Dracula Tarot Card Meanings
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Two Tone Tarot Shadow
Two Tone Tarot Shadow Guide Booklet This book is a guide to the symbolism used in Two Tone Tarot. This is not a manual on how to use the deck. Tarot is meant to be interpreted by the reader with help from the artist. While much of the original artwork was constructed with traditional tarot in mind, much of the symbolism and meanings are interpreted and relevent to the artists’ day-to-day life. This acknowledgement of Two Tone Tarot as it exists is a symbolic crossroad; the true blend of traditional and modern. The symbolism of the deck interweaves and mixes with the more familar tarot icons, archetypes, and templates. It is recommended that this book be used in conjunction with guides to the traditional tarot, and tarot reading guides for those who are new to the medium. Major Arcana The Major Arcana is comprised of 22 cards tht navigate significant experiences, relationships, and pathways in our lives. In the even that these cards are present and dominate a reading, they can point toward key issues that may need to be explored or addressed. Any Minor Arcana cards present in a reading alingside the Major Arcana will often provide supplementary information and guidance. The Fool is the main character of the Major Arcana and makes his journey through each of the cards, meeting new teachers and learning new life lessons along the way, and eventually reaching the completion of his journey with the World card. This is known as the Fool’s Journey and is a helpful way of understanding the story line of the Major Arcana Tarot card meanings. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
The Angels Tarot for Ascension
The Angels Tarot 78 Different Angels to Awaken Your Inner Powers MEANING OF TAROT ROTA – TARO – ORAT – TORA – ATOR (The Wheel – Of Tarot – Speaks – The Law – Of Hator/ Nature) Karma: How We Manifest Our Reality Through Vibrations (Beliefs, Thoughts, Desires, Feelings, Actions) 78 Cards: 5 Elements • Spirit: 22 Major Arcana (Higher Consciousness) • 56 Minor Arcana (4 elemental suits): – Swords: Air (Mental) – Wands: Fire (Will) – Cups: Water (Emotional) – Coins: Earth (Material) (10 number and 4 courts each) Reading the Angels Tarot • Focus upon the Issues at Hand • Make an Intention to Receive Accurate Guidance and Healing • Meditation to Connect with Higher Self and Angelic Kingdom • Reverse half the deck and Shuffle gently to Randomize cards Layouts • Spread the Cards into an Arch on a Smooth Surface • Intuitively Pick the Cards and place them face down • Open Sequentially in Meditative State and Bring Each Angel In Angelic Healing and Meditation • Visualize the Angel on the card appearing before you • Ask the Angel to Guide you and Listen to the Answer through all Senses • Channelling the energy of the Angel for any of the Chakras or Aura, or into the Situation Reversed Cards • Fallen Angels or Dark Aspects of any Card to be Transformed • Blocked Energy of the Card to be Healed • Meditation with the Straightened Card to Understand and Accept the Lesson Major Arcana Spirit’s Journey from The Fool to The World For Ascension of Collective Consciousness The Fool ADAMAEL (Earth God) 0 of Spirit – Unknown Self Uranus and Rahu: Search for -
Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
The Eight of Swords Sandra L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Eight of Swords Sandra L. Giles Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE EIGHT OF SWORDS By SANDRA L. GILES A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Sandra L. Giles on 6 February 2008. _________________________ Virgil Suarez Professor Directing Dissertation _________________________ Susan Nelson Wood Outside Committee Member _________________________ R. M. Berry Committee Member _________________________ Deborah Coxwell-Teague Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS Deep and sincere thanks go to my committee members: Virgil Suarez, R.M. Berry, Deborah Coxwell-Teague, Susan Nelson Wood. Thanks also go to the members of Mark Winegardner’s Fiction Writing Workshop in Fall of 2002, in which this novel began as a short story and received thoughtful critique. I received valuable advice and information from Mavis LaBounty, Sissy Taylor-Maloy, and other members of the “Goddess Group” in Tallahassee, Florida, as well as from Officer Tom King of the Tifton Police Department, the Tiftarea Writers Haven writing group, and my sister, Debra -
Tarot Card Meanings with Benebell a Seventeen-Part Video Lecture Series
Tarot Card Meanings with Benebell A Seventeen-Part Video Lecture Series Part VI: The Fours The video length for The Fours became unduly long, so for those who might not be able to sit through and take notes during the entirety of the lecture, here is an illustrated transcript of that lecture. Thank you for watching this educational series, Tarot Card Meanings with Benebell. Don’t forget: closed captioning is provided for every video in this course. So, if that’s something you’re interested in, be sure to click and turn those on. We started this course with the Aces in the sephirah Keter on the Kabbalistic Tree of Life. Keter is the Tao, the name that cannot be named, the nameless origin of Heaven and Earth, the infinite and the dynamic. Then we moved into Chokhmah, the Supernal Father, the Divine Yang, the seed and potential, or Divine Intelligence, where we studied the realm of Twos in the Minor Arcana. From there, we passed into Binah, the Supernal Mother, the Divine Yin, birth, and formation, the receiving power of perception and observation. Here in Binah, we studied the Threes. We then moved back to Chokhmah because that’s where the Kings reside, the Supernal Father. And then it was back to Binah, the Supernal Mother, for the Kings’ consorts, the Queens. We are now moving from the Supernal Triangle, which is where we’ve been dwelling for the last five videos, into the lower sephiroth, getting closer to Malkuth, though we are not quite there yet. To give us a bit of a break from the intense tarot courts, we’re going to study the Fours, residents in the sephira Chesad. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Tarot Reading Style: Healer Tarot Reading Style: Healing
Tarot Reading Style: Healer Tarot Reading Style: Healing USING YOUR NATURAL GIFTS & ABILITIES... You help people connect with the core energy of their obstacles and shift them into opportunities. You help them find tools to heal from the pain carried around from past relationships and situations. YOUR GREATEST TOOL IN TAROT READING IS... Resolving Past Issues In your readings, you bring focus and awareness to bringing harmony, balance, and alignment to all levels of being (mind, body, & spirit) and help your clients move through past blocks and baggage. Major Arcana Archetype Temperance Temperance reminds us that real change takes time ,A person's ability to exercise patience, balance, and self-control are infinite virtues. Temperance represents someone who has a patient, harmonious approach to life and understands the value of compromise. A READER WITH THIS ARCHETYPE: ... is able to guide people into a place of healing, where they begin to release the past. Because of their natural gift for diplomacy, they tend to be excellent communicators who bring out the best in their clients and friends. They could be holistic healers or have other psychic abilities and are able to combine different aspects of any modality in order to create something new and fresh. Your Strengths Healing HEALERS HAVE A NATURAL TALENT FOR SEEING 'CAUSE & EFFECT' ... Highlighting Connecting Patterns & Symptoms Limiting to Beliefs Experiences Easily See How It Plays Out In Clients Lives ... You focus on creating balance and harmony in your clients lives. ... You help them move out of the past by helping them revise and reframe it. ... You honor your clients pain and create the space for them to move through it. -
Behold the Beast: Victorian Anxieties and Monstrous Forms
BEHOLD THE BEAST: VICTORIAN ANXIETIES AND MONSTROUS FORMS By Ben Pascoe A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree MASTER OF ARTS Major Subject: English West Texas A&M University Canyon, Texas May 2019 ABSTRACT This paper seeks to analyze two examples of Victorian Gothic, the 1885 novella The Strange Case of Dr. Jekyll and Mr. Hyde and the 1897 novel Dracula as texts dealing with anxieties of degeneration, medicine, and addiction on the personal scale and a wider societal scale respectively. Both Dracula and Hyde represent monsters constructed as representatives of these anxieties in a direct and actionable form so that the audience could address their concerns. ii ACKNOWLEDGEMETS The Author would like to thank: his major advisor and committee members for their patience, help, and guidance; the various other faculty members who have contributed advice and assistance in the research and formatting of this paper. This thesis is dedicated to my family for their love and support through the attainment of my degree, the friends who have helped me along this journey, and the teachers who have helped me learn the skills to create it. iii Approved: [Chairman, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Department Head/Direct Supervisor] [Date] [Dean, Academic College] [Date] [Dean, Graduate School] [Date] iv TABLE OF CONTENTS Chapter Page CHAPTER 1: GOTHIC ANXIETIES .......................................................................... 1 CHAPTER 2: THE BEAST AMONG FRIENDS ...................................................... 30 Sex, Drugs, and Chemicals: The Vice Reading ................................................................ 34 Dr. Jekyll and Dr. Hyde: The Medical Reading ............................................................... 44 The Savage Gentleman: The Degenerative Reading ........................................................ 49 CHAPTER 3: THE BEAST AT THE GATES .......................................................... -
Spirit Keeper's Tarot, Marseille, RWS, and Thoth Correspondences
SKT, TDM, RWS, AND THOTH TAROT KEY CORRESPONDENCES (By Standardized Order) Major Arcana 22 Keys Spirit Keeper’s Tarot Tarot de Marseilles Rider-Waite-Smith Thoth (SKT) (TdM) (RWS) 0: The Initiate 0: The Fool 0: The Fool 0: The Fool 0: The Seeker 0: The Keeper 1: The Magus I: The Magician I: The Magician I: The Magus (or The Juggler) (or The Juggler) 2: The Priestess II: The Popess II: The High Priestess II: The Priestess (or The High Priestess) 3: The Empress III: The Empress III: The Empress III: The Empress 4: The Emperor IV: The Emperor IV: The Emperor IV: The Emperor 5: The Holy See V: The Pope V: The Hierophant V: The Hierophant 6: The Lovers VI: The Lovers VI: The Lovers VI: The Lovers (or The Brothers) 7: The Chariot VII: The Chariot VII: The Chariot VII: The Chariot 8: The Force VIII: Justice VIII: Strength VIII: Adjustment [XI: Strength] [XI: Lust] 9: The Erudite IX: The Hermit IX: The Hermit IX: The Hermit 10: Wheel of Life X: The Wheel of X: Wheel of Fortune X: Fortune Fortune 11: The Chancellor XI: Strength XI: Justice XI: Lust [VIII: Justice] [VIII: Adjustment] Page 1 of 12 SKT: TdM, RWS, and Thoth Key Correspondences By Standardized Order Spirit Keeper’s Tarot Tarot de Marseilles Rider-Waite-Smith Thoth (SKT) (TdM) (RWS) 12: The Outlaw XII: The Hanged Man XII: The Hanged Man XII: The Hanged Man 13: The Reaper XIII: Death XIII: Death XIII: Death (Untitled) 14: The Angel XIV: Temperance XIV: Temperance XIV: Art 15: The Demon XV: The Devil XV: The Devil XV: The Devil 16: The Tower XVI: The Tower XVI: The Tower XVI: The Tower -
The Strange Case of Dr Jekyll and Mr Hyde, and Dracula
Linköping University Department of Culture and Communication English The Changing Role of Science in Frankenstein, The Strange Case of Dr Jekyll and Mr Hyde, and Dracula Lisa Jacobsson D-Course: Literary Specialisation Autumn Term 2010 Supervisor: Margaret Omberg Table of Contents Introduction 3 Chapter 1: Scientific Progress and the Fear of Uncontrolled Creativity 6 Chapter 2: Science and the Fear of Unpredictable Degeneration 14 Chapter 3: Science and the Reinstatement of Human and Religious Values 23 Conclusion 31 Works Cited 34 2 Introduction During the 19th Century, science underwent astonishing advancements in a wide range of fields: remarkable progress was seen in electricity, medicine, biology, and social sciences to name only a few. Carol A. Senf points to how the 19th Century “witnessed unprecedented scientific discoveries and technological developments that have helped to determine the shape and nature of our own age” (5). These advancements had not only a profound impact on everyday life, they also fuelled the imagination of artists. Mary Shelley, Robert Louis Stevenson and Bram Stoker are all children of the 19th Century, inspired by its dynamic and thought-provoking qualities. Living and working in an era where, to Christa Knellwolf and Jane Goodall, “the magic and mystique of science was crossing paths” and where “it was impossible to determine which of a range of mind- boggling prospects might become an actuality”, it is not surprising that scientific development was to become a abundant source of inspiration (8). From this source, both hopeful and horrifying questions could be posed, questions concerning the direction of scientific progress. Was it an entirely positive force aiding people in their lives or were there darker elements and unseen dangers? These questions are at the core of three classic horror stories of the 19th Century: Shelley’s Frankenstein, or the Modern Prometheus (1818), Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde (1886) and Stoker’s Dracula (1897). -
Face It Like a Man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon
“To face it like a man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon Miriam Bjørklund A thesis in English Literature Submitted to the Faculty of Humanities Department of Literature, Area Studies, and European Languages University of Oslo Spring 2014 ii “To face it like a man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon Miriam Bjørklund A thesis in English Literature Submitted to the Faculty of Humanities Department of Literature, Area Studies, and European Languages University of Oslo Spring 2014 iii © Miriam Bjørklund 2014 “To face it like a man”: Exploring male anxiety in Dracula and the Sherlock Holmes canon http://www.duo.uio.no Print: Reprosentralen, Universitetet i Oslo iv Abstract This thesis posits that the genre of the male quest romance, highly popular during the British fin de siècle, was a literary response to increased male anxiety during that period. Reading works belonging to this genre, this thesis sees writers treating approaches to masculinity not as something simple and monolithic, but as diverse and fraught with uncertainty of definition. This thesis demonstrates that the ways in which men in these novels deal with threats to their masculine identity, clearly show that masculinity is experienced as a concept no less complicated than femininity. The specific threats treated here are the role of women, men's sexuality, and mental illness. In the interest of equality, and in an academic setting where “gender studies” are frequently synonymous with “women's studies”, it is hoped that an academic approach to the male quest romance genre will lead to new understandings of the complexity of masculinity as a basis for identity.