The Dynamics of Robbery and Violence Hot Spots Herrmann
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The Listener As Addressee in Face-To-Face Dialogue
This article was downloaded by: [Janet Bavelas] On: 21 September 2011, At: 06:49 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK International Journal of Listening Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hijl20 The Listener as Addressee in Face-to-Face Dialogue Janet Beavin Bavelas a & Jennifer Gerwing a a Department of Psychology, University of Victoria Available online: 20 Sep 2011 To cite this article: Janet Beavin Bavelas & Jennifer Gerwing (2011): The Listener as Addressee in Face-to-Face Dialogue, International Journal of Listening, 25:3, 178-198 To link to this article: http://dx.doi.org/10.1080/10904018.2010.508675 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms- and-conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Band Program
t tapam ow 10/16/70 Mfttft row want somoont know you anprwctofo ovofythtng about hot, Try a prodout gom from IUPUI News Wo know you goto ■ lot Students make parking hard for handicapped uoahowyquhowtotolhor. byJehaRaatey Student* at IUPUI are making a dtl la OUbart, an iaeatod hcuit altuatloo warn by cenUnut* to aide at Blake Straat Library whan tha lag dock ana. at both M b Straat Igaora univanity regulation by pari- tag »a spaces raaarvad far uaa by baa- dkappad atudonta and staff, tayi Ma areat at tha lav acbool. waat of the It la important tor tha studant body jor John OUbart ot tha ua!vanity Union Building, on Middle Street araat to watch out for Um ot tha Nuntng Building, aouth of Riley Gilbert laid White no proctea (Utiatica ara avaii- ot ear* toured APO sets blood drive record by JehnKmky APO plant to have another blood coataa* that at many aa T or I can a A record waa aat by the aomi-annual * t n , in coopantton with Um Central day have bean towed from ouch teca- Omega (APO) blood (blve Indiana Regional Blood Cantor in ttoaa. Tha importance ot maintaining bold at IUPUI during the Pobranry, according to Oermaan, tbaao apacoa for Um hambeappod waa flrat weak at October After two dnye and It tentatively la planning to devote atnaaoa by Don Wakafleid. director ot at taking pledgee and throe daya at re ana day at Um frtve to each at Um ceiving dona tiaaaot blood, thefrator mN at IUPUI lUPUI'a Hambeappod Student Sor- nity obtoinad l « pinto at wboto blood ricoa, arhoa boaaid that the phyaicaliy for Um Central Indiana Regional Blood Cantor IUPUI Band organizes igaatad for handicapped parting have Jim Tagbort, co-chairman at tbo baaa datign to mittgato Um taadkapa APO blood *tvo, termed the drive aa Tom Woodward, IUPUI Band Dir actor, taid that aU inatrumonta ara ■aid. -
March 2016 Dialogue
March 2016 Your Communication and Information Resource Strauss reflects on his 24 years as a Board member By Neil Warner meeting of unit owners on Feb. 16 in the Instead, Strauss served as assistant When Richard Strauss Windjammer Room, presenting him treasurer, treasurer, second vice first ran for the Malibu with a framed certificate of appreciation president and first vice president during East Board of Directors in that reads as follows: his long tenure on the Board. 1991, little did he know “Malibu East Condominium recog‐ One of Richard’s first accomplish‐ what he was getting into. nizes and thanks Richard Alan Strauss ments as a Board member was estab‐ Immediately after being elected, he for his sense of fairness, his dedication, lishing an investment policy, whereby discovered during the new Board’s his tireless work on construction one‐third of the Association’s reserve election of officers that there was a projects and the budget and for his funds would be invested in short‐term “cabal” determined to unseat the many contributions to the financial Treasury instruments, one‐third in bank incumbent treasurer. He was nominated stability and overall betterment of our CDs and one‐third with brokerage for the office, and when the vote community during the last 24 years as a houses. Strauss was well‐qualified to resulted in a tie, someone suggested director and an officer of our Board of devise the investment policy, as he that Richard be named the assistant Directors. spent most of his professional career as treasurer for the first year and then “Presented with unanimous agree‐ an independent investment adviser, at switch positions with the treasurer a ment by the Board of Directors, Septem‐ one point managing $70‐80 million year later. -
Call Me Madam, P
NEW YORK CITY CENTER EDUCATION INSIDE ENCORES! Your personal guide to the performance. S AR E Y 5 7 TABLE OF CONTENTS CONTEXT Inspiration for Call Me Madam, p. 4-5 Meet the Creators & Artists, p. 6-7 An Interview with Casey Hushion, p. 8-9 Call Me Madam’s Lasting Influence on Encores!, p. 10-12 Glossary, p. 13 RESOURCES & ACTIVITIES Before the Show, p. 15 Intermission Activity, p. 16-17 After the Show, p. 18 Sources p. 19 Up Next for City Center Education p. 20-21 CONTEXT INSPIRATION FOR CALL ME Perle Mesta WHO WAS SHE? Perle Mesta was the first United States Ambassador to MADAM Luxembourg. The original “hostess with the mostest,” Mes- ta was known for hosting lavish parties in Washington D.C for almost 30 years. Born in Oklahoma, her family came into wealth when her father became involved in the oil and real-estate industries. In 1917 she married George Mesta, owner of Mesta Machinery. Mrs. Mesta became interested in politics when her husband introduced her to several high-ranking officials, including President Calvin Coolidge. Following her husband’s death, she became heavily involved in the quest for women’s rights and joined the National Women’s Party as its Congressional chairman and Public Relations specialist. While lobbying for the Equal Rights Amendment, she made a multitude of con- nections with politicians who would later attend her famous social gatherings. A Republican for most of her life, Mesta realigned herself with the Democratic party, opting to give financial support to then Senator Harry Truman. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Reprinted by Permission of Modern Drummer Publications, Inc
Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. t’s not often in a career as a journalist that Today, it’s difficult sitting with Danny, hear- you feel as though you’ve reached the core ing a story of betrayal and personal agony. But of someone’s being, as though you’ve been he’s the perfect example of how one endures, Igiven an honest look into someone’s soul. self-investigates, points the right fingers (even It’s rare that an artist will be so open and self- at himself), and gets through it. Listening to analytical that he’ll give you a true picture of him tell the story of his recent and reclusive what he’s been through. Well, in the following years was upsetting. But I also had a sense of interview, Danny Seraphine bares his soul. relief knowing that the musician I always Danny Seraphine was my first cover story for admired was speaking from the heart and was Modern Drummer, in the December ’78/January finally emerging from what was obviously a ’79 issue. Like millions of fans around the terrible time in his life. world, I loved Chicago. Their music was an “I went from one lifestyle to another,” innovative fusion of rock and jazz, featuring Seraphine says of his firing. “I was in a great tight horn arrangements in a rock setting and band, and then I wasn’t. It was as if the Lord great songwriting. At the center of it all was a had flicked a switch and said, ‘Guess what? Your drummer with inventive chops and a swing sen- life is changing.’ I went from one extreme to sibility. -
Hot Streets Chicago Full Score Set of Parts Sheet Music
Hot Streets Chicago Full Score Set Of Parts Sheet Music Download hot streets chicago full score set of parts sheet music pdf now available in our library. We give you 6 pages partial preview of hot streets chicago full score set of parts sheet music that you can try for free. This music notes has been read 3477 times and last read at 2021-10-01 13:13:28. In order to continue read the entire sheet music of hot streets chicago full score set of parts you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Take Me Back To Chicago Chicago Full Score Set Of Parts Take Me Back To Chicago Chicago Full Score Set Of Parts sheet music has been read 3345 times. Take me back to chicago chicago full score set of parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 07:29:26. [ Read More ] Together Again Chicago Full Score Set Of Parts Together Again Chicago Full Score Set Of Parts sheet music has been read 3664 times. Together again chicago full score set of parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-02 00:40:53. [ Read More ] One More Day Chicago Full Score Set Of Parts One More Day Chicago Full Score Set Of Parts sheet music has been read 3455 times. One more day chicago full score set of parts arrangement is for Advanced level. -
Love As Dialogue: Finding Human Connection in Conversation
Nova Southeastern University NSUWorks Department of Family Therapy Dissertations CAHSS Theses, Dissertations, and Applied and Applied Clinical Projects Clinical Projects 2017 Love as Dialogue: Finding Human Connection In Conversation Iliamaris Rivera-Walter [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_dft_etd Part of the Arts and Humanities Commons Share Feedback About This Item NSUWorks Citation Iliamaris Rivera-Walter. 2017. Love as Dialogue: Finding Human Connection In Conversation. Doctoral dissertation. Nova Southeastern University. Retrieved from NSUWorks, College of Arts, Humanities and Social Sciences – Department of Family Therapy. (29) https://nsuworks.nova.edu/shss_dft_etd/29. This Dissertation is brought to you by the CAHSS Theses, Dissertations, and Applied Clinical Projects at NSUWorks. It has been accepted for inclusion in Department of Family Therapy Dissertations and Applied Clinical Projects by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Love as Dialogue: Finding Human Connection In Conversation by Iliámaris Rivera-Walter A Dissertation Presented to the College of Arts, Humanities, and Social Sciences of Nova Southeastern University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Nova Southeastern University 2017 Copyright by Iliámaris Rivera-Walter July 2017 Acknowledgments Thank you, Dad, for teaching me how to dialogue with God, with you, and with myself. Mom, for showing me unconditional love. Jim, for encouraging me to take the more difficult path, and for being the best listener and dialogue partner. Aurélia, for reminding me, daily, why this matters. Dr. Marquez, for your unwavering support and thought-provoking questions. Dr. Flemons, for teaching me how to live with and honor an idea. -
A Chicago Celebration Relive the Hits… Wednesday, September 16, 2020
A Chicago Celebration Relive the hits… Wednesday, September 16, 2020 EVENT: BEGINNINGS presents a flawless replication of three decades of inspired music in a show that includes nearly every charted song that captures the hearts of traditionalist CHICAGO fans. These veteran musicians have worked with such famous artists as Peter Frampton, Don Henley, Joe Walsh, Blood Sweat & Tears, and have even appeared in the Broadway musical Rock Of Ages. In February of 2016 the band added the crowning touch when it was joined by former Chicago guitarist, Donnie Dacus (Hot Streets &Chicago 13). Donnie was quoted as saying “These guys are so good it’s scary!” For years Beginnings has entertained audiences across this country and some of the most prestigious venues as Walt Disney’s EPCOT Center, Bally’s Atlantic City, The M Resort Spa Casino in Las Vegas, Mohegan Sun Casino, and so many more. Performing without the use of pre-recorded tracks, concert audiences get to experience a vibrant and high-energy live performance of some of the greatest songs from the golden age of Chicago! DATE: The date selected is Wednesday, September 16, 2020. We will depart the Exeter Recreation Center parking lot at 10:30am and will be returning to Exeter approximately 3:30pm. FEE: The Fee is $82.00 Per Person that includes transportation in the Recreation Van, luncheon choice at Danversport Yacht Club and musical performance by BEGINNINGS Chicago Tribute Band. Plated Meal Choices: Stuffed Breast of Chicken or Baked Scrod. Includes salad, potato, vegetables, breads, dessert, and coffee or tea. Please select one of the following options: Chicken__ or Scrod__ DEADLINE: The deadline to register Friday, September 11, 2020 or once the van is sold out. -
The Roots of Music: Emotional Expression, Dialogue and Affect
Article Musicae Scientiae 16(2) 200 –216 The roots of music: Emotional © The Author(s) 2012 Reprints and permission: sagepub. expression, dialogue and affect co.uk/journalsPermissions.nav DOI: 10.1177/1029864912440778 attunement in the psychogenesis msx.sagepub.com of music Ulrik Volgsten Örebro University, Sweden Abstract In this paper I sketch the outlines for a comprehensive theory of the psychogenesis of music. That is, a theory of how human beings may come to hear certain sounds and combinations of sounds as music. It is a theory that takes its empirical starting point in previous and well-known research findings on fundamental human interaction and communication. As such it incorporates at its core a developmental- psychological theory about the human being’s development of a sense of self in relation to others, from infancy on, and is further supported by findings from research on infants’ behavior and reactions to music. It is argued that human interaction and communication is at the outset musical – or protomusical – and that which makes interaction and communication work is the emotive, or affective power of sound (“communicative musicality” is another term that has been used for mainly the same phenomenon). Although the empirical foundations are familiar, the comprehensive picture offered by the theory is new. The theory is structured according to a main thesis that states that music is a way of “making special” human self-development, our “sense of self”. However, for this affective-communicative theory to explain not only our reactions to protomusical sound, but also music at large (music understood in a broad universal sense), it must be extended to answer certain questions about human cognition. -
Media and Information Literacyand Intercultural Dialogue
MILID Yearbook 2013 A Collaboration between UNITWIN Cooperation Programme on Media and Information Literacy and Intercultural Dialogue and NORDICOM Media and Information Literacy and Intercultural Dialogue Edited by Ulla Carlsson & Sherri Hope Culver Autonomous University of Barcelona, University of São Paulo, Tsinghua University, Cairo University, Temple University, University of the West Indies, Queensland University of Technology, Sidi Mohamed Ben Abdellah University The International Clearinghouse on Children, Youth and Media The International Clearinghouse The International Clearinghouse on Children, on Children, Youth and Media Youth and Media, at A UNESCO INITIATIVE 1997 Nordicom University of Gothenburg Box 713 In 1997, the Nordic Information Centre for Media and SE 405 30 GÖTEBORG, Sweden Communication Research (Nordicom), University Web site: of Gothenburg, Sweden, began establishment of www.nordicom.gu.se/clearinghouse the International Clearinghouse on Children, Youth DIRECTOR: Ulla Carlsson and Media. The overall point of departure for the Clearinghouse’s efforts with respect to children, youth SCIENTIFIC CO-ORDINATOR: Maria Edström and media is the UN Convention on the Rights of the Telephone: +46 31 786 66 40 Child. Fax: +46 31 786 46 55 The aim of the Clearinghouse is to increase [email protected] awareness and knowledge about children, youth and INFORMATION CO-ORDINATOR: media, thereby providing a basis for relevant policy- Catharina Bucht making, contributing to a constructive public debate, Tel: +46 31 786 49 53 Fax: +46 31 786 46 55 and enhancing children’s and young people’s media [email protected] literacy and media competence. Moreover, it is hoped that the Clearinghouse’s work will stimulate further research on children, youth and media. -
Chicago Chicago XI Mp3, Flac, Wma
Chicago Chicago XI mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Chicago XI Country: US Released: 2016 Style: Blues Rock, Classic Rock MP3 version RAR size: 1254 mb FLAC version RAR size: 1510 mb WMA version RAR size: 1427 mb Rating: 4.5 Votes: 800 Other Formats: ASF MP1 MIDI AC3 WMA DXD DMF Tracklist Hide Credits A1 Mississippi Delta City Blues Baby, What A Big Surprise A2 Backing Vocals – Carl Wilson A3 Till The End Of Time A4 Policeman Take Me Back To Chicago A5 Backing Vocals – Chaka KhanWritten-By – David "Hawk" Wolinski B1 Vote For Me Takin' It On Uptown B2 Lyrics By – Fred Kagan B3 This Time The Inner Struggles Of A Man B4 Written-By – David "Hawk" Wolinski, Dominic Frontiere Prelude (Little One) B5 Written-By – David "Hawk" Wolinski, Dominic Frontiere Little One B6 Written-By – David "Hawk" Wolinski Companies, etc. Recorded At – Caribou Ranch Mixed At – Caribou Ranch Mastered At – Friday Music Studios Credits Artwork [Design] – John Berg Bass, Vocals – Peter Cetera Drums, Percussion – Daniel Seraphine Engineer – Wayne Tarnowski Engineer [Assistant] – Tom Likes Engineer [Mastering] – Mike Reese Engineer [Strings] – Armin Steiner Guitar, Vocals, Percussion – Terry Kath Keyboards, Vocals, Percussion – Robert Lamm Percussion – Laudir de Oliveira Photography By [Inside] – Reid Miles Producer – James William Guercio Trombone, Vocals, Keyboards, Percussion – James Pankow Trumpet, Vocals – Lee Loughnane Woodwind – Walter Parazaider Written-By – Daniel Seraphine (tracks: A5, B4, B5, B6), James Pankow (tracks: A3), Lee Loughnane (tracks: B3), Peter Cetera (tracks: A2), Robert Lamm (tracks: A4, B1), Terry Kath (tracks: A1, B2) Notes 180 Gram Audiophile Vinyl/Limited Anniversary Edition/Gatefold Cover Barcode and Other Identifiers Matrix / Runout (Side A Runout (etched)): 5-96520 FRM-1-21-34860-A THANK YOU CHICAGO Matrix / Runout (Side B Runout (etched)): 5-96521 FRM-1-21-34860-B TERRY KATH R.I.P.