Dragonfly Tattoo Machine Instructions
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Ehseminarjun262012 Orgcont
Ta t t oos The Living Canvas June 26, 2012 BCCDC Environmental Health Seminars Tat t oos The Tattoo Machine Study : Investigating Organic contaminants on a bagged and unbagged Tattoo machines Saad Jalili BCIT Environmental Health Student Vincent Crozier PROJECT SUPERVISOR Elwood TATTOO ARTIST OVERVIEW . WHAT IS TATTOOING . ASSOCIATED RISK . GOVERNANCE . TATTOO MACHINE . STUDY DESIGN . PROCEDURE . RESULTS . DISCUSSION . LIMITATIONS . IMPLICATIONS I NT RODUCT I ON TATTOOING Any method of placing indelible ink or other pigments into or under the skin with needles or any other instruments resulting in permanent coloration of the skin Tattooing was widely practiced in many cultures in the ancient world as a form of identification/tribal marking Today tattoos are almost always used just for decoration TATTOO . In 2008, 14% of the American population had at least one tattoo . Estimated 20,000+ parlors operating in the United States . Growing industry POPULARITY LEGO Pirate TokiDoki Barbie Medical tattoos ASSOCI ATED ASSOCIATED RISK Blood Borne Infections . Hepatitis B . Hepatitis C . HIV Skin Infections . Staphylococcus aureus . Pseudomonas aeruginosa Acute Inflammatory Reactions . Allergic contact dermatitis . Photoallergic dermatitis DOCUMENTED INFECTIONS In 2005, 44 cases of antibiotic-resistant Staph infection were linked to unlicensed tattoo parlors practicing suboptimal infection control practices and using non- sterile equipment Canadian researchers estimated that tattooing nearly triples the likelihood of HCV infection overall In Canada, 12 to 25 per cent of hepatitis C infections among prisoners are associated with tattooed individuals, compared to six per cent of the general population. Gover nance TATTOO STUDIOS IN UNITED STATES All tattoo studios are required to be registered with the local Health Authority and tattooist are licensed Licensed tattooist . -
Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 5-1-2014 Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Recommended Citation Ulscht, Kyle Alan, "Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos" (2014). Law School Student Scholarship. 596. https://scholarship.shu.edu/student_scholarship/596 Copyright Ownership and the Need for Implied Licenses in the Realm of Tattoos Kyle Alan Ulscht This article argues that there is a need for an implied license to be issued when an individual is tattooed. In spite of a rich history spanning millennia, the legal community has not come up with an adequate system of determining copyright ownership in affixed tattoos. Complicating this lack of certainty in the field of copyright rights in tattoos is the general unwillingness of courts to invoke the de minimus use exception in cases of copyright violation. This unwillingness coupled with the ubiquitous nature of technology and social media could lead virtually every tattooed person to be held to be an infringer and prevent them from a variety of activities ranging from appearing in advertisements, or movies, to more common activities such as posting photos on Facebook, without a complicated trial or trail of paperwork and accounting. Fortunately courts, relying on theories of equity, have invented the concept of implied licenses for instances when a party commissions a work but does not meet the more formal requirements to own the copyright rights of that work. -
Painting on a Canvas of Skin: Tattooing and the First Amendment Ryan J
Painting on a Canvas of Skin: Tattooing and the First Amendment Ryan J. Walsht INTRODUCTION "I impose my own set of aesthetics and value judgments as to what beauty is and what it isn't in the context of thp image that [customers] choose," one tattooist says. "I [ ] manifest those qualities in a language."' That language, spoken fluently by an increasing number of self-described tattoo "artists," consists of unique images, honed techniques, innovative color schemes, and other artistic methods or themes. As the tattooists themselves describe it, their work is nothing short of pure art-as expressive as Leonardo's Mona Lisa or T.S. Eliot's The Four Quartets. Yet, unlike Leonardo's canvas or Eliot's verses, the First Amendment status of so-called "skin art" has yet to be determined. The First Amendment, applied to the states through the Fourteenth Amendment,. forbids laws "abridging the freedom of speech."' The Supreme Court has interpreted this language as protecting not only basic political expression, but also nontraditional communicative media' (such as dance,' film,' and music') and expressive conduct (such as burning an American flag'). The Court has also declared-with little explanation-that the First Amendment protects "artistic expression."9 Nonetheless, precedent leaves a fundamental question unanswered: What is artistic expression? t BA 2009, Hillsdale College; JD Candidate 2012,The University of Chicago Law School. 1 Clinton R. Sanders, Customizing the Body: The Art and Culture of Tattooing 28 (Temple 1989). 2 Gitlow v New York, 268 US 652,666 (1925). 3 US Const Amend I. 4 Throughout this Comment, certain types of media (for example, motion pictures) will be identified as "protected" under Court precedent. -
Fashioning Tattooed Bodies: an Exploration of Japan's Tattoo Stigma
Fashioning Tattooed Bodies: An Exploration of Japan’s Tattoo Stigma By John Skutlin, Chinese University of Hong Kong Abstract: This article uses a cultural anthropological approach to examine tattooing stigma in contemporary Japan, particularly in terms of how the stigma has developed and how tattooed individuals engage in various legitimation maneuvers to cope with it. Tattooing has a long history in Japan, and tattoo culture saw a major efflorescence in the Edo period (1603-1868). However, unlike many Western countries, where most tattoos are widely accepted as expressions of individual style and aesthetics, a confluence of historical and cultural factors have resulted in a general antipathy to the practice in Japan, particularly due to its association with yakuza organized crime groups. As increasing numbers of young people go under the needle for what they see as artistic “fashion tattoos,” reconciliatory strategies must be deployed in order to maintain social cohesion and assure adherence to group norms even while violating them. Through historical accounts and ethnographic data, this paper thus elucidates the complicated nature of stigma in Japan and the specific ways in which individuals fashion both their bodies and their strategies to legitimize themselves, showing how efforts to conceal tattoos – even when only partially successful – can be an effective means of reconciling themselves with the general society around them. Permalink: Date of Publication: Vol. 16, no. 1 (2019) https://www.usfca.edu/center-asia-pacific/ perspectives/v16n1/skutlin Citation: Skutlin, John. “Fashioning Tattooed Bodies: An Keywords: Exploration of Japan’s Tattoo Stigma.” Asia Pacific Tattoo, Japan, stigma management, legitimation Perspectives, Vol. -
Tattooed Skin and Health
Current Problems in Dermatology Editors: P. Itin, G.B.E. Jemec Vol. 48 Tattooed Skin and Health Editors J. Serup N. Kluger W. Bäumler Tattooed Skin and Health Current Problems in Dermatology Vol. 48 Series Editors Peter Itin Basel Gregor B.E. Jemec Roskilde Tattooed Skin and Health Volume Editors Jørgen Serup Copenhagen Nicolas Kluger Helsinki Wolfgang Bäumler Regensburg 110 figures, 85 in color, and 25 tables, 2015 Basel · Freiburg · Paris · London · New York · Chennai · New Delhi · Bangkok · Beijing · Shanghai · Tokyo · Kuala Lumpur · Singapore · Sydney Current Problems in Dermatology Prof. Jørgen Serup Dr. Nicolas Kluger Bispebjerg University Hospital Department of Skin and Allergic Diseases Department of Dermatology D Helsinki University Central Hospital Copenhagen (Denmark) Helsinki (Finland) Prof. Wolfgang Bäumler Department of Dermatology University of Regensburg Regensburg (Germany) Library of Congress Cataloging-in-Publication Data Tattooed skin and health / volume editors, Jørgen Serup, Nicolas Kluger, Wolfgang Bäumler. p. ; cm. -- (Current problems in dermatology, ISSN 1421-5721 ; vol. 48) Includes bibliographical references and indexes. ISBN 978-3-318-02776-1 (hard cover : alk. paper) -- ISBN 978-3-318-02777-8 (electronic version) I. Serup, Jørgen, editor. II. Kluger, Nicolas, editor. III. Bäumler, Wolfgang, 1959- , editor. IV. Series: Current problems in dermatology ; v. 48. 1421-5721 [DNLM: 1. Tattooing--adverse effects. 2. Coloring Agents. 3. Epidermis--pathology. 4. Tattooing--legislation & jurisprudence. 5. Tattooing--methods. W1 CU804L v.48 2015 / WR 140] GT2345 391.6’5--dc23 2015000919 Bibliographic Indices. This publication is listed in bibliographic services, including MEDLINE/Pubmed. Disclaimer. The statements, opinions and data contained in this publication are solely those of the individual authors and contributors and not of the publisher and the editor(s). -
Tattoo Supply Catalog
Supplying Professional Artists Since 1974 TATTOO SUPPLY CATALOG 485 Business Park Lane Allentown, PA 18109 800- 310 - 2996 WWW.NATIONALTATTOO.COM MAY 2014 National Tattoo Supply Inc. was established in August 1974 in New Hyde Park, Long Island, New York. With the support, advice and guidance of such notable tattooists as the late Terry Wrigley, Bob Shaw and Peter Tat 2 Poulos we were able to set the professional standards of this company. We still do not advertise in any media and we do our best to avoid selling tattooing equipment to anyone who is not a professional tattoo artist. We sell our products to both members and non-members of the National Tattoo Association, Inc. You do NOT need to be a member of the NTA to buy from National. Our only requirement is that you be a professional tattoo artist. In February of 1991 we moved to Allentown, Pennsylvania. Our business flourished and in September of 2001 we moved to a larger facility. We are now located at: 485 Business Park Lane, Allentown, Pennsylvania, 18109-9120. Over the past few years we have added hundreds of new products. We are always looking for the best in tattoo equip- ment and supplies and we welcome any suggestions from you. We want to thank you, our valued customer and friend, for your part in the success of this company. We promise to continue to offer the products that you require at the best possible cost to you. We ask that you continue to allow us to serve you and that you do your best to maintain the professional standards so important to the future well-being of the tattoo profession. -
Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2016 Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States Jessica L.C. Sapp Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Health Services Administration Commons, and the Other Public Health Commons Recommended Citation Sapp, Jessica L.C., "Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States" (2016). Electronic Theses and Dissertations. 1410. https://digitalcommons.georgiasouthern.edu/etd/1410 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. EVALUATION OF TATTOO ARTISTS’ PERCEPTIONS OF TATTOO REGULATIONS IN THE UNITED STATES by JESSICA LOUISE CREWS SAPP (Under the Direction of Robert Vogel) ABSTRACT Background: With the increasing popularity in recent years, tattoos are no longer considered taboo but rather becoming a mainstream mode of self-expression so the inherent risks associated with tattooing could have a greater impact on the public’s health. Objective: The study aims to gain an understanding and describe the perceptions and opinions of tattoo artists -
Tattoo World Agnieszka Marczak Rhode Island College
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 4-2007 Tattoo World Agnieszka Marczak Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Art Practice Commons, Asian History Commons, Cultural History Commons, European History Commons, Medicine and Health Commons, Other History of Art, Architecture, and Archaeology Commons, and the Social and Cultural Anthropology Commons Recommended Citation Marczak, Agnieszka, "Tattoo World" (2007). Honors Projects Overview. 29. https://digitalcommons.ric.edu/honors_projects/29 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. TATTOO WORLD By Agnieszka Marczak An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Anthropology The Faculty of Arts and Sciences Rhode Island College 2007 2 TATTOO WORLD An Undergraduate Honors Project Presented By Agnieszka Marczak To The Department of Anthropology Approved: ______________________________________ _____________________ Project Advisor Date ______________________________________ _____________________ Chair, Department Honors Committee Date ______________________________________ _____________________ Department Chair Date 3 I. Introduction II. Cultural Context: Prehistory to Contact A. Europe B. Asia C. The Pacific III. Acculturation and Exchange: From Contact to the Modern Day IV. Issues in Tattoo Culture A. Commodification, Authenticity and Meaning B. The Impact of Technology and the Medical and Legal Concerns C. The Body as Canvas and the Functions of Tattoo V. Conclusion 4 Abstract This paper is a holistic look at the world of tattoo. -
An Ethnographic Study of Tattooing in Downtown Tokyo
一橋大学審査学位論文 Doctoral Dissertation NEEDLING BETWEEN SOCIAL SKIN AND LIVED EXPERIENCE: AN ETHNOGRAPHIC STUDY OF TATTOOING IN DOWNTOWN TOKYO McLAREN, Hayley Graduate School of Social Sciences Hitotsubashi University SD091024 社会的皮膚と生きられた経験の間に針を刺す - 東京の下町における彫り物の民族誌的研究- ヘィリー・マクラーレン 一橋大学審査学位論文 博士論文 一橋大学大学院社会学研究科博士後期課程 i CONTENTS CONTENTS ................................................................................................................................... I ACKNOWLEDGEMENTS ........................................................................................................ III NOTES ........................................................................................................................................ IV Notes on Language .......................................................................................................... iv Notes on Names .............................................................................................................. iv Notes on Textuality ......................................................................................................... iv Notes on Terminology ..................................................................................................... iv LIST OF FIGURES ..................................................................................................................... VI LIST OF WORDS .................................................................................................................... VIII INTRODUCTION ........................................................................................................................ -
Variation in the Tattooed Population
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2016 More Than Zero: Variation in the Tattooed Population Zachary Reiter University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Other Sociology Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Reiter, Zachary, "More Than Zero: Variation in the Tattooed Population" (2016). Graduate Student Theses, Dissertations, & Professional Papers. 10710. https://scholarworks.umt.edu/etd/10710 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MORE THAN ZERO: VARIATION IN THE TATTOOED POPULATION By ZACHARY MORRIS REITER B.A. Sociology, University of Montana, Missoula, MT, 2010 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Sociology, Criminology The University of Montana Missoula, MT May 2016 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Celia Winkler, Chair Sociology Daniel Doyle Sociology Frank Rosenzweig Division of Biological Sciences i Reiter, Zachary, M.A., Spring 2016 Sociology More Than Zero: Variation in the Tattooed Population Chairperson: Celia Winkler Sociological research on treat all individuals with more than zero tattoos as being part of the tattooed population. This type of categorization fails to capture the significant differences between tattooed individuals. -
Masaryk University Faculty of Social Studies
MASARYK UNIVERSITY FACULTY OF SOCIAL STUDIES Department of Sociology Homemade Tattoo: Simplification of Body Modification as Search for Authenticity Master’s Thesis Georgiy Chernyavsky Supervisor: Dr. Werner Binder UČO: 417764 Study Field: Cultural Sociology Year of Enrollment: 2013 Brno, 2015 I hereby declare that this thesis I submit for assessment is entirely my own work and has not been taken from the work of others save to the extent that such work has been cited and acknowledged within the text of my work. Date: Signature i Acknowledgements I would like to express special thankfulness to my supervisor Dr. Werner Binder and to my family who supported me. ii I. Introduction ................................................................................................................................. 1 II. History of tattoing .......................................................................................................................3 1. Bronze Age tattoos .......................................................................................................... 3 2. Tattooing in Middle Kingdom .........................................................................................3 3. Usage of tattoo in Pazyryk culture .................................................................................. 4 4. Historical use of tattoo as stigmatizing practice ............................................................. 4 5. Tattoo of the natives of Pacific ...................................................................................... -
Master Tattoo Institute
0 | P a g e The field of Tattoo and Piercing artistry is growing exponentially, creating job opportunities across the U.S. and abroad. The Master Tattoo Institute has assembled program studies that lay the groundwork for a fulfilling and successful career, while enabling a dedicated artist to excel in the field. Our instructors convey to our student base an understanding of core values, client appreciation and consideration. While attending our program studies, each student will develop a sense of belonging within the family of tattoo and piercing professionals, an appreciation of their unique signature and of the personality they bring to their art. The Master Tattoo Institute The Master Tattoo Institute 740 71st Street Miami Beach, FL 33141 786.220.8238 This catalog supersedes all previous editions and is in effect until a subsequent version is published either in print or online. All information in this catalog is current at the time of printing. Statements regarding tuition and fees, curriculum, course offerings, admissions, and graduation requirements are subject to change at any time and are applicable to all enrolled students unless otherwise stated. This course catalog is the MTI course catalog for terms 2018-2020. The Master Tattoo Institute admits academically qualified students without regard to race, color, national origin, gender, religion, disability, or age. © 2014, The Master Tattoo Institute 1 | P a g e Contents APPROVALS .......................................................................................................................................