Me Pt Xerox University Microfilms

Total Page:16

File Type:pdf, Size:1020Kb

Me Pt Xerox University Microfilms INFORMATION TO USERS This material was prod uced from a microfilm copy of the original document. While the most advanced tech nological means to photograph and reproduce this document have been used, the qi [iiality is heavily dependant upon the quality of the original submitted. The following explam ition of techniques is provided to help you understand markings or patterns wh lich may appear on this reproduction. I.T h e sign or 'target" for pages apparently lacking from the document photographed is "Missing Paga(s)". If it was possible to obtain the missing page(s) or sec tion, they are spliced into the film along with adjacent pages. This may hm e necessitated cutting thru an image and duplicating adjacent pages to insu i * you complete continuity. 2. When an ima ga on the film is obliterated with a large round black mark, it is an indicati on that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image o f the page in the adjacent frame. 3. When a ma », drawing or chart, etc., was part of the material being photographed tho photographer followed a definite method in "sectioning the material. It is customary to begin photoing at the upper left hand coj’i ner of a large sheet and to continue photoing from left to right in equ il sections with a small overlap. If necessary, sectioning is continued ag|ai in — beginning below die first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a Somewhat higher quality reproduction could be made from "photographjs " if essential to the understanding of the dissertation. Silver prints of ' Ptotographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish reproduced. 6. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. Xerox University Microfilms 300 North ZM b Row! Ann Aibor, Michigan 40100 76-3529 PRUITT, Donald Blnford, 1934- ^ L I T E R A R Y ACTIVITY OF SERGEJ o f TSX g u n k ?LEVSKIJ: ™ e discovery The Ohio State University, Ph.D., 1975 Literature, modem Xerox University Microfilms, Ann Arbor, Michigan 46100 i © Copyright by Donald Binford Pruitt ’ 1975 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED. THE LIFE AND LITERARY ACTIVITY OF SERGEJ ALEKSANDROVlfi SOBOLEVSKIJ: THE DISCOVERY OF A HISSING LINK DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Donald Binford Pruitt, B. A., M. A. The Ohio State University 1975 Reading Committee: Approved by Prof. J.R. Krzyftanowski Prof. H. Oulanoff Prof. G. Kalbouss Adi Department of Slavic mguages and Lite­ ratures ACKNOWLEDGEMENTS I want to express my very deep gratitude to Professor Jerzy R. Krzyianowski of The Ohio State Uni­ versity. Since I first worked with him in the fall of 1972 Professor Krzyfeanowski has been for me a constant source of knowledge and inspiration. He has, in the preparation of this work, given me more assistance’ than he can ever appreciate. His presence has been a great comfort; and his knowledge and achievements in the field of literary history have always stood before me as a goal for my own poor research and presentation to emulate. X also wish to thank Professor Hongor Oulanoff, Professor George Kalbouss, and Professor Mateja Matejic for their assistance in the preparation of this dissertation. Professor Walter Arndt and Professor Walter Vickery have shown kind interest in the topic and have given me of their time and knowledge. I express to them my thanks. Mrs. Clara Goldslager and her knowledgeable and pleasant colleagues in the William Oxley Thompson Memorial Library's Inter-Library Loan section have always been of the greatest help to me in tracking down elusive or rare sources. For their patience and fore- bearance they have my deepest gratitude. Most of all, however, I must thank Jeralyn, who does not really understand, but whose constant presence has made it all worthwhile. ii VITA September 15, 1934 Born, Richmond, Virginia 1956 B. A., Middle Tennessee State University, Murfrees­ boro, Tennessee 1959 Certificate, Army Language School, Monterey, California 1961 Certificate, The Army Foreign Area Specialist Training Program (Russian) , Oberammer- gau, Germany 1966-1969 Instructor and Assistant Professor, Department of Foreign Languages, United States Military Academy, West Point, New York 1967 M. A., Russian Area Studies, Georgetown University, Washington, D. C. 1969-1972 Instructor, Department of Foreign Languages, Virginia Polytechnic Institute and State University, Blacksburg, Virginia 1972-1975 University Fellow, Department of Slavic Languages and Literatures, The Ohio State University, Columbus, Ohio iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii VITA ill CHAPTER 1: Introduction X CHAPTER 2: Biography of S. A. Sobolevskij 11 CHAPTER 3: Sobolevskij and PuSkin 72 CHAPTER 4: Sobolevskij and Mickiewicz 161 CHAPTER 5: Sobolevskij and M^rimde 210 CHAPTER 6: The Epigrams and Humorous Verse of Sobolevskij (Annotated) 243 CONCLUSION 313 BIBLIOGRAPHY 315 iv CHAPTER I: INTRODUCTION In the history of Russian literature one can name not a few persons who brought to that history little (sometimes even nothing) of their own crea­ ting, but who at the same time, thanks to their personalities, were famous in the world of litera­ ture, who played leading roles in literary circles, and who were not without influence on the course of contemporary literary life. One of these people is Sergej Aleksandrovid Sobolevskij, famous in his day as bibliographer, bibliophile, and humorist. * With these words V. Grekov introduced his single­ page appreciation of Sobolevskij on the one hundredth anniversary of the latter's birth. Grekov later mentions Sobolevskij 1 s close and long-lasting friendships with two of the great literary figures of the first half of' the Nineteenth Century in Europe: Aleksandr Sergeevid PuSkin and Adam Mickiewicz. He does not, however, mention Sobolevskij1 s equally great friendship with a third figure: Prosper Mdrimde. Sobolevskij was indeed an intimate of all three. In fact, his is the personality which links all three authors together, but which is completely unknown to Western scholarship. He is indeed a "missing link" in the chain of literary associations among the three. It is in this light that this study examines his life, his literary associations, and his contributions, both creative and auxiliary. Such a study has never been made in the West. Indeed, nothing has been written at all about 2 Sobolevskij in the West except for passing references to him in biographies of PuSkin or Mdrimde or Mickiewicz, or for brief mentions in footnotes. Further, there is very little about him in western European sholarship, with exceptions similar, to those listed above. Still further, although there have been attempts in Russian and Soviet scholarship to present Sobolevskij to the public, such attempts are either brief biographical sketches with no attention paid in detail to his literary contributions, or mere reproduction of his correspondence, or finally publications of portions of his output of witty epigrams and humorous poems with no attempt to connect them with his everyday life and his society. Sobolevskij' s chief distinction during his lifetime was that of erudite and efficient bibliophile as well as composer of witty epigrams. In the last-named guise he was considered brilliant by his contemporaries. Indeed, many of his epigrams and humorous poems were often attributed to PuSkin. Yet Sobolevskij did not himself publish any of these trifles: all that we have of them today are the result of efforts by his friends and literary associates that they not be lost. Primary among these efforts were those of P.I. Bartevev, who published many of Sobolevskij1 s works during his forty years as editor of the journal Russkij arxiv; and of V. KallaS, whose 1912 collection is mentioned in many sources but is very rarely found today. Sobolevskij also wrote a large number of articles on bibliographical affairs, which appeared primarily in Russkij arxiv and Biblioqraflfteskie zapiski. These articles are of no literary interest but serve to cast light upon the character of their author. From a literary standpoint most significant of all his writings is his sketch 11 Tainstvennye primety v iizni PuSkina," in which he discusses the influence of superstition on PuSkin's actions. It is in this brief article that Sobolevskij describes the lamentably accurate prediction by a German fortune-teller of the poet's death in his thirty-seventh year. Finally there is Sobolevskij' s extensive corres­ pondence with such figures as PuSkin, MdrimSe, S. P. Sevyrev, M. N. Longinov, the brothers Ivan and Petr Kireevskij, and others, which gives a valuable picture of the times. In the correspondence one finds prolonged discussions of such interesting affairs as Sobolevskij' s business dealings on behalf of PuSkin, especially with reference to the poet's participation in the publica­ tion of the journal Moskovskij vestnik (Sobolevskij was one of the founders of this journal), and also with reference to Sobolevskij's financial assistance to PuSkin. There one finds much of interest regarding Sobolevskij's contributions to Petr Kireevskij1s collections of folk songs; his trip through Italy with Mickiewicz in the summer of 1831 (and perhaps even— although this would be very difficult to prove— ‘his aid to the Pole in the establishment of the Polish Legion in Italy in 1848); and his long-standing and intimate friendship with the French author and Russophile scholar Prosper Mdrimde. It may be in the area of this last consideration— his association with Mdrimde— that Sobolevskij' s ultimate importance to the literary world of the Nineteenth Century lies.
Recommended publications
  • The Young Narcyza Żmichowska's Reception of Western Cultural
    Rocznik Komparatystyczny – Comparative Yearbook – Komparatistisches Jahrbuch 7 (2016) DOI: 10.18276/rk.2016.7-16 Ursula Phillips UCL School of Slavonic and East European Studies (SSEES) With Open Eyes: The Young Narcyza Żmichowska’s Reception of Western Cultural Influences Narcyza Żmichowska (1819–1876) is not a name instantly recognizable outside Poland. In the English-speaking world, however, she is not unknown thanks to research on women’s history, where she is usually discussed in connection with the group of women with whom she was associated in the 1840s known as the Enthu- siasts (Fraisse and Perrot, 1993: 485). It is thanks to the appearance of Grażyna Borkowska’s book in English (2001) that her achievements as a literary author have become better known among Slavists and women’s literature researchers outside Poland. An English translation of Żmichowska’s best known novel Poganka (The Heathen) appeared in 2012 with a substantial introduction placing the work in both its Polish and European contemporary contexts (Żmichowska, 2012). Recently, this novel has featured alongside works by Charlotte Brontë, Daphne du Maurier and others, in a PhD dissertation inspired by psychoanalytic theories of femininity and mirroring, thereby proving her potential for comparative analysis (Naszkowska, 2012). The aim of the current article is to discuss this non-Polish context, and how foreign inspirations made their way into Żmichowska’s work and thinking. Like many other Polish cultural figures, Żmichowska maintained a close con- nection with France, although she never became an émigrée. Her literary activity is a testament nonetheless to how, despite spending more or less her whole life in the partitioned Polish lands, mostly in the Russian partition but also in the 1840s in the Poznań region of the Prussian, she was able to keep abreast of philosophical, political and literary developments in France and Germany and, in the latter part of her life, in Britain, North America, Italy and Scandinavia.
    [Show full text]
  • 557832 Bk Schubert US 2/13/08 1:17 PM Page 8
    557832 bk Schubert US 2/13/08 1:17 PM Page 8 Nikolaus Friedrich DEUTSCHE The clarinettist Nikolaus Friedrich studied with Hermut Giesser and Karl-Heinz Lautner at SCHUBERT-LIED-EDITION • 26 the Musikhochschulen in Düsseldorf and Stuttgart. After graduating with distinction he participated in master-classes in England with Thea King and Anthony Pay. Since 1984 he has been principal clarinettist in the Mannheim National Theatre Orchestra. In addition to appearances as a soloist at the Würzburg Mozart Festival and the Berlin Festival Weeks, he is active in chamber music, appearing with the Nomos, Henschel and Mandelring Quartets, Trio Opus 8, and with his duo partner Thomas Palm. He is strongly involved in the performance of SCHUBERT contemporary music. Photo courtesy of the artist Romantic Poets, Vol. 3 Sibylla Rubens, Soprano • Ulrich Eisenlohr, Piano Ulrich Eisenlohr Nikolaus Friedrich, Clarinet The pianist Ulrich Eisenlohr is the artistic leader of the Naxos Deutsche Schubert Lied Edition. He studied piano with Rolf Hartmann at the conservatory of music in Heidelberg/Mannheim and Lieder under Konrad Richter at Stuttgart. Specialising in the areas of song accompaniment and chamber music, he began an extensive concert career with numerous instrumental and vocal partners in Europe, America and Japan, with appearances at the Vienna Musikverein and Konzerthaus, the Berlin Festival Weeks, the Kulturzentrum Gasteig in Munich, the Schleswig-Holstein Music Festival, Concertgebouw Amsterdam, Edinburgh Festival, the Frankfurt Festival, the International Beethoven Festival Bonn and the Photo: Wolfgang Detering Ludwigsburg Festival, the European Music Festival Stuttgart among many others. His Lieder partners include Hans Peter Blochwitz, Christian Elsner, Matthias Görne, Dietrich Henschel, Wolfgang Holzmair, Christoph Pregardien, Roman Trekel, Rainer Trost, Iris Vermillion, Michael Volle and Ruth Ziesak among others.
    [Show full text]
  • Download PDF 8.01 MB
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on.
    [Show full text]
  • Adam Mickiewicz's
    Readings - a journal for scholars and readers Volume 1 (2015), Issue 2 Adam Mickiewicz’s “Crimean Sonnets” – a clash of two cultures and a poetic journey into the Romantic self Olga Lenczewska, University of Oxford The paper analyses Adam Mickiewicz’s poetic cycle ‘Crimean Sonnets’ (1826) as one of the most prominent examples of early Romanticism in Poland, setting it across the background of Poland’s troubled history and Mickiewicz’s exile to Russia. I argue that the context in which Mickiewicz created the cycle as well as the final product itself influenced the way in which Polish Romanticism developed and matured. The sonnets show an internal evolution of the subject who learns of his Romantic nature and his artistic vocation through an exploration of a foreign land, therefore accompanying his physical journey with a spiritual one that gradually becomes the main theme of the ‘Crimean Sonnets’. In the first part of the paper I present the philosophy of the European Romanticism, situate it in the Polish historical context, and describe the formal structure of the Crimean cycle. In the second part of the paper I analyse five selected sonnets from the cycle in order to demonstrate the poetic journey of the subject-artist, centred around the epistemological difference between the Classical concept of ‘knowing’ and the Romantic act of ‘exploring’. Introduction The purpose of this essay is to present Adam Mickiewicz's “Crimean Sonnets” cycle – a piece very representative of early Polish Romanticism – in the light of the social and historical events that were crucial for the rise of Romantic literature in Poland, with Mickiewicz as a prize example.
    [Show full text]
  • Nineteenth-Century French Challenges to the Liberal Image of Russia
    Ezequiel Adamovsky Russia as a Space of Hope: Nineteenth-century French Challenges to the Liberal Image of Russia Introduction Beginning with Montesquieu’s De l’esprit des lois, a particular perception of Russia emerged in France. To the traditional nega- tive image of Russia as a space of brutality and backwardness, Montesquieu now added a new insight into her ‘sociological’ otherness. In De l’esprit des lois Russia was characterized as a space marked by an absence. The missing element in Russian society was the independent intermediate corps that in other parts of Europe were the guardians of freedom. Thus, Russia’s back- wardness was explained by the lack of the very element that made Western Europe’s superiority. A similar conceptual frame was to become predominant in the French liberal tradition’s perception of Russia. After the disillusion in the progressive role of enlight- ened despotism — one must remember here Voltaire and the myth of Peter the Great and Catherine II — the French liberals went back to ‘sociological’ explanations of Russia’s backward- ness. However, for later liberals such as Diderot, Volney, Mably, Levesque or Louis-Philippe de Ségur the missing element was not so much the intermediate corps as the ‘third estate’.1 In the turn of liberalism from noble to bourgeois, the third estate — and later the ‘middle class’ — was thought to be the ‘yeast of freedom’ and the origin of progress and civilization. In the nineteenth century this liberal-bourgeois dichotomy of barbarian Russia (lacking a middle class) vs civilized Western Europe (the home of the middle class) became hegemonic in the mental map of French thought.2 European History Quarterly Copyright © 2003 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol.
    [Show full text]
  • Introduction
    Introduction Ever since corpus linguistics entered the mainstream, it has become increasingly difficult to keep track of its most recent developments due to the sheer volume of corpus-based, corpus-driven or corpus-informed studies. For twelve years, the conferences known as PALC (Practical Applications in Language and Computers) and organized at the University of ód in Poland have served the international community of corpus and computational linguists by providing a useful forum for the exchange of views and ideas on how corpora and computational tools can be effectively employed to explore and advance our understanding of language. The conferences and the ensuing volumes have attempted to reflect the widening scope and perspectives on language and computers. The present volume is no different in that it documents new developments and explorations in these areas encompassing an array of topics and themes, ranging from national corpora and corpus tools through cognitive processes, discourse and ideology, academic discourse, translation, and lexicography to language teaching and learning. In keeping with the PALC tradition, it is our policy to publish contributions from both seasoned researchers as well as from colleagues who are recently initiated members of the corpus linguistics community. The contributions are drawn from papers presented at the 7th Practical Applications in Language and Computers PALC conference held at the University of ód in 2009. The plenary speakers were Khurshid Ahmad (Trinity College, Dublin), Mark Davies (Brigham Young University), Ken Hyland (then at University of London), Terttu Nevalainen (University of Helsinki) and Margaret Rogers (University of Surrey). This volume is divided into nine Parts, each Part being further subdivided into chapters.
    [Show full text]
  • Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in The
    Møller, Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.1.13 Andreas Hjort Møller (AarhusUniversity) Bards,Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel Abstract The early German romantics were highly interested in medieval literature,primarily poetry written in romance vernacularssuch as Dante’s Inferno. Only later did the German ro- mantics turn to northern medieval literature for inspiration. In the case of German romantic Friedrich Schlegel (1772–1829), the usual opinionisthat he would not havecared for northern (primarily Scandinavian) medieval literature and art before his late phase, be- ginning around 1802. In this phase,his literary criticism stood under the sway of his con- servativepolitics. Thisarticle examines the reception of Germanic medieval literature in Schlegel’searly essays,reviews and fragments, in order to discuss the role of Germanic medieval literature in his work and the extent to which it is connectedwith his poetics and politics. Keywords Friedrich Schlegel, Medievalism, romanticism,Germanic and romance medieval literature, Antiquarianism. Traditional histories of literary criticism inform us that Friedrich Schlegel began his literary career as aclassicist historian of Greek and Roman Literature (1794– 1796), then went on to study romance literature (1797–1801) and only later, during his time in Paris around 1802, gained an interest in Germanic medieval literature that would persist for the remainder of his life.1 Schlegel’sinterest in the medieval is commonly taken to haveemerged from his so-called conservativeor nationalist turn that culminated in Schlegel’sconversion to Catholicism in the Cologne Cathedral in 1808 and his participation in the Congress of Vienna as a 1For instance, Kozielekdatesthe beginning of the interest of theearly German romantics to Ludwig Tieck and the year 1801, even though he notesthat Tieck and Wilhelm Heinrich Wackenroder payedattention to OldGerman literature in the 1790s, Gerard Kozielek: Mittel- alterrezeption.
    [Show full text]
  • Krasiński, Zygmunt
    467 Koresh, David 468 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Krasin´ski, Zygmunt Napoleon Stanisław Adam Feliks Zygmunt Krasiń- ski, more commonly known as Zygmunt Krasiński (1812–1859), was one of the Three Bards of Poland, the nation’s greatest national poets or wieszczowie (poet-prophets) of the Romantic period – the other two being Adam Mickiewicz and Juliusz Słowacki. Some speak of Poland’s Four Bards, adding Cyprian Norwid to the list; notably, all four were Roman Catholics. The Bible exerted a profound influence upon his literary art throughout his career as a writer. Krasiński was born and died in Paris. His father, Wincenty Krasiński (1782–1858), was a general in Napoleon’s army, and his mother, Maria Urszula Radziwiłł (Radziwiłłówna), was a Polish princess. Zygmunt Krasiński, in addition to being a poet, was an aristocrat, philosopher, dramatist, novelist, pro- lific epistolist, and the first Ordinate in the largest land estate in Opinogóra, near Ciechanów. He debuted as a writer in 1828, publishing ma- cabre gothic novels. He showed in this work the constant, characteristic elements of his writing, so his obsessions over the suffering and massacre of Encyclopedia of the Bible and Its Reception vol. 15 Bereitgestellt von | De Gruyter / TCS © Walter de Gruyter, Berlin/Boston, 2017 Angemeldet Heruntergeladen am | 01.09.17 09:18 469 Krasin´ski, Zygmunt 470 Polish civilians (e.g., by the Russian army at the presents as a sin, from a NT, Christian, ethical view- time of Kościuszko’s Insurrection), the interior tur- point, the vengeance taken by the main hero on the moil of the Romantic national struggle for Poland’s enemy (ancient Rome).
    [Show full text]
  • Venice According… Venice According to Odyniec (And Mickiewicz?) in Romantic Contexts
    Czytanie Literatury https://doi.org/10.18778/2299-7458.09.04 Łódzkie Studia Literaturoznawcze 9/2020 ISSN 2299–7458 ANNA KURSKA e-ISSN 2449–8386 Jan Kochanowski University of Kielce 0000-0002-2776-2449 65 VeNICe ACCoRDING… VeNICe Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts SUMMARY This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the im- age of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice. Keywords Adam Mickiewicz, Antoni Edward Odyniec, Venice, Romanticism, journey. Mickiewicz arrived with Odyniec in Venice on 7 October 1829 “at one in the afternoon”; they stayed at the de Luna Inn, from where they moved the very next day to a private apartment at “Ponte dei Dai, Torre Correnta, al. Moro.” Their visit lasted until 20 October and it was recorded by Antoni Edward Odyniec in a fragment of Listy z podróży that he wrote to Julian Korsak and Ignacy Chodźko. His description raises a major question: to what degree © by the author, licensee Łódź University – Łódź University Press, Łódź, Poland.
    [Show full text]
  • Download Download
    Authorship 9.1 (2020) Rhodes 1 “RÊVE (Romantic Europe: The Virtual Exhibition): Romantic Authorship.” European Romanticisms in Association, http://www.euromanticism.org/virtual-exhibition/reve- the-collections/romantic-authorship.1 In the era of Covid-19, the move to find new ways to share scholarship and to recreate heritage experiences in digital formats has taken on an increased sense of urgency. As 2020 has seen conferences cancelled and museums and galleries around the world close their doors, at least temporarily, researchers, curators and educators have turned to technology as a way of facilitating conversations between people and between objects, collections and exhibits. But even before the pandemic changed the way we communicate, travel, and interact with each other and the spaces we inhabit, physical distance has always placed limitations on the ways in which we connect ideas and objects. While some objects are capable of being, or even designed to be, moved —a notebook, a travelling case, or a handbag, for example—others such as buildings, mountains, monuments, and tombs are (generally) fixed in one particular location. People, however, are mobile. And European Romantic authors such as Rousseau, de Staël, Wollstonecraft, or Byron, whose careers were defined by travel, itinerancy, or exile, were no exception. As Romantic writers moved around the continent, so the objects which they owned and interacted with and which now help us to construct their identities are scattered. Some of these objects, as we have seen, are immovable, and for those which are portable, the question is raised as to whether any single location can justifiably lay sole claim to an author, or the material relics – the ‘scattered leaves’ - which they have left behind.
    [Show full text]
  • Konrad Wallenrod by Adam Mickiewicz
    The Project Gutenberg EBook of Konrad Wallenrod by Adam Mickiewicz This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Konrad Wallenrod Author: Adam Mickiewicz Release Date: October 9, 2010 [Ebook 34050] Language: English ***START OF THE PROJECT GUTENBERG EBOOK KONRAD WALLENROD*** [1] KONRAD WALLENROD. An Historical Poem. BY ADAM MICKIEWICZ. TRANSLATED FROM THE POLISH INTO ENGLISH VERSE BY MISS MAUDE ASHURST BIGGS. “Dovete adunque sapere come sono due generazioni da combattere... bisogna essere volpe e leone.” MACCHIAVELLI, Il Principe. LONDON: TRÜBNER & CO., LUDGATE HILL. 1882. [All rights reserved] Contents AUTHOR'S PREFACE . .2 TRANSLATOR'S PREFACE . .4 Introduction. 10 I. The Election. 13 II. .............................. 17 III. 23 IV. The Festival. 33 V. War. 62 VI. The Parting. 69 NOTES. 80 [ii] Printed by BALLANTYNE, HANSON & Co. Edinburgh and London [iii] AUTHOR'S PREFACE THE Lithuanian nation, formed out of the tribes of the Litwini, Prussians and Leti, not very numerous, settled in an inextensive country, not very fertile, long unknown to Europe, was called, about the thirteenth century, by the incursions of its neighbours, to a more active part. When the Prussians submitted to the swords of the Teutonic knights, the Lithuanians, issuing from their forests and marshes, annihilated with sword and fire the neighbouring empires, and soon became terrible in the north. History has not as yet satisfactorily explained by what means a nation so weak, and so long tributary to foreigners, was able all at once to oppose and threaten all its enemies—on one side, carrying on a constant and murderous war with the Teutonic Order; on the other, plundering Poland, exacting tribute from Great Novgorod, and pushing itself as far as the borders of the Wolga and the Crimean [iv] peninsula.
    [Show full text]
  • Grażyna H Alkiewicz
    REVIEWS the methodology used by anna roter-Bourkane, the contexts she describes and the ambition to define the concepts mentioned in the title of the book. at the same time, the authors raises questions about the aesthetics of the treatise-typical features, which in the examined book is not clearly distinguished from the genre of treaty. Key words: treatise; features of treatise; 19th century; poetry; Cyprian norwid; genology. Summary translated by Rafał Augustyn magdaleNa woźNiewsKa-działaK – Phd, assistant professor in the department of theory of Culture and interculturalism, Faculty of Humanities, Cardinal Stefan Wyszyński university (uKSW) in Warsaw. author of the book Poematy narracyjne Cypriana Norwida. Konteksty literacko-kulturalne, estetyka, myśl (2014). uKSW, ul. dewajtis 5, 01-815 Warszawa; e-mail: [email protected] Grażyna H a l k i e w i c z - S o j a k – on tHE HiddEn diMEnSion oF tHE roMantiC HEritaGE doi: http://dx.doi.org/10.18290/sn.2017.35-15en Ewa Szczeglacka-Pawłowska has been consistently developing her research methodology for over a dozen years, looking for a research perspective that would allow to read the poetry of Polish romanticism in exile with respect for the achievements of several generations of editors and historians of literature, but also with emphasis on the researcher’s own, if possible original, approach. this is best evidenced by her two books: Romantyczny homo legens. Zygmunt Krasiński jako czy telnik polskich poetów [romantic homo legens. Zygmunt Krasiński as a reader of Polish poets] (Warsaw 2003, 367 pages) and Romantyzm “brulionowy” [“draft paper” romanticism] (Warsaw 2015, 580 pages).
    [Show full text]