Indian River Chapter, EGA Library Inventory Listed by Title
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September 2Nd Fondafair.Com
22019019 Pride of American Agriculture August 28th – September 2nd FondaFair.com • Oil Changes • On The Farm Service • Car & Truck Accessories • Construction Site Tire Services • Custom Wheels • Goodyear National • Tire Repair Accounts • New & Used Tires • Multi-Line Dealer • Truck Tire Services 518-673-5399 THETIRESHOP.BIZ OPEN MON.-SAT. 8am-6pm 155 Erie Blvd., Canajoharie, NY Montgomery County Agricultural Society Montgomery County Agricultural Society, Inc. Scholarship Program The Montgomery County Agricultural Society offers an annual scholarship program which is available to high school students who are residents of Montgomery or Fulton County and who plan to attend college in pursuit of a degree. Purpose: To provide financial assistance to those high school students who have been active exhibitors in the Montgomery County Agricultural Society (aka Fonda Fair) and who intend to pursue a degree. Awards: Up to two (2) $250.00 scholarships will be awarded for 2020. Eligibility: Applicants must be in his/her senior year of high school in Montgomery or Fulton County, New York and planning to pursue a degree at an accredited institution of higher learning. Deadline: Students must submit his/her complete application by April 1, 2020. Applications are available at www.fondafair.com. Page 1 Montgomery County Agricultural Society----Premium Listing IMPORTANT - Please Read The Fair Premium Book and other relevant documents are now available on-line. You can fine the entire premium book by going to: www.fondafair.com Entries are to be made with the Secretary’s office Second Saturday, and the following Monday, Tuesday & Wednesday of August Saturday, August 10, 2019 9 A.M. -
August 2021.Indd
Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Stalking the Wild Assisi by Baroness Kathryn Goodwyn, O.L
Stalking the Wild Assisi by Baroness Kathryn Goodwyn, O.L. (a.k.a. Kathryn Newell) This article was originally written in 1995, and submitted to Tournaments Illuminated, the journal of the Society for Creative Anachronism. It was eventually rejected. The West Kingdom Needleworker's Guild kindly printed it in their newsletter in 1998, for which I am grateful. I fell in love with Assisi work many years ago but researching and collecting patterns of it has proved an elusive task. At times I have felt like a detective, and so I decided to share some of my frustrations and experiences with you. My interest in the subject started when I was researching SCA period needlework, just over 20 years ago. I would occasionally see some fascinating designs pushed to the back or side of a page or an article. The technique was the opposite of regular counted cross-stitch, as the design was outlined, then the background filled in densely with cross stitch. The actual pattern was made by the unworked ground fabric. This "negative" effect gave the Assisi work a woodcut quality that I found very rich and unique (Figure 1.) Figure 1. In the style of 16th-17th century Italian work. Chart © 2001, C.K. Newell The zoomorphic chart of beasties is one I found in a Dover book (no longer in my possession) on the subject of historic Italian lace. To my informed eye the style resembled Italian designs of the 16th or 17th centuries. I have subsequently seen a runner embroidered with this exact pattern, appearing as a photo in the book Old Italian Lace by Elisa Ricci. -
The Wonderful World of Brazilian Embroidery
The Wonderful World of Brazilian Embroidery And Why You May Want to Know More The number one thing you should know is that if you know how to do surface embroidery, you already know how to do Brazilian Embroidery! Stitched by a Novice Brazilian Embroider Copyright BDEIG 2015 Brazilian Embroidery started in Brazil (but I bet you knew that) in the 1960’s Copyright BDEIG 2015 By the early 1990’s, B.E. was being done on all continents except Antartica. B.E. is recognized internationally as a unique type of embroidery. Copyright BDEIG 2015 It is the threads that make Brazilian Embroidery unique. B.E. threads are z-twist Rayon threads. These threads have a vibrancy and luster not found in other types of embroidery threads. Z-Twist S-Twist Copyright BDEIG 2015 These beautiful threads are not stranded, but come in different weights and textures. They are usually ‘straightened’ before being used. The Z-Twist only matters on three stitches – the Stem Stitch, the Outline Stitch, and the Bullion Stitch Copyright BDEIG 2015 Because it is washable, B.E. is great on clothing. Copyright BDEIG 2015 Individual designs can become quilt blocks. Copyright BDEIG 2015 B. E. is a great embellishment for Crazy Quilts . Copyright BDEIG 2015 . .or B.E. can be the primary theme of a Crazy Quilt Copyright BDEIG 2015 B.E. pieces can be Elegant . Copyright BDEIG 2015 . or B.E. Copyrightcan BDEIG be 2015 Whimsical Often the design subject is floral in nature . Copyright BDEIG 2015 . However food is also a favorite subject . Copyright BDEIG 2015 . -
Basic Blackwork Class – HL Anja Snihová Camarni
Basic Blackwork Class – HL Anja Snihová Camarni I’m including in this handout a couple of different ways of explaining “how-to” in blackwork, because not every explanation works for every person. Also, please excuse the crass commercial plugs. I didn’t have time to completely re-write, so pretend that this somebody else’s. Which it is! Anja and MaryAnne are not the same person. <grin> MaryAnne Bartlett is a 21st century woman, making a living by writing and researching, designing and selling blackwork designs and products. Anja Snihova’ was born in the late 14th century and due to the potions that her alchemist husband makes, survived into the early 17th century! Beginning Blackwork Blackwork is a counted thread technique made popular in England in the 1500's by Catharine of Aragon, the Spanish first wife of King Henry VIII of England. It was immortalized in the incredibly detailed portraits done by the court painter, Hans Holbein, whose name is give to the stitch used, which is just a running stitch that doubles back on itself at the other end of its "journey". Blackwork can be anything from a simple line drawing to the complex pattern of #10 below, and on to designs so complex no one seems to know how to do them! It was usually done with silk thread on a white even-weave linen, and despite the name of the technique, was done in every colour of the rainbow, although black was the most popular colour, followed by red and blue. The most peculiar thing about this technique is that, done properly, the design repeats on both the right and wrong sides of the fabric, making it perfect for collars, cuffs, veils and ribbons where both sides need to look nice! Blackwork Embroidery Instructions 1. -
1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140
1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140 Full Sampler Design Area: 16.07 x 29.57 inches worked on 28 count evenweave 225 x 414 stitches Material: Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 28 count evenweave, white, antique white or cream Zweigart 25 count Lugana, white or cream There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown below. The evenweave sampler was worked in DMC Coloris floss in six shades plus DMC 310 as the base colour. Evenweave Sampler Threads: DMC 996 electric blue is used on the chart to show DMC Cotton Pérle No.12, ecru. Key- please note the threads can be adapted to suit your requirements. These are a guideline only! Page 11 is worked underneath Page 8. This is the first part of the final row. Instructions for the pulled thread work border will be included in Part 12. To help position the patterns correctly on the fabric and to see how they relate to each other look carefully at the embroidery. If only a small part of a pattern is shown on one page leave it until the following month and work the pattern as a whole. -
Lone Star Library, Alphabetic by Author
7/5/2018 Lone Star Library, Alphabetic by Author 1 Agnew, Patience Needlepoint for Churches 2 Aimee Stitch Your State 3 Alderson, Chottie Stitchin' with Chottie, Bk 1 4 Alderson, Chottie A Rare Delight, Or Nue Project 5 Alderson, Chottie Stitchin' with Chottie, Bk 2 6 Alderson, Chottie Stitchin' with Chottie, Bk 3 7 Alderson, Chottie Stitchin' with Chottie, Bk 4 8 Alderson, Chottie Stitchin' with Chottie, Bk 5, Albuquerque Game 9 Altherr, Ilse Blackwork and Holbein Embroidery 10 Altherr, Ilse Mastering the Art of Pulled Thread Embroidery 11 Ambuter, Carolyn Carolyn Ambuter's Complete Book of Needlepoint 12 Ambuter, Carolyn Carolyn Ambuter's Even More Complete Book of Needlepoint 13 Ambuter, Carolyn The Open Canvas 14 Anchor Mezzopunto e Punti di Tappezzeria 15 ANG A Stitch Book 25th Anniversary of ANG 16 ANG Stitch Book II 17 ANG, Atlanta Chapter A Canvas Christmas II 18 ANG, Masters Teacher Program Teachers' Treasures South Central Area's 2003 ANG Seminar Project: Two-Sided 19 ANG, South Central Area Nativity Set with Stable 20 ARO Designs Historic Houston 21 ARO Designs Houston Skyline Shapes of Needlepoint, Series I, 22 Arthur, Sandra Circles/Squares/Triangles/Rectangles Shapes of Needlepoint, Series II, 23 Arthur, Sandra Diamonds/Hearts/Octagons/Stars Shapes of Needlepoint, Series III, 24 Arthur, Sandra Corners/Hexagons/Ovals/Parallelograms Shapes of Needlepoint, Series IV, 25 Arthur, Sandra Diagonals/Horizontals/Verticals 26 Ashby, D. & Woolsey, J. Creative Embroidery Techniques Using Color Through Gold 27 Ashby, D. & Woolsey, J. Ribbon Embroidery 28 Bahouth, Candace Flowers, Birds, and Unicorns: Medieval Needlepoint 29 Bahouth, Candace Romantic Needlepoint 30 Baird, Carolyn Hedge Favorite Stitches, Revised 31 Baird, Carolyn Hedge Favorite Stitches, Volume 2 32 Baird, Carolyn Hedge Merry Easter Eggs 33 Baird, Carolyn Hedge Merry Needlepoint 34 Baker, Muriel The ABC's of Canvas Embroidery 35 Baker, Muriel The XYZ's of Canvas Embroidery 36 Baker, Muriel Scribner Book of Embroidery Designs 37 Banbury, G. -
By Author As of 102711
THSG Library By Author As of 102711 100 3M 2004 Respirator Selection Guide 3M 532 A131n New Zealand Guide to Handmade Felt Abbott, Tim 364 A152m Multiple Harness Patterns From the Early 1700's (The Snavely Patterns) Able, Isable I. 095.4 A228w Weaving Traditions of Highland Bolivia Adelson, Lauri, and Takami 311 A242a American Loom: Plans for Making a 19th Century Loom Adrosko, Rita J. 120 A242n Natural Dyes and Home Dyeing Adrosko, Rita J. 361 A242w Weavers Draft Book and Clothiers Assistant, The Adrosko, Rita J. 367.2 WSN James Koehler Workshop: Hatching and Color Gradation Techniques for Tapestry Aiken, Roxanne 400 A294f Fiberarts Book of Wearable Art, The Aimone, Katherine Duncan 304 A325o Ojo de Dios - Eye of God Albaum, Charlet 331 A329o On Weaving Albers, Anni 022 A333u An Unthymely Death and Other Garden Mysteries Albert, Susan Wittig 022 A333i Indigo Dyeing Albert, Susan Wittig 351 A361m Mastering Weave Structures Alderman, Sharon 374 A361h Handweaver's Notebook, A Alderman, Sharon, and Wertenberger 376 A361h Handwoven, Tailormade Alderman, Sharon, and Wertenberger 401 C319g Good Houskeeping Needlecraft Encyclopedia, The Alice Carroll 333 A425w Weavers Way: Navajo Profiles, The Allen, Dodie 335 A426w Weaving Contemporary Rag Rugs Allen, Heather 400 ALF Late Victorian Needlework for Victorian Houses American Life Foundation 010 Ref Glossary of Wool Fabric Terms American Wool Council 300 AWC Weaving: A Timeless Craft American Wool Council 200 A525a Alden Amos Big Book of Handspinning, The Amos, Alden 002 A545n Needlecrafters' Travel Companion 4th Edition 2007-2009 Anderson, Audrey , and Swales 020 A545c Creative Spinning Weaving and Dyeing Anderson, Beryl 432 A545c Crewel Embroidery Anderson, F. -
Inside Stitches 281-320-0133 7822 Louetta Road Volume16 – Number 3 Spring, Texas 77379 July, August, September
Inside Stitches 281-320-0133 7822 Louetta Road Volume16 – Number 3 www.3stitches.com Spring, Texas 77379 July, August, September Summer is here. Yes, the long HOT summer of the Spring, Texas weather. It is a perfect time for stitching. Make yourself a glass of ice tea (sweet tea as some of the south calls it) and find your favorite spot to stitch. Perhaps you won’t be sitting in the back yard as you did those spring projects but some where you call “your stitching” spot. You might start thinking about those Christmas projects you intend to do as gifts this year. We are happy to custom cut your fabric to the size you need or change any color that you don’t like to a color your prefer. All you have to do is ask. We are here for you. If you have questions, we have answers. Just email us at [email protected] or call us at 281-320-0133. If we don’t know the answer, we know someone who does know. We are always here for you. All you have to do is ask. Ham & Asparagus Mini-Quiches 1 cup all-purpose flour 2 tablespoons butter, diced 4-6 tablespoons ice water 6 large eggs ½ cup part-skim ricotta cheese ½ cup chopped ham ½ cup chopped asparagus ½ cup shredded cheddar cheese Preheat oven to 350 degrees. Coat a 12-count muffin pan with cooking spray, and set aside. In a stand mixer fitted with a paddle attachment, combine the flour and butter until the butter breaks down into small pieces. -
Editorial Calendar 2020
PRESERVING THE LEGACY OF NEEDLEWORK Editorial Calendar 2020 There are stories to be told, and PieceWork readers want to read them. Whether it’s a personal account of a master knitter (“Bertha Mae Shipley: A Navajo Knitter”) or a well-researched article on the embroidery that adorned alms purses (“Charitably Chic: The Eighteenth-Century Alms Purse”), PieceWork is the place to share these stories. People who care about handwork and who value its past and present role in the ongoing human story are PieceWork magazine’s core audience. PieceWork explores the personal stories of traditional makers and what they made and investigates how specific objects were crafted and the stories behind them. In-depth how-to techniques and step-by-step projects make the traditions come alive for today’s knitters, embroiderers, lacemakers, and crocheters. Beginning with the magazine’s inception in 1993, we have explored numerous needlework traditions and needleworkers. We’ve covered the prosaic—mending samplers—and the esoteric—the Pearly Kings and Queens of London. The stories have been poignant—the Triangle Shirtwaist Factory fire; inspiring—Safe Return Mittens; and entertaining—Rattlesnake Kate. Beginning with the Fall 2018 issue, PieceWork changed frequency from a bimonthly publication to a quarterly. The biggest bonus with this change was the addition of more editorial pages, allowing us to continue and expand upon PieceWork’s unusual blend of the elements behind a handwork tradition—who did it, how it was done, and why. Future issues will include core sections for techniques, including knitting, lace, embroidery, and crochet. Beyond these sections, there will be a wide variety of other needlework techniques. -
Blackwork Journey
Blackwork Journey © 1 'Sublime Stitches' Aida Part 6 Patterns 75 - 85 Full Design Area: 16.07 x 29.57 inches worked on 14 count AIDA 225 x 414 stitches Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 14 count Aida, white, antique white or cream The sample was worked on Zweigart 14 count Aida, white Over dyed or space dyed fabrics may detract from the design - select carefully! There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown above. Please follow the main chart carefully to place and work the different patterns. The embroidery may differ slightly. Where patterns overlap between the pages do not start the pattern. The part patterns are there to help in the placing of the design. As additional pages are added the part patterns will be complete. Do not add beads to the design until all 12 pages have been worked. The sample was worked in DMC and Anchor floss in four shades including DMC 310 as the base colour. Cross stitch is worked in TWO strands over two threads, back stitch is worked in ONE strand over two threads. Threads used: DMC 310 Black, three skeins Anchor 1206 variegated, or DMC 815 Garnet, three skeins DMC 415 Pearl grey, one skein DMC 414 Steel grey, one skein Metallic threads used: Rainbow Gallery Petite Treasure Braid PB01, one card or DMC Lights Effects E3852 Dark Gold, one skein DMC Lights Effects E317 DMC 996 electric blue is used on the chart to show ONE strand of 415 and ONE strand 414 together to make two strands for pulled thread work stitches.