Miami Tattoo Artist Recommendations
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Ta t t oos The Living Canvas June 26, 2012 BCCDC Environmental Health Seminars Tat t oos The Tattoo Machine Study : Investigating Organic contaminants on a bagged and unbagged Tattoo machines Saad Jalili BCIT Environmental Health Student Vincent Crozier PROJECT SUPERVISOR Elwood TATTOO ARTIST OVERVIEW . WHAT IS TATTOOING . ASSOCIATED RISK . GOVERNANCE . TATTOO MACHINE . STUDY DESIGN . PROCEDURE . RESULTS . DISCUSSION . LIMITATIONS . IMPLICATIONS I NT RODUCT I ON TATTOOING Any method of placing indelible ink or other pigments into or under the skin with needles or any other instruments resulting in permanent coloration of the skin Tattooing was widely practiced in many cultures in the ancient world as a form of identification/tribal marking Today tattoos are almost always used just for decoration TATTOO . In 2008, 14% of the American population had at least one tattoo . Estimated 20,000+ parlors operating in the United States . Growing industry POPULARITY LEGO Pirate TokiDoki Barbie Medical tattoos ASSOCI ATED ASSOCIATED RISK Blood Borne Infections . Hepatitis B . Hepatitis C . HIV Skin Infections . Staphylococcus aureus . Pseudomonas aeruginosa Acute Inflammatory Reactions . Allergic contact dermatitis . Photoallergic dermatitis DOCUMENTED INFECTIONS In 2005, 44 cases of antibiotic-resistant Staph infection were linked to unlicensed tattoo parlors practicing suboptimal infection control practices and using non- sterile equipment Canadian researchers estimated that tattooing nearly triples the likelihood of HCV infection overall In Canada, 12 to 25 per cent of hepatitis C infections among prisoners are associated with tattooed individuals, compared to six per cent of the general population. Gover nance TATTOO STUDIOS IN UNITED STATES All tattoo studios are required to be registered with the local Health Authority and tattooist are licensed Licensed tattooist . -
Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 5-1-2014 Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Recommended Citation Ulscht, Kyle Alan, "Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos" (2014). Law School Student Scholarship. 596. https://scholarship.shu.edu/student_scholarship/596 Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht This article argues that there is a need for an implied license to be issued when an individual is tattooed. In spite of a rich history spanning millennia, the legal community has not come up with an adequate system of determining copyright ownership in affixed tattoos. Complicating this lack of certainty in the field of copyright rights in tattoos is the general unwillingness of courts to invoke the de minimus use exception in cases of copyright violation. This unwillingness coupled with the ubiquitous nature of technology and social media could lead virtually every tattooed person to be held to be an infringer and prevent them from a variety of activities ranging from appearing in advertisements, or movies, to more common activities such as posting photos on Facebook, without a complicated trial or trail of paperwork and accounting. Fortunately courts, relying on theories of equity, have invented the concept of implied licenses for instances when a party commissions a work but does not meet the more formal requirements to own the copyright rights of that work. -
Painting on a Canvas of Skin: Tattooing and the First Amendment Ryan J
Painting on a Canvas of Skin: Tattooing and the First Amendment Ryan J. Walsht INTRODUCTION "I impose my own set of aesthetics and value judgments as to what beauty is and what it isn't in the context of thp image that [customers] choose," one tattooist says. "I [ ] manifest those qualities in a language."' That language, spoken fluently by an increasing number of self-described tattoo "artists," consists of unique images, honed techniques, innovative color schemes, and other artistic methods or themes. As the tattooists themselves describe it, their work is nothing short of pure art-as expressive as Leonardo's Mona Lisa or T.S. Eliot's The Four Quartets. Yet, unlike Leonardo's canvas or Eliot's verses, the First Amendment status of so-called "skin art" has yet to be determined. The First Amendment, applied to the states through the Fourteenth Amendment,. forbids laws "abridging the freedom of speech."' The Supreme Court has interpreted this language as protecting not only basic political expression, but also nontraditional communicative media' (such as dance,' film,' and music') and expressive conduct (such as burning an American flag'). The Court has also declared-with little explanation-that the First Amendment protects "artistic expression."9 Nonetheless, precedent leaves a fundamental question unanswered: What is artistic expression? t BA 2009, Hillsdale College; JD Candidate 2012,The University of Chicago Law School. 1 Clinton R. Sanders, Customizing the Body: The Art and Culture of Tattooing 28 (Temple 1989). 2 Gitlow v New York, 268 US 652,666 (1925). 3 US Const Amend I. 4 Throughout this Comment, certain types of media (for example, motion pictures) will be identified as "protected" under Court precedent. -
2017 Tattoo Hebrew
Online Journal of Communication and Media Technologies Volume: 7 – Issue: 3 July - 2017 Tattoo Hebrew: An Analysis of Miami Ink’s Presentation of Jewish Tattoo Themes Joseph Robert Nicola, Century College, Minnesota, U.S.A Abstract Tattoos are growing in popularity among people of the Jewish faith. The following analysis examines the Jewish tattoo narrativespresented in the first American television program about tattooing, Miami Ink. Narrative Paradigm Theory is utilized to explore specific Jewish tattoo themes communicated. Keywords: Jewish, tattoo, television, stigma, narrative paradigm © Online Journal of Communication and Media Technologies 146 Online Journal of Communication and Media Technologies Volume: 7 – Issue: 3 July - 2017 The TLC network reality series, Miami Ink, follows four tattoo artists and the clientele they tattoo in South Beach, Florida. Miami Ink is the first American reality television series about a tattoo parlor, and the first show completely devoted to tattoos (Hibberd, 2005; Oldenburg, 2005). Miami Inkoriginally ran from 2005 to 2008 (Saraiya, 2014). The show continues to air in syndication worldwide in over 160 countries (Tattoodo, 2015, 2014; Thobo-Carlsen & Chateaubriand, 2014). Relevance for Studying the Topic Research into the growing popularity of tattoos in America has attributed this rise of acceptance to open communication from the tattoo industry and positive media exposure of tattoos (DeMello, 2000; Wyatt, 2003; Yamada, 2009). With these media influences helping advance the popularity of tattoos, it is then relevant to look closely at the first television show dedicated specifically to tattooing. This analysis will examine the Jewish tattoo themes presented in the show and what they accomplish in terms of meaning. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Tattoos & IP Norms
Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2013 Tattoos & IP Norms Aaron K. Perzanowski Case Western University School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Intellectual Property Law Commons Repository Citation Perzanowski, Aaron K., "Tattoos & IP Norms" (2013). Faculty Publications. 47. https://scholarlycommons.law.case.edu/faculty_publications/47 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Article Tattoos & IP Norms Aaron Perzanowski† Introduction ............................................................................... 512 I. A History of Tattoos .............................................................. 516 A. The Origins of Tattooing ......................................... 516 B. Colonialism & Tattoos in the West ......................... 518 C. The Tattoo Renaissance .......................................... 521 II. Law, Norms & Tattoos ........................................................ 525 A. Formal Legal Protection for Tattoos ...................... 525 B. Client Autonomy ...................................................... 532 C. Reusing Custom Designs ......................................... 539 D. Copying Custom Designs ....................................... -
Passing Trends, Permanent Art Hannah Olson Iowa State University, [email protected]
Fall 2016 Article 8 January 2017 Passing trends, permanent art Hannah Olson Iowa State University, [email protected] Mia Tiric Iowa State University, [email protected] Sam Greene Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/ethos Recommended Citation Olson, Hannah; Tiric, Mia; and Greene, Sam (2017) "Passing trends, permanent art," Ethos: Vol. 2017 , Article 8. Available at: http://lib.dr.iastate.edu/ethos/vol2017/iss1/8 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Meredith Kestel is dancing around to Kanye West’s “My Beautiful Dark Twisted Fantasy” in a studio above the heart of Ames. She looks over her shoulder in the mirror at the tattoo stencil of a moon in purplish-black ink positioned on her upper-left back. “I love this so much and it’s not even permanently on my body!” “Yet,” her tattoo artist, Daniel Forrester, reminds her as he is preparing his tattooing equipment. Forrester is a resident tattoo artist and founder of InkBlot in Ames. He has been tattooing longer than Kestel has been walking and talking — approximately 20 years. This is not Kestel’s first tattoo, but this will be the first time five people will be watching and recording every second of her experience. As part of research for this story on tattoo trends, she agreed to get a tattoo based on popular tattoo design styles. -
Fashioning Tattooed Bodies: an Exploration of Japan's Tattoo Stigma
Fashioning Tattooed Bodies: An Exploration of Japan’s Tattoo Stigma By John Skutlin, Chinese University of Hong Kong Abstract: This article uses a cultural anthropological approach to examine tattooing stigma in contemporary Japan, particularly in terms of how the stigma has developed and how tattooed individuals engage in various legitimation maneuvers to cope with it. Tattooing has a long history in Japan, and tattoo culture saw a major efflorescence in the Edo period (1603-1868). However, unlike many Western countries, where most tattoos are widely accepted as expressions of individual style and aesthetics, a confluence of historical and cultural factors have resulted in a general antipathy to the practice in Japan, particularly due to its association with yakuza organized crime groups. As increasing numbers of young people go under the needle for what they see as artistic “fashion tattoos,” reconciliatory strategies must be deployed in order to maintain social cohesion and assure adherence to group norms even while violating them. Through historical accounts and ethnographic data, this paper thus elucidates the complicated nature of stigma in Japan and the specific ways in which individuals fashion both their bodies and their strategies to legitimize themselves, showing how efforts to conceal tattoos – even when only partially successful – can be an effective means of reconciling themselves with the general society around them. Permalink: Date of Publication: Vol. 16, no. 1 (2019) https://www.usfca.edu/center-asia-pacific/ perspectives/v16n1/skutlin Citation: Skutlin, John. “Fashioning Tattooed Bodies: An Keywords: Exploration of Japan’s Tattoo Stigma.” Asia Pacific Tattoo, Japan, stigma management, legitimation Perspectives, Vol. -
Tattoos As Personal Narrative
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 12-20-2009 Tattoos as Personal Narrative Michelle Alcina University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Alcina, Michelle, "Tattoos as Personal Narrative" (2009). University of New Orleans Theses and Dissertations. 993. https://scholarworks.uno.edu/td/993 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Tattoos as Personal Narrative A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in Sociology by Michelle Alcina B.A. University of New Orleans, 2006 December 2009 Copyright 2009, Michelle Alcina ii Acknowledgements This thesis would not have been possible without the contribution of those individuals that agreed to be interviewed for this study. I would also like to extend my DSSUHFLDWLRQWR'U6XVDQ0DQQ'U3DP-HQNLQV'U'·/DQH&RPSWRQ'U9HUQ%D[WHU and Dr. -
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Ink Master: Angels': New, All-Women Series Is "Inspiring," Showrunner Says by Amanda Buckle June 2017
https://mic.com/articles/178923/ink-master-angels-new-all-women-series-is-inspiring- showrunner-says#.q1nb1r7bX 'Ink Master: Angels': New, all-women series is "inspiring," showrunner says By Amanda Buckle June 2017 Ink Master alums Ryan Ashley, Kelly Doty, Nikki Simpson and Gia Rose are here to stay. The tattoo artists proved to be top competitors in season eight of the Spike reality series and in March, the network announced that the women would be returning for their own one-hour special, Ink Master: Angels. On Monday Spike revealed that the special has now been turned into a series. Ink Master: Angels will consist of 10 episodes and debut this fall. The series will follow Ryan, Kelly, Nikki and Gia as they "travel the country and go head-to- head with some of America's most talented tattoo artists." The twist is that the competitors facing the four women will be fighting for a spot on season 10 of Ink Master, which will debut in 2018. The announcement doesn't come as a big surprise as Ink Master pulled in a 57% female audience for its eighth season — the largest number of female viewers in franchise history. The eighth season also crowned Ryan Ashley as its first female winner. For Ink Master showrunner and executive producer Andrea Richter, the idea to bring the women back came together "pretty quickly." "It's interesting having been there and filmed them for the first time and seeing all of them meet for the first time and bond," Richter said. "I think it was an obvious choice. -
Tattooed Skin and Health
Current Problems in Dermatology Editors: P. Itin, G.B.E. Jemec Vol. 48 Tattooed Skin and Health Editors J. Serup N. Kluger W. Bäumler Tattooed Skin and Health Current Problems in Dermatology Vol. 48 Series Editors Peter Itin Basel Gregor B.E. Jemec Roskilde Tattooed Skin and Health Volume Editors Jørgen Serup Copenhagen Nicolas Kluger Helsinki Wolfgang Bäumler Regensburg 110 figures, 85 in color, and 25 tables, 2015 Basel · Freiburg · Paris · London · New York · Chennai · New Delhi · Bangkok · Beijing · Shanghai · Tokyo · Kuala Lumpur · Singapore · Sydney Current Problems in Dermatology Prof. Jørgen Serup Dr. Nicolas Kluger Bispebjerg University Hospital Department of Skin and Allergic Diseases Department of Dermatology D Helsinki University Central Hospital Copenhagen (Denmark) Helsinki (Finland) Prof. Wolfgang Bäumler Department of Dermatology University of Regensburg Regensburg (Germany) Library of Congress Cataloging-in-Publication Data Tattooed skin and health / volume editors, Jørgen Serup, Nicolas Kluger, Wolfgang Bäumler. p. ; cm. -- (Current problems in dermatology, ISSN 1421-5721 ; vol. 48) Includes bibliographical references and indexes. ISBN 978-3-318-02776-1 (hard cover : alk. paper) -- ISBN 978-3-318-02777-8 (electronic version) I. Serup, Jørgen, editor. II. Kluger, Nicolas, editor. III. Bäumler, Wolfgang, 1959- , editor. IV. Series: Current problems in dermatology ; v. 48. 1421-5721 [DNLM: 1. Tattooing--adverse effects. 2. Coloring Agents. 3. Epidermis--pathology. 4. Tattooing--legislation & jurisprudence. 5. Tattooing--methods. W1 CU804L v.48 2015 / WR 140] GT2345 391.6’5--dc23 2015000919 Bibliographic Indices. This publication is listed in bibliographic services, including MEDLINE/Pubmed. Disclaimer. The statements, opinions and data contained in this publication are solely those of the individual authors and contributors and not of the publisher and the editor(s).