Performing Choirs
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Usc Thornton Oriana Women's Choir and Apollo Men's Chorus
UNIVERSITY OF SOUTHERN CALIFORNIA THORNTON SCHOOL OF MUSIC USC THORNTON ORIANA WOMEN’S CHOIR AND APOLLO MEN’S CHORUS FRIDAY | OCTOBER 28, 2016 | 8:00PM NEWMAN RECITAL HALL ORIANA WOMEN’S CHOIR IRENE APANOVITCH conductor MICHAEL DAWSON co-conductor ASHLEY RAMSEY co-conductor HANBO MA accompanist APOLLO MEN’S CHORUS ERNEST H. HARRISON conductor SCOTT RIEKER co-conductor DA’JON JAMES co-conductor LUIS REYES accompanist PROGRAM ORIANA WOMEN’S CHOIR PABLO CASALS Eucaristica Ashley Ramsey, conductor CHARLES IVES At the River Irene Apanovitch, conductor RANDALL THOMPSON “A Girl’s Garden” from Frostiana Irene Apanovitch, conductor MICHAEL MCGLYNN The White Rose Michael Dawson, conductor GIDEON KLEIN Bachuri Le’an Tisa Ashley Ramsey, conductor Katharine LaMattina, soloist EUGENE SUCHON Bodaj by vás čerti vzali Michael Dawson, conductor MICHAEL MCGLYNN, arr. Song for Jerusalem Michael Dawson, conductor Sunmi Shin, soloist Kathy Tu, soloist Clare Wallmark, soloist SRUL IRVING GLICK “Psalm 23” from Psalm Trilogy Irene Apanovitch, conductor OSCAR PETERSON Hymn to Freedom Irene Apanovitch, conductor APOLLO MEN’S CHORUS MICHAEL COX Praise him! Ernest H. Harrison, conductor MXOLISI MATYILA Bawo Thixo Somnadla Mxolisi Matyila Ernest H. Harrison, conductor AARON COPLAND Simple Gifts Scott Rieker, conductor ROBERT SHAW & Blow the Man Down Scott Rieker, conductor ALICE PARKER Da’Jon James, soloist Daniel Newman-Lessler, soloist David Massatt, soloist ROBERT SHAW & Vive L’Amour Da’Jon James, conductor ALICE PARKER Stephan Pellisier, soloist Ivan Tsung, soloist Luke Can Lant, soloist JOHN FARMER Fair Phyllis Scott Rieker, conductor AARON COPLAND The Dodger Ernest H. Harrison, conductor Chung Ming Zen, soloist Daniel Newman-Lessler, soloist Stephan Pellissier, soloist PAUL BASLER Sing to the Lord Ernest H. -
Les Pages Sur Les Festivals D'été
festivalsSummer d’été Une pléiade de festivals de musique classique se disputent chaque été les faveurs des mélomanes. Le plaisir des yeux y rejoint celui des oreilles, les sites étant souvent splendides et totalement dépaysants. La Scena en brosse, ce mois-ci, un portrait pastoral. A growing number of festivals appeal to classical music lovers. They aim to please their patrons’ ears, but also they strive to delight their eyes, being located in bucolic pastures. This month, La Scena attempts to capture their unique appeal. 3 2pm. StAC. Ensemble vocal Joseph-François- über die Folie d’Espagne, Wq. 118/9, H.263 JULY Perrault; Oakville Children’s Choir; Academic (1778); Mozart: Fantaisie in C minor, K.V. 475 12 20h. EcLER. $10-22. Chausson: Quatuor; Brahms: Choir of Adam Mickiewicz University; Bach (1785); 9 Variationen über ein Menuett von Quatuor #3 en sol mineur. Quatuor Kandinsky Children’s Chorus of Scarborough; Prince of Duport, K.V. 573 (1789); Haydn: Variations in F 13 20h. ÉNDVis. $10-22. Piazzolla: “Four for Tango”; Wales Collegiate Chamber Choir; Choral Altivoz minor, Hob. xvii/6 (1793); Beethoven: 6 Castonguay-Prévost-Michaud: “Redemptio” 3 8pm. A&CC. Cantare-Cantilena Ensemble; Young Variations, op.34 (1802). Cynthia Millman-Floyd, (poème Serge-Patrice Thibodeau); Dvorak: Voices of Melbourne; Daughter of the Baltic fortepiano “Cypresses” #6 10 5 12; Chostakovich: 2 Pieces 3 8pm. GowC. St. John’s Choir; Scunthorpe Co- 3 8pm. DAC Sir James Dunn Theatre. $20-25. Guy: for String Quartet; Reinberger: Nonet op.139. Operative Junior Choir; Amabile Boys Choir Nasca Lines. Upstream Orchestra; Barry Guy, bass Quatuor Arthur-LeBlanc; Eric Lagacé, contre- 4 8pm. -
National Conference Performing Choirs
National Conference Performing Choirs 20152015 ACDA FestivalFestival ChoirChoir UniversityUniversity ofof Utah A Cappella Choir Thursday 8:00 pm - 9:45 pm Abravanel Hall (Blue Track) Friday 8:00 pm - 9:45 pm Abravanel Hall (Gold Track) The 2015 ACDA Festival Choir includes the Utah Sym- phony Chorus, Utah Chamber Artists, the University of Utah Chamber Choir, and the University of Utah A Cappella Choir conducted by Barlow Bradford. The Utah Symphony is con- ducted by Thierry Fischer. Founded in 1962, the A Cappella Choir offers singers the opportunity to perform works for larger choirs and to fi ne- tune the art of choral singing through exposure to music from Utah Chamber Artists the Renaissance through the twenty-fi rst century. Choir mem- bers hone musicianship skills such as rhythm, sight-reading, and the understanding of complex scores. They develop an understanding of the intricacies of vocal production, includ- ing pitch, and how to blend individual voices together into a unifi ed, beautiful sound. In recent years, the A Cappella Choir has become a standard of excellence in student singing in the State of Utah. Last fall, they sang Mozart’s Trinity Mass with the Utah Symphony and the Utah Symphony Chorus under the direction of Thierry Fischer. This renewed a tradition of collaboration between the choirs of the University of Utah and the Utah Symphony, and their outstanding performance resulted in invitations for return engagements in 2015. Utah Chamber Artists was established in 1991 by Barlow University of Utah Chamber Choir Bradford and James Lee Sorenson. The ensemble comprises forty singers and forty players who create a balance and so- nority rarely found in a combined choir and orchestra. -
Stour Music 2021
STOUR MUSIC 2021 ‘Super-Excellent’ Martha McLorinan - mezzo-soprano Nicholas Mulroy - tenor Matthew Long - tenor Greg Skidmore - baritone Frederick Long - bass The 24 (University of York) English Cornett & Sackbut Ensemble Robert Hollingworth conductor Sponsored by James & Jane Loudon Saturday 19th June 6 & 8pm BOUGHTON ALUPH CHURCH Programme Giovanni Gabrieli (c.1514-1612) – Buccinate Joan de Cererols (1618-76) – Missa Batalla (Kyrie/Gloria) Alessandro Grandi (1586-1630) – O Intemerata Juan de Araújo (1646-1712) – Dixit Dominus a 11 Anon – Canzon a 6 Palestrina/Bovicelli – Ave verum corpus Edmund Hooper (c.1513-1621) – O God of Gods Heinrich Schütz (1585-72) – Fili mi Absalon Giovanni Gabrieli – In Ecclesiis (completed H.Keyte) Performers Martha McLorinan – mezzo-soprano Nicholas Mulroy, Matthew Long – tenor Greg Skidmore – baritone Frederick Long – bass William Lyons – Dulcian, curtal, shawm Nicholas Perry – Dulcian, curtal, shawm, cornett Lynda Sayce, Eligio Quinteiro – chitarrone, guitar James Johnstone, Catherine Pierron - organ English Cornett & Sackbut Ensemble Gawain Glenton, Conor Hastings – cornetto Emily White, Tom Lees, George Bartle, Miguel Tantos Sevillano –sackbut Adrian France, Adam Crighton – Bass sackbut Singers and ex-members from ‘The 24’ (University of York) Soprano Imogen Creedy, Anna Claire Golitizin, Eleanor Hunt, Ailsa Campbell, Eleanor Bray Alto Anna Palethorpe, Solomon Hayes, Helena Cooke, Finn Lacey Tenor Ed Lambert, Jack Harberd, James Wells Bass Freddie Foster, David Valsamidis, Ben Rowarth, Sam Gilliatt, George Cook, Phil Normand Programme Note In 1608 the great travel writer Thomas Coryat visited Venice, writing about the experience in his ‘Coryat’s Crudities’, notably recounting a musical entertainment at the confraternity of St Roch. ‘‘The third feast was upon Saint Roches day being Saturday and the sixth day of August, where I heard the best musicke that ever I did in all my life both in the morning and the afternoone, so good that I would willingly goe an hundred miles afoote at any time to heare the like. -
Selling the Mission
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Selling the mission : the German Catholic elite and the educational migration of African youngsters to Europe AITKEN, Robbie <http://orcid.org/0000-0002-3332-3063> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/9858/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version AITKEN, Robbie (2015). Selling the mission : the German Catholic elite and the educational migration of African youngsters to Europe. German History, 33 (1), 30- 51. Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk Selling the Mission: The German Catholic elite and the educational migration of African youngsters to Europei Robbie Aitken, Sheffield Hallam University In coverage of the 35th General Assembly of German Catholics held in Freiburg im Breisgau from 2-6 September 1888 a handful of local and regional newspapers remarked upon the presence of two young Africans among the guests.ii The youngsters, Mbange Akwa from Douala, Cameroon and Dagwe from Liberia, had been brought to Freiburg by Father Andreas Amrhein. -
A Catholic Architect Abroad: the Architectural Excursions of A.M
A CATHOLIC ARCHITECT ABROAD: THE ARCHITECTURAL EXCURSIONS OF A.M. DUNN Michael Johnson Introduction A leading architect of the Catholic Revival, Archibald Matthias Dunn (1832- 1917) designed churches, colleges and schools throughout the Diocese of Hexham and Newcastle. Working independently or with various partners, notably Edward Joseph Hansom (1842-1900), Dunn was principally responsible for rebuilding the infrastructure of Catholic worship and education in North- East England in the decades following emancipation. Throughout his career, Dunn’s work was informed by first-hand study of architecture in Britain and abroad. From his first year in practice, Dunn was an indefatigable traveller, venturing across Europe, North Africa and the Middle East, filling mind and sketchbook with inspiration for his own designs. In doing so, he followed in the footsteps of Catholic travellers who had taken the Grand Tour, a tradition which has been admirably examined in Anne French’s Art Treasures in the North: Northern Families on the Grand Tour (2009).1 While this cultural pilgrimage was primarily associated with the landed gentry of the eighteen century, Dunn’s travels demonstrate that the forces of industrialisation and colonial expansion opened the world to the professional middle classes in the nineteenth century.2 This article examines Dunn’s architectural excursions, aiming to place them within the wider context of travel and transculturation in Victorian visual culture. Reconstructing his journeys from surviving documentary sources, it seeks to illuminate the processes by which foreign forms came to influence architectural taste during the ‘High Victorian’ phase of the Gothic Revival. Analysing Dunn’s major publication, Notes and Sketches of an Architect (1886), it uses contemporaneous reviews in the building press to determine how this illustrated record of three decades of international travel was received by the architectural establishment. -
TOP 10 Day Excursion Suggestions from Frankfurt
TOP 10 day excursion suggestions from Frankfurt Did you know that all of the many highlights waiting to be discovered in the Frankfurt Rhine- Main region can be reached in an hour or less from the Frankfurt Airport? Whether you’re off to Rüdesheim on the Rhine or Aschaffenburg on the Main, day excursions are a piece of cake! Read on and get to know our top ten destinations for short visits. The stated times are traveling times from the Frankfurt Airport. Rüdesheim / Bingen 40 min. by car / 1.20 hrs. by train In Rüdesheim and Bingen you can sit down at the winemakers table and taste culinary delights from the region. The Rheingau Region is famous for its river landscapes and vineyards, producing amongst others the well-known Riesling. A must in this part of the region is a mini-cruise on the Rhine River, an unforgettable experience! Rheingau region Wiesbaden 20 min. by car / 35 min. by train Sophisticated Wiesbaden is dominated by one Concert Hall Kurhaus colour: green! Parks and tree-lined boulevards spread throughout the city. Must-sees include the famous city theatre and the “Kurhaus” with its historical casino. Great views are guaranteed on the Neroberg Mountain, which can be climbed on the historical mountain train - already a highlight in itself. Wiesbaden is also a wonderful destination to treat yourself: why not end a day of shopping and sightseeing in the Kaiser-Friedrich- Therme, a historical Art Nouveau style bath. Rüsselsheim 15 min. by car / 10 min. by train Rüsselsheim comfortably combines both medieval and industrial history. -
Selling the Mission : the German Catholic Elite and the Educational
Selling the mission : the German Catholic elite and the educational migration of African youngsters to Europe AITKEN, Robbie <http://orcid.org/0000-0002-3332-3063> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/9858/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version AITKEN, Robbie (2015). Selling the mission : the German Catholic elite and the educational migration of African youngsters to Europe. German History, 33 (1), 30- 51. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Selling the Mission: The German Catholic elite and the educational migration of African youngsters to Europei Robbie Aitken, Sheffield Hallam University In coverage of the 35th General Assembly of German Catholics held in Freiburg im Breisgau from 2-6 September 1888 a handful of local and regional newspapers remarked upon the presence of two young Africans among the guests.ii The youngsters, Mbange Akwa from Douala, Cameroon and Dagwe from Liberia, had been brought to Freiburg by Father Andreas Amrhein. Amrhein was the founder of the Benedictine Mission Society, based at St Ottilien near Munich, where the youngsters were being educated. He was a proponent of Catholic involvement in the German colonial project and the fledgling mission had already sent its first missionaries to German East Africa the previous year. During the Assembly Mbange and Dagwe were photographed alongside Ludwig Windthorst, the prominent politician and leader of the Catholic Centre Party, who, according to reports, was to take on the role of their godfather.iii Following the establishment of an overseas empire in 1884 he became increasingly vocal in calling for Catholics to be granted permission to missionize in the new German territories. -
Martin Peerson (C1572–1651)
Martin Peerson (c1572–1651) A Treatie of HMottuectms or aGranve eCh amLber Mouvsic e I Fagiolini E Fretwork James Johnstone organ Martin Peerson (c1572–1651) MotteActs Tor eGartaivee oCfh Hamubmera Mneu sLiqouve e (1630) I Fagiolini E Fretwork James Johnstone organ 1 Love, the delight First part full 3:32 2 Beautie her cover is Second part full 3:04 3 Time faine would stay Third part verse 1:46 4 More than most faire First part full 3:12 5 Thou window of the skie Second part full 2:57 6 You little starres First part verse 1:04 7 And thou, O Love Second part verse 3:04 8 O Love, thou mortall speare First part full 2:52 9 If I by nature Second part full 2:30 10 Cupid, my prettie boy verse 2:52 11 Love is the peace verse 2:43 12 Selfe pitties teares full 3:48 13 Was ever man so matcht with boy? verse 2:21 14 O false and treacherous probabilitie verse 4:08 15 Man, dreame no more First part verse 1:43 16 The flood that did Second part verse 3:40 16 bis When thou hast swept Third part verse 17 Who trusts for trust First part full 3:40 18 Who thinks that sorrows felt Second part full 2:35 19 Man, dreame no more full 4:33 20 Farewell, sweet boye verse 3:01 21 Under a throne full 3:37 22 Where shall a sorrow First part verse 2:01 23 Dead, noble Brooke Second part verse 1:59 24 Where shall a sorrow (a6) First part full 2:48 25 Dead, noble Brooke (a6) Second part full 3:22 Editions by Richard Rastall: Martin Peerson, Complete Works IV: Mottects or Grave Chamber Musique (1630) (Antico Edition, 2012) -2- Martin Peerson and the publication of Grave Chamber Musique (1630) Martin Peerson’s second songbook, Mottects or Grave Chamber Musique , is known as a work of historical importance, but its musical and poetical importance is still unrecognised. -
What the Middle Ages Knew Gothic Art Piero Scaruffi Copyright 2018
What the Middle Ages knew Gothic Art Piero Scaruffi Copyright 2018 http://www.scaruffi.com/know 1 What the Middle Ages knew • Gothic architecture – Economic prosperity – Growing independence of towns from feudal lords – Intellectual fervor of cathedral schools and scholastics – Birth of the French nation-state 2 What the Middle Ages knew • Gothic architecture – Pointed arch (creative freedom in designing bays) – Rib vault (St Denis, Paris) – Flying buttress (Chartres, France) 3 (Suger’s choir, St Denis, Paris) What the Middle Ages knew • Gothic architecture – Consequences: • High naves • Campaniles, towers, spires: vertical ascent • Large windows (walls not needed for support) • Stained glass windows • Light 4 What the Middle Ages knew • Gothic architecture – Consequences: • The painting (and its biblical iconography) moves from the church walls to the glass windows 5 What the Middle Ages knew • Architectural styles of the Middle Ages 6 Lyon-Rowen- Hameroff: A History of the Western World What the Middle Ages knew • Gothic architecture – Consequences: • Stained glass windows (Chartres, France) 7 What the Middle Ages knew • Gothic – 1130: the most royal church is a monastery (St Denis), not a cathedral – Suger redesigns it on thelogical bases (St Denis preserved the mystical manuscript attributed to Dionysus the Aeropagite) – St Denis built at the peak of excitement for the conquest of Jerusalem (focus on Jesus, the one of the three persons that most mattered to the crusaders) – St Denis built on geometry and arithmetics (influence of Arab -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
Encyclical Letter Laudato Si of the Holy Father Francis: on Care for Our Common Home Pdf, Epub, Ebook
ENCYCLICAL LETTER LAUDATO SI OF THE HOLY FATHER FRANCIS: ON CARE FOR OUR COMMON HOME PDF, EPUB, EBOOK Pope Francis | 116 pages | 24 Jun 2015 | Catholic Truth Society | 9781784690700 | English | London, United Kingdom Encyclical Letter Laudato Si of the Holy Father Francis: On Care for Our Common Home PDF Book Now, faced as we are with global environmental deterioration, I wish to address every person living on this planet. From Wikipedia, the free encyclopedia. We should not think that political efforts or the force of law will be sufficient to prevent actions which affect the environment because, when the culture itself is corrupt and objective truth and universally valid principles are no longer upheld, then laws can only be seen as arbitrary impositions or obstacles to be avoided. People take sick, for example, from breathing high levels of smoke from fuels used in cooking or heating. Celebrate Laudato Si' with us. Season of Creation. This is the way human beings contrive to feed their self-destructive vices: trying not to see them, trying not to acknowledge them, delaying the important decisions and pretending that nothing will happen. Age of Anger. Lev In the words of this beautiful canticle, Saint Francis of Assisi reminds us that our common home is like a sister with whom we share our life and a beautiful mother who opens her arms to embrace us. Environmental Responsibility Resources. Federico Lombardi , the Holy See Press Office director, said that the document was in its very early stages, that no publication date had been set, and that the encyclical would be about ecology and specifically the "ecology of man".