The Colours of the Fleet
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Quality Finishing Products for Modellers Index
LETTERING DECALS LINING FLAGS VINYLBECC Catalogue 14 £1.00 Quality finishing products for modellers Index page page Aircraft Signage 5 Masking 9 Car Graphics 6 Price List inside rear cover Decals & Graphics 2-8 Reflective 8 Depth Markings 2 Roundels 2-3 Dials & Gauges 5 Signal Flags 16 Fabric Flags 10-16 Truck Graphics 8 Garage Signs 7 Vinyl Lettering 1 Lining 9 Vinyl Sheet 9 New additions to the lettering range Sets of cut vinyl text in standard fonts for specific military and rescue aircraft available in white and black sizes 21mm, 16mm, 11mm & 7mm approx high RNTEXT HMCGTEXT RescueTEXT RAFTEXT USNTEXT USCGTEXT MARINETEXT USAFTEXT Visit the new web site for full details of new releases www.becc.co.uk Vinyl Lettering Standard sets of self-adhesive letters, numbers and symbols for use on models, crafts and many types of identification Standard Arial font packs Large range of colours & sizes Each pack has Waterproof exterior adhesive an identical Economic with 400+ characters per pack amount of letters and numbers on Easy to lift and apply to all surfaces between 1 and 12 sheets A multitude of uses depending on the size of Letters are currently supplied in capitals only in Arial Bold type style. Quantity of symbols vary slightly in different size packs depending on character space available. Although not necessary, vinyl can be overcoated with Just lift the all normal varnishes. letters from the All Standard lettering packs are available in 11 sizes and 10 solid backing sheet colours: Black, White, Gold, Silver, Red, Blue, Yellow, Green, Orange with tweezers or and Purple a small knife 25mm Apply to the clean surface 20mm using a piece of 15mm tape to help 12mm alignment 10mm 8mm 6mm 5mm Rub gently into 4mm place for a 3mm AAAAAA 2mm perfect AAAA waterproof finish WhenA ordering quote size, then “Arial” followed by colour i.e. -
The Colours Part 1: the Regular Battalions
The Colours Part 1: The Regular Battalions By Lieutenant General J. P. Riley CB DSO PhD MA FRHistS 1. The Earliest Days At the time of the raising of Lord Herbert’s Regiment in March 1689,i it was usual for a regiment of foot to hold ten Colours. This number corre- sponded to the number of companies in the regiment and to the officers who commanded these companies although the initial establishment of Herbert’s Regiment was only eight companies. We have no record of the issue of any Colours to Herbert’s Regiment – and probably the Colo- nel paid for their manufacture himself as he did for much of the dress and equipment of his regiment. What we do know however is that each Colour was the rallying point for the company in battle and the symbol of its esprit. Colours were large – generally six feet square although no regulation on size yet existed – so that they could easily be seen in the smoke of a 17th Century battlefield for we must remember that before the days of smokeless powder, obscuration was a major factor in battle. So too was the ability of a company to keep its cohesion, deliver effec- tive fire and change formation rapidly either to attack, defend, or repel cavalry. A company was made up of anywhere between sixty and 100 men, with three officers and a varying number of sergeants, corporals and drummers depending on the actual strength. About one-third of the men by this time were armed with the pike, two-thirds with the match- lock musket. -
Eflags03.Pdf
ISSUE 3 March 2007 Greetings all Flag Institute members and welcome to our third edition of eFlags. As you can see we have developed our logo a bit now….at least it’s memorable! This edition seems to have developed something of an African theme growing out of the chairman’s visit to the cinema to see the ‘Last King of Scotland’ (an amazing and flesh cringing film…well worth a visit by the way). Events have also moved fast in the Institute’s development, and we hope the final section will keep you all in touch. Please do think about coming to one of our meetings, they are great fun, ( its one of the few occasions when you can talk about flags and not face the ridicule of your family or friends!) and we have a line up of some fascinating presentations. As always any comments or suggestions would be gratefully received at [email protected] . THE EMPEROR, THE MIGHTY WARRIOR & THE LORD OF THE ALL THE BEASTS page 2 NEW FLAG DISCOVERED page 9 FLAGS IN THE NEWS page 10 SITES OF VEXILLOGICAL INTEREST page 11 PUTTING A FACE ON FLAGS page 12 FLAG INSTITUTE EVENTS page 13 NEW COUNCIL MEMBERS page 14 HOW TO GET IN TOUCH WITH THE INSTITUTE page 15 1 The Emperor, the Mighty Warrior and the Lord of All the Beasts. The 1970s in Africa saw the rise of a number of ‘colourful’ figures in the national histories of various countries. Of course the term ‘colourful’ here is used to mean that very African blend of an eccentric figure of fun, with brutal psychopath. -
British Royal Banners 1199–Present
British Royal Banners 1199 – Present Geoff Parsons & Michael Faul Abstract The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. It continues to show how King Edward III added the French Royal Arms, consequent to his claim to the French throne. There is then the change from “France Ancient” to “France Modern” by King Henry IV in 1405, which set the pattern of the arms and the standard for the next 198 years. The story then proceeds to show how, over the ensuing 234 years, there were no fewer than six versions of the standard until the adoption of the present pattern in 1837. The presentation includes pictures of all the designs, noting that, in the early stages, the arms appeared more often as a surcoat than a flag. There is also some anecdotal information regarding the various patterns. Anne (1702–1714) Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 799 British Royal Banners 1199 – Present Figure 1 Introduction The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. Although we often refer to these flags as Royal Standards, strictly speaking, they are not standard but heraldic banners which are based on the Coats of Arms of the British Monarchs. Figure 2 William I (1066–1087) The first use of the coats of arms would have been exactly that, worn as surcoats by medieval knights. -
White Ribbon Campaign Activities 2016
White Ribbon Campaign activities 2016 Activity Date - Time Venue For more details, contact: Sign up to the Now until Alison Smith Thunderclap http://thndr.me/7KJFMt 25th Nov Norfolk County Council, 01603 495895 [email protected] Hospital radio interview to raise awareness of 16th Nov, Norfolk & Norwich Tristan Johnson internal DA champion network within the 7pm – 8pm Hospital NNUH, 01603 287783 hospital and countywide, and mentioning white [email protected] ribbon day campaign Stencilling DA awareness messages on w/c 21st Nov Norwich Sarah Clark pavements in Norwich neighbourhood neighbourhoods Norwich City Council, 01603 212821 locations [email protected] Selling white ribbons at main reception desk 21st Nov to City Hall Sarah Clark 30th Nov Norwich Norwich City Council, 01603 212821 [email protected] Stall with leaflets and posters for the White 23rd Nov County Hall Ribbon day campaign and highlighting DA Champions Bake Sale and guess the weight of a jar of 23rd Nov County Hall, chocolate 4th floor – staff only White ribbon flag being flown from City Hall 23rd Nov to City Hall Sarah Clark roof and a sign hung from the balcony of City 30th Nov Norwich Norwich City Council, 01603 212821 Hall [email protected] Norwich CCG website, front All week page http://www.norwichccg.nhs.uk/ Stand with posters, leaflets and advertising 24th Nov, UEA LCR Judi Lincoln Hollie Guard App all day NCLS [email protected] Page 1 of 3 Activity Date - Time Venue For more details, contact: Selling white ribbons and displaying -
ICV20 Tomlinson.Pub
The virtual battle: Flags in Georgian marine paintings Barbara Tomlinson Abstract The 18th century saw the development of an English school of marine painting following the example of the Dutch in the previous century. When representing naval battles, artists needed to handle numerous technical details including the depiction of British squadronal colours, distin- guishing flags and signal flags. This paper examines selected actions painted by Samuel Scott (1701/2-1772), Nicholas Pocock (1741-1821), Thomas Whitcombe (c.1752-1827) and William Anderson (1757-1837) and ask - how accurate were these artists, how did they research their paintings, how did they display flags for dramatic effect and who was their intended audience? The resources of the National Maritime Museum’s collections used to illustrate this subject in- clude prints, drawings and documents. The British maritime victories of the sailing navy era were immortalized by contemporary artists. Originally a Dutch genre, by the middle of the 18th century, marine pictures were also produced by British painters who specialised in these scenes. I would like to consider the relationship between the reality and the representation with particular reference to the way the artist shows British flags, concentrating on some of the less well-known battles. One painter who took considerable pains to include accurate detail was Nicholas Po- cock. A sketchbook survives compiled by Pocock during the Battle of the Glorious 1st of June when he was able to observe the action directly from the frigate Pegasus. These small and indistinct views remind us that in contrast to the way vessels are shown in marine paintings, in reality, everything would have been much more spread out and much further away. -
THE EAST LOTHIAN FLAG COMPETITION the Recent
THE EAST LOTHIAN FLAG COMPETITION The recent competition held to select a flag for the county of East Lothian, elicited four finalists; three of these were widely criticised for falling short of good design practice, as promoted for several years, by such bodies as the North American Vexillological Association and the Flag Institute. The latter’s Creating Local & Community Flags guide , as recently advertised by the Flag Institute's official Twitter feed on Monday 8th October 2018, states on page 7, that "Designs making it to the shortlist of finalists must meet Flag Institute design guidelines to ensure that all potential winning designs are capable of being registered." and further notes that "Flags are intended to perform a specific, important function. In order to do this there are basic design standards which need to be met." Page 8 of the same guide, also declares, "Before registering a new flag on the UK Flag Registry the Flag Institute will ensure that a flag design: Meets basic graphical standards." This critique demonstrates how the three flags examined, do not meet many of the basic design standards and therefore do not perform the specific and important intended functions. As a result, on its own grounds, none of the three can be registered by the Flag Institute. Flag B Aside from the shortcomings of its design, Flag B fails to meet the Flag Institute's basic requirement that any county flag placed on the UK Flag Registry cannot represent a modern administrative area. The Flag Institute’s previously cited, community flag guide, describes on page 6, the categories of flags that may be registered; "There are three types of flag that might qualify for inclusion in the UK Flag Registry: local community flags (including cities, towns and villages), historic county flags and flags for other types of traditional areas, such as islands or provinces. -
Commission Report Final UK
JOINT COMMISSION ON VEXILLOGRAPHIC PRINCIPLES of The Flag Institute and North American Vexillological Association ! ! THE COMMISSION’S REPORT ON THE GUIDING PRINCIPLES OF FLAG DESIGN 1st October 2014 These principles have been adopted by The Flag Institute and North American Vexillological Association | Association nord-américaine de vexillologie, based on the recommendations of a Joint Commission convened by Charles Ashburner (Chief Executive, The Flag Institute) and Hugh Brady (President, NAVA). The members of the Joint Commission were: Graham M.P. Bartram (Chairman) Edward B. Kaye Jason Saber Charles A. Spain Philip S. Tibbetts Introduction This report attempts to lay out for the public benefit some basic guidelines to help those developing new flags for their communities and organizations, or suggesting refinements to existing ones. Flags perform a very powerful function and this best practice advice is intended to help with optimising the ability of flags to fulfil this function. The principles contained within it are only guidelines, as for each “don’t do this” there is almost certainly a flag which does just that and yet works. An obvious example would be item 3.1 “fewer colours”, yet who would deny that both the flag of South Africa and the Gay Pride Flag work well, despite having six colours each. An important part of a flag is its aesthetic appeal, but as the the 18th century Scottish philosopher, David Hume, wrote, “Beauty in things exists merely in the mind which contemplates them.” Different cultures will prefer different aesthetics, so a general set of principles, such as this report, cannot hope to cover what will and will not work aesthetically. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century
“No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century by Kevin Woodger A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Kevin Woodger 2020 “No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century Kevin Woodger Doctor of Philosophy Department of History University of Toronto Abstract This dissertation examines the Canadian Cadet Movement and Boy Scouts Association of Canada, seeking to put Canada’s two largest uniformed youth movements for boys into sustained conversation. It does this in order to analyse the ways in which both movements sought to form masculine national and imperial subjects from their adolescent members. Between the end of the First World War and the late 1960s, the Cadets and Scouts shared a number of ideals that formed the basis of their similar, yet distinct, youth training programs. These ideals included loyalty and service, including military service, to the nation and Empire. The men that scouts and cadets were to grow up to become, as far as their adult leaders envisioned, would be disciplined and law-abiding citizens and workers, who would willingly and happily accept their place in Canadian society. However, these adult-led movements were not always successful in their shared mission of turning boys into their ideal-type of men. The active participation and complicity of their teenaged members, as peer leaders, disciplinary subjects, and as recipients of youth training, was central to their success. -
An Argument from Design
Raising the Standard: An Argument from Design Tony Burton Abstract The creative process and principles informing the design of some special purpose and other flags lead to conclusions for flag design in general. The dynamics of metaphor and shape- shifting are considered. The scope for greater pageantry and innovation in flag design is explored. Current national flags of complex or awkward design present a challenge. Possible remedies are suggested. To paraphrase a famous utterance, the known delivers the unknown, and as at least one national flag of recent vintage demonstrates, the unknown can lead to an unforeseen, but serendipitous result. Among the many instances of how not to design a flag, how to is more worthwhile. Vexillologists have higher standards. Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 83 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN Tony Burton Flags Australia Tony Burton—Raising the Standard 84 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION FLAG DESIGN REALITIES GUIDELINES SOME CONGRESS FLAGS ICV 24 ICV 26 SHAPE-SHIFTING ICV 8 OTHER FLAGS CANADA BANGLADESH SURINAM(E) SOUTH AFRICA DESIGN CHANGE POSSIBILITIES MOZAMBIQUE CYPRUS DOMINICA ST VINCENT AND THE GRENADINES DESIGN ECONOMY AND A FUTURE FLAG AUSTRALIA EUREKA A CONSERVATIVE APPROACH RADICAL ORIGAMI A PARAGON OF DESIGN PRACTICAL GUIDELINES THE EUREKA MOMENT —A THEORETICAL FRAMEWORK NOTES BIBLIOGRAPHY APPENDIX A BANNER OF THE 26TH ICV SYDNEY 2015 APPENDIX B CANADA’S FLAG DESIGN QUEST Tony Burton—Raising the Standard 85 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION Flags have evolved in many ways from the medieval models paraphrased in the title slide— and not always with their clarity and flair. -
Moments As Chatham Had Been Allowed to Fall Into Disrepair, Almost Devoid of Stores
The Royals at the Battle of the Medway Royal Scots Museum In 1666 the Regiment was recalled from France, landing at Rye, Sussex it marched to Chatham. At this period the British Navy had been left unmanned, and the defenses of such an important arsenal Moments as Chatham had been allowed to fall into disrepair, almost devoid of stores. In June the Dutch fleet appeared at the mouth of the Thames. in Time An appeal for help was sent by the Governor of Sheerness, and a company of Douglas’s Regiment was dispatched. It manned the weak J u n e defenses, but the batteries were so ill placed that the ships could pour 2 1953 Coronation of Queen Elizabeth II. a fierce fire inside them; and any shot which fell short sent showers of 5 1953 1st Battalion sail for Korea. shingle into the faces of the defenders. The post was eventually 6 1761 Dominica captured – 2nd Battalion. abandoned, and the Dutch passed on up the river. They had, 1944 D-Day invasion of Normandy by 1 million however, been delayed twenty-four hours by the gallant defence. Allied troops to liberate Western Europe On the 13th the Dutch prepared for a further move up the Medway. from German occupation - 8th Battalion. At Upnor three great battleships Royal Oak, Royal James and Loyal 7 1762 1st Battalion lands at Havannah to capture it London had been sunk, but only rested on the river bottom. Captain from Spanish possession. Casualties from Douglas and a party from Douglas’s had been sent for duty on board landing through to August 13 number 34 the Royal Oak.