.O.G. members made for a memorable evening. After the show, Jake and Elwood hung around to shake hands, sign autographs, and pose for photos with eager fans. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Three Desert Ammas—Theodora, Sarah, and Syncletica
COURAGEOUS WOMEN: THREE DESERT AMMAS-THEODORA, SARAH, AND SYNCLETICA A New Translation from the Greek Alphabetical Apophthegmata Patrum, with Introduction, Notes, and Comments' Tim Vivian INTRODUCTION Something like 90% of classical Greek and Roman literature is lost to us. This realization becomes acute, even heartbreaking, when we think of how very little of the little we have is by women. An exception that proves the rule is Plutarch’s “Sayings of Trojan Women,” in the Moralia.2 A unique manuscript of Catullus’ poems survived in a wine jar discovered in a monastery. How many of us would delight—exult—to have the complete poems of Sappho? This attrition continues into early Christianity: Paul names quite a few women in ministry; we have authentic writings by none of them.1 In the New Testament we also have T permit no woman to teach or to have authority over a man; she is to keep silent.”4 In the decade before or after the turn of the fourth century, Bishop Theophilus of Alexandria ups the ante, even when he, seemingly, has all the chips: Tim Vivian is a retired Episcopal priest and emeritus professor of Religious Studies at California State University, Bakersfield. He is an expert on Coptic monasticism and has published widely on that subject in this and other journals. 1 A different version of this article will appear as part of a 2-volume translation of the Alphabetical Apophthegmata Patrum (The Sayings of the Desert Fathers), with notes and comments, forthcoming from Cistercian Publications. I wish to thank Kathleen Norris for reading a draft of this article, Joseph Trigg for things Origen, and Janet Gonzales and Chris Livingston at the CSU Bakersfield Walter Stiern Library for help with research materials. -
An Anthology of Mediocre Metamorphoses
An Anthology of Mediocre Metamorphoses Dear audience, dear Jonathan, We gathered today under this drowsy grey skey to celebrate together - I see parents, family, friends, strangers and most important, Jonathan, who worked for the past four years on the marvellous publication, called ‘366’ that will be presented today. I was a close witness of the process towards this book, from the first set of drawings to the final, alluring design as a boxed book. Therefore I cannot stress enough how joyful and honoured I am to be standing here, in front of you, on this festive occasion. I wrote a text today about my two favourite books of the moment (and in extent of all times), the Metamorphoses by Ovid on the one hand and 366 by Jonathan Paepens on the other hand, complementing each towards the culmination of an anthology, which I will recite for you today, as in now. This text is titled An Anthology of Mediocre Metamorphoses, a name which can benefit from some etymological context. An anthology is a collection of poems or epigrams of various writers, arranged as an abundant and reverbing flowerpiece. The word itself derives from the two ancient greek components, as in Anthos -which translates to flower and Logos -which means word. An anthology therefore is a flourishing set of words and phrases, carefully composed and tied together as a beautiful bouquet. Mediocre entitles the state of being in a middle state but actually finds its roots in the antique language, ultimately combining the Latin medius with the Greek ocris, which literally means halfway up a mountain. -
Religion and the Greeks Free Download
RELIGION AND THE GREEKS FREE DOWNLOAD Robert Garland | 128 pages | 01 Apr 2013 | Bloomsbury Publishing PLC | 9781853994098 | English | London, United Kingdom Greek religion Politics Constitution Constitutional amendments, Constitutions, Supreme Special Court. One would never finish listing all the gods that Rome added to the gods of Greece; never did a Greek or Religion and the Greeks village have so Religion and the Greeks. The first Greeks had seen the gods travel and live among them. List of ancient Greeks. They wanted gods of truly divine nature, gods disengaged from matter. Thus perished three Decius, all three of them consuls; such were the voluntary sacrifices that Rome admired, and yet it did not order them. Although pride and vanity were not considered sins themselves, the Greeks emphasized moderation. While much religious practice was, as well as personal, aimed at developing solidarity within the polisa number of important sanctuaries developed a "Panhellenic" status, drawing visitors from Religion and the Greeks over the Greek world. Korean shamanism Cheondoism Jeungsanism. This process was certainly under way by the 9th century, and probably started earlier. However, there are many fewer followers than Greek Orthodox Christianity. The Trojan Palladiumfamous from the myths of the Epic Cycle and supposedly ending up in Rome, was one of these. Overall, the Ancient Greeks used their religion to help explain the world around them. Generally, the Greeks put more faith in observing the behavior of birds. For example, most households had an alter dedicated to Hestia, the goddess of the hearth. The name of Cassandra is famous, and Cicero Religion and the Greeks why this princess in a furor discovered the future, while Priam her father, in the tranquility of his reason, saw nothing. -
ABSTRACT Reading Dreams: an Audience-Critical Approach to the Dreams in the Gospel of Matthew Derek S. Dodson, B.A., M.Div
ABSTRACT Reading Dreams: An Audience-Critical Approach to the Dreams in the Gospel of Matthew Derek S. Dodson, B.A., M.Div. Mentor: Charles H. Talbert, Ph.D. This dissertation seeks to read the dreams in the Gospel of Matthew (1:18b-25; 2:12, 13-15, 19-21, 22; 27:19) as the authorial audience. This approach requires an understanding of the social and literary character of dreams in the Greco-Roman world. Chapter Two describes the social function of dreams, noting that dreams constituted one form of divination in the ancient world. This religious character of dreams is further described by considering the practice of dreams in ancient magic and Greco-Roman cults as well as the role of dream interpreters. This chapter also includes a sketch of the theories and classification of dreams that developed in the ancient world. Chapters Three and Four demonstrate the literary dimensions of dreams in Greco-Roman literature. I refer to this literary character of dreams as the “script of dreams;” that is, there is a “script” (form) to how one narrates or reports dreams in ancient literature, and at the same time dreams could be adapted, or “scripted,” for a range of literary functions. This exploration of the literary representation of dreams is nuanced by considering the literary form of dreams, dreams in the Greco-Roman rhetorical tradition, the inventiveness of literary dreams, and the literary function of dreams. In light of the social and literary contexts of dreams, the dreams of the Gospel of Matthew are analyzed in Chapter Five. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
An Investigation of the Role of Place and Identity in Artistic Thought and Practice
Placing identity, identifying place: An investigation of the role of place and identity in artistic thought and practice. Shelley Margaret Hannigan BFA (Painting), Graduate diploma (Teaching), MEd (Creative arts therapies) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of Music Shelley Hannigan, PhD Abstract This thesis explores the phenomena of place and identity in the visual artistic practices of four artists and myself. Using narrative case study and autoethnography, three research questions were investigated and answered: 1. What can be understood about each artist’s account of place and identity? 2. How do the artists encounter, use, or draw on, themes of place and identity in their creative practice, products, and thinking? 3. In what ways do the artists’ places influence their constructions of identity? Methods and techniques used to investigate these questions were interview, observation and artefact analysis. Hermeneutic philosophy was compatible with the investigation of individual insights and experiences of five artists due to its focus on the interpretation of verbal and non-verbal communication. Methodologies of qualitative narrative research were used to foreground artists’ explanations and interpretations of their own artworks and encourage storying of themselves. I investigated my own place, identity and artistic practice through autoethnography. Heidegger’s contribution to place philosophy is discussed as this along with other theories contributed to notions of place as experience. Notions of space and place are reviewed that include historical developments such the spatial turn. This turn challenged the way space and place were understood within disciplines and inspired a turn toward more interdisciplinary understandings of place and space. -
Ebook Download the Politics of Sacrifice in Early Greek Myth And
THE POLITICS OF SACRIFICE IN EARLY GREEK MYTH AND POETRY 1ST EDITION PDF, EPUB, EBOOK Charles Heiko Stocking | 9781107164260 | | | | | The Politics of Sacrifice in Early Greek Myth and Poetry 1st edition PDF Book As the centuries passed both the inside of popular temples and the area surrounding them accumulated statues and small shrines or other buildings as gifts, and military trophies, paintings and items in precious metals, effectively turning them into a type of museum. Interpreting the Politics of Greek Sacrifice 17 power in general, as an inherently unstable social structure, constructed and negotiated through rituals of sacrifice and commensality. Notify me of new posts via email. Lambert —; Parker 21— On interpreting Greek epic in terms of a mythic rather than strictly textualized sequence, informed by the orally derived nature of these texts, see Clay 15; Clay ; Muellner 94— Achilles island Delos. This book represents the most comprehensive study to date of his early output as a unified literary production. Austin Cline. Only about half of the Mycenaean pantheon seem to survive the Greek Dark Ages though. Women who voluntarily chose to become priestesses received an increase in social and legal status to the public, and after death, they received a public burial site. Share Flipboard Email. The Idea of the Holy trans. There was also clearly cultural evolution from the Late Helladic Mycenaean religion of the Mycenaean civilization. Includes bibliographical references and index. Whereas previous studies have noted how the geras is used to bestow honour or how seating can reflect and establish ranking, this present investigation deepens and advances our understanding by offering a more subtle appreciation of the symbolic nature of the geras. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
TH[MKSTOK<L[AN
HESPERIA 68.4, I999 PAINTING FRM THE ll\v\ TH[MKSTOK<L[ANWALL A RECONSTRUCTION 1. The principaltreatments of the The Neilonides base, now in the Athens EpigraphicalMuseum (EM 12870, Neilonides base are Philadelpheus Figs. 1 and 2), was discovered in 1922 by the Greek archaeologist Alexan- 1922a, 1922b, and 1923; Casson 1925; dros Philadelpheus built into the lowest courses of the Themistoklean wall Rumpf 1938; Raubitschek1939, cols. 62-68; Jeffery 1962, p. 127, no. 19; and south of the Piraeus gate in Athens.' The base consists of a single rectan- Viviers 1992, pp. 67-77. gular block smoothed on three sides; in shape it is a tall, slightly irregular I would like to thank the director, rectangle longer on the front and back sides than on the flanks.2The ob- CharalambosKritzas, and staff of the long plinth cavity on the top surface of the base reveals that it originally EpigraphicalMuseum in Athens for supported a marble statue of the Archaic kouros type. A shallow, rectan- granting me permissionto study EM 12870. Chara Karapa-Molisaniin gular mortise on its underside shows that it was in turn supported by a particularprovided me with daily help rectangularpillar, now lost. and hospitalityduring the summersof Previously,interest in the Neilonides base has focused on its inscrip- 1996 and 1997. Guy Cobolet provided tions and on the circumstances of its discovery. Two inscriptions, both access to the archivesof the Ecole written in the Attic alphabet, appear on the base's front face. The longer francaised'Athenes, and Martin Schafer inscription, first deciphered by A. E.