Buberian Dialogue
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The Listener As Addressee in Face-To-Face Dialogue
This article was downloaded by: [Janet Bavelas] On: 21 September 2011, At: 06:49 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK International Journal of Listening Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hijl20 The Listener as Addressee in Face-to-Face Dialogue Janet Beavin Bavelas a & Jennifer Gerwing a a Department of Psychology, University of Victoria Available online: 20 Sep 2011 To cite this article: Janet Beavin Bavelas & Jennifer Gerwing (2011): The Listener as Addressee in Face-to-Face Dialogue, International Journal of Listening, 25:3, 178-198 To link to this article: http://dx.doi.org/10.1080/10904018.2010.508675 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms- and-conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
March 2016 Dialogue
March 2016 Your Communication and Information Resource Strauss reflects on his 24 years as a Board member By Neil Warner meeting of unit owners on Feb. 16 in the Instead, Strauss served as assistant When Richard Strauss Windjammer Room, presenting him treasurer, treasurer, second vice first ran for the Malibu with a framed certificate of appreciation president and first vice president during East Board of Directors in that reads as follows: his long tenure on the Board. 1991, little did he know “Malibu East Condominium recog‐ One of Richard’s first accomplish‐ what he was getting into. nizes and thanks Richard Alan Strauss ments as a Board member was estab‐ Immediately after being elected, he for his sense of fairness, his dedication, lishing an investment policy, whereby discovered during the new Board’s his tireless work on construction one‐third of the Association’s reserve election of officers that there was a projects and the budget and for his funds would be invested in short‐term “cabal” determined to unseat the many contributions to the financial Treasury instruments, one‐third in bank incumbent treasurer. He was nominated stability and overall betterment of our CDs and one‐third with brokerage for the office, and when the vote community during the last 24 years as a houses. Strauss was well‐qualified to resulted in a tie, someone suggested director and an officer of our Board of devise the investment policy, as he that Richard be named the assistant Directors. spent most of his professional career as treasurer for the first year and then “Presented with unanimous agree‐ an independent investment adviser, at switch positions with the treasurer a ment by the Board of Directors, Septem‐ one point managing $70‐80 million year later. -
Call Me Madam, P
NEW YORK CITY CENTER EDUCATION INSIDE ENCORES! Your personal guide to the performance. S AR E Y 5 7 TABLE OF CONTENTS CONTEXT Inspiration for Call Me Madam, p. 4-5 Meet the Creators & Artists, p. 6-7 An Interview with Casey Hushion, p. 8-9 Call Me Madam’s Lasting Influence on Encores!, p. 10-12 Glossary, p. 13 RESOURCES & ACTIVITIES Before the Show, p. 15 Intermission Activity, p. 16-17 After the Show, p. 18 Sources p. 19 Up Next for City Center Education p. 20-21 CONTEXT INSPIRATION FOR CALL ME Perle Mesta WHO WAS SHE? Perle Mesta was the first United States Ambassador to MADAM Luxembourg. The original “hostess with the mostest,” Mes- ta was known for hosting lavish parties in Washington D.C for almost 30 years. Born in Oklahoma, her family came into wealth when her father became involved in the oil and real-estate industries. In 1917 she married George Mesta, owner of Mesta Machinery. Mrs. Mesta became interested in politics when her husband introduced her to several high-ranking officials, including President Calvin Coolidge. Following her husband’s death, she became heavily involved in the quest for women’s rights and joined the National Women’s Party as its Congressional chairman and Public Relations specialist. While lobbying for the Equal Rights Amendment, she made a multitude of con- nections with politicians who would later attend her famous social gatherings. A Republican for most of her life, Mesta realigned herself with the Democratic party, opting to give financial support to then Senator Harry Truman. -
Evolution Program Book
EVOLUTION INTUITION A Bid for the 1998 Eastercon Opening the Doors of the Mind creation, dreams, philosophy and game playing.. Opening the Doors into the Future near future, science & technology... Opening the Doors into the Past [line travel, origins of SF, myths and legend... Come and see us at our desk at Evolution: all your questions answered; programme philosophy; information about Manchester; floor plans of the hotel and more... Intuition is a bid to hold the 1998 British INTUITIVES National Science Fiction Convention in the Piccidilly Jarvis Hotel in city-centre Claire Brialey - Chair Manchester. Helen Steele - Programme & Publications Conceived over 15 months ago. Intuition has developed into a bid with a strong Fran Dowd - Finance committee, plenty of ideas, a Kathy Taylor - Memberships commitment to a strong, literate programme with elements for all Jenny Glover - Secretary sections of fandom and the opportunity for all levels of participation. Fiona Anderson - Ops The hotel is exceptional: ideally placed, Laura Wheatly - Site it has recently been refurbished with Alice Lawson - Extraveganzas excellent facilities, including a video room with built in screen, full Amanda Baker - Science & soundproofing in all rooms: three large WWW bars and much more social space. And all at a reasonable price! Contact: 43 Onslow Gdns, Wallington, Surrey SM6 9QF1, [email protected] INTRODUCTION Cripes, a talking chair..................................................................... 3 Welcome to Evolution! Our chair would like a quick word. GUESTS AND GAMBOLS On the Growth and Cultivation of Jute.......................................4 How does a character evolve out of the mind of her creator, onto paper and off into the world on her own? Colin Greenland deconstructs. -
Reprinted by Permission of Modern Drummer Publications, Inc
Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. t’s not often in a career as a journalist that Today, it’s difficult sitting with Danny, hear- you feel as though you’ve reached the core ing a story of betrayal and personal agony. But of someone’s being, as though you’ve been he’s the perfect example of how one endures, Igiven an honest look into someone’s soul. self-investigates, points the right fingers (even It’s rare that an artist will be so open and self- at himself), and gets through it. Listening to analytical that he’ll give you a true picture of him tell the story of his recent and reclusive what he’s been through. Well, in the following years was upsetting. But I also had a sense of interview, Danny Seraphine bares his soul. relief knowing that the musician I always Danny Seraphine was my first cover story for admired was speaking from the heart and was Modern Drummer, in the December ’78/January finally emerging from what was obviously a ’79 issue. Like millions of fans around the terrible time in his life. world, I loved Chicago. Their music was an “I went from one lifestyle to another,” innovative fusion of rock and jazz, featuring Seraphine says of his firing. “I was in a great tight horn arrangements in a rock setting and band, and then I wasn’t. It was as if the Lord great songwriting. At the center of it all was a had flicked a switch and said, ‘Guess what? Your drummer with inventive chops and a swing sen- life is changing.’ I went from one extreme to sibility. -
Love As Dialogue: Finding Human Connection in Conversation
Nova Southeastern University NSUWorks Department of Family Therapy Dissertations CAHSS Theses, Dissertations, and Applied and Applied Clinical Projects Clinical Projects 2017 Love as Dialogue: Finding Human Connection In Conversation Iliamaris Rivera-Walter [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_dft_etd Part of the Arts and Humanities Commons Share Feedback About This Item NSUWorks Citation Iliamaris Rivera-Walter. 2017. Love as Dialogue: Finding Human Connection In Conversation. Doctoral dissertation. Nova Southeastern University. Retrieved from NSUWorks, College of Arts, Humanities and Social Sciences – Department of Family Therapy. (29) https://nsuworks.nova.edu/shss_dft_etd/29. This Dissertation is brought to you by the CAHSS Theses, Dissertations, and Applied Clinical Projects at NSUWorks. It has been accepted for inclusion in Department of Family Therapy Dissertations and Applied Clinical Projects by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Love as Dialogue: Finding Human Connection In Conversation by Iliámaris Rivera-Walter A Dissertation Presented to the College of Arts, Humanities, and Social Sciences of Nova Southeastern University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Nova Southeastern University 2017 Copyright by Iliámaris Rivera-Walter July 2017 Acknowledgments Thank you, Dad, for teaching me how to dialogue with God, with you, and with myself. Mom, for showing me unconditional love. Jim, for encouraging me to take the more difficult path, and for being the best listener and dialogue partner. Aurélia, for reminding me, daily, why this matters. Dr. Marquez, for your unwavering support and thought-provoking questions. Dr. Flemons, for teaching me how to live with and honor an idea. -
Years 7 & 8 Hall Grove Reading List September 2013
Years 7 & 8 Hall Grove Reading List September 2013 By Years 7 and 8 the children are being prepared for life at Senior School and beyond, and should be engaging more with the world around them; in particular that means being exposed to other points of view and other cultures. Consequently this reading list, in some small way, is an attempt to highlight particular authors and texts that will help them in that journey. This list is revised annually to take account of changing tastes amongst year groups and to include more recently published or discovered books. The first section is a rough collection of recommendations in different genres – all books that I’ve particularly enjoyed. The remainder of the current list is based on what might be expected and suitable, and also on what Senior Schools suggest the children may have come across. I have tried to build in a sense of progression in subject matter and technical difficulties. Most of the list consists of fiction – some written for children, some for adults; as such, some of the topics and language are more mature in outlook and this needs to be taken into account when selecting books to read. The lists for younger children are also available on through the school web-site – www.hallgrove.co.uk – go to the Academic section, English, and there are links to all Reading Lists on the right of the page. Whilst not all of these books are in the school library, many of them are; the children should make good use of our library (and other libraries) to look for new authors, to dip into books and to recommend books. -
The Roots of Music: Emotional Expression, Dialogue and Affect
Article Musicae Scientiae 16(2) 200 –216 The roots of music: Emotional © The Author(s) 2012 Reprints and permission: sagepub. expression, dialogue and affect co.uk/journalsPermissions.nav DOI: 10.1177/1029864912440778 attunement in the psychogenesis msx.sagepub.com of music Ulrik Volgsten Örebro University, Sweden Abstract In this paper I sketch the outlines for a comprehensive theory of the psychogenesis of music. That is, a theory of how human beings may come to hear certain sounds and combinations of sounds as music. It is a theory that takes its empirical starting point in previous and well-known research findings on fundamental human interaction and communication. As such it incorporates at its core a developmental- psychological theory about the human being’s development of a sense of self in relation to others, from infancy on, and is further supported by findings from research on infants’ behavior and reactions to music. It is argued that human interaction and communication is at the outset musical – or protomusical – and that which makes interaction and communication work is the emotive, or affective power of sound (“communicative musicality” is another term that has been used for mainly the same phenomenon). Although the empirical foundations are familiar, the comprehensive picture offered by the theory is new. The theory is structured according to a main thesis that states that music is a way of “making special” human self-development, our “sense of self”. However, for this affective-communicative theory to explain not only our reactions to protomusical sound, but also music at large (music understood in a broad universal sense), it must be extended to answer certain questions about human cognition. -
Iwacora G WEST the WOMBAT SPEAKETH I Take Great Pleasure in Welcoming You to NOVACON 9 WEST
iwacora g WEST THE WOMBAT SPEAKETH I take great pleasure in welcoming you to NOVACON 9 WEST. It has teen along and yet interesting 18 month haul. I do hope you’ll have a good time, I certainly plan to. endeavor I’ve had the help of countless millions, well not quite, but certainly a large number persons without whom we’d all have nothing to do this weekend. pj-iere VqH lots to do and see this weekend. The total programme is varied and it is to be hoped that you will find much of interest to you. at every con there will be mundanes around. Thus, please wear your name badges at all time. With exception of the video room no one will be admitted to any function area sans name tag. Sq let,s get Qn another family reunion. Oldtimers (those of you for whom this is at least your second con) know what I mean. For you bushy-eyed and bright-tailed neons, relax, don’t be shy about saying hi to what seem to be strangers, they won’t be very shortly, and use your good sense in intro ductions. a -beyovKi hope and the length of time we have for me to get to chat with each and everyone of you as I'd like. However, I shall be most often found sitting quietly in the con suite gibbering softly to mesel: Do come by and pat me on the head, while murmurring soft condolences for me breakdown. With some help from me friends I'll recover in time for next year. -
NASFA 'Shuttle' Sep 2006
The SHUTTLE September 2006 The Next NASFA Meeting will be 16 September 2006 at the Regular Time and Location Concom Meetings Scheduled for 14 September, 5 October, and 19 October { { with a new syndication agreement. Battle sequences, ship Oyez, Oyez exteriors, galaxy shots, and landscapes will all reportedly be CGI-enhanced. Title sequences will be redone, including The next NASFA meeting will be Saturday 16 Septem- remastering the music and the ÒSpace, the final frontierÓ ber 2006, at the regular time and location. Both the program monologue. The final masters will be in HDTV. The first and the location of the After-The-Meeting Meeting are TBD at episode to be broadcast will be ÒBalance of Terror,Ó available press time. as early as 16 September. Meanwhile, cable network TV Land The final Con Stellation concom meeting dates have will be showing all of the original non-enhanced versions been set (though stay tuned for possible changes if circum- starting in November. stances dictate). As of now the dates are 14 September, 5 October, and 19 October Ñ all on Thursdays. The first two are at 7:30P at Sam SmithÕs apartment. The last one is the Thursday-before-the-con meeting at the hotel. August Minutes Ñ Not The August NASFA meeting was the more-or-less annual Bounceback News picnic, so there are no minutes. Small press Apogee Books <www.cgpublishing.com> has announced an English translation of Project Mars by NASFA Calendar Wernher Von Braun. Preprint copies were to be available at Worldcon; a trade paperback edition with Chesley Bonestell SEPTEMBER illustrations will be published in September. -
Media and Information Literacyand Intercultural Dialogue
MILID Yearbook 2013 A Collaboration between UNITWIN Cooperation Programme on Media and Information Literacy and Intercultural Dialogue and NORDICOM Media and Information Literacy and Intercultural Dialogue Edited by Ulla Carlsson & Sherri Hope Culver Autonomous University of Barcelona, University of São Paulo, Tsinghua University, Cairo University, Temple University, University of the West Indies, Queensland University of Technology, Sidi Mohamed Ben Abdellah University The International Clearinghouse on Children, Youth and Media The International Clearinghouse The International Clearinghouse on Children, on Children, Youth and Media Youth and Media, at A UNESCO INITIATIVE 1997 Nordicom University of Gothenburg Box 713 In 1997, the Nordic Information Centre for Media and SE 405 30 GÖTEBORG, Sweden Communication Research (Nordicom), University Web site: of Gothenburg, Sweden, began establishment of www.nordicom.gu.se/clearinghouse the International Clearinghouse on Children, Youth DIRECTOR: Ulla Carlsson and Media. The overall point of departure for the Clearinghouse’s efforts with respect to children, youth SCIENTIFIC CO-ORDINATOR: Maria Edström and media is the UN Convention on the Rights of the Telephone: +46 31 786 66 40 Child. Fax: +46 31 786 46 55 The aim of the Clearinghouse is to increase [email protected] awareness and knowledge about children, youth and INFORMATION CO-ORDINATOR: media, thereby providing a basis for relevant policy- Catharina Bucht making, contributing to a constructive public debate, Tel: +46 31 786 49 53 Fax: +46 31 786 46 55 and enhancing children’s and young people’s media [email protected] literacy and media competence. Moreover, it is hoped that the Clearinghouse’s work will stimulate further research on children, youth and media. -
Science of Discworld Terry Pratchett Ian Stewart Jack Cohen Bok PDF
Science Of Discworld Ladda ner boken PDF Terry Pratchett Ian Stewart Jack Cohen Science Of Discworld Terry Pratchett Ian Stewart Jack Cohen boken PDF In the 'fantasy' universe of the phenomenally bestselling Discworld series, everything runs on magic and common sense. The world is flat and million-to-one chances happen nine times out of ten. Our world seems different - it runs on rules, often rather strange ones. Science is our way of finding out what those rules are. The appeal of Discworld is that it mostly makes sense, in a way that particle physics does not. The Science of Discworld uses the magic of Discworld to illuminate the scientific rules that govern our world. When a wizardly experiment goes adrift, the wizards of Unseen University find themselves with a pocket universe on their hands: Roundworld, where neither magic nor common sense seems to stand a chance against logic. Roundworld is, of course, our own universe. With us inside it (eventually). Guided (if that's the word) by the wizards, we follow its story from the primal singularity of the Big Bang to the Internet and beyond. We discover how puny and insignificant individual lives are against a cosmic backdrop of creation and disaster. Yet, paradoxically, we see how the richness of a universe based on rules has led to a complex world and at least one species that tried to get a grip on what was going on. Download (Laste ned) pdf-boken, pdf boken, pdf E-böcker, epub, fb2 Alla böcker. 30 dagars gratis provperiod.