Browse Our Catalog

Total Page:16

File Type:pdf, Size:1020Kb

Browse Our Catalog CHADSWORTH’S 1.800.COLUMNS® 800.486.2118 www.columns.com PHOTOGRAPHY: HART/COLLIER Welcome to CHADSWORTH’S 1.800.COLUMNS, For more than fifteen years the name CHADSWORTH’S 1.800.COLUMNS has come to stand for quality, craftsmanship and integrity of design. Still owned and operated as a family company, Chadsworth has created a line of columns that is built to last and will become an enduring legacy of style and design in your home. Because we have set the standard of quality in our industry today, Chadsworth is the column exclusively specified by William E. Poole Designs. In 2001, Chadsworth was the recipient of the American Building Products Award for Excellence. Choose from Authentic Replication, PolyStone™, Colossal, Classic, Colonial and Original Design, such as the Bungalow, the Boxed Columns, and the Premier Custom Collections. We also work from custom designs or replicate existing columns for replacement or additions. Column materials include wood, fiberglass, and polyester composite. We now offer Stain Grade columns to match the most difficult jobs. Stain Grade Columns are available in oak, cherry, English maple, mahogany, and other exotic woods like Bird’s Eye Maple. Careful selection of wood plus true authenticity make our Stain Grade column the very best on the market today. When you study our catalog, you will notice that there is a wide range of prices. The columns may appear to be the same, but there are major differences that affect the price; such as detail, authentici- ty, design, size, lumber species, thickness of lumber, or type of material used. Our columns, both interior and exterior, come with plain (smooth) and fluted shafts in a variety of sizes or materials. For a more decorative look, we offer our ornamental plaster/fiberglass or wood-grain capitals. Please read our catalog carefully so that you understand the characteristics and applications of our columns. If you have questions about style, size, price or production schedule, please contact one of our trained sales consultants, who will be happy to answer your questions and help you select the right column for your individual needs. Warm regards, Jeffrey L. Davis Founder & Principal Designer 277 NORTH FRONT STREET • HISTORIC WILMINGTON, NORTH CAROLINA 28401 T OLL FREE 800.486.2118 • TELEFAX 910.763.3191 A TLANTA • LONDON On the cover: CHADSWORTH COTTAGE SHOWCASE Team Members - Residential Design by Christine G.H. Franck, Inc. (New York, NY); Construction by Murray Construction Company of Wilmington (Wilmington, NC); Structural Engineer by Woods Engineering, PA (Wilmington, NC); Photogr and Jef aphy b fre y y L. Davis, Founder and PrincipalHart/Collier Designer (W of Chadsworth Incorporated ilming ton, NC); Section I Section II Section III Section IV Section V Section VI Section VII Columns Pilasters Capitals The Basiucs Charts Information Ordering 2 6 9 38 39 46 53 54 56 58 60 37 42 43 44 45 48 50 52 10 12 14 16 20 30 34 PAGE ture ASICS General Installation & tion • Wood THE B COLUMNS ts ture • Table of Contents Table th Projec Use ten Asked Questions ten Asked or & Comparison of Our Columns Placing an Order and Conditions Terms SECTION VI • INFORMATION VI • INFORMATION SECTION Most Of Chadsw The Institute of Classical Architec Customer Comments Glossary VII • ORDERING SECTION SECTION IV • Design Special Recommendations Column Components Orders of Architec V • CHARTS SECTION A Proportional Chart Premier Custom Collec Stain Grade SECTION II • PILASTERS General Information SECTION III • CAPITALS Decorative Price List SECTION I PolyStone™ Premier Custom Collection • PolyStone™ Colossal Bungalow Columns Boxed Colonial Classic Replication Authentic POLYSTONE ™ COLUMNS • COMPOSITE ™ s e n n o m t u S DESIGN l y o l Chadsworth’s PolyStone™ is the answer to C o P those jobs when extra durability is needed. Because of their resistance to extreme weather conditions, PolyStone™ composite columns are an excellent choice for trellises, arbors, pergolas, porches and all exterior applications, especially those near water. However, due to their exceptional quality of design, many clients use them indoors as well. CONSTRUCTION MATERIALS Our PolyStone™ columns feature a true architectural taper (entasis) on select sizes and a classic bead. Columns measuring 6” x 8’ through 16” x 18’ are available plain or fluted and come standard with polyurethane capitals and bases. The large columns, 18” x 8’ through 36” x 30’, are available with plain shafts and come stan- dard with polyurethane capitals and bases up to 26”. Columns larger than 26” come with fiberglass capitals and bases. A polyurethane Ionic (Attic) or Doric base is optional for an upcharge. MANUFACTURING PROCESS PolyStone™ columns are manufactured in a spin-cast process using existing molds or we can create custom molds for your unique specifications. Mixtures of marble dust, polyresins, and fiberglass are poured into the molds and spun to form the columns. CONSTRUCTION DETAILS Load-bearing Capacity - Columns may be used for structural support as well as for decorative purposes. For this reason, you may want to know the amount of weight they will bear, referred to as load-bearing capacity. That capacity is directly related to the surface area of the material used, the length of the column and the compression strength of the material. The table on page Design No. 200 Design No. 201 4 shows sample load-bearing capacities. Tuscan Tuscan (Plain) (Fluted) Quick Ship Available - 10% Upcharge. PolyStone™ columns can be easily cut For decorative capitals, see page 38. down to your desired overall height. Due to our continued effort to improve our product, sometimes designs will vary slightly. 2 1.800.COLUMNS • www.columns.com POLYSTONE ™ COLUMNS • COMPOSITE Design No. 228 Design No. 232 Roman Ionic Scamozzi (Plain) (Plain) Ionic (Attic) Base Ionic (Attic) Base Design No. 220 Design No. 216 Roman Corinthian Greek Corinthian (Plain) (Temple of Winds) Ionic (Attic) Base (Plain) Ionic (Attic) Base 3 1.800.486.2118 • www.columns.com POLYSTONE™ COLUMNS • COMPOSITE Type II Design Series 200 Round Tapered Columns yStone™ Orders under $3,000 - add 5% handling. Columns ol P Bottom Shaft Round Tapered Bottom Shaft Round Tapered Plain Shaft Fluted Shaft Diameter Weight Diameter Weight x Height Plain Fluted x Height Plain Fluted F F 6” x 8’ 35 24” x 14’ 900 N/A G 8” x 5’ 6” 47 24” x 16’ 1,100 N/A H 8" x 8' 58 24” x 18’ 1,250 N/A K K 8" x 9' 65 24” x 20’ 1,400 N/A B B M 8" x 10' 75 24” x 22’ 1600 N/A 10" x 8' 80 24” x 24’ 1,800 N/A 10" x 9' 93 24” x 26’ 2,000 N/A 10" x 10' 105 26” x 20’ 1,300 N/A 10" x 12' 130 26” x 22’ 1,450 N/A 12" x 8' 105 26” x 24’ 1,600 N/A 12" x 9' 120 26” x 26’ 1,750 N/A 12" x 10' 135 28” x 20’ 1,450 N/A L 12" x 12' 165 28” x 22’ 1,600 N/A N A A 12" x 14' 205 28” x 24’ 1,750 N/A 12” x 16’ 240 28” x 26’ 1,950 N/A 14" x 8' 145 28” x 28’ 2,100 N/A E 14" x 9' 165 30” x 20’ 1,700 N/A D 14” x 10’ 185 30” x 22’ 1,900 N/A 14" x 12' 225 30” x 24’ 2,100 N/A C C 30” x 26’ 2,300 N/A 14" x 14' 270 Specifications for above diagram on page 5. 14” x 16’ 301 30” x 28’ 2,600 N/A 16" x 10' 235 30” x 30’ 2,800 N/A Roman Doric 16" x 12' 290 32” x 20’ 2,200 N/A F 16" x 14' 350 32” x 22’ 2,400 N/A G 16" x 16' 400 32” x 24’ 2,600 N/A H 16" x 18' 475 32” x 26’ 2,800 N/A 18” x 8’ 240 N/A 32” x 28’ 3,000 N/A 18” x 10’ 315 N/A 32” x 30’ 3,200 N/A 18” x 12’ 385 N/A 34” x 20’ 2,500 N/A E 18” x 14’ 460 N/A 34” x 22’ 2,700 N/A D 18” x 16’ 540 N/A 34” x 24’ 2,900 N/A C 18” x 18’ 620 N/A 34” x 26’ 3,200 N/A 18” x 20’ 700 N/A 34” x 28’ 3,400 N/A SPECIFICATIONS FOR ROMAN DORIC CAPITAL & BASE 34” x 30’ 3,700 N/A 20” x 12’ 475 N/A Column Base Capital 20” x 14’ 550 N/A 36” x 20’ 2,800 N/A Dia. Plinth Molding 20” x 16’ 650 N/A 36” x 22’ 3,000 N/A C D EFGH 20” x 18’ 750 N/A 36” x 24’ 3,200 N/A 20” x 20’ 850 N/A 36” x 26’ 3,500 N/A 6” 81/4”11/2”13/4”71/8”11/8” 5/8” 20” x 22’ 1,000 N/A 36” x 28’ 3,800 N/A 8” 101/4”17/8”27/16”93/4”17/16”11/16” 20” x 24’ 1,150 N/A 36” x 30’ 4,000 N/A 10” 127/8” 23/8” 31/8” 125/16” 13/4” 19/16” 22” x 14’ 700 N/A ( N/A: Fluted not available in these sizes.) 12” 151/4”23/4”31/2”143/4”23/16”11/2” 22” x 16’ 825 N/A For any size not shown on chart, please call sales office.
Recommended publications
  • GRANT AVAILABLE FRO$ Mid-Hudson Migrant
    DOCUMENT RESUME ED 248 096 RC 014 944 TITLE Construction/Communication-Eg Media: B5. CHOICE: I, Challenging Options in Career Education. ,,INSTITUTION Mid-Hudson Migrant Education Center, New Paltz, NY.; Putnam and Northern WestChester Counties Board of Cooperative Educational Services,-Yorktown Heights, N.Y.; Ulster County Board of Cooperative Educational Service' /ew SPONS AGENCY Employee.. and Training Administration (DOL), Washington, D.C. Office of Youth Programs.'; Office of Elementary ind Secondary Education (ED), Washington; DC. Migrant Education Programs. PUB DATE 83 GRANT 28-84-0023 NOTE 454p.; For relates documents, see RC 014 933-946. Best copy.imailable. To avoid repetition ofidentical') pages, ceparate teacher logs, student logs, pre/post tests, and activity folders have been merged to create a single document. AVAILABLE FRO$CHOICE, P. 0. Box 250, New Paltz, NY 12561 (Teacher Log, $5.00 plus shipping; Student Log, $2.50 plus shipping; Student Activities -- laminated folders--$30.00 plus shipping)'. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Career Education; Cognitive Development; *Communications; *Construction Industry; Educational Games; Elementary Education; *Grade 4; Instructional Langukage-Arts; Learning Activities; Mass Media; Mathematics Skills; *Migrant Education; Occupational Clusters; *Occupational Information; Skill Development; Teaching Guides; Units of Study IDENTIFIERS *CHOICE (Career Education Curriculum) # ABSTRACT The documents aggregated here comprise the fourth grade unit of a career education curriculum for migrant students. The unit focuses on the tools.ind tasks of workers in 11 jobs in the construction, communication, and media occupational clusters: heavy equipment operator, architect, mason, carpenter, plumber, electrician, telephone line worker, announcer, photographer, journalist, and performer.
    [Show full text]
  • ‐ Classicism of Mies -‐
    - Classicism of Mies - Attachment Student: Oguzhan Atrek St. no.: 4108671 Studio: Explore Lab Arch. mentor: Robert Nottrot Research mentor: Peter Koorstra Tech. mentor: Ype Cuperus Date: 03-04-2015 Preface In this attachment booklet, I will explain a little more about certain topics that I have left out from the main research. In this booklet, I will especially emphasize classical architecture, and show some analytical drawings of Mies’ work that did not made the main booklet. 2 Index 1. Classical architecture………………..………………………………………………………. 4 1.1 . Taxis…………..………………………………………………………………………………….. 5 1.2 . Genera…………..……………………………………………………………………………….. 7 1.3 . Symmetry…………..…………………………………………………………………………... 12 2. Case studies…………………………..……………………………………………...…………... 16 2.1 . Mies van der Rohe…………………………………………………………………………... 17 2.2 . Palladio………………………………………………………………………………………….. 23 2.3 . Ancient Greek temple……………………………………………………………………… 29 3 1. Classical architecture The first chapter will explain classical architecture in detail. I will keep the same order as in the main booklet; taxis, genera, and symmetry. Fig. 1. Overview of classical architecture Source: own image 4 1.1. Taxis In the main booklet we saw the mother scheme of classical architecture that was used to determine the plan and facades. Fig. 2. Mother scheme Source: own image. However, this scheme is only a point of departure. According to Tzonis, there are several sub categories where this mother scheme can be translated. Fig. 3. Deletion of parts Source: own image into into into Fig. 4. Fusion of parts Source: own image 5 Fig. 5. Addition of parts Source: own image into Fig. 6. Substitution of parts Source: own image Into Fig. 7. Translation of the Cesariano mother formula Source: own image 6 1.2.
    [Show full text]
  • PENTAGON OFFICE BUILDING COMPLEX Other Name/Site Number: the Pentagon
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE PENTAGON Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: PENTAGON OFFICE BUILDING COMPLEX Other Name/Site Number: The Pentagon 2. LOCATION Street & Number: U.S. 1, Va. 110, and Not for publication: Interstate 395 City/Town: Arlington Vicinity:__ State: Virginia County: Arlington Code: 013 Zip Code: 20301 3. CLASSIFICATION Ownership of Property Category of Property Private:__ Building(s): X Public-local:__ District:__ Public-State:__ Site:__ Public-Federal: X Structure:__ Object:__ Number of Resources within Property Contributing Noncontributing 1 ____ buildings 1 sites (helipad) ____ structures ____ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 4 Name of related multiple property listing: NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE PENTAGON Page 2 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria.
    [Show full text]
  • The Complete Illustrated Guide to Shaping Wood / Lonnie Bird
    The COMPLETE ILLUSTRATED Guide to ShapingWood LONNIE BIRD ➤ Squares, Circles, and Ellipses ➤ Edge Treatments and Moldings ➤ Coves, Reeds, and Flutes ➤ Bent and Laminated Curves ➤ Turned and Carved Shapes The COMPLETE ILLUSTRATED Guide to ShapingWood TJ51-1-2008 IMUS 7/UOA0069-Shaping Wood W:9.25”xH:10.875” Wood TJ51-1-2008 IMUS 7/UOA0069-Shaping 175L EX 128White A M/A(D) The COMPLETE ILLUSTRATED Guide to ShapingWood LONNIE B IRD t TJ51-1-2008 IMUS 7/UOA0069-Shaping Wood W:9.25”xH:10.875” Wood TJ51-1-2008 IMUS 7/UOA0069-Shaping 175L EX 128White A M/A Magenta(D) Text © 2001 by Lonnie Bird Photographs © 2001 by Lonnie Bird Illustrations © 2001 by The Taunton Press, Inc. All rights reserved. Pp The Taunton Press, Inc., 63 South Main Street, PO Box 5506, Newtown, CT 06470-5506 e-mail: [email protected] DESIGN: Lori Wendin LAYOU T: Suzi Yannes ILLUSTRATOR: Mario Ferro PHOTOGRAPHER: Lonnie Bird LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA: Bird, Lonnie. The complete illustrated guide to shaping wood / Lonnie Bird. p. cm. Includes index. ISBN-13: 978-1-56158-400-0 ISBN-10: 1-56158-400-2 1. Woodwork. I. Title. TT180 .B57 2001 TJ51-1-2008 IMUS 7/UOA0069-Shaping Wood W:9.25”xH:10.875” Wood TJ51-1-2008 IMUS 7/UOA0069-Shaping 175L EX 128White A M/A Magenta(D) 684’.08--dc21 2001027430 Printed in Thailand 1098765 About Your Safety: Working with wood is inherently dangerous. Using hand or power tools improperly or ignoring safety practices can lead to permanent injury or even death.
    [Show full text]
  • Moulding & Millwork Guide
    #214 $7.50 MOULDING & MILLWORK GUIDE BUILDING MATERIALS DISTRIBUTION For 1,000 more moulding profiles visit our website: www.taguelumber.com Kennett Square | Malvern | Media | Philadelphia | Phoenixville For over 100 years... Since 1908 Tague Lumber has been providing professional builders and remodelers with superior: lumber, building materials, millwork, and architectural products. We pride ourselves on providing professional service, fair prices, and quality products to all our customers. In addition, Tague offers prompt, on-site delivery from our distinctive fleet of red trucks including: 6-story boom trucks, moffett fork lifts, flatbed trucks, curtain side box trucks, standard box trucks, and service vans that can deliver what you want, exactly where you want it. Our Moulding Guide continues to be a valued source of reference and inspiration to all our clients. Now, we proudly present the revised edition of our Moulding Guide with expanded profile categories and many new moulding selections which are available in a variety of wood species, as well as MDF and PVC. The easy-to-use index allows you to search for mouldings by category or by individual profile number. In addition to the hundreds of profiles in this book, Tague Lumber has over 1,000 more moulding profiles available on our website, and in excess of 2,000 knives in our library. Our profiles are also available for download in DWG and DXF formats on our website. Best of all, our Custom Mill Shop allows us to make this promise—if we don’t already have the moulding profile you need—we’ll be happy to make it for you.
    [Show full text]
  • A Description of 19Th-Century American Gilded Picture Frames
    Figure 1. Plate 9 from Benjamin, A. (1827). The American Builder’s Companion. “A, cavetto, or hollow; B, cavetto and astragal; C, ovolo and fillet; D, ovolo and astragal; E, cymareversa, or ogee; F, cymareversa and bead; G, astragal; H, bead; I, cimarecta; K, L, and M, are scoties of different projections and curves; N, O, P, are quirk ogees.” 2006 WAG Postprints—Providence, Rhode Island A Description of 19th-century American Gilded Picture Frames and an Outline of Their Modern Use and Conservation Hugh Glover, Conservator of Furniture and Wood Objects, Williamstown Art Conservation Center ABSTRacT Picture frames are a functional component of most art collections and they are subject to wear and tear as they fulfill their housing function for paintings. Damage to picture frames can occur during exhibitions, storage, and travel, and is caused by handling, hanging processes, adverse environments, neglect, and irreversible restorations. Picture frames are maintained by a variety of preservation specialists, and despite their ubiq- uity they have not become the domain of any one conservation discipline, and there is scant literature devoted to their preservation interests. This paper will focus on the analysis of 19th century American gilded picture frames, as well as preventive care, modern modifications, and restoration/conservation treatments. The talk is derived from the cumulative experience in treating frames at the Williamstown Art Conserva- tion Laboratory (WACC). The paper will address frame nomenclature and the development of popular styles and con- structions of the 19th century. It will outline ornament forms and materials, and give an overview of period gilding techniques.
    [Show full text]
  • Architectural Terminology
    Architectural Terminology Compiled by By Trail End State Historic Site Superintendent Cynde Georgen; for The Western Alliance of Historic Structures & Properties, 1998 So what is a quoin anyway … other than a great word to have in your head when playing Scrabble®? Or how about a rincleau? A belvedere? A radiating voussoir? If these questions leave you scratching your head in wonder and confusion, you’re not alone! Few people outside the confines of an architect’s office have a working knowledge of architectural terminology. For you, however, that’s about to change! After studying the following glossary, you’ll be able to amaze your friends as you walk through the streets of your town pointing out lancets, porticos, corbels and campaniles. NOTE: The definitions of some terms use words which themselves require definition. Such words are italicized in the definition. Photograph, balustrade, undated (By the Author) Acanthus Leaf - Motif in classical architecture found on Corinthian columns Aedicule - A pedimented entablature with columns used to frame a window or niche Arcade - Series of round arches supported by columns or posts Architrave - The lowest part of a classical entablature running from column to column Ashlar - Squared building stone laid in parallel courses Astragal - Molding with a semicircular profile Astylar - Facade without columns or pilasters Balconet - False balcony outside a window Baluster - The post supporting a handrail Balustrade - Railing at a stairway, porch or roof Architectural Terminology - 1 - www.trailend.org
    [Show full text]
  • 0 Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 1
    η Τ ν ΗΓΗ APXITEKΤΩν ΤιμηΤικός Τόμός για Τόν KAΘΗΓΗΤη Μανόλη Κόρρέ ν KAΘ ρρέ ό Τό έπιΜέλέια ς για Κ ω σ τ α σ Ζ α μ π α σ ό Β α σ ι λ η σ λ α μ π ρ ι ν ο υ δ α Κ η σ όμ Ε υ α γ γ Ε λ ι α σ η μ α ν τ ω ν η - μ π ο υ ρ ν ι α Τ A e n n e O h n e s O r g Μανόλη Κ ικός Τ Τιμη APXITEKΤΩ ISBN 978 960 204 353 0 Μέλιςςα έΚδόΤιΚός όιΚός Μέλιςςα 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 1 ΑΡΧΙΤΕΚΤΩΝ ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ ΓΙΑ ΤΟΝ ΚΑΘΗΓΗΤΗ ΜΑΝΟΛΗ ΚΟΡΡΕ HONORARY VOLUME FOR PROFESSOR MANOLIS KORRES 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 3 ΑΡΧΙΤΕΚΤΩΝ ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ ΓΙΑ ΤΟΝ ΚΑΘΗΓΗΤΗ ΜΑΝΟΛΗ ΚΟΡΡΕ HONORARY VOLUME FOR PROFESSOR MANOLIS KORRES ΕΠΙΜEΛΕΙΑ / EDITING ΚΩΣΤΑΣ ΖΑΜΠΑΣ / COSTAS ZAMBAS ΒΑΣΙΛΗΣ ΛΑΜΠΡΙΝΟΥΔΑΚΗΣ / VASSILIS LAMBRINOUDAKIS ΕYΑΓΓΕΛΙΑ ΣΗΜΑΝΤΩΝΗ-ΜΠΟΥΡΝΙΑ / EVANGELIA SIMANTONI-BOURNIA ΑΕΝΝΕ OHNESORG ΕΚΔΟΤΙΚΟΣ ΟΙΚΟΣ ΜΕΛΙΣΣΑ / MELISSA PUBLISHING HOUSE 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 6 ΠΕΡΙΕΧΟΜΕΝΑ / TABLE OF CONTENTS ΠΡΟΛΟΓΟΣ 09 Ο ΚΑΘΑΡΙΣΜΟΣ ΣΤΑ ΜΝΗΜΕΙΑ ΚΑΙ ΤΑ ΓΛΥΠΤΑ FOREWORD 11 ΤΗΣ ΑΚΡΟΠΟΛΗΣ ΚΑΙ Η ΑΠΟΚΑΛΥΨΗ ΤΟΥ ΑΙΓΥΠΤΙΑΚΟΥ ΜΠΛΕ ΕΡΓΟΓΡΑΦΙΑ ΜΑΝΟΛΗ ΚΟΡΡΕ / Εύη Παπακωνσταντίνου 115 PUBLICATIONS BY MANOLIS KORRES 13 ΝΕΑ ΣΤΟΙΧΕΙΑ ΓΙΑ ΤΗ ΔΟΜΗ ΤΩΝ ΠΛΕΥΡΙΚΩΝ ΤΟΙΧΩΝ Ο ΜΑΝΟΛΗΣ ΚΟΡΡΕΣ ΣΤΟΝ ΠΑΡΘΕΝΩΝΑ Χαράλαμπος Μπούρας 19 ΤΟΥ ΣΗΚΟΥ ΤΟΥ ΠΑΡΘΕΝΩΝΟΣ Κατερίνα Παράσχη 123 ΓΙΑ ΤΟΝ ΜΑΝΟΛΗ Έβη Τουλούπα 25 Η ΔΙΑΜΟΡΦΩΣΗ ΤΩΝ ΕΠΙΣΤΥΛΙΩΝ ΣΤΟ ΔΥΤΙΚΟ ΑΚΡΟ ΤΗΣ ΝΟΤΙΑΣ ΠΤΕΡΥΓΑΣ ΤΩΝ ΠΡΟΠΥΛΑΙΩΝ Ο ΡΟΛΟΣ ΤΟΥ ΒΔ ΚΤΗΡΙΟΥ ΣΤΗΝ ΑΘΗΝΑΪΚΗ ΑΚΡΟΠΟΛΗ.
    [Show full text]
  • PWM Style Book Jan 2014.Pdf
    Style Book Revised: January 2014 PW Style Book Revised: Jan 2014 Numbers, Measurements • #400-grit (adj) • 30 years adze (n): a primitive tool for surfacing lumber and Callouts • #400 grit (n) • #0000 steel wool • #1,000 grit stone • 1-pound cut, 2-pound cut etc. aftermarket (n): the market for parts, accessories and repairs • 40-tooth (adj) (for shellac) • thickness x width x length of a product; also, a secondary • On anything dimensional, • $2,800 (not $2800) • 1 horsepower; 1 hp (1-hp market for a product after the use numerals and birds’ feet, router); spell out ‘horsepower’ primary market; an aftermarket • 2" scale even if it’s an approximation on first reference, then can use fence for a table saw, for example • 32" x 48" ‘hp’ abbreviation (this departs from AP style) AIA (abbreviation): American • 4' x 7' 1/4"-20 (machine screw thread; • 4/4 lumber (reads as “four- Institute of Architects • 2x4; 2x4s (Name for quarter lumber”; refers to rough- 1/4" is diameter, 20 is threads per air-conditioner (n); construction-grade lumber, cut lumber measured by quarters inch) air-conditioning (A/C) (n); usually pine, generally used for or an inch; do not set as stacked • 70°F (no space; don’t spell out air-conditioned (adj) wall studs; is not really 2" by 4", fractions) on first ref.) air-dry (v); air-dried (adj): a but an estimate of the size used • mid-1800s • 3D (departure from AP) commonly; do not include inch method of seasoning lumber •30mm, 25 cm marks) which permits the sawn wood, • model 41293 which is usually protected from • 90°
    [Show full text]
  • Report on Forest Research 1996
    Forestry Commission REPORT ON FOREST RESEARCH 1996 mm Forestry Commission ARCHIVE REPORT ON FOREST RESEARCH For the year ended March 1996 Forestry Commission, Edinburgh Advisory Committee on Forest Research Chairm an PROFESSOR H. G. MILLER Department of Forestry, University of Aberdeen, St. Machar Drive, Aberdeen AB9 2UU. Secretary Dr D. A. ROOK Forestry Commission, Northern Research Station. Members PROFESSOR W. B. BANKS University of Wales, School of Agricultural and Forest Sciences, Bangor, Gwynedd LL57 2UW. DR A. F. BRAVERY Timber Division, Building Research Establishment, Garston, Watford WD2 7JR. PROFESSOR J. P. BLAKEMAN Plant Pathology Research Division, Agriculture and Food Science Centre, Newforge Lane, Belfast BT9 5PB. PROFESSOR R. M. CORMACK Statistics Division, Department of Mathematical Sciences, North Haugh, St. Andrews, Fife KY16 9SS. DR A. R. GRIFFIN Non Traditional Division, Shell International, NTBF/6, Shell Centre, London SE1 7NA PROFESSOR B. R. KERRY Entomology and Nematology Department, Rothamsted Experimental Station, Harpenden, Herts AL5 2JQ^ D R P. S. SAVILL © Crown Copyright 1996 Oxford Forestry Institute, South Parks Road, Oxford 0X1 3RB. ISBN 0 85538 344 5 FDC 945.4: (410) PROFESSOR M. B. USHER The abbreviated title o f this Report is Scottish Natural Heritage, 2 Anderson Place, Rep. Forest Res., Edin. 1996 Edinburgh EH6 5NP. Contents Advisory Committee on Forest Research ii Research Division organisation iv Introduction 1 Farm woodland research in the lowlands of Britain 3 Developing cost-effective methods for successful restocking 11 Disease and pest problems 15 New horizons in Dutch elm disease control 20 Ecological site classification 29 Modelling the effects of global change on European forests 34 Yield model predictions of tree survival in unthinned Sitka spruce 38 Squirrel population and habitat management 40 Application of the freshwater critical loads approach to forestry 43 Genetic diversity of native black poplar 48 Some examples of computing and statistical techniques used in forestry research 51 Appendices 1.
    [Show full text]
  • Ancient Greek the Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS
    Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS LET’S LOOK AGAIN It’s best to study architecture when you can actually visit the places and see things up close. It’s fun to look at things up high and down low... to see things from lots of different perspectives. Since we are looking at photographs of the architecture, we’ll need to pay especially close attention to what we see in the pictures. Here are a few different angles from the three build- ings we’re learning about this month. Do you notice anything new? Architecture offers us so much to look at and learn about. We’ll be focusing on one thing this week: columns. Make sure to look at the columns in each building, then write down or chat about your observations. The Parthenon Temple of Olympian Zeus The Erechtheion March 2019 | Week 2 1 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS A TIMELINE OF GREEK ART Geometric Archaic Hellenistic Period Period Period 900-700 BCE 700-600 BCE 600-480 BCE 480-323 BCE 323-31 BCE Orientalizing Classical Period Period March 2019 | Week 2 2 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS GREEK ARCHITECTURE If you’ve ever built a structure out of wooden blocks or legos, you’ve played with the idea of architec- ture. The Greeks took ideas about building that had already been around for centuries, and made them more decorative and extra fancy. Greek Architects were obsessed with beauty. The word arete is often used when art historians talk about Ancient Greek art and architecture, and it means: excellence.
    [Show full text]
  • Evidence for West Greek Influence on Mainland Greek Roof Construction and the Creation of the Truss in the Archaic Period
    EVIDENCE FOR WEST GREEK INFLUENCE ON MAINLAND GREEK ROOF CONSTRUCTION AND THE CREATION OF THE TRUSS IN THE ARCHAIC PERIOD T HE DETERMINATION OF REGIONAL STYLES is a recognized part of Greek archi- tectural studies.1 Such discussionshave focused on ground plans, use of refinements,or ways in which architects solved specific problems common to all buildings.2 This study introduces roof design as another means of recognizing regional building practices, as expressed in the form and function of the geison. Because of the geison's position at the top of the entablature and the edge of the roof geison design reflects both the technical and the decorative aspects of the building and provides positive evidence concerning roof construction. Since wood from ancient Greek buildings is not commonly preserved, the woodwork of the ceiling and roof must be reconstructed from indirect evidence, such as the cuttings in stone members of the entablature and tympanum. In particular,the rafter beams generally came into contact with the lateral geison3 (Fig. 1). The most thorough study of this subject is Trevor Hodge's book, The Woodworkof GreekRoofs (1960). On the basis of his own survey of extant geison blocks, Hodge recognized two basic forms, the flat- topped and the sloping-topped geison, each with severalsubtypes. But while Hodge acknowledged the diversity of forms, he maintained that the distribution of types of geison blocks revealed no chronological or geographical pattern.4 The present study reexamines preserved geison forms from the Greek mainland and Sicily and brings new observations to bear on two specific areas of Greek architecture:the identificationof a West Greek style of roof design and the role of Sicilian architectsin the creation of a tie-beam truss.
    [Show full text]