Visions of Human Futures in Space and SETI
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Qisar-Alexander-Ollongren-Astrolinguistics.Pdf
Astrolinguistics Alexander Ollongren Astrolinguistics Design of a Linguistic System for Interstellar Communication Based on Logic Alexander Ollongren Advanced Computer Science Leiden University Leiden The Netherlands ISBN 978-1-4614-5467-0 ISBN 978-1-4614-5468-7 (eBook) DOI 10.1007/978-1-4614-5468-7 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2012945935 © Springer Science+Business Media New York 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied speci fi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a speci fi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Views That Barnes Has Given, Wherein
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Darker Matters: Racial Theorizing through Alternate History, Transhistorical Black Bodies, and Towards a Literature of Black Mecha in the Science Fiction Novels of Steven Barnes Alexander Dumas J. Brickler IV Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DARKER MATTERS: RACIAL THEORIZING THROUGH ALTERNATE HISTORY, TRANSHISTORICAL BLACK BODIES, AND TOWARDS A LITERATURE OF BLACK MECHA IN THE SCIENCE FICTION NOVELS OF STEVEN BARNES By ALEXANDER DUMAS J. BRICKLER IV A Dissertation Submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Alexander Dumas J. Brickler IV defended this dissertation on April 16, 2018. The members of the supervisory committee were: Jerrilyn McGregory Professor Directing Dissertation Delia Poey University Representative Maxine Montgomery Committee Member Candace Ward Committee Member Dennis Moore Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS Foremost, I have to give thanks to the Most High. My odyssey through graduate school was indeed a long night of the soul, and without mustard-seed/mountain-moving faith, this journey would have been stymied a long time before now. Profound thanks to my utterly phenomenal dissertation committee as well, and my chair, Dr. Jerrilyn McGregory, especially. From the moment I first perused the syllabus of her class on folkloric and speculative traditions of Black authors, I knew I was going to have a fantastic experience working with her. -
Prototype of Sunken Place: Reading Jordan Peele’S Get out Through Octavia Butler’S Kindred As Black Science Fiction and Speculative Fiction Narratives
Prototype of Sunken Place: Reading Jordan Peele’s Get Out through Octavia Butler’s Kindred as Black Science Fiction and Speculative Fiction Narratives BRITNEY HENRY Science fiction and speculative fiction have imagined new worlds, species, and technologies that have influenced individuals and societies. These genres have a significant space within American popular culture as “popular culture is woven deeply and intimately into the fabric of our everyday lives. While it may be tempting to imagine such amusements and attachments as apolitical, popular culture reflects and plays a significant role in contouring how we think, feel and act in the world for better and often for worse” (Mueller et al. 70). Science fiction and speculative fiction are not apolitical. These genres within the space of Black culture have illustrated forgotten or distorted historical events within American culture. America has a history of othering the Black body and the alterity of this body comes in the form of systematic oppression and racism. History has inflicted serious trauma and damage mentally and physically on Black bodies. I use “body” instead of “person” here because of the objectification of the body without regards to personhood which Hortense Spillers refers to as, “a territory of cultural and political maneuver” (67). Furthermore, the flesh and body are conceived as being separate. The body can become an object and dehumanized whereas the flesh takes the impact of the pain being inflicted. Black flesh has been abused, sexually degraded, and scientifically exploited throughout history. Mark Dery furthers this notion stating: in a very real sense, [Black people] are the descendants of alien abductees; they inhabit a sci-fi nightmare in which unseen but no less impassable force fields of intolerance frustrate their movements; official histories undo what BRITNEY HENRY is doctoral student of English Literature at The University of Delaware. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's <Em>2001: a Space Odyssey</Em> and Andrei Tark
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-1-2010 Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris Keith Cavedo University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Cavedo, Keith, "Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris" (2010). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/1593 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris by Keith Cavedo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Lawrence Broer, Ph.D. Victor Peppard, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: April 1, 2010 Keywords: Film Studies, Science Fiction Studies, Alien Identity, Human Identity © Copyright 2010, Keith Cavedo Dedication I dedicate this scholarly enterprise with all my heart to my parents, Vicki McCook Cavedo and Raymond Bernard Cavedo, Jr. for their unwavering love, support, and kindness through many difficult years. Each in their own way a lodestar, my parents have guided me to my particular destination. -
Aurora C# Unofficial Manual
Aurora C# unofficial manual Written by Steve Walmsley and organized by Aurora C# forum community September 19, 2020 1 Contents I Introduction5 1 What is Aurora C# 5 2 About this document 5 II Diplomacy6 3 Basic Framework 6 4 Intrusion into NPR territory7 5 Claiming systems from NPRs8 6 NPR vs. NPR claims 10 7 Restrictions on NPR claims 11 8 Independence 11 9 Banned bodies 12 10 Diplomatic ships 12 III Star System Design 14 11 Modifying stars 14 12 Adding stars 16 13 Modifying system bodies 17 14 Deleting stars and system bodies 18 15 Adding planets, comets and asteroid belts 19 16 Adding moons and Lagrange points 20 17 Deleting asteroids and Lagrange points 21 IV Weapons 22 18 Missiles 22 18.1 Missile updates.............................................. 22 18.2 Missile engines.............................................. 22 18.3 Missile launcher changes......................................... 23 18.4 Box launcher reloading.......................................... 24 18.5 Missile thermal detection........................................ 24 18.6 Magazine design............................................. 25 18.7 Missile engines integrated into missile design............................. 25 18.8 Tracking time bonus vs missiles..................................... 26 19 Guns 27 19.1 Meson update............................................... 27 19.2 Turret update............................................... 27 19.3 Beam weapon recharge.......................................... 27 19.4 Weapon failure............................................. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Race of Machines: A Prehistory of the Posthuman Permalink https://escholarship.org/uc/item/90d94068 Author Evans, Taylor Scott Publication Date 2018 License https://creativecommons.org/licenses/by-nc-sa/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Race of Machines: A Prehistory of the Posthuman A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Taylor Scott Evans December 2018 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Mark Minch-de Leon Mr. John Jennings, MFA Copyright by Taylor Scott Evans 2018 The Dissertation of Taylor Scott Evans is approved: ____________________________________________________ ____________________________________________________ ____________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments Whenever I was struck with a particularly bad case of “You Should Be Writing,” I would imagine the acknowledgements section as a kind of sweet reward, a place where I can finally thank all the people who made every part of this project possible. Then I tried to write it. Turns out this isn’t a reward so much as my own personal Good Place torture, full of desire to acknowledge and yet bereft of the words to do justice to the task. Pride of place must go to Sherryl Vint, the committee member who lived, as it were. She has stuck through this project from the very beginning as other members came and went, providing invaluable feedback, advice, and provocation in ways it is impossible to cite or fully understand. -
“There's No Fiction Like Science Fiction”
THE CHRONOCAR An Urban Adventure In Time by Steve Bellinger Publication Date: September 3, 2019 In the turn of the 20th Century, a genius son of a Trade Paperback (2nd ed.) slave discovers the secret of time travel and ISBN‐10: 1690827912 designs a time machine that he cannot build. 125 ISBN‐13: 978‐1690827917 years later, an African American college student in Retail Price: $12.99 USD Chicago finds the plans for the time machine and travels to the year 1919 where he meets the Binding: 6 x 9 in. Paperback inventor and his beautiful daughter. Page count: 129 Also available: Kindle ebook But he has chosen an unfortunate time and gets and Audiobook caught up in the bloodiest race riot in Chicago's Publisher: Wordwooze Publishing history. Contact Steve Bellinger www.SteveBellinger.com www.BellingerBooks.com 2018 Best Indie Book Award, Science Fiction [email protected] 2019 Independent Authors Outstanding (312) 880‐9014 Science Fiction Award 2019 Readers' Favorite Gold Medal, Young Adult Science Fiction “An inherently engaging and entertaining read from beginning to end, The Chronocar showcases author Steve Bellinger's genuine flair for originality and narrative driven storytelling.” ‐‐Midwest Book Review “…the most innovative take on time travel that I have ever read.” ‐‐The Black Science Fiction Society Steve Bellinger was born and raised on the West Side of Chicago by a single mom who worked nights for a printing company. She would bring home books and magazines to encourage her kids to read. This is how Steve discovered Isaac Asimov, Robert Heinlein, Arthur C. Clarke and the other masters of classic science fiction. -
Black Feminism in African American Science Fiction 2015
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Lenka Drešerová Midnight Queens Dreaming: Black Feminism in African American Science Fiction Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 Acknowledgements: I would like to thank doc. PhDr. Tomáš Pospíšil, Ph.D. for his kind help and supervision of my diploma thesis, my sisters for being my role models and my partner for his support. 3 TABLE OF CONTENTS I. Introduction.................................................................................................................5 I.1. African American Science Fiction................................................................10 I.2. Theoretical Background: Afrofuturism and Black Feminism.......................15 I.3. Octavia E. Butler and Nalo Hopkinson.........................................................20 II. Race: Negotiation, Implication, Exhaustion.............................................................27 II.1. Ancestry: Revisiting the Past........................................................................28 II.2. Race and Societies: Envisioning Safe Places................................................36 II.3. The New Mestiza in African American Science Fiction..............................45 III. Gender: Black Girls Are the Future..........................................................................49 -
The Strong Binti in Nnedi Okorafor's African American Science Fiction
Revue de Traduction & Langues Volume 19 Numéro 2/2020, pp.290-304 مجلة الترجمة واللغات Journal of Translation & Languages ISSN (Print): 1112-3974 EISSN (Online): 2600-6235 The Strong Binti in Nnedi Okorafor’s African American Science Fiction Djeddai Imen M’Hamed Bougara University - Boumerdes, Algeria [email protected] Dr. Benabed Fella Badji Mokhtar University - Annaba, Algeria [email protected] Received: 14/07/2019; Accepted: 06/11/2020, Published: 31/12/2020 Abstract: By looking carefully at the history of science fiction, we can notice that African American authors have been excluded from the scene for a long time due to the “whiteness” of the genre in terms of writing and publication. In addition to racism, sexism persists in the science fiction community. Hence, marginalized black women writers of science fiction try to include more black women characters in their literary works. Through Binti, Binti: Home, and Binti: The Night Masquerade, Nnedi Okorafor focuses on the experience of being black and woman in a technological society of the future. This study discusses how Okorafor provides sharp comments on the lives of black women in America in terms of “race” and “gender.” She challenges the stereotypical image of the black woman as “other” through the subversion of white norms and traditions. In this analysis, we use “Afrofuturism” and “black feminism” as a theoretical framework since “Afrofuturism” tackles African American issues related to twentieth-century technoculture, and “black feminism” deals with black women empowerment. The major character, Binti, proves that she deserves to reach a higher position as an empowered girl of the future, which gives her self-confidence to be autonomous and to have control over her own life. -
Octavia Butler's Maternal Cyborgs
Centre for Arts, Humanities and Sciences (CAHS), acting on behalf of the University of Debrecen CAHS OCTAVIA BUTLER'S MATERNAL CYBORGS: THE BLACK FEMALE WORLD OF THE XENOGENESIS TRILOGY Author(s): Éva Federmayer Source: Hungarian Journal of English and American Studies (HJEAS), Vol. 6, No. 1, SCIENCE FICTION ISSUE (2000 Spring), pp. 103-118 Published by: Centre for Arts, Humanities and Sciences (CAHS), acting on behalf of the University of Debrecen CAHS Stable URL: http://www.jstor.org/stable/41274076 Accessed: 09-04-2018 20:06 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Centre for Arts, Humanities and Sciences (CAHS), acting on behalf of the University of Debrecen CAHS is collaborating with JSTOR to digitize, preserve and extend access to Hungarian Journal of English and American Studies (HJEAS) This content downloaded from 130.108.169.119 on Mon, 09 Apr 2018 20:06:19 UTC All use subject to http://about.jstor.org/terms OCTAVIA BUTLER'S MATERNAL CYBORGS: THE BLACK FEMALE WORLD OF THE XENOGENESIS TRILOGY ✓ £,wx *pcd&u*uUf&i Since its pulp origins, American science fiction has been generally assumed to be a white and masculine domain with regards to its thematics and readership.