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0 Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 1 η Τ ν ΗΓΗ APXITEKΤΩν ΤιμηΤικός Τόμός για Τόν KAΘΗΓΗΤη Μανόλη Κόρρέ ν KAΘ ρρέ ό Τό έπιΜέλέια ς για Κ ω σ τ α σ Ζ α μ π α σ ό Β α σ ι λ η σ λ α μ π ρ ι ν ο υ δ α Κ η σ όμ Ε υ α γ γ Ε λ ι α σ η μ α ν τ ω ν η - μ π ο υ ρ ν ι α Τ A e n n e O h n e s O r g Μανόλη Κ ικός Τ Τιμη APXITEKΤΩ ISBN 978 960 204 353 0 Μέλιςςα έΚδόΤιΚός όιΚός Μέλιςςα 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 1 ΑΡΧΙΤΕΚΤΩΝ ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ ΓΙΑ ΤΟΝ ΚΑΘΗΓΗΤΗ ΜΑΝΟΛΗ ΚΟΡΡΕ HONORARY VOLUME FOR PROFESSOR MANOLIS KORRES 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 3 ΑΡΧΙΤΕΚΤΩΝ ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ ΓΙΑ ΤΟΝ ΚΑΘΗΓΗΤΗ ΜΑΝΟΛΗ ΚΟΡΡΕ HONORARY VOLUME FOR PROFESSOR MANOLIS KORRES ΕΠΙΜEΛΕΙΑ / EDITING ΚΩΣΤΑΣ ΖΑΜΠΑΣ / COSTAS ZAMBAS ΒΑΣΙΛΗΣ ΛΑΜΠΡΙΝΟΥΔΑΚΗΣ / VASSILIS LAMBRINOUDAKIS ΕYΑΓΓΕΛΙΑ ΣΗΜΑΝΤΩΝΗ-ΜΠΟΥΡΝΙΑ / EVANGELIA SIMANTONI-BOURNIA ΑΕΝΝΕ OHNESORG ΕΚΔΟΤΙΚΟΣ ΟΙΚΟΣ ΜΕΛΙΣΣΑ / MELISSA PUBLISHING HOUSE 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 6 ΠΕΡΙΕΧΟΜΕΝΑ / TABLE OF CONTENTS ΠΡΟΛΟΓΟΣ 09 Ο ΚΑΘΑΡΙΣΜΟΣ ΣΤΑ ΜΝΗΜΕΙΑ ΚΑΙ ΤΑ ΓΛΥΠΤΑ FOREWORD 11 ΤΗΣ ΑΚΡΟΠΟΛΗΣ ΚΑΙ Η ΑΠΟΚΑΛΥΨΗ ΤΟΥ ΑΙΓΥΠΤΙΑΚΟΥ ΜΠΛΕ ΕΡΓΟΓΡΑΦΙΑ ΜΑΝΟΛΗ ΚΟΡΡΕ / Εύη Παπακωνσταντίνου 115 PUBLICATIONS BY MANOLIS KORRES 13 ΝΕΑ ΣΤΟΙΧΕΙΑ ΓΙΑ ΤΗ ΔΟΜΗ ΤΩΝ ΠΛΕΥΡΙΚΩΝ ΤΟΙΧΩΝ Ο ΜΑΝΟΛΗΣ ΚΟΡΡΕΣ ΣΤΟΝ ΠΑΡΘΕΝΩΝΑ Χαράλαμπος Μπούρας 19 ΤΟΥ ΣΗΚΟΥ ΤΟΥ ΠΑΡΘΕΝΩΝΟΣ Κατερίνα Παράσχη 123 ΓΙΑ ΤΟΝ ΜΑΝΟΛΗ Έβη Τουλούπα 25 Η ΔΙΑΜΟΡΦΩΣΗ ΤΩΝ ΕΠΙΣΤΥΛΙΩΝ ΣΤΟ ΔΥΤΙΚΟ ΑΚΡΟ ΤΗΣ ΝΟΤΙΑΣ ΠΤΕΡΥΓΑΣ ΤΩΝ ΠΡΟΠΥΛΑΙΩΝ Ο ΡΟΛΟΣ ΤΟΥ ΒΔ ΚΤΗΡΙΟΥ ΣΤΗΝ ΑΘΗΝΑΪΚΗ ΑΚΡΟΠΟΛΗ. Τάσος Τανούλας 133 ΜΙΑ ΝΕΑ ΠΡΟΤΑΣΗ Πάνος Βαλαβάνης 27 ΜΟΝΟΜΑΧΙΑ ΕΡΕΧΘΕΩΣ ΚΑΙ ΕΥΜΟΛΠΟΥ. ΕΝΑ ΒΑΘΡΟ ΑΝΑΘΗΜΑΤΟΣ ΣΤΗΝ ΑΚΡΟΠΟΛΗ ΚΑΙ Η ΥΔΡΙΑ ΤΗΣ ΠΕΛΛΑΣ DIE MITTELGRUPPE IM PARTHENON OSTGIEBEL. Μιχάλης Τιβέριος 143 EINE REKONSTRUKTION AUF DER GRUNDLAGE DER GIEBELBODENSPUREN PARTHENONFRIES UND PTERONDECKE Immo Beyer 33 Burkhardt Wesenberg 153 ARCHAISCHE SPHINGEN-FRAGMENTE AUS MARMOR A SHORT HISTORY OF THE ATHENIAN AGORAI 163 VON DER ATHENER AKROPOLIS Riccardo Di Cesare 47 Peter Danner - Aenne Ohnesorg ΣΥΝΗΘΗΣ ΚΑΙ ΙΔΙΟΤΥΠΗ ΧΡΗΣΗ ΑΡΧΑΙΩΝ ΚΑΙ ΡΩΜΑΪΚΩΝ EΙΝ MARMORFRAGMENT VOM VORPARTHENON UND ΣΠΟΛIΩΝ ΣΤΟ ΚΑΘΟΛΙΚO ΤΗΣ Ι. ΜΟΝΗΣ ΔΑΦΝΙΟΥ DER BAUKONTRAKT VOM ZEUSTEMPEL IN LEBADEIA Νίκος Δεληνικόλας - Ανδρονίκη Μιλτιάδου-Fezans - Erik Hansen 59 Ειρήνη Δουδούμη 175 ΟΙ ΑΝΑΣΤΗΛΩΤΙΚΕΣ ΕΠΕΜΒΑΣΕΙΣ ΣΤΗΝ ΑΚΡΟΠΟΛΗ Ο «ΑΡΧΑΪΚΟΣ» ΝΑΟΣ ΤΟΥ ΔΙΟΝΥΣΟΥ ΣΤΟ ΙΕΡΟ ΤΟΥ ΔΙΟΝΥΣΟΥ ΑΠΟ ΤΗΝ ΕΣΜΑ: ΘΕΩΡΗΤΙΚΟΙ ΠΡΟΒΛΗΜΑΤΙΣΜΟΙ, ΣΤΗ Ν. ΚΛΙΤΥ ΤΗΣ ΑΚΡΟΠΟΛΕΩΣ ΑΘΗΝΩΝ 185 ΠΡΟΣΕΓΓΙΣΕΙΣ ΚΑΙ ΕΦΑΡΜΟΓΕΣ ΣΤΟ ΠΝΕΥΜΑ ΤΟΥ ΧΑΡΤΗ Μαρία Μαγνήσαλη ΤΗΣ ΒΕΝΕΤΙΑΣ ΟΙ ΤΥΧΕΣ ΕΝΟΣ ΚΛΑΣΙΚΟΥ ΝΑΟΥ ΣΤΗ ΝΕΩΤΕΡΗ ΕΛΛΑΔΑ: 65 Μαρία Ιωαννίδου Η ΠΡΟΤΑΣΗ ΓΙΑ ΤΗΝ «ΟΛΟΣΧΕΡΗ» ΑΝΑΣΤΗΛΩΣΗ ΗΕΣΩΤΕΡΙΚΗ ΔΙΑΜΟΡΦΩΣΗ ΤΩΝ ΟΡΘΟΣΤΑΤΩΝ ΤΟΥ ΣΗΚΟΥ ΤΟΥ ΘΗΣΕΙΟΥ» ΚΑΙ ΑΛΛΑ ΕΠΕΙΣΟΔΙΑ 195 ΤΟΥ ΠΑΡΘΕΝΩΝΑ Φανή Μαλλούχου-Tufano 77 Λένα Λαμπρινού ΠΑΡΑΤΗΡΗΣΕΙΣ ΣΤΟ ΖΗΤΗΜΑ ΤΗΣ ΤΟΠΟΘΕΤΗΣΗΣ ΕΝΑΣ ΓΡΙΦΟΣ ΑΠΟ ΤΟ ΔΥΤΙΚΟ ΑΕΤΩΜΑ ΤΟΥ ΠΑΡΘΕΝΩΝΑ: ΤΟΥ ΑΓΑΛΜΑΤΟΣ ΤΟΥ ΔΙΟΝΥΣΟΥ ΣΤΟ ΧΟΡΗΓΙΚΟ ΜΝΗΜΕΙΟ ΟΙ ΣΤΡΕΠΤΟΣΥΝΔΕΣΜΟΙ ΣΤΟ ΣΥΣΤΗΜΑ ΔΟΜΗΣΗΣ ΤΟΥ ΘΡΑΣΥΛΛΟΥ 205 ΤΟΥ ΤΥΜΠΑΝΟΥ Κωνσταντίνος Μπολέτης Bασιλεία Μανιδάκη 87 HERODES ATTICUS’ ATHENIAN CARYATIDS 217 Ὡς ἂν ὁ ἀρχιτέκτων κελεύηι. Ο ΑΡΧΙΤΕΚΤΩΝ ΣΤΗΝ ΠΟΛΗ Olga Palagia ΤΩΝ AΘΗΝΩΝ ΤῸΝ 5Ο ΚΑΙ 4Ο ΑI. Π.Χ. Άγγελος Π. Ματθαίου 99 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 7 ΤΟ ΘΕΑΤΡΟ ΤΟΥ ΔΙΟΝΥΣΟΥ ΕΛΕΥΘΕΡΕΩΣ: Η ΑΝΑΣΤΗΛΩΣΗ Ο ΠΡΟΪΣΤΟΡΙΚΟΣ ΟΙΚΙΣΜΟΣ ΤΗΣ ΠΟΛΙΟΧΝΗΣ ΛΗΜΝΟΥ ΤΩΝ ΑΝΑΛΗΜΜΑΤΩΝ ΤΩΝ ΠΑΡΟΔΩΝ ΚΑΙ ΤΑ ΝΕΑ ΔΕΔΟΜΕΝΑ Αlberto G. Benvenuti 383 225 Αθηνά Σαμαρά - Χριστίνα Παπασταμάτη-Φον Μοοκ Ο ΝΑΟΣ ΤΗΣ ΛΙΝΔΙΑΣ ΑΘΗΝΑΣ. Η ΤΑΥΤΙΣΗ ΤΟΥ ΚΑΤΩΦΛΙΟΥ SOME CAMERA IMAGES OF ATHENS AND THE MONUMENTS ΚΑΙ Η ΑΠΟΔΟΣΗ ΤΟΥ ΣΤΟ ΜΝΗΜΕΙΟ FROM THE EARLY 19TH CENTURY Βασιλική Ελευθερίου 389 237 Richard Tomlinson LES ENTRÉES DU SANCTUAIRE D’APOLLON À DÉLOS ΤO ΔΑΠΕΔΟ ΤΟΥ ΔΙΟΝΥΣΙΑΚΟΥ ΘΕΑΤΡΟΥ ΣΤΗΝ ΑΘΗΝΑ Roland Étienne 397 243 Massimo Vitti MARMOR VON PAROS, WEITERE FRAGEN Ο ΝΑΟΣ ΤΟΥ ΑΣΚΛΗΠΙΟΥ ΣΤΟ ΑΣΚΛΗΠΙΕΙΟ ΑΘΗΝΩΝ. Wolf-Dieter Heilmeyer 405 ΑΝΙΧΝΕΥΟΝΤΑΣ ΤΙΣ ΟΙΚΟΔΟΜΙΚΕΣ ΦΑΣΕΙΣ ΕΝΟΣ HΑΡΧΙΤΕΚΤΟΝΙΚΗ ΤΟΥ ΟΙΚΟΔΟΜΗΜΑΤΟΣ Δ ΣΤΗΝ ΑΓΟΡΑ ΧΑΜΕΝΟΥ ΜΝΗΜΕΙΟΥ ΤΗΣ ΑΡΧΑΙΑΣ ΑΝΔΡΟΥ 253 Ροζαλία Χριστοδουλοπούλου Χρύσανθος Κανελλόπουλος ΔΥΟ ΑΡΧΑΙΟΙ ΠΥΡΓΟΙ ΤΗΣ ΑΤΤΙΚΗΣ. Ο ΠΥΡΓΟΣ Λυδία Παλαιοκρασσά-Κόπιτσα 413 ΤΟΥ ΒΑΡΝΑΒΑ ΚΑΙ Ο ΠΥΡΓΟΣ ΤΟΥ ΘΟΡΙΚΟΥ DIE RÖMISCHE ERNEUERUNG DES GROSSEN ALTARES 263 Άννα Αποστόλου DER HERA VON SAMOS ΒΡΑΥΡΩΝΟΘΕΝ Hermann J. Kienast 423 273 † Γιώργος Δεσπίνης EINE RICHTPLATTE AUF PAROS A NEW CLASS OF ANATHEMATA Martin Lambertz - Klaus Müller 429 279 Maria Chiara Monaco NEW DATA ON THE GYMNASION OF PAIDES IN KOS Ο ΝΟΤΙΟΑΝΑΤΟΛΙΚΟΣ ΠΥΡΓΟΣ ΤΟΥ ΑΡΧΑΙΟΥ ΦΡΟΥΡΙΟΥ Monica Livadiotti 435 ΤΩΝ ΑΙΓΟΣΘΕΝΩΝ ΕNA ΔΗΜΟΣΙΟ ΚΤΗΡΙΟ ΤΩΝ ΕΛΛΗΝΙΣΤΙΚΩΝ ΧΡΟΝΩΝ 285 Αλίκη Μηλιώτη ΣΤΗΝ ΚΥΘΝΟ ΠΡΩΙΜΑ ΔΩΡΙΚΑ ΚΙΟΝΟΚΡΑΝΑ ΑΠΟ ΤΗ ΛΑΚΩΝΙΑ Αλέξανδρος Μαζαράκης Αινιάν 445 295 Γεωργία Κοκκορού-Αλευρά ΝΕΕΣ ΑΡΧΑΙΟΛΟΓΙΚΕΣ ΚΑΙ ΕΠΙΓΡΑΦΙΚΕΣ ΜΑΡΤΥΡΙΕΣ ΕΠΙΔΑΥΡΙΕΣ ΣΙΜΕΣ. ΣΥΝΑΝΗΚΟΝΤΑ ΘΡΑΥΣΜΑΤΑ ΑΠΟ ΤΟΝ ΠΥΡΓΟ Σ’ΤΟ ΧΩΡΙΟ - ΑΓΙΑ ΤΡΙΑΔΑ ΑΠΟ ΤΗΝ ΚΕΡΑΜΩΣΗ ΤΗΣ ΘΟΛΟΥ ΑΡΚΕΣΙΝΗΣ ΑΜΟΡΓΟΥ Γιούλη Αναστασιάδου 303 Λίλα Ι. Μαραγκού 459 EINE ‚SCHAUZEICHNUNG’ DES APOLLONTEMPELS VON OΑΡΧΑΙΟΣ ΠΥΡΓΟΣ ΣΤΗΝ ΑΓΙΑ ΜΑΡΙΝΑ ΚΕΑΣ. BASSAE VON CARL HALLER VON HALLERSTEIN? ΟΙΚΟΔΟΜΙΚΗ ΠΡΟΣΕΓΓΙΣΗ BAUFORSCHUNG AN EINEM BLATT VÉLINPAPIER Δήμητρα Μαυροκορδάτου 475 313 Ηansgeorg Bankel ΤΟ ΑΡΧΑΙΟ ΘΕΑΤΡΟ ΤΗΣ ΚΑΡΘΑΙΑΣ ΣΤΗΝ ΚΕΑ. STATUE BASES IN ALTAR FORM: ΑN EXAMPLE FROM MESSENE ΖΗΤΗΜΑΤΑ ΘΕΜΕΛΙΩΣΗΣ ΚΑΙ ΧΡΟΝΟΛΟΓΗΣΗΣ Jim J. Coulton 323 Ευαγγελία Σημαντώνη-Μπουρνιά - 487 ΕΝΑ ΕΛΑΧΙΣΤΑ ΠΡΟΣΕΓΜΕΝΟ ΑΓΑΛΜΑ ΤΟΥ ΗΡΑΚΛΗ Τάνια Πανάγου Άγγελος Δεληβορριάς 331 HΕΛΛΗΝΙΣΤΙΚΗ ΟΧΥΡΩΣΗ ΤΟΥ ΑΝΑΤΟΛΙΚΟΥ ΜΟΛΟΥ FOR A RECONSTRUCTION OF THE “ROUND BUILDING” ΤΟΥ ΜΕΓΑΛΟΥ ΛΙΜΕΝΑ ΤΗΣ ΠΟΛΗΣ ΤΗΣ ΡΟΔΟΥ 499 AT SPARTA AS THE SKIAS Κατερίνα Μανούσου-Ντέλλα Emanuele Greco - Ottavia Voza 343 THE ROLE OF CYCLADIC WORKSHOPS IN LATE ARCHAIC ΝΕΑ ΣΤΟΙΧΕΙΑ ΓΙΑ ΧΩΡΟΥΣ ΣΥΜΠΟΣΙΩΝ ΣΤΗΝ ΑΝΑΤΟΛΙΚΗ ARCHITECTURAL CHANGE 507 ΠΤΕΡΥΓΑ ΤΟΥ ΠΟΛΥΔΥΝΑΜΟΥ ΚΤΗΡΙΟΥ ΤΗΣ ΕΠΙΔΑΥΡΟΥ Giorgio Rocco Σίσσυ Κυριάκη 351 TO MΟΝΟΝ ΤΗΣ ZΩΗΣ ΜΟΥ AΡΧΑΙΟΚΑΠΗΛΙΚΟΝ AΤΟΠΗΜΑ 517 ΤΟ ΜΥΚΗΝΑΪΚΟ ΕΡΓΟ ΤΗΣ ΕΚΤΡΟΠΗΣ ΤΟΥ ΡΕΜΑΤΟΣ Δημήτρης Φιλιππίδης ΤΗΣ ΤΙΡΥΝΘΟΣ ΠΑΡΑΤΗΡΗΣΕΙΣ ΓΙΑ ΤΟ ΣΧΕΔΙΟ ΚΑΙ ΤΗΝ ΟΙΚΟΔΟΜΙΚΗ Θεμιστοκλής Μπιλής 361 ΤΩΝ ΜΑΚΕΔΟΝΙΚΩΝ ΤΑΦΩΝ 527 ΚΡΗΝΗ ΚΛΑΣΙΚΩΝ ΧΡΟΝΩΝ ΣΤΗΝ ΑΡΧΑΙΑ ΕΠΙΔΑΥΡΟ Κώστας Ζάμπας Βασίλης Λαμπρινουδάκης, Ευάγγελος Καζολιάς, Λουκάς Ζώνας 369 0_Mpouras7 K E:Layout 1 10/06/2016 2:55 ΜΜ Page 8 THE STADIUM OF ACTIAN NICOPOLIS: OBSERVATIONS ΤHE ARRIVAL OF THE GREEK MONUMENTAL ORDERS ON DATING AND ARCHITECTURAL EVOLUTION AND THE AUTO-DIDACT POLYMATH ARCHITECT Konstantinos L. Zachos 541 Thomas Noble Howe 629 GAB ES IN DER FRÜHPHASE DES ARCHAISCHEN TEMPELBAUS Ο ΠΑΥΣΑΝΙΑΣ ΚΑΙ ΤΑ ΤΑΞΙΔΙΑ ΣΤΗΝ ΑΡΧΑΙΟΤΗΤΑ KANNELIERTE HOLZSÄULEN? Πέτρος Γ. Θέμελης 637 555 Nils Hellner REFLECTIONS ON INTERPRETATION AND THE ORIGINS ΑΡΧΑΙΕΣ ΚΕΦΑΛΛΗΝΙΑΚΕΣ ΟΧΥΡΩΣΕΙΣ. ΥΛΙΚΑ ΤΕΚΜΗΡΙΑ OF THE DORIC FRIEZE ΚΑΙ ΙΔΙΑΙΤΕΡΟΤΗΤΕΣ Mark Wilson Jones 645 569 Γεράσιμος Θωμάς WILHELM DÖRPFELD UND DIE BÜHNENFRAGE BASTIONEN ZUM SCHUTZ VON HÄFEN IN SPÄTKLASSISCHEN Martin Kreeb 659 STÄDTEN IONIENS LIFTING IN ΑRCHAIC GREEK CONSTRUCTION 579 Wolfram Hoepfner Stephen G. Miller 671 À LE TEMPLE D’APOLLON MIS EN CHANTIER CLAROS GREEK ARCHITECTURE AND THE ATTIC CUP e À LA FIN DU IV S. AV. J.-C. Takashi Seki 677 Jean-Charles Moretti - Nicolas Bresch - ΜΕΤΑΤΡΟΠΕΣ ΥΔΡΟΔΥΝΑΜΙΚΗΣ, ΑΙΟΛΙΚΗΣ ΚΑΙ Jean-Jacques Malmary 585 ΘΕΡΜΙΚΗΣ ΕΝΕΡΓΕΙΑΣ ΣΕ ΚΙΝΗΤΙΚΗ, ΚΑΤΑ DER SOG. POSEIDONTEMPEL IN PAESTUM. VERWIRRENDE ΤΗΝ ΕΛΛΗΝΙΣΤΙΚΗ ΕΠΟΧΗ NEUIGKEITEN VON EINER IKONE DER GRIECHISCHEN Θεοδόσης Π. Τάσιος 685 ARCHITEKTUR SURVEY OF HISTORICAL HERITAGE IN THE ERA OF Dieter Mertens 601 COMPUTERS: A MATTER OF AIMS AND METHODOLOGY A BATTLE OF GIANTS: SELINUS AND AKRAGAS BUILDING Paolo Vitti 693 TEMPLES Erik Østby 611 TABULA GRATULATORIA 701 L’IDENTIFICATION ET L’INTERPRÉTATION D’UNE CONSTRUCTION GRECQUE, UNE QUESTION DE TEMPS ? Marie-Christine Hellmann 619 50_Rocco7 K E:Layout 1 13/06/2016 11:02 ΠΜ Page 507 THE ROLE OF CYCLADIC WORKSHOPS IN LATE ARCHAIC ARCHITECTURAL CHANGE1 G IORGIO R OCCO n recent years, the Cycladic architecture gained remark- In fact, from a careful reading of Courby text some rel- I able importance in the panorama of Archaic and proto- evant information derives: the peristasis was probabily en- Classical architecture. These brief notes intend to provide tirely made of poros, since fragments of more than 150 col- a further contribution to the knowledge of the role played umn drums are preserved, all made of this material; the by the Cycladic craftsmen in the context of the architecture epistyles of lateral and rear sides were also worked in poros, of the late Archaic age. The inquiry is oriented especially as attested by two fragments which survived; instead, those on the Doric Cycladic architecture and on the interaction of the eastern front were of Parian marble and consisted of between this one and the architectural production of the three overlapping courses, of which four fragments of the mainland. Focus of my contribution are two buildings upper one and some of the intermediate survive. As for the highly significant for the period, the temple of Apollo of Del- Doric frieze, composed of separately worked elements, two phi, in its reconstruction post 545 BC, and the temple of triglyphs made of Parian marble and one metope of poros Athena Polias on the Acropolis of Athens. Undoubtedly the are preserved. The cornice was worked in two overlapping two edifices are innovative for the period and are clearly courses, the lower with mutuli and the upper with the co- marked by a relationship of competition and emulation rona; 29 elements of the lower tier, all made of Parian mar- among them, primarily due to the rivalry between Alcme- ble, are preserved while no one belonging to the upper tier onids and Peisistratids, whose respective roles in the survived. Notwithstanding the absence of elements with achievement of both temples was decisive2. corona, neither in marble, nor in other stone, Courby be- A review of the architecture of the Alcmeonids’ temple, lieved that the two tiers of the cornice were both made by although entirely based on the published data3 and prima- marble along its entire extension.
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    - Classicism of Mies - Attachment Student: Oguzhan Atrek St. no.: 4108671 Studio: Explore Lab Arch. mentor: Robert Nottrot Research mentor: Peter Koorstra Tech. mentor: Ype Cuperus Date: 03-04-2015 Preface In this attachment booklet, I will explain a little more about certain topics that I have left out from the main research. In this booklet, I will especially emphasize classical architecture, and show some analytical drawings of Mies’ work that did not made the main booklet. 2 Index 1. Classical architecture………………..………………………………………………………. 4 1.1 . Taxis…………..………………………………………………………………………………….. 5 1.2 . Genera…………..……………………………………………………………………………….. 7 1.3 . Symmetry…………..…………………………………………………………………………... 12 2. Case studies…………………………..……………………………………………...…………... 16 2.1 . Mies van der Rohe…………………………………………………………………………... 17 2.2 . Palladio………………………………………………………………………………………….. 23 2.3 . Ancient Greek temple……………………………………………………………………… 29 3 1. Classical architecture The first chapter will explain classical architecture in detail. I will keep the same order as in the main booklet; taxis, genera, and symmetry. Fig. 1. Overview of classical architecture Source: own image 4 1.1. Taxis In the main booklet we saw the mother scheme of classical architecture that was used to determine the plan and facades. Fig. 2. Mother scheme Source: own image. However, this scheme is only a point of departure. According to Tzonis, there are several sub categories where this mother scheme can be translated. Fig. 3. Deletion of parts Source: own image into into into Fig. 4. Fusion of parts Source: own image 5 Fig. 5. Addition of parts Source: own image into Fig. 6. Substitution of parts Source: own image Into Fig. 7. Translation of the Cesariano mother formula Source: own image 6 1.2.
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  • PENTAGON OFFICE BUILDING COMPLEX Other Name/Site Number: the Pentagon
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE PENTAGON Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: PENTAGON OFFICE BUILDING COMPLEX Other Name/Site Number: The Pentagon 2. LOCATION Street & Number: U.S. 1, Va. 110, and Not for publication: Interstate 395 City/Town: Arlington Vicinity:__ State: Virginia County: Arlington Code: 013 Zip Code: 20301 3. CLASSIFICATION Ownership of Property Category of Property Private:__ Building(s): X Public-local:__ District:__ Public-State:__ Site:__ Public-Federal: X Structure:__ Object:__ Number of Resources within Property Contributing Noncontributing 1 ____ buildings 1 sites (helipad) ____ structures ____ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 4 Name of related multiple property listing: NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE PENTAGON Page 2 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria.
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  • Ancient Greek the Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS
    Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS LET’S LOOK AGAIN It’s best to study architecture when you can actually visit the places and see things up close. It’s fun to look at things up high and down low... to see things from lots of different perspectives. Since we are looking at photographs of the architecture, we’ll need to pay especially close attention to what we see in the pictures. Here are a few different angles from the three build- ings we’re learning about this month. Do you notice anything new? Architecture offers us so much to look at and learn about. We’ll be focusing on one thing this week: columns. Make sure to look at the columns in each building, then write down or chat about your observations. The Parthenon Temple of Olympian Zeus The Erechtheion March 2019 | Week 2 1 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS A TIMELINE OF GREEK ART Geometric Archaic Hellenistic Period Period Period 900-700 BCE 700-600 BCE 600-480 BCE 480-323 BCE 323-31 BCE Orientalizing Classical Period Period March 2019 | Week 2 2 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS GREEK ARCHITECTURE If you’ve ever built a structure out of wooden blocks or legos, you’ve played with the idea of architec- ture. The Greeks took ideas about building that had already been around for centuries, and made them more decorative and extra fancy. Greek Architects were obsessed with beauty. The word arete is often used when art historians talk about Ancient Greek art and architecture, and it means: excellence.
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  • Evidence for West Greek Influence on Mainland Greek Roof Construction and the Creation of the Truss in the Archaic Period
    EVIDENCE FOR WEST GREEK INFLUENCE ON MAINLAND GREEK ROOF CONSTRUCTION AND THE CREATION OF THE TRUSS IN THE ARCHAIC PERIOD T HE DETERMINATION OF REGIONAL STYLES is a recognized part of Greek archi- tectural studies.1 Such discussionshave focused on ground plans, use of refinements,or ways in which architects solved specific problems common to all buildings.2 This study introduces roof design as another means of recognizing regional building practices, as expressed in the form and function of the geison. Because of the geison's position at the top of the entablature and the edge of the roof geison design reflects both the technical and the decorative aspects of the building and provides positive evidence concerning roof construction. Since wood from ancient Greek buildings is not commonly preserved, the woodwork of the ceiling and roof must be reconstructed from indirect evidence, such as the cuttings in stone members of the entablature and tympanum. In particular,the rafter beams generally came into contact with the lateral geison3 (Fig. 1). The most thorough study of this subject is Trevor Hodge's book, The Woodworkof GreekRoofs (1960). On the basis of his own survey of extant geison blocks, Hodge recognized two basic forms, the flat- topped and the sloping-topped geison, each with severalsubtypes. But while Hodge acknowledged the diversity of forms, he maintained that the distribution of types of geison blocks revealed no chronological or geographical pattern.4 The present study reexamines preserved geison forms from the Greek mainland and Sicily and brings new observations to bear on two specific areas of Greek architecture:the identificationof a West Greek style of roof design and the role of Sicilian architectsin the creation of a tie-beam truss.
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  • Design Ideas
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  • Two Temples of Commodus at Corinth
    TWO TEMPLESOF COMMODUS AT CORINTH The two temples to be discussed here are situated in the middle of the row of foundations across the West Terrace of the lower Corinthian Agora,' and have hitherto been known as Temples H and J (see planA.J.A., XLIII, 1939, p. 256, fig. 1). They were almost completely cleared in the spring of 1935, and are described briefly in the excavation report of that year; 2 the clearing was completed in 1938, and during the same campaign a great number of architectural members belonging to the two structures were brought to light.3 The remains of the two buildings, in situ (Figs. 1, 2, 3),4 consist of the concrete beddings for the walls, and the cores intended to support the heavy floors, both made of rubble-concrete, a few blocks of poros from the foundation courses along the western ends and four blocks along the northern wall of Temple J. The front part of the foundations has been considerably cut up by mediaeval construction, including tombs; and other mediaeval excavations have to some extent mutilated even the rubble- concrete in the other parts of the building. However, this destruction is not serious except in the front, where it is difficult, if not impossible, to determine the original edges of the structures, and hence the total length. But in general the foundation masses cover an area approximately 16.50 m. square. Although there are obviously two buildings represented. the concrete of one is poured against that of the other so tightly that it has been impossible to trace a line of distinction.
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  • A Greek Sculptured Metope in Rome
    A GREEK SCULPTUREDMETOPE IN ROME (PLATE 71) AMONG the sculpturedarchitectural marbles of Greek origin found in Rome, some of them brought from Greek temples in the western colonial cities or from Greece itself for the embellishmentof ancient Rome,' others by early modern travel- ers,2 and others again by more recent travelers to Greek lands, may be noted an unidentified sculptured metope stored in the Antiquario Comunale on the Monte Celio (E.A., 2051). At my request, in the hope of ascertaining the origin of this 1 Examples: The south pediment sculptures (in Copenhagen and Rome) and akroteria (in the Louvre), all apparently brought from the temple at Bassai to Rome (for the pediment statues, Dinsmoor, A.J.A., XLIII, 1939, pp. 27-47; for the akroteria, Picard, Mon. Piot, XXXIX, 1943, pp. 49-80; cf. also Dinsmoor, A.J.A., XLVII, 1943, pp. 19-21 and LX, 1956, p. 401 note 3). A Nike akroterion from the Palatine (in the Museo Nazionale, Rome), a fleeing girl from a pediment (in Copenhagen, no. 304), the Alba youth from a pediment (in Copenhagen, no. 400), a standing Apollo apparently from a pediment (in Copenhagen, no. 63); for these four see Dinsmoor, A.J.A., XLIII, 1939, pp. 33, 38, with references; for later references see, for the Nike or Aura from the Palatine, BrBr. pls. 766-767, and for the fleeing girl in Copenhagen, said to have been found near Frascati, see V. H. Poulsen, Aarsskrift, XXV, 1938, pp. 128-143, figs. 5-9, where it is combined with a headless seated youth and perhaps an Athena head in Copenhagen and a seated woman in Berlin (BrBr.
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  • 2119 Addison Street City Berkeley Zip 94704 D
    State of California – The Resources Agency Primary # DEPARTMENT OF PARKS AND RECREATION HRI # PRIMARY RECORD Trinomial NRHP Status Code 3S Other Listings Review Code Reviewer Date Page 1 of 6 *Resource Name or #: (Assigned by recorder) Heywood Apartments P1. Other Identifier: *P2. Location: Not for Publication Unrestricted *a. County Alameda and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5’ Quad Oakland West Date 1993 Township & Range No data c. Address 2119 Addison Street City Berkeley Zip 94704 d. UTM: (Give more than one for large and/or linear resources) Zone 10S; 564453mE/ 4191820mN e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc., as appropriate) Assessor’s Parcel Number: 57-2034-5; North side of Addison Street east of Shattuck Avenue. *P3a Description: (Describe resource and its major elements. Include design, materials, condition, alterations, size, setting, and boundaries) A distinctive 1906 three-story multi-family residential apartment building, the Heywood Apartments at 2119 Addison St. is a City of Berkeley Landmark. The structure is about 50 feet in width, and fills the property except for a small parking area at the rear adjacent Terminal Place, and a wide and deep recessed light well along the east property line that is cut into the rectangular building form. The building parapet is trimmed with a deep cornice with cymatium and corona over a large dentil bed molding. Below the cornice the frieze is exposed brick, trimmed below by the architrave with taenia above a continuous guttae. The cornice wraps around the building the depth of one room on the west side along Terminal Place.
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  • The Architecture of the Hera I Temple of Paestum: an Archaeological Comparative Study
    The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt Cover photo: Hera I temple at Paestum (Norbert Nagel/Wikimedia Commons, License: CC BY-SA 3.0) The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt, S1237047 Bachelor thesis Classical Archaeology Supervisor: Dr. M. E. J. J. van Aerde Leiden University, Faculty of Archaeology Leiden, 15 December 2017, Final version 2 Table of content 1. Introduction ....................................................................................................................................... 4 1.1 Research question .......................................................................................................................... 4 1.2 Greek colonisation and Magna Graecia ........................................................................................ 4 1.3 A historical overview of Poseidonia/Paestum ............................................................................... 7 1.4 The excavations of the Paestum area ............................................................................................. 8 1.5 Surroundings and site context ....................................................................................................... 8 1.6 The temples of Paestum .............................................................................................................. 10 2. The first Hera temple at Paestum .................................................................................................
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  • The Friezes of the Temple of Nemesis at Rhamnous
    mm ;,'/.;i;i iN'ii'' The oxay attempt at a definitive publication of the Nemesis temple at Rhamnous was made by the Society of Dilettanti in 1817. It appeared in their *1 volume on the " Unedited Antiquites of Attica The hasty work v.hich they did at the Bite resulted in numerous errors some of which have been already corrected. One . u hitherto unoorrected error is their aaeumption of a oontia^us, though uacarred , lonio frieze. Thie they placed like the friezee of the temple of Hephaietoe i in the pronaoB not only acrose the antae, hut also acroee the perietyle, while in the rear porch, they thought that the frieze returned at the anglee along the flank walla of the cella. That they had no blocks upon whioh they baeed their reconetruction i. indicated by their drawing showing a section through the temple in front of the pronaoe. The frieze ie represented ae one extremely long block extending from North to South peristyle. This block would hawe had to have been ower 9meters long. This mistake «is perpetuated by Lethaby. Taking the Society of Dilettanti as authorities, he commented upon the exact correspondence of the temple at Hbamnous with the " Theaeum " in many particulars and especially with reference to the placement *4 of the Ionic cella friezes. When OrlandOB studied the temple at Rhamnous in 1924, he had in mind the correction of all the errors made by the Society of Dilettanti. But since he expressly stated that aside from the fallacies he notes in hie article, the former publication i.
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  • No Stone Left Unturned Preliminary/Interim Rapport of the Doctoral Thesis of Jesper Vestergaard Jensen, Per November 2020
    No stone left unturned Preliminary/interim rapport of the doctoral thesis of Jesper Vestergaard Jensen, per November 2020 The working title of the thesis is 'Building decor on the Forum of Ostia: For the allocation and reconstruction of the marble furnishing elements of the forum buildings in their original context', and is focused on the vast amounts of architectural marble fragment uncovered by the Ostia Forum Project (OFP) in the period between 2010-2019. As the title suggests the main aim of the subject is to try and ascertain the original context of these fragments, and thereby contribute to our overall knowledge of the buildings surrounding the Forum of Ostia. I began my work in February 2020, but due to the corona pandemic and the necessary restrictions it imposed, the conditions for research has been far from ideal. This includes having to wait a long time before being able to see the material firsthand as well as having restricted access to literature. However, I have managed to reach some very preliminary results based on the available literature, the existing photographic material from the previous campaigns of the OFP, and a 3-week research campaign in the late summer of 20201. These results mainly consist of attributing fragments with some of the major forum buildings as well as identifying fragments which could prove to be of major interest going forward. The material The marble fragments in question were found in several deposits/piles around the area of the forum and were explored by the OFP between 2014-2019. The majority of these deposits date to the excavations of the forum of the late 19th and early 20th century, where excavated marble fragments were stored in these deposits for later study, which in most cases never happened.
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  • Hellenistic Building Techniques of the Stoas of the Asklepieion at Ancient Messene
    計画系 685 号 1�88.� ／ 海野聡「双建築の再検討」、『仏教芸術』320、2012.1 「様」とは異なる）、また『七大寺日記』の大安寺の条に「塔基勝鬘夫人 【カテゴリーⅡ】 日本建築学会計画系論文集 第78巻 第685号，693-703，2013年 3 月 J. Archit. Plann., AIJ, Vol. 78 No. 685, 693-703, Mar., 2013 62) 浅野清『奈良時代建築の研究』、中央公論美術出版、1�6�.11 ノ出家躰木像アリ」とあるため、塔の初重を指す。したがってこの場合 63) 宮本長二郎「奈良時代における大安寺・西大寺の造営」、『日本古寺美術全 の様の解釈は福山氏の通りと考えられよう。 集 第六巻 西大寺と奈良の古寺』、集英社、1�83.1 68) 前掲稲木「上代造形史における『様』の考察」 HELLENISTIC BUILDING TECHNIQUES OF THE STOAS OF THE ASKLEPIEION 64) 金子裕之「百萬塔」、法隆寺昭和資財帳編集委員会編『法隆寺の至宝 昭和資 6�) 前掲堀池「恵美押勝の乱と西大寺・小塔院の造営」 HELLENISTIC BUILDINGAT ANCIENT TECHNIQUES MESSENE OF THE STOAS 財帳 第五巻』、小学館、1��1.6 70) 田中重久「木造八万四千小塔と小塔殿・東西両院の正堂」、『奈良朝以前寺 HELLENISTIC BUILDING TECHNIQUES OF THE STOAS OF THE ASKLEPIEION 65) 百万小塔の製作年代は、現存するものについては墨書より天平神護 3 年（神 院址の研究』、白川書院、1�78.8 古代都市メッセネのアスクレピオス神域のストアにおけるヘレニズムの建設技術OF THE ASKLEPIEION AT ANCIENT MESSENE 護景雲元年・767）から神護景雲 2 年（768）と判断されており（前掲金子 71) 田中氏は上述の通り東大寺の影響力を示すものと解釈されているが、「実 AT ANCIENT MESSENE 「百萬塔」）、小塔殿の様が勅願された時点では小塔の寸法はすでに定まって 忠二十九ヶ条」が実忠の個人としての顕彰文であることから見ても、こ 古代都市メッセネのアスクレピオス神域のストアにおけるヘレニズムの建設技術 �� �� * いたことが確実である。 の文言は「東大寺」と「他の諸寺」という比較ではなく、「様の制作者 古代都市メッセネのアスクレピオス神域のストアにおけるヘレニズムの建設技術 66) 『大日本古文書』12 ノ 30� である実忠」と「様の受け手」、すなわち「東大寺を含む諸寺での造営」 Ryuichi YOSHITAKE * ＊ 67) 前掲福山「東大寺の規模」。この様については、足立氏は「七重塔の絵図」 への影響性を示すことをより強く意図したと捉えた方が適切であろう。 Ryuichi�� YOSHITAKE �� * （前掲「東大寺東塔の落成年代」）、太田氏は「塔すなわち建築の設計図」 例えば、西大寺小塔殿の造営は造西大寺司が担当しただろう。造西大寺 72) The present paper aims to analyze the building techniqueRyuichi吉 of the 武YOSHITAKE Stoas 隆 一of the Asklepieion at Messene, which were built in the beginning とされている（前掲「古代建築の生産」）。「塔基」の解釈としては、時代 司は、『続日本紀』神護景雲元年二月戊申条に長官以下官人の任命が見
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