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Scientific Program 81S T Annual M Ee T in G
P A C I F I C C O A S T S U R G I C A L A SSOCIATION Scientific Program 81S T ANNUAL M EE T IN G FEBRUARY 13–16, 2010 RITZ-CARLTON, KAPALUA HOTEL MAUI, HI Jointly Sponsored by the American College of Surgeons and the Pacific Coast Surgical Association TABLE OF CONTENTS P A C I F I C C O A S T S U R G I C A L A SSOCIATION 8 1 S T A N N U A L M E E T I N G Scientific Program FEBRUARY 13–16, 2010 Ritz-CaRlton, Kapalua Hotel • Maui, Hi Ta BLE OF CONTENTS Arrangements/Program Committee .....................................................................2 Council officers, Members, and Representatives ................................................3 General Information ..................................................................................................4 Program Information ................................................................................................5 Scientific Program .....................................................................................................6 industry Support Displays .......................................................................................7 evening activities ......................................................................................................8 optional activities .....................................................................................................9 program agenda ......................................................................................................11 Scientific Session agenda .......................................................................................13 -
Alaeddin and the Enchanted Lamp
Alaeddin and the Enchanted Lamp John Payne Alaeddin and the Enchanted Lamp Table of Contents Alaeddin and the Enchanted Lamp.........................................................................................................................1 John Payne.....................................................................................................................................................1 INTRODUCTION.......................................................................................................................................................2 I......................................................................................................................................................................2 II....................................................................................................................................................................3 III....................................................................................................................................................................4 IV...................................................................................................................................................................6 V.....................................................................................................................................................................7 ZEIN UL ASNAM AND THE KING OF THE JINN...............................................................................................8 ALAEDDIN AND -
Scheherazade's Moral Matrix of the 1001 Nights a Dissertation Submitted
UNIVERSITY OF CALIFORNIA, SAN DIEGO Bound Infinities: Scheherazade’s Moral Matrix of The 1001 Nights A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Michael James Lundell Committee in charge: Professor Alain J.-J. Cohen, Chair Professor Steven Cassedy Professor Lisa R. Lampert-Weissig Professor Michael Provence Professor Oumelbanine Zhiri 2012 Copyright Michael James Lundell, 2012 All rights reserved. The Dissertation of Michael James Lundell is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION This dissertation is dedicated to my father James H. Lundell iv TABLE OF CONTENTS Signature Page…………………………………………………………............... iii Dedication……………………………………………………………………….. iv Table of Contents………………………………………………………………... v Acknowledgements…………………………………………………………….... vi Vita………………………………………………………………………………. x Abstract………………………………………………………………………….. xi Introduction……………………………………………………………………… 1 Scheherazade the Jariya: Revisiting the Frame Story of The 1001 Nights……... 18 Dislocating Scheherazade: The 1001 Nights, Paratextuality, and the Illusion of a Static Orientalist Text…………………………………………………………….. 52 Pasolini’s Splendid Infidelities: Film Versions of The Thousand and One Nights and Their Unresolved Issues………………………………………………………….. 90 The Trouble with Burton: 20th Century Criticism and the Dismissal of History… 122 Irish Nights Entertainments: Ulysses and The 1001 Nights……………………... 170 Conclusion………………………………………………………………………... 198 Bibliography……………………………………………………………………… 206 v ACKNOWLEDGEMENTS Nothing in this dissertation would have been possible without the assistance, interaction and past scholarship of so many others. I would like to extend a special thank you to my chair, Alain J.-J. Cohen, who is an exemplary teacher, lecturer, mentor, scholar, professor and sharer of so much it is impossible to begin to pay back the debt of gratitude I owe to him. -
MA Thesis Final Draft
“YOUR WISH IS MY COMMAND” AND OTHER FICTIONS: RELUCTANT POSSESSIONS IN RICHARD BURTON’S “ALADDIN” By Dan Fang Thesis Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English August, 2011 Nashville, Tennessee Approved: Rachel Teukolsky Dana Nelson The Arabian Nights Entertainments is a work of fantasy, mystery, and the imagination. In it we find bewitching princesses, strange beasts, terrifying jinnis, and epic voyages; from it we draw stories and images that fill our culture with wonder. Since its introduction to the West by Antoine Galland in 1704, stories from the Nights have been rewritten and reworked into everything from children’s stories to operas, musicals to movies. Of all of the stories from the Nights—which consist of more than 400 that a clever girl, Scheherazade, tells to her husband the Sultan over a thousand and one nights in order to stay her execution—the stories of Aladdin and his magical lamp, Ali Baba and his forty thieves, and Sinbad and his seven voyages are arguably the most popular. And since the production of Disney’s 1992 animated feature film, “Aladdin” has become perhaps the most popular of the tales in Western culture. The popularity of “Aladdin” is not a late 20th Century phenomenon, however. Aside from versions of Scheherazade’s own story, “Aladdin” was the first to be incorporated into the British theater.1 Throughout the 19th and 20th Centuries, “Aladdin” has been incorporated into countless collections of children’s bedtime stories, picture books both cheaply accessible and gloriously exquisite, even into handbooks for English instruction in grammar schools. -
A Victorian Arabian Nights Adventure: a Study in Intertextuality
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1988 A Victorian Arabian Nights Adventure: A Study in Intertextuality Nancy Victoria Workman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Workman, Nancy Victoria, "A Victorian Arabian Nights Adventure: A Study in Intertextuality" (1988). Dissertations. 2663. https://ecommons.luc.edu/luc_diss/2663 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1988 Nancy Victoria Workman A VICTORIAN ARABIAN NIGHTS ADVENTURE: A STUDY IN INTERTEXTUALITY by Nancy Victoria Workman A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 1988 copyright 1988 Nancy V. Workman ACKNOWLEDGMENTS I wish to thank my director, Dr. Frank Fennell, for his assistance during this project. I also wish to thank my other readers, Drs. Micael Clarke and Joyce Wexler, for their help. They all offered encouragement and interest, even as they read additional drafts and alternate versions. It is only through their efforts that I did not succeed in imitating Scheherazade's perpetual narrative too faithfully. For financial assistance, I wish to thank the Kosciuszko Foundation which awarded me a grant for 1985- 1986. -
Journal of Arts & Humanities
Journal of Arts & Humanities Volume 07, Issue 09, 2018: 70-83 Article Received: 07-08-2018 Accepted: 14-09-2018 Available Online: 28-09-2018 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v7i9.1469 A Cultural Median: One Thousand Nights and a Night before 1700 1 Soha El-Samad ABSTRACT With tales that date as far back as the ninth century, One Thousand Nights and a Night is one of the earliest seminal texts to first expose the West to Eastern life and culture. Following their translation, their extensive influence upon Western literature became an established fact. However, though direct referencing to the tales prior to their translation is lacking, there is evidence to indicate they were widely received and circulated even before the time when the lengthy crusader wars and their accompanying intervals of peace opened a field of folkloric interaction between East and West. Through a historical analysis, this article examines the reception and impact of The Nights on European narrative, poetic, and dramatic productions before 1700 to highlight its significance as a cultural median and reveal how apparently disparate cultures share similarities in at least in one essential part of human development; the folkloric. Edward Said’s claim that “in general it was the West that moved upon the East, not vice versa” (73) is textually justified only during the period of British imperialism since one text had already made its way into Western folkloric tradition well before its translation. In the process, this article also draws attention to the tales’ neglect among the Arab literary tradition and, in so doing, exposes the political and religious institutionalization of literature. -
One Thousand and One Nights
One Thousand and One Nights PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 10 Nov 2010 06:21:59 UTC Contents Articles Overview 1 One Thousand and One Nights 1 New Arabian Nights 21 Arabian Nights and Days 23 Stories and characters 24 Stories 24 Characters 40 Scheherazade 46 Abu Nuwas 48 Aladdin 51 Ali Baba 56 Al-Mustazi 60 Badoura 60 Harun al-Rashid 61 Ja'far 67 Khosrau 69 Mustensir Billah 75 Old Man of the Sea 75 Shirin the Armenian 76 Sinbad the Sailor 78 Widow Twankey 85 The Fisherman and the Jinni 87 Famous translators 88 Antoine Galland 88 Richard Francis Burton 90 Edward William Lane 104 Joseph Charles Mardrus 107 John Payne 108 Gustav Weil 109 References Article Sources and Contributors 111 Image Sources, Licenses and Contributors 114 Article Licenses License 115 1 Overview One Thousand and One Nights Kitāb 'alf laylaةليلو ةليل فلأ باتك :One Thousand and One Nights (Arabic Hezār-o yek šab) is a collection of Middle بش کی و رازه :wa-layla; Persian Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English language edition (1706), which rendered the title as The Arabian Nights' Entertainment.[1] The work as we have it was collected over many centuries by various authors, translators and scholars across the Middle East and North Africa. The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. -
The Life of Sir Richard Burton
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com .B97 THE LIFE OF SIR RICHARD BURTON LADY BURTON. Photo by Gunn & Stuart Richmond Surrey. THE LIFE OF SIR RICHARD BURTON THOMAS WRIGHT AUTHOR OF "THE LIFE OF EDWARD FITZGERALD." ETC. WITH SIXTY-FOUR PLATES. TWO VOLUMES VOL. II LONDON EVERETT & CO. 1906 (All Rights Reserved.) #4. //- it>- 3L $ tX CONTENTS OF VOLUME II CHAPTER XXI' 27th December 1879 — August 1881 CAMOENS^ 98. The Lusiads - - - - - -13 99. Ober Ammergau - - - - 16 100. Mrs. Burton's Advice to Novelists - - 19 101. The Kasidah - - - - - - 20 102. Lisa - _- -.-.23 CHAPTER XXII August 1 88 1 — 20th May 1882 JOHN PAYNE 103. With Cameron at Venice, August 1881 - - 25 104. John Payne, November 1881 - - - 26 105. To the Gold Coast, 25th November 1881 — 20th May 1882 34 CHAPTER XXIII., 20th May 1882— July 1883 THE MEETING OF BURTON AND PAYNE 106. Mrs. Grundy begins to Roar, May 1882 - - - 37 107. The Search lor Palmer, October 1882 - - - 43 CHAPTER XXIV July 1883 — November 1883 THE PALAZZONE 108. Anecdotes of Burton - 46 109. Burton and Mrs. Disraeli 47 110. "I am an Old English Catholic ' ' 49 111. Burton begins his Translation, April 1884 S2 1 1 2. The Battle over the Nights 54 113. Completion of Payne's Translation 56 vi LIFE OF SIR RICHARD BURTON CHAPTER XXV THE KAMA SHASTRA SOCIETY 114. The Azure Apollo - 57 115. The Kama Sutra - - - 63 CHAPTER XXVI "THE ANANGA RANGA " 1885 116. -
The Arabian Nights the Book of a Thousand Nights and a Night CLASSIC FICTION Read by Philip Madoc
Sir Richard Burton The Arabian Nights The Book of a Thousand Nights and a Night CLASSIC FICTION Read by Philip Madoc THE GREAT TALES NA302912D 1 Far-famed legends 6:35 2 From a lattice window 9:52 3 Scheherazade requests marriage 5:29 4 The Barber’s Tale of himself 5:24 5 The Barber’s Tale of his first brother 4:53 6 Yet more tricks 7:07 7 The Barber’s Tale of his second brother 11:15 8 Sindbad the Seaman – The Voyages 7:24 9 Escape by flight 3:42 10 A surprise of diamonds 7:22 11 The Third Voyage of Sindbad 6:19 12 In the hands of a cannibal 6:00 13 A monstrous serpent 4:59 14 Reunited with the bales 8:01 15 The Fourth Voyage of Sindbad 6:10 16 Succour and riches 6:37 17 The widower’s fate 5:21 2 18 The cave of death 10:24 19 The Fifth Voyage of Sindbad 4:09 20 Shipwrecked into danger again 6:03 21 A treasure of nuts, cloves and spices 9:53 22 Ali Baba and the Forty Thieves 6:26 23 The revealing scales 9:03 24 Ali Baba discovers Kasim’s fate 8:28 25 The captain makes plans 7:20 26 A second attempt 9:23 27 Morgiana boils the oil 7:57 28 The captain vows revenge 8:02 29 Just one stab 7:21 30 The Tale of the Portress 8:41 31 The Portress (conclusion) 6:35 Total time: 3:42:43 Cover picture: The Arabian Nights by Edmund Dulac. -
Timid Tiger, Lusty Lamb Little Theatre on the Square
Eastern Illinois University The Keep 1966 Shows Programs 1966 Summer 6-7-1966 Timid Tiger, Lusty Lamb Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1966_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Timid Tiger, Lusty Lamb" (1966). 1966 Shows Programs. 12. http://thekeep.eiu.edu/little_theatre_1966_programs/12 This Book is brought to you for free and open access by the 1966 at The Keep. It has been accepted for inclusion in 1966 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Equity Star Music and Drama Theatre" Tenth Season May 20-October 23, 1966 Sullivan, Illinois Guy S. Litle, Jr. Presents I John Payne in "Timid Tiger, Lusty Lamb" June 7 -12, 1966 Guy S. Little, Jr. PRESENTS JOHN PAYNE "TIMID TIGER, LUSTY LAMB"" The Premiere Production of a New Comedy by ARTHUR ALSBERG and JOHN O'DEA with Aviva Crane, John Kelso, Ralph Foody, Pamela Danwr Patti hider, Robert Gwaltney and RONALD ROGERS Directed by JOHN PAYNE and JOHN KELSO Production Stage Manager Assistant Stagr M.nauer RICHARD GIBSON E. JAh4ES ROSS ?.2 CAST '.. ' Shirley Frazer ................................................... AVlVA CRANE Harry Frazer ...................... .......................... JOHN PAYNE Mr. Newman ................................................. JOHN KELM) Miss Weston ............................................. KATHLEEN BROWN Peggy Hillman ........................................... -
A Critical Study of Sir Richard F. Burton's Tales from 1001 Arabian Nights
A CRITICAL STUDY OF SIR RICHARD F. BURTON'S TALES FROM 1001 ARABIAN NIGHTS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Bottor of $l)ilo£(Qp)ip I ^i£, IN - '-"* ^ ENGLISH^ ^ BY MAL A. I. MQHD. H%.^^^ Under the Supervision of PROF. A. R. KIDWAI DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1999 p. I 2> 5 W T } 3HT 5 >M T5521 ^crfificufc This is to certify that Mr. Jamal A.I. Mohd did his Ph.D. on the topic ".A Critical Study of Sir Richard F. Burton's Tales from 1001 Arabian Nights", under my supervision. To the best of my knowledge, it is Mr. Jamal's original work which is suitable for submission for the award of Ph.D degree. Professor A.R. Kidwai ACKNOWLEDGEMENT I owe a deep debt of gratitude to my teacher, Prof. Abdur Raheem Kidwai, without whose supervision this work would not have seen the Ught of the day. I am indebted to him not only for being my vigilant supervisor of this thesis, but also owing to the fact that whenever I encroached upon his valuable time, he helped me with his scholarly criticism and constructive suggestions. Despite his engagements, he was kind enough to scrutinize the entire work. For an Arab student like me, who came from a place where English is used only as a foreign lagugage, it was quite a task for me to embark upon a doctoral research. 1 am fortunate enough to have completed my Ph.D. under his superb supervision. I express my gratitude to all my teachers in the Department of English, Aligarh Muslim University, Aligarh, and to the staff of the Maulana Azad Library for their cooperation and invaluable help. -
The Arabian Nights in Translation: How the World of Scheherazade Was Epitomized by the West
Wesleyan University The Honors College The Arabian Nights in Translation: How the World of Scheherazade was Epitomized by the West by Rachel Kurlander Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Letters Middletown, Connecticut April, 2016 Contents Acknowledgements .................................................................................................................................................. 1 Introduction ................................................................................................................................................................ 2 Chapter 1: “Antoine Galland: The Storyteller” ........................................................................................... 16 Chapter 2: “Edward Lane, The Ethnographer” .......................................................................................... 38 Chapter 3: “Richard Burton, The Rebel” ....................................................................................................... 54 Conclusion ................................................................................................................................................................. 69 Bibliography ............................................................................................................................................................. 73 Acknowledgements My sincerest thanks to Joe Fitzpatrick