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Philosophy in Literature
Syracuse University SURFACE Syracuse University Press Libraries 1949 Philosophy in Literature Julian L. Ross Follow this and additional works at: https://surface.syr.edu/supress Part of the Philosophy Commons Recommended Citation Ross, Julian L., "Philosophy in Literature" (1949). Syracuse University Press. 3. https://surface.syr.edu/supress/3 This Book is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in Syracuse University Press by an authorized administrator of SURFACE. For more information, please contact [email protected]. OU_168123>3 ib VOOK t'l hvtent <J/ie tyovevnment //te ^United cf ai o an f.r^^fnto iii and yccdwl c/ tie llnited faaart/* *J/ie L/eofile of jf'ti OSMANIA UNIVERSITY LIBRARY CallNo. 9ol//k?/^ Accession No. < Author ""jj^vv JLj. This book should be returned on or before the date last marked below. PHILOSOPHY IN LITERATURE PHILOSOPHY IN LITERATURE JULIAN L. ROSS Professor of English, Allegheny College SYRACUSE UNIVERSITY PRESS IN COOPERATION WITH ALLEGHENY COLLEGE Copyright, 1949 SYRACUSE UNIVERSITY PRESS Only literature can describe experience, for the excellent reason that the terms of experience are moral and literary from the beginning. Mind is incorrigibly poetical: not be- cause it is not attentive to material facts and practical exigencies, but because, being intensely attentive to them, it turns them into pleasures and pains, and into many-colored ideas. GEORGE SANTAYANA TO CAROL MOODEY ROSS INTRODUCTION The most important questions of our time are philosoph- ical. All about us we see the clash of ideas and ideologies. Yet the formal study of philosophy has been losing rather than gaining ground. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
On Violence: a Mimetic Perspective *
On Violence: A Mimetic Perspective * Wolfgang Palaver Ten years ago a violent tragedy happened in this town that still causes us to think about the problem of human violence. This period of ten years coincides exactly with the period since the end of the cold war and its significant change of the international political landscape. The first chapter of my paper will focus on the problem of civil wars that followed the end of the cold war and gave us a new insight into the complex nature of human violence. My second chapter will give a short introduction into René Girards mimetic theory that seems to me one of the most efficient analytical tools to understand violence, especially if we look at civil wars. A third chapter will address some of those questions that arise when we are confronted with tragedies like the Montréal Massacre. I will turn to the work of Dostoevsky to understand what may cause a man to run amok and kill other people - fourteen young women - cruelly, indiscriminately and without knowing them. In a concluding chapter I will give a short summary of possible answers to the problem of violence. 1. From the Cold War to Civil War During the eighties, optimistic members of the peace movement like me thought that if the cold war would ever end it would be followed by a period of peace and harmony. We were, however, quite wrong and had to learn our lesson when we were confronted with an increase of civil wars since 1989. In 1993 the German poet and essayist Hans Magnus Enzensberger published his book Civil Wars: From L.A. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
1970S Feminist Science Fiction As Radical Rhetorical Revisioning. (2014) Directed by Dr
BELK, PATRICK NOLAN, Ph.D. Let's Just Steal the Rockets: 1970s Feminist Science Fiction as Radical Rhetorical Revisioning. (2014) Directed by Dr. Hephzibah Roskelly. 204 pages. Feminist utopian writings from the 1970s included a clearly defined rhetorical purpose: to undermine the assumption of hidden male privilege in language and society. The creative conversation defining this rhetorical purpose gives evidence of a community of peers engaging in invention as a social act even while publishing separately. Writers including Samuel Delany, Joanna Russ, James Tiptree, Jr., and Ursula Le Guin were writing science fiction as well as communicating regularly with one another during the same moments that they were becoming fully conscious of the need to express the experiences of women (and others) in American literary and academic society. These creative artists formed a group of loosely affiliated peers who had evolved to the same basic conclusion concerning the need for a literature and theory that could finally address the science of social justice. Their literary productions have been well-studied as contemporaneous feminist utopias since Russ’s 1981 essay “Recent Feminist Utopias.” However, much can be understood about their rhetorical process of spreading the meme of feminist equality once we go beyond the literary productions and more closely examine their letters, essays, and commentary. This dissertation will show that this group of utopian fiction writers can be studied as exactly that: a loosely connected, collaborative, creative group of peers with specific ideas about how humanity could be better if assumptions of male superiority were undermined and with the rhetorical means to spread those ideas in ways which changed the literary and social conversation. -
Earl Kemp: E*I* Vol. 3 No. 4
Vol. 3 No. 4 August 2004 --e*I*15- (Vol. 3 No. 4) August 2004, is published and © 2004 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents -- eI15 -- August 2004 …Return to sender, address unknown….7 [eI letter column], by Earl Kemp Roaming Around Upstairs, by Jon Stopa 1950s Sleaze and the Larger Literary Scene, by Jay A. Gertzman On Writing: A Personal Journey, by Ian Williams Getting An Education, by J.G. Stinson Love in Loon, by Earl Kemp An Afterthought to Love in Loon, by Victor J. Banis Acres of Nubile Flesh, by Earl Kemp Señor Pig 2, by Earl Terry Kemp Wet Dreams in Paradiso, by Earl Kemp Thanks for Coming, by Jim Haynes "If You Could See Her Through My Eyes…..", by Earl Kemp A Poem for Ted Cogswell, by Avram Davidson Rounding up the Shaggy Dogs, by Bruce R. Gillespie Bombachos, Bigotes, and Bustos, by Avram Davidson You can tell this story as often as you want-people never get tired of it. If you have a perfectly ordinary guy walking down the street at noon, not thinking about anything, and he falls into a hole, that's bad fortune. He's down below the line. He struggles to get up out of the hole, finally makes it, and is a little happier when he is finished. He's faced something and survived. That's "Man in a Hole." --Kurt Vonnegut, "Teaching the Writer to Write," Kallikanzaros 4, March-April 1968 THIS ISSUE OF eI is dedicated to my hero Barney Rosset and to the much-missed Avram Davidson. -
Super! Drama TV August 2020
Super! drama TV August 2020 Note: #=serial number [J]=in Japanese 2020.08.01 2020.08.02 Sat Sun 06:00 06:00 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 06:00 Season 5 Season 5 #10 #11 06:30 06:30 「RAPTURE」 「THE DARKNESS AND THE LIGHT」 06:30 07:00 07:00 07:00 CAPTAIN SCARLET AND THE 07:00 STAR TREK: THE NEXT 07:00 MYSTERONS GENERATION Season 6 #19 「DANGEROUS RENDEZVOUS」 #5 「SCHISMS」 07:30 07:30 07:30 JOE 90 07:30 #19 「LONE-HANDED 90」 08:00 08:00 08:00 ULTRAMAN TOWARDS THE 08:00 STAR TREK: THE NEXT 08:00 FUTURE [J] GENERATION Season 6 #2 「the hibernator」 #6 08:30 08:30 08:30 THUNDERBIRDS ARE GO Season 「TRUE Q」 08:30 3 #1 「'CHAOS' Part One」 09:00 09:00 09:00 information [J] 09:00 information [J] 09:00 09:30 09:30 09:30 NCIS: NEW ORLEANS Season 5 09:30 S.W.A.T. Season 3 09:30 #15 #6 「Crab Mentality」 「KINGDOM」 10:00 10:00 10:00 10:30 10:30 10:30 NCIS: NEW ORLEANS Season 5 10:30 DESIGNATED SURVIVOR Season 10:30 #16 2 「Survivor」 #12 11:00 11:00 「The Final Frontier」 11:00 11:30 11:30 11:30 information [J] 11:30 information [J] 11:30 12:00 12:00 12:00 NCIS Season 9 12:00 NCIS Season 9 12:00 #13 #19 「A Desperate Man」 「The Good Son」 12:30 12:30 12:30 13:00 13:00 13:00 NCIS Season 9 13:00 NCIS Season 9 13:00 #14 #20 「Life Before His Eyes」 「The Missionary Position」 13:30 13:30 13:30 14:00 14:00 14:00 NCIS Season 9 14:00 NCIS Season 9 14:00 #15 #21 「Secrets」 「Rekindled」 14:30 14:30 14:30 15:00 15:00 15:00 NCIS Season 9 15:00 NCIS Season 9 15:00 #16 #22 「Psych out」 「Playing with Fire」 15:30 15:30 15:30 16:00 16:00 16:00 NCIS Season 9 16:00 NCIS Season 9 16:00 #17 #23 「Need to Know」 「Up in Smoke」 16:30 16:30 16:30 17:00 17:00 17:00 NCIS Season 9 17:00 NCIS Season 9 17:00 #18 #24 「The Tell」 「Till Death Do Us Part」 17:30 17:30 17:30 18:00 18:00 18:00 MACGYVER Season 2 [J] 18:00 THE MYSTERIES OF LAURA 18:00 #9 Season 1 「CD-ROM + Hoagie Foil」 #19 18:30 18:30 「The Mystery of the Dodgy Draft」 18:30 19:00 19:00 19:00 information [J] 19:00 THE BLACKLIST Season 7 19:00 #14 「TWAMIE ULLULAQ (NO. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Views That Barnes Has Given, Wherein
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Darker Matters: Racial Theorizing through Alternate History, Transhistorical Black Bodies, and Towards a Literature of Black Mecha in the Science Fiction Novels of Steven Barnes Alexander Dumas J. Brickler IV Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DARKER MATTERS: RACIAL THEORIZING THROUGH ALTERNATE HISTORY, TRANSHISTORICAL BLACK BODIES, AND TOWARDS A LITERATURE OF BLACK MECHA IN THE SCIENCE FICTION NOVELS OF STEVEN BARNES By ALEXANDER DUMAS J. BRICKLER IV A Dissertation Submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Alexander Dumas J. Brickler IV defended this dissertation on April 16, 2018. The members of the supervisory committee were: Jerrilyn McGregory Professor Directing Dissertation Delia Poey University Representative Maxine Montgomery Committee Member Candace Ward Committee Member Dennis Moore Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS Foremost, I have to give thanks to the Most High. My odyssey through graduate school was indeed a long night of the soul, and without mustard-seed/mountain-moving faith, this journey would have been stymied a long time before now. Profound thanks to my utterly phenomenal dissertation committee as well, and my chair, Dr. Jerrilyn McGregory, especially. From the moment I first perused the syllabus of her class on folkloric and speculative traditions of Black authors, I knew I was going to have a fantastic experience working with her. -
Prototype of Sunken Place: Reading Jordan Peele’S Get out Through Octavia Butler’S Kindred As Black Science Fiction and Speculative Fiction Narratives
Prototype of Sunken Place: Reading Jordan Peele’s Get Out through Octavia Butler’s Kindred as Black Science Fiction and Speculative Fiction Narratives BRITNEY HENRY Science fiction and speculative fiction have imagined new worlds, species, and technologies that have influenced individuals and societies. These genres have a significant space within American popular culture as “popular culture is woven deeply and intimately into the fabric of our everyday lives. While it may be tempting to imagine such amusements and attachments as apolitical, popular culture reflects and plays a significant role in contouring how we think, feel and act in the world for better and often for worse” (Mueller et al. 70). Science fiction and speculative fiction are not apolitical. These genres within the space of Black culture have illustrated forgotten or distorted historical events within American culture. America has a history of othering the Black body and the alterity of this body comes in the form of systematic oppression and racism. History has inflicted serious trauma and damage mentally and physically on Black bodies. I use “body” instead of “person” here because of the objectification of the body without regards to personhood which Hortense Spillers refers to as, “a territory of cultural and political maneuver” (67). Furthermore, the flesh and body are conceived as being separate. The body can become an object and dehumanized whereas the flesh takes the impact of the pain being inflicted. Black flesh has been abused, sexually degraded, and scientifically exploited throughout history. Mark Dery furthers this notion stating: in a very real sense, [Black people] are the descendants of alien abductees; they inhabit a sci-fi nightmare in which unseen but no less impassable force fields of intolerance frustrate their movements; official histories undo what BRITNEY HENRY is doctoral student of English Literature at The University of Delaware.