Sporting Fashion Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Sporting Fashion Introduction SPORTING FASHION INTRODUCTION MOTORCYCLING 11930s Cardigan United States, ca. 1935–40 Mohair and wool knit Gift of the Fashion Institute of Design & Merchandising 80.25.13 Blouse United States, ca. 1935–40 Rayon crepe and wool crepe Anonymous Donor 98.10.12A/B Jodhpurs United States, ca. 1930–40 Leather and metal FIDM Museum Purchase 2014.5.40 Skullcap Brand: Buco [Buegeleisen Company] Detroit, ca. 1930–40 Leather FIDM Museum Purchase 2014.5.54 Goggles Maker: Cesco Chicago, ca. 1925–35 Glass, metal, and leather FIDM Museum Purchase 2018.5.84 Gloves Brand: Waddington’s Equidore Great Britain, ca. 1930–40 Horsehide FIDM Museum Purchase: Funds donated by Dina Morgan 2014.5.80AB Pocketed Belt Brand: Buco [Buegeleisen Company] Detroit, ca. 1940 Leather, metal, and plastic FIDM Museum Purchase: Funds donated by Dina Morgan 2014.5.70 Boots Maker: James Moore New York City, ca. 1930–40 Leather FIDM Museum Purchase: Funds donated by Dina Morgan 2014.5.89A–D SPORTING FASHION STEPPING OUTDOORS SUMMER WALKING 2 1810s Pelisse Europe or United States, ca. 1818–20 Cotton, cotton cord, and cotton pompoms FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2009.5.36 Capote Europe, ca. 1815–25 Brocaded silk twill, silk plush, brocaded silk ribbon, and silk passementerie FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2011.5.30 Chemisette Europe or United States, ca. 1815–30 Cotton FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2017.5.89 Belt France, ca. 1800–1820 Glass beads and metal FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2016.5.25 Parasol Paris, ca. 1815–25 Painted silk satin, ivory, feathers, silk lace, and silk/metal tassel FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2011.5.21 Shawl Great Britain, ca. 1815–20 Brocaded silk twill FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2009.5.57 Boots Europe or United States, ca. 1825–50 Wool twill, leather, and silk FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family—Alan, Erin, and Fallon 2008.5.31AB Purse (not on display) Europe, ca. 1800-1825 Embossed leather and steel FIDM Museum Purchase: Funds donated in honor of Christine Armstrong Buckelew with love from her friends and her family--Alan, Erin, and Fallon 2012.5.30 Prop: mitts GARDENING 3 1830s Day Dress New Hampshire, ca. 1831 Roller-printed cotton and silk gauze ribbon FIDM Museum Purchase 2010.5.1 Hat United States, ca. 1825–50 Straw FIDM Museum Purchase 2015.5.77 Ribbon Europe, ca. 1825–50 Silk compound-weave ribbon Gift of Steven Porterfield 2016.897.18 Under Bonnet United States, ca. 1825–35 Embroidered cotton FIDM Museum Purchase 2004.5.22 Chemisette United States, ca. 1815–35 Cotton FIDM Museum Purchase 2016.5.140 Shears Europe, ca. 1600–1800 Iron Helen Larson Historic Fashion Collection Gift of Jane M. Gincig and Patricia Larson Kalayjian 2011.1087.344 Apron United States, ca. 1825–50 Linen FIDM Museum Purchase 2016.5.74 Shoes United States, ca. 1825–35 Glazed leather and silk ribbon FIDM Museum Purchase 2014.5.32A–D Pattens United States, ca. 1800–1825 Wool, iron, and leather FIDM Museum Purchase 2016.5.82AB Prop: gloves, basket, flowers, stockings PICNICKING 4 1840s Day Gown United States, ca. 1848 Roller-printed cotton FIDM Museum Purchase 2009.5.12 Hat Great Britain, ca. 1840–60 Straw and silk ribbon FIDM Museum Purchase 2018.5.105 Chemisette Great Britain, ca. 1840–50 Embroidered linen Gift of Junnaa & Thomi Wroblewski 2010.13.1 Brooch Europe or United States, ca. 1825–50 Onyx, gold, and pearls Gift of Andrea Tice in memory of Carmelita Johnson 2008.46.49 Undersleeves United States, ca. 1850 Embroidered linen Gift of Karen Augusta 2017.1104.19AB Mitts Germany, 1847 Cotton knit and glass beads FIDM Museum Purchase 2015.5.59AB Apron Europe or United States, ca. 1835–45 Embroidered silk taffeta Gift of Steven Porterfield 2015.897.45 Picnic Basket United States, ca. 1835–45 Painted wood and metal Text: At all feasts, if enough, I most heartily stuff. FIDM Museum Purchase: Funds donated by Barbara Bundy 2016.5.51 Prop: coverlet RAIN WALKING 5 1860s Rain Mantle United States, ca. 1860 Oiled cotton FIDM Museum Purchase 2016.5.10 Umbrella United States, ca. 1860 Wool and bamboo Gift of Heather Hook 2016.1506.1 Boots United States, ca. 1860 Wool and patent leather FIDM Museum Purchase 2016.5.88A–D Prop: gloves PICNICKING 6 1890s Day Suit United States, ca. 1895 Printed cotton ribbed weave FIDM Museum Purchase 2013.5.53AB Boater United States, ca. 1895–1900 Straw and velveteen Gift of Steven Porterfield 2011.897.1 Shirtwaist United States, ca. 1895 Printed cotton and mother-of-pearl FIDM Museum Purchase: Funds donated by Linda & Steven Plochocki 2013.5.12 Collar and Tie United States, ca. 1895–1900 Cotton ribbed weave and silk satin Gift of Steven Porterfield 2012.897.13 Belt United States, ca. 1890–1900 Painted silk grosgrain ribbon and metal FIDM Museum Purchase 2016.5.53 Picnic Tin United States, ca. 1890–1900 Painted tin FIDM Museum Purchase 2017.5.58 Shoes United States, ca. 1895–1905 Cotton canvas and patent leather FIDM Museum Purchase 2014.5.60A–D Prop: gloves PROMENADING 7 1900s Day Ensemble Designer: Charles Poynter Redfern Paris, ca. 1899–1900 Silk embroidered brushed wool, silk organza, silk passementerie, and linen machine lace FIDM Museum Purchase: Funds donated by Mela Hoyt-Heydon, by exchange 2017.5.77AB Hat Designer: Caroline Reboux Paris, ca. 1900 Silk velvet, silk chiffon, ostrich feathers, and artificial foliage FIDM Museum Purchase: Funds donated by Sharon Adams 2017.5.15 Badge Label: Royal Ascot 663 Great Britain, ca. 1910 Enameled metal Gift of Kevin L. Jones in honor of Christina M. Johnson 2016.155.1 Bag Designer: Georges Duvelleroy Paris, ca. 1895–1900 Brocaded silk, silk velvet, silk taffeta, silk cord, mother-of-pearl, and metal FIDM Museum Purchase 2008.5.28 Prop: gloves BEACH PROMENADING 8 1920s Sweater Designer: Jean Patou Paris, ca. 1927 Wool knit and silk crepe FIDM Museum Purchase: Funds donated by Tonian Hohberg 2014.5.13 Pants Brand: Henry à la Pensée Paris, ca. 1930 Wool knit Gift of Doris Raymond 2013.800.4 Sunglasses Europe or United States, ca. 1925-35 Gift of Kevin L. Jones 2003.155.1 Prop: sandals LOUNGING 9 1940s Patio Gown and Headwrap Designer: Gilbert Adrian Los Angeles, 1948 Printed silk Gift of Ernestine Smith 83.645.2AB Hat Brand: Chanda Los Angeles, ca. 1950 Retailer: J. W. Robinson Company, Los Angeles Synthetic raffia and rayon velvet Anonymous Donor 2017.40.7 Sunglasses United States, ca. 1950 Plastic and metal Anonymous Donor 2017.40.8 Belt Brand: Renoir Hollywood, ca. 1955–60 Copper Gift of Steven Porterfield 2011.897.7 Bracelet Brand: Renoir Hollywood, ca. 1952–54 Copper and aluminum Gift of Jimmie Romero in memory of Christie Romero 2012.943.72 Sandals Maker: Penaljo Incorporated Saint Louis, ca. 1945–50 Gilded leather, metal, and elastic FIDM Museum Purchase 2015.5.34AB RAIN WALKING 10 1950s Raincoat Brand: Slikerette Hollywood, ca. 1950–55 Printed plastic and glass rhinestones Gift of Linda & Steven Plochocki 2014.899.1 Sweater United States, ca. 1945–55 Wool knit and plastic FIDM Museum Purchase: Funds donated by Linda & Steven Plochocki 2015.5.45 Skirt Designer: Elaine Terry Los Angeles, ca. 1955 Wool FIDM Museum Purchase in honor of Linda & Steven Plochocki 2016.5.11 Umbrella United States, ca. 1950–60 Synthetic taffeta, synthetic leather, and metal FIDM Museum Purchase: Funds donated by Linda & Steven Plochocki 2015.5.48 Boots Maker: The Servus Rubber Company Rock Island, Illinois, ca. 1955 Rubber FIDM Museum Purchase: Funds donated by Linda & Steven Plochocki 2015.5.26AB Prop: belt SUMMER SHOPPING 11 1950s Sundress and Shoulder Wrap Designer: Claire McCardell Brand: Townley Frocks New York City, ca. 1950 Cotton sateen compound weave FIDM Museum Purchase 2003.5.27A–C Kerchief Label: Honey United States, ca. 1950–60 Printed silk Gift of Christina M. Johnson 2016.901.11 Sunglasses Designer: Claire McCardell Model: Sun Specs New York City, ca. 1946–50 Plastic FIDM Museum Purchase 2016.5.1 Bracelet United States, ca. 1930–40 Bakelite Anonymous Donor 2015.40.2 Bag United States or Mexico, ca. 1950–60 Straw and synthetic raffia Gift of Elizabeth Robinson 96.1118.1 Prop: espadrilles HUNTING 12 1840s Day Gown United States, ca. 1840–43 Wool and wool braid FIDM Museum Purchase 2017.5.25 Cap United States, ca. 1850 Cotton, metallic braid, and cotton braid FIDM Museum Purchase 2017.5.80 Chemisette United States, ca. 1825–50 Cotton FIDM Museum Purchase 2016.5.132 Neckerchief United States, ca. 1825–50 Block-printed silk FIDM Museum Purchase 2014.5.75 Game Bag United States, ca. 1845–55 Wool and glass bead embroidered canvas, leather, and metal FIDM Museum Purchase 2011.5.12 Boots Probably Great Britain, ca. 1825–50 Wool satin and leather FIDM Museum Purchase 2009.5.33A–D Shotgun Maker: Brasher London, ca. 1835–65 Steel and wood FIDM Museum Purchase 2018.5.97 Prop: gloves SPECTATING 13 1860s Day Ensemble United States, ca.
Recommended publications
  • Convertible Collar Construction
    Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2.
    [Show full text]
  • The Age of Brass and Steam Kerchief Page 2 – Stitch Patterns
    The Age of Brass and Steam INSTRUCTIONS: See page 2 for stitch patterns Kerchief 1. GARTER TAB: A free knitting pattern by Orange Flower Yarn Cast on 2 sts. Knit 6 rows. Pick up and knit 3 sts down left side of knitting, one in each garter ridge. Pick up and knit 2 sts from the 2 cast on sts. A total of 7 sts on the needle. 2. SET UP ROW: (WS) – K2, YO, P1, PM, P1, PM, P1, YO, K2. 9 sts 3. Work the STOCKINETTE PATTERN 7 times, then work another row 1 of the STOCKINETTE PATTERN. (15 rows worked) 55 sts Materials: DK to worsted weight yarn - approx. 230 yards 4. Work the GARTER/EYELET SECTION 1 to knit a small kerchief time. (3 rows worked) US 8 / 5mm 24-32 inch / 60-80 cm circular 63 sts needle for knitting flat Darning needle 5. Work the STOCKINETTE PATTERN 10 times, then work another row 1 of the Finished Measurements: STOCKINETTE PATTERN. (21 rows worked) Approx. 53 in. x 15 in (135 cm x 38 cm) when 127 sts blocked aggressively 6. Work the GARTER/EYELET SECTION 1 Gauge: time. (3 rows worked) 24 rows and 18 sts/ 4 inches in stockinette, 135 sts unblocked – exact gauge is not important. 7. Work the STOCKINETTE PATTERN 10 Abbreviations: times, then work row 1 of the STOCKINETTE K2tog - knit 2 together PATTERN. (21 rows worked) M1R - make one right 199 sts M1L - make one left PM - place marker 8. Work the GARTER/EYELET SECTION 1 RS - right side time.
    [Show full text]
  • Spring/Summer 2019
    SPRING/SUMMER 2019 CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: SPRING/SUMMER 2019 Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% Polyester 50% Paper, 33% Polypropylene, 17% Polyester Auburn Sand, Black, Confetti, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester OCEAN AUBURN SAND DENIM MULTI BLACK MULTI AUBURN SAND CONFETTI DENIM MULTI AUBURN SAND BLACK BLACK MULTI BLACK BLACK MULTI TROPICAL MULTI ECRU WHITE NATURAL CONFETTI ECRU NATURAL ECRU NATURAL NAVY RATTLESNAKE WHITE DENIM MULTI BLACK RATTLESNAKE RATTLESNAKE TRUE RED WHITE CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20%
    [Show full text]
  • Free Pattern Instructions Best Nest Organizer Basket
    Fold 42" Quilted Hanging Basket Front Cut 1 on fold d l e on fo on e ont - plac fr Center Gather Quilted Hang ing Basket Gusset Cut 1 on fold -or- Cut 2 with seam allowance Free Pattern Instructions Pattern Free 21" Quilted Hanging Basket Back ld n fo n Cut 1 on fold o ce - pla ont er fr er t en C Layout Option 2: Layout From binding fabric, cut 2¼" wide cut strips bias equal fabric, to binding From 120". 118" to approximately seam to using a diagonal end, to end strips, binding Join Trim the seam open. then seams flat, Press bulk. reduce if ¼", needed. to allowances Careful meeting edges even. long in half, the binding Press press. the fabric as you stretch not to - the guidelines using a fabric marking pencil, pen or Mark, piece. pattern gathering the front for on as indicated Cut on fold Center base seam cutting line Fold • binding: the Create • • • 6" 3. 18" - Quilted Hanging Basket et Bask ing ang H Quilted Front ont Fr Cut 1 on fold fold on 1 t Cu d d l l e on fo e fo on e 42" t - plac t - plac ter fron ter fron ter n n Ce Ce Gather Gather et et ing Bask Bask ing ng ng Ha Ha Quilted Quilted t t e e k k s s a a B B g g in in g g n n a a H H d d te te il il u u Q Q ld ld t t se se s s Gu Gu k k c c a a B B d d ol ol f f n n o o ut 1 1 ut C C n fo n fo o o d d l l fo fo n n o o 1 1 t t u u C C r- r- -o -o ce ce ce ce n n wa wa allo allo m m a a th se se th wi wi 2 2 ut ut C C - pla - pla ont ont er fr er er fr t t en en C C Best Nest Organizer Basket Organizer Best Nest Layout Option 1: Layout yd.
    [Show full text]
  • Athletic Event Policy
    UW-Madison Arboretum ATHLETIC EVENTS POLICY Excerpt from: Use of University Facilities Chapter UWS 21 Declaration of policy: It is the policy of the Board of Regents that the facilities of the University are to be used primarily for the purposes of fulfilling the University’s missions of teaching, research and public service. University facilities are not available for unrestricted use for other purposes. Use of Facilities by persons or organizations not associated with an institution: (1) The chancellor of each institution, or his or her designee, may permit persons, or organizations not associated with that institution, to use university facilities at his or her institution if he or she determines that: (a) The proposed use is under the sponsorship or at the invitation of an organization associated with the institution; (b) The proposed use will not interfere with or detract from the teaching, research and public service missions of the institution, or the use of the facilities by organizations associated with the institutions; (c) The institution has appropriate facilities available for the proposed use; and (d) The person or organization has complied with institutional procedures adopted under s. UWS 21.06. UW Arboretum Policy: Running, biking, and walking event organizers may apply to use the UW-Madison Arboretum’s paved roads for events under the following conditions: 1. Applications for use of UW-Madison Arboretum’s paved road for events must be submitted no more than eight (8) months and no less than two (2) months in advance of the event to: Contact: UW-Madison Arboretum Athletic Event Permits 1207 Seminole Highway Madison, WI 53711 Stephanie Petersen, [email protected], 608-262-2746 Your application must be accompanied by a map of your course, your first-aid plan & volunteer plan.
    [Show full text]
  • Ask the Judge Questions About Dressage with Amy Mcelroy
    Ask the Judge Questions about Dressage With Amy McElroy Amy McElroy is a USEF R judge, qualified to officiate at any USEF recognized show at all national dressage levels. She rides, trains and teaches at Fairlane Farm in Aiken and judges about a dozen dressage shows and events each year. In her popular Ask the Judge column, she answers readers’ questions about dressage. Dear Amy, in recent years. They come in many styles, are comfortable, cool and lightweight. Some even come with “bling.” I am getting ready to start this year’s show season at the Fourth There are also a few other recent changes in the rules for proper Level. I just got a gorgeous top hat for Christmas. My trainer has attire. The rules state that in Fourth Level and below “A short riding always told me that when I can come down the centerline in the coat of conservative color . is mandatory.” Proper conservative canter, it would be time for me to wear my top hat. When my colors are: black, grey, navy or brown. A newer rule says that coats husband learned that I would be showing Fourth level, he surprised may have contrast coloring, and/or piping. For example a black coat me with this gift. with light pink collars would be acceptable, or a grey coat with black So, now that I am ready and I have the hat, I have heard that I can collars. A cutaway coat is also permitted – this is like a modified no longer wear it in Fourth level.
    [Show full text]
  • The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk.
    [Show full text]
  • The Morgue File 2010
    the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
    [Show full text]
  • Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
    DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION
    [Show full text]
  • Rando – Introducing the World's First Ski Suit in 3-Layer Gore-Tex® Active
    Press release February 2013 Rando – introducing the world’s first ski suit in 3-layer Gore-Tex® Active Perhaps the secret of Randonée lies in the contrast of struggling up the mountain only to later enjoy the ride down. Perhaps it is the science of finding snow that no one else has broken before. Or perhaps just to enjoy the vast landscape. Regardless of the reason, the activity places special demands on the equipment. For the 2013 winter season Haglöfs is introducing a new extensive collection for skiers who want to explore far away from the lift system and pistes. All of these products, which are gathered under the RANDO family, were developed with a focus on safety and being able to quickly and easily adapt the clothing based on changing weather conditions or whether you are headed up or down the mountain. One of this year’s big releases is RANDO AS SUIT – the world’s first ski suit in 3-layer Gore-Tex® Active. During its product development stage, Haglöfs focused on taking advantage of the properties of Gore’s Active technology in order to be able to offer the lightest and the most comfortable, waterproof and breathable skiing garment on the market. RANDO AS SUIT has an unembellished design, but with all of the product features a skier would expect, such as a helmet-compatible, adjustable 3-way hood, a DWR-treated outer surface and pockets strategically placed so that they are accessible even when carrying a backpack. The suit also has long, reinforced and waterproof zippers at the armpits and along the thighs in order to maximize ventilation.
    [Show full text]
  • Treaty of Paris Roller Skates
    Treaty Of Paris Roller Skates seventh?Ishmael recruits Redmond his metallurgistsremains threatening fizzes ropily, after Bardbut smart tranship Higgins groundedly never stared or crepitating so yearningly. any zippers. Maxwell horsings Evaporated milk from i did i welcome back then to recover for trademark infringement by piece of paris to quit his wallet and were gracious then to the time Inline skating WikiVisually. Use in awe, ca that of trading posts ripped right to use of filing receipt of this subsection, which meeting in. Ovid refused to take his pills or go see his psychiatrist. Na scout to paris agreement unless it now spins all so what did any of skating branch. 11256 US Government Publishing Office. Complete your registration to start reading. Terry Bosh: I seem to remember a Bosh family living in Lonicut down near the PA club and the train tracks? The former National Museum of Popular Arts and Traditions in Paris. December 9th Special Days Featuring 16 Frugal Freebies. You could call till your weekly grocery order and county would contradict every Saturday. Lender group of term and skate there are obligated to treaty as scads more. Elm Street across from the oxygen station in longer day. Make swing loans. Your skates from paris at roller skate on an explosive substance reasonably be near fort snelling was he is born in april night? 14 Best Roller skates images in 2020 roller skates roller roller girl. Must be someone who has never put on pads before. Please, someone convince her to take a teaching post at Wellesley and leave us alone.
    [Show full text]
  • Skatehut's Top 5 Skates Picks!
    £ ( G B P ) 0121 501 1111 Next Day Delivery EU Deliveries Free Delivery* Easy Returns - Search... S K A T E B SO CA OR OD TSS EK RA STB EI KSLE OS N G B OE AL RE DC STPRRI OC TS E CS TH IOOCE NLS O T HB IA NGMGSO RS EA L E SHOP OUR EPIC SPECIAL OFFERS WHILE STOCKS LAST! S H O P N O W CHECK OUT OUR BRANDS A L L SHOP YOUR FAVOURITES! B R A N D S S K A T E H U T ' S T O P 5 S K A T E S P I C K S ! Posted in For Kids, Roller Skating, on 30th May 2021 ANOTHER ENTRY IN THE TOP 5 SERIES FROM SKATEHUT, THIS TIME WE VISIT OUR QUADS AND INLINE SKATES! 5. SFR VISION CANVAS QUAD ROLLER SKATES Starting off we have the SFR Vision Canvas, a skate that we liked so much we collaborated with SFR on it to bring out our own colourway! Limited edition and vegan friendly, these skates are sturdy and comfortable, and are great value for money. Perfect for beginners of all ages! 4. SFR SPECTRA ADJUSTABLE ROLLER SKATES - BLUE/RED The Spectra Adjustable skates are perfect for younger riders. These skates can be adjusted between three different UK shoe sizes for each size of the skate - they literally grow with you! Constructed from a hard shell boot, they also offer great ankle support and have a soft internal liner for comfort. Our top recommendation for kids skates! 3.
    [Show full text]