The Life and Letters of James Macpherson : Containing A
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
The Book of Mormon in the English Literary Context of 1837
BYU Studies Quarterly Volume 27 Issue 1 Article 5 1-1-1987 The Book of Mormon in the English Literary Context of 1837 Gordon K. Thomas Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Thomas, Gordon K. (1987) "The Book of Mormon in the English Literary Context of 1837," BYU Studies Quarterly: Vol. 27 : Iss. 1 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol27/iss1/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Thomas: The Book of Mormon in the English Literary Context of 1837 the book of mormon in the english literary context of 1837 gordon K thomas do you know anything of a wretched set of religionists in your country superstitionists I1 ought rather to say called mennonitesmormonitesmonnonitesMonnoMormonites or latter day saints so wrote the great english poet william wordsworth to his american editorhenryeditorhenry reed early in 1846 this is the only reference to mormonism in wordsworthsWord sworths surviving letters or other writings and it may come as a shock to modem latter day saints to find such anger and hostility towards us in a poet of whom we so often think as our poet one who believed much ofwhat we believe knew what we know and did not mind any more than we do defying the orthodox establishment of church and state -
The Dial and the Transcendentalist Theory of Reading
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2008 The Dial and the Transcendentalist Theory of Reading Emily A. Cope University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Cope, Emily A., "The Dial and the Transcendentalist Theory of Reading. " Master's Thesis, University of Tennessee, 2008. https://trace.tennessee.edu/utk_gradthes/348 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Emily A. Cope entitled "The Dial and the Transcendentalist Theory of Reading." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Dawn Coleman, Major Professor We have read this thesis and recommend its acceptance: Janet Atwill, Martin Griffin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Emily Ann Cope entitled “The Dial and the Transcendentalist Theory of Reading.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
Poems of Ossian
0/», IZ*1. /S^, £be Canterbury fl>oets. Edited by William Sharp. POEMS OF OSSIAN. SQ OEMS OF CONTENTS. viii CONTENTS. PAGE Cathlin of Clutha: a Poem . .125 sub-malla of lumon : a poem . 135 The War of Inis-thona : a Poem 4.3 The Songs of Selma . 151 Fingal: an Ancient Epic Poem- I. Book . .163 Book II. 183 Book III. .197 Book IV. .... 213 Book V. 227 Book VI. ..... 241 Lathmon : a Poem .... 255 \Dar-Thula : a Poem . .271 The Death of Cuthullin : a Poem . 289 INTRODUCTION. ROM the earliest ages mankind have been lovers of song and tale. To their singers in times of old men looked for comfort in sorrow, for inspiration in battle, and for renown after death. Of these singers were the prophets of Israel, the poets and rhapsodes of ancient Greece, the skalds of the Scandinavian sea-kings, and the bards of the Celtic race. The office was always most honour- able, the bard coming next the hero in esteem ; and thus, first of the fine arts, was cultivated the art of song. Down to quite a recent time the household of no Highland chief was complete without its bard, to sing the great deeds of the race's ancestors. And to the present day, though the locomotive and the printing press have done much to kill these customs of a more heroic age, it is not difficult to find in the Highland glens those who can still recite a " tale of the times of old." x INTRODUCTION. During the troubles of the Reformation in the sixteenth century, of the Civil Wars .and Revolu- tion in the seventeenth, and of the Parliamentary Union and Jacobite Rebellions in the early part of the eighteenth, the mind of Scotland was entirely engrossed with politics, and the Highlands them- selves were continually unsettled. -
Ossian: Past Present and Future Mitchell, Sebastian
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Ossian: Past Present and Future Mitchell, Sebastian License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Mitchell, S 2016, 'Ossian: Past Present and Future', Journal for Eighteenth-Century Studies, vol. 39, no. 2. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 08/03/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Amédée Pichot and Walter Scott's Parrot
Studies in Scottish Literature Volume 44 Article 12 Issue 2 Reworking Walter Scott 12-31-2018 Amédée Pichot and Walter Scott’s Parrot: A Fabulous Tale of Parroting and Pirating Céline Sabiron Université de Lorraine (Nancy) Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Comparative Literature Commons, French and Francophone Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Sabiron, Céline (2019) "Amédée Pichot and Walter Scott’s Parrot: A Fabulous Tale of Parroting and Pirating," Studies in Scottish Literature: Vol. 44: Iss. 2, 119–130. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. AMÉDÉE PICHOT AND WALTER SCOTT’S PARROT: A FABULOUS TALE OF PARROTING AND PIRATING Céline Sabiron We have been now, for some years, inundated with showers of Scottish novels thicker than the snow you now see falling; and Alice, who is now in her nineteenth year, has read them all, or rather skimmed them over, merely to say she has read them; … she tells her companions, with an air of consequence, that she never reads any other novels than Walter Scott’s; though no one, but herself, seems really to know who the deuce it is that scribbles so fast. Sarah Green, Scotch Novel Reading (1824).1 In the nineteenth -
The Great Samuel Johnson and His Opposition to Literary Liars Thomas M
Bridgewater Review Volume 28 | Issue 2 Article 6 Dec-2009 The Great Samuel Johnson and His Opposition to Literary Liars Thomas M. Curley Bridgewater State College Recommended Citation Curley, Thomas M. (2009). The Great Samuel Johnson and His Opposition to Literary Liars. Bridgewater Review, 28(2), 7-10. Available at: http://vc.bridgew.edu/br_rev/vol28/iss2/6 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Great Samuel Johnson and His Opposition to Literary Liars Thomas M. Curley A close friend said of Samuel Johnson (1709–1784) that When speech is employed as the vehicle of falsehood, “no man had a more scrupulous regard for truth; from every man must disunite himself from others, inhabit which, I verily believe, he would not have deviated to his own cave, and seek prey only for himself.” Because save his life.” No writer angered Johnson more than did we see as through a glass darkly, frauds of any type only James Macpherson (1736–1796) for perpetrating the worsened the already clouded maze of human meaning most successful literary fraud in modern history. with truth-seeming unrealities and consequently weak- Macpherson’s notorious fraud, beginning in the 1760s, ened trust in ourselves and others. involved publishing his own made-up poems as transla- My interest in Johnson the tions of genuine Gaelic writings English truth-teller and in by an ancient Scots bard Macpherson the Scottish known as Ossian. This year literary liar began in gradu- marks the three-hundreth ate school at Harvard anniversary of Johnson’s birth, University and led to some generating celebrations around early articles on the phony the world and warranting here Ossian poems. -
Founding Fellows
Founding Members of the Royal Society of Edinburgh Alexander Abercromby, Lord Abercromby William Alexander John Amyatt James Anderson John Anderson Thomas Anderson Archibald Arthur William Macleod Bannatyne, formerly Macleod, Lord Bannatyne William Barron (or Baron) James Beattie Giovanni Battista Beccaria Benjamin Bell of Hunthill Joseph Black Hugh Blair James Hunter Blair (until 1777, Hunter), Robert Blair, Lord Avontoun Gilbert Blane of Blanefield Auguste Denis Fougeroux de Bondaroy Ebenezer Brownrigg John Bruce of Grangehill and Falkland Robert Bruce of Kennet, Lord Kennet Patrick Brydone James Byres of Tonley George Campbell John Fletcher- Campbell (until 1779 Fletcher) John Campbell of Stonefield, Lord Stonefield Ilay Campbell, Lord Succoth Petrus Camper Giovanni Battista Carburi Alexander Carlyle John Chalmers William Chalmers John Clerk of Eldin John Clerk of Pennycuik John Cook of Newburn Patrick Copland William Craig, Lord Craig Lorentz Florenz Frederick Von Crell Andrew Crosbie of Holm Henry Cullen William Cullen Robert Cullen, Lord Cullen Alexander Cumming Patrick Cumming (Cumin) John Dalrymple of Cousland and Cranstoun, or Dalrymple Hamilton MacGill Andrew Dalzel (Dalziel) John Davidson of Stewartfield and Haltree Alexander Dick of Prestonfield Alexander Donaldson James Dunbar Andrew Duncan Robert Dundas of Arniston Robert Dundas, Lord Arniston Henry Dundas, Viscount Melville James Edgar James Edmonstone of Newton David Erskine Adam Ferguson James Ferguson of Pitfour Adam Fergusson of Kilkerran George Fergusson, Lord Hermand -
Johnson and Macpherson: Cultural Authority and the Construction of Literary Property
Johnson and Macpherson: Cultural Authority and the Construction of Literary Property Kathryn Temple* In the spring of 1802, the painter Anne-Louis Girodet de Roussy de Trioson first exhibited his Ossian and His Warriors Receiving the Dead Heroes of the FrenchArmy to a French audience.' While the work was of interest to the French for its allegorical content and its mix of classical and romantic styles, its provocative subject would have been most com- pelling to the English. The content of the painting was drawn from one of the great debates over literary property in eighteenth-century Britain, the debate between those Scots who believed that James Macpherson's mid-century "translations" of works attributed to the legendary bard Ossian were authentic, and the English, led by Samuel Johnson, who considered them forgeries. The controversy was well known. Ossian's popularizer, James Mac- pherson, born in Highland Scotland in 1738, received his education in the Lowlands from men like Thomas Blackwell, whose work on Homer was a major influence. In 1758 he wrote and published a long but unsuc- cessful poem, The Highlander. After the failure of this, his only "legiti- mate" poetry, he aroused the interest of Scottish scholars with what he claimed were fragments of ancient Scottish verse. Their interest led in 1760 to his first successful publication, entitled Fragments of Ancient Poetry Collected in the Highlands of Scotland and Translatedfrom the Gaelic or Erse Language. As a result, his Edinburgh supporters raised a subscription to finance Macpherson's travels to rural Scotland so he could research additional Gaelic works, and, in the years between 1762 and 1765, he published a number of poems which he claimed were genu- * Many people have commented helpfully on this material. -
The Past in Literature from Scott to Proust Professor David Hewit
The Royal Society of Edinburgh A la Recherche du Temps Perdu: The Past in Literature from Scott to Proust Professor David Hewitt FEA, FRSE Regius Chalmers Professor of English Literature Emeritus, University of Aberdeen, Editor-in-Chief, Edinburgh Edition of the Waverley Novels Monday 9 June 2014 Report by Jennifer Trueland On the bicentenary of the publication of Sir Walter Scott’s Waverley, Professor Hewitt described how the author used public and private memory to create the world’s first historical novel. He also examined different ways of exploring and re-finding the past, linking Scott to other great writers, from Wordsworth to Proust. Sir Walter Scott’s Waverley was an ‘extraordinarily innovative work”, said Professor Hewitt. It is rightly regarded as the first historical novel, for whilst other works of fiction – such as Mrs Radcliffe’s The Mysteries of Udolpho – had been set in the past and others had written books covering historical events, Waverley was the first novel to provide real history. Even Shakespeare’s history plays could not be taken ‘for’ history, he said. Indeed, Scott’s own long poems, especially Marmion and The Lady of the Lake, including as they did quotations from contemporary sources, were perhaps the real precursors. Professor Hewitt said that Scott was writing social history, and that he drew on many oral and written sources. He argued that Scott made use of some of the analytical tools of social history, but Waverley being a work of fiction, he also required literary structures and procedures. In the second part of the lecture, Professor Hewitt examined the search for a personal past in the works of William Wordsworth, John Ruskin and Marcel Proust, and demonstrated that their procedures for recovering the experience of childhood could also be recognised in Waverley. -
The Writing Life of Robert Story, 1795-1860: 'The Conservative Bard'
THE WRITING LIFE OF ROBERT STORY, 1795-1860: ‘THE CONSERVATIVE BARD’ PHILIP JOSEPH CROWN A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy February 2018 Table of Contents Acknowledgements 5 Abstract 6 Introduction 8 The Writing Life of Robert Story, 1795-1860: ‘The Conservative Bard’ Part One Chapter 1 29 Sketching the Life of Robert Story (1795-1860) Chapter 2 69 Awakening ‘the dormant chords’: Robert Story’s Reading Experiences Imitation and Innate Genius 70 Critical Voice 79 Types of Literature 83 Religious Verse 87 Ownership 89 Reading Labouring-Class Authors 90 Part Two Chapter 3 102 ‘My brother authors’: Identity and Class Provincial Poets 106 2 Democratic Vision 113 Tam O’Glanton 118 Aesthetics 120 Wordsworth 125 Burns 126 John Nicholson 129 Chapter 4 135 ‘Words which were seared into my brain as if by characters of fire!’: Critics and Scribblers of the Day Craven Blossoms (1826): Provincial Press 140 Metropolitan Response 146 ‘The Mind a Barometer; or the Moods of a Day’ (1826) 149 Critics and Scribblers of the Day (1827) 154 Chapter 5 171 ‘The Conservative Bard’: Robert Story’s Political Songs and Poems Context 172 Early Radicalism 179 Conservative Ballads (1834-1836) 183 ‘Public Questions’ and ‘Ale House Meetings’ 189 Speech to the Conservative Association (1835) 191 Tory Radicalism 196 Response to Story’s Political Writing 199 3 Part Three Chapter 6 206 ‘I am now, at its conclusion, MYSELF AGAIN’: Formal Experimentation in Story’s Poetry and Prose Love and Literature 207 ‘The Queen of the North’ 218 Chronicles of the Swan 225 Chapter 7 239 The Outlaw: Balladry and Romantic Melodrama Ballad, Song, and Popular Culture 242 The Outlaw in Context 253 Romantic Melodrama 256 The Labouring-Class Ophelia 260 Melodrama, Political Satire and Story’s Social Conscience 266 Conclusion 275 Bibliography 281 Appendix Transcript of Critics and Scribblers of the Day: A Satire by a Scribbler 307 Illustration: Figure 1.