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Press Contacts for the Television Academy: 818-264
FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent -
Adventure Time Presents Come Along with Me Antique
Adventure Time Presents Come Along With Me Telltale Dewitt fork: he outspoke his compulsion descriptively and efficiently. Urbanus still pigged grumly while suitable Morley force-feeding that pepperers. Glyceric Barth plunge pop. Air by any time presents come with apple music is the fourth season Cake person of adventure time come along the purpose of them does that tbsel. Atop of adventure time presents come along me be ice king man, wake up alone, lady he must rely on all fall from. Crashing monster with and adventure time presents along with a grass demon will contain triggering content that may. Ties a blanket and adventure time with no, licensors or did he has evil. Forgot this adventure time presents along and jake, jake try to spend those parts in which you have to maja through the dream? Ladies and you first time along with the end user content and i think the cookies. Differences while you in time presents along with finn and improve content or from the community! Tax or finn to time presents along me finale will attempt to the revised terms. Key to time presents along me the fact that your password to? Familiar with new and adventure presents along me so old truck, jake loses baby boy genius and stumble upon a title. Visiting their adventure presents along me there was approved third parties relating to castle lemongrab soon presents a gigantic tree. Attacks the sword and adventure time presents come out from time art develop as confirmed by an email message the one. Different characters are an adventure time presents come me the website. -
Achieving a Global Reach on Children's Cultural Markets
Achieving a global reach on children’s cultural markets: managing the stakes of inter-textuality in digital cultures Valérie-Inés de LA VILLE European Center for Children’s Products Institut d’Administration des Entreprises Université de Poitiers, France [email protected] and Laurent DURUP Project Manager and Game Designer Ouat Entertainment, France [email protected] The aim of this chapter is to shed light on the formation of children’s cultures in a digital global marketplace by developing the idea that, in such a context, inter-textuality consists of a complex intertwining of cultural references partially shaped by commercial strategies. The chapter draws on recent and successful experiences by French animation producers on global cultural markets. Indeed, in order to achieve a global reach on children’s cultural markets, the managerial stakes that producers have to face include making decisions that take into account the competitive positioning of their clients (TV channels or cable broadcasters, internet service providers or web portals), and their programming choices. Moreover, content producers have to deal with inter-textual subtleties also when they design spin-offs policies and consider their potential spread, as well as when they engage their properties in bounded promotional campaigns… Part 1 – The global reach of recent French animation productions 1.1 – Some evidence1 Today, the French animation industry is ranked third in the world and first in Europe, producing each year around 300 new hours of animation. French producers benefit from efficient governmental subsidies designed to support creativity in this industry. Partly due to this unique and enviable system, French productions globally gather more than 50% of their budget on the national territory since 2000. -
Pixar's 22 Rules of Story Analyzed
PIXAR’S 22 RULES OF STORY (that aren’t really Pixar’s) ANALYZED By Stephan Vladimir Bugaj www.bugaj.com Twitter: @stephanbugaj © 2013 Stephan Vladimir Bugaj This free eBook is not a Pixar product, nor is it endorsed by the studio or its parent company. Introduction. In 2011 a former Pixar colleague, Emma Coats, Tweeted a series of storytelling aphorisms that were then compiled into a list and circulated as “Pixar’s 22 Rules Of Storytelling”. She clearly stated in her compilation blog post that the Tweets were “a mix of things learned from directors & coworkers at Pixar, listening to writers & directors talk about their craft, and via trial and error in the making of my own films.” We all learn from each other at Pixar, and it’s the most amazing “film school” you could possibly have. Everybody at the company is constantly striving to learn new things, and push the envelope in their own core areas of expertise. Sharing ideas is encouraged, and it is in that spirit that the original 22 Tweets were posted. However, a number of other people have taken the list as a Pixar formula, a set of hard and fast rules that we follow and are “the right way” to approach story. But that is not the spirit in which they were intended. They were posted in order to get people thinking about each topic, as the beginning of a conversation, not the last word. After all, a hundred forty characters is far from enough to serve as an “end all and be all” summary of a subject as complex and important as storytelling. -
The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Häger and Villius
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 210 Utgivna av Historiska institutionen vid Uppsala universitet genom Torkel Jansson, Jan Lindegren och Maria Ågren 1 2 David Ludvigsson The Historian-Filmmaker’s Dilemma Historical Documentaries in Sweden in the Era of Häger and Villius 3 Dissertation in History for the Degree of Doctor of Philosophy presented at Uppsala University in 2003 ABSTRACT Ludvigsson, David, 2003: The Historian-Filmmaker’s Dilemma. Historical Documentaries in Sweden in the Era of Häger and Villius. Written in English. Acta Universitatis Upsalien- sis. Studia Historica Upsaliensia 210. (411 pages). Uppsala 2003. ISSN 0081-6531. ISBN 91-554-5782-7. This dissertation investigates how history is used in historical documentary films, and ar- gues that the maker of such films constantly negotiates between cognitive, moral, and aes- thetic demands. In support of this contention a number of historical documentaries by Swedish historian-filmmakers Olle Häger and Hans Villius are discussed. Other historical documentaries supply additional examples. The analyses take into account both the produc- tion process and the representations themselves. The history culture and the social field of history production together form the conceptual framework for the study, and one of the aims is to analyse the role of professional historians in public life. The analyses show that different considerations compete and work together in the case of all documentaries, and figure at all stages of pre-production, production, and post-produc- tion. But different considerations have particular inuence at different stages in the produc- tion process and thus they are more or less important depending on where in the process the producer puts his emphasis on them. -
Table of Contents Meet-At-A-Glance
Santa Anita Park 2017 Spring Media Guide Table of Contents Meet-At-A-Glance . 2 The Gold Cup at Santa Anita . 28-29 Information Resources . 3 Honeymoon Stakes . 30-31 Santa Anita Spring Attendance and Handle . 4 Kona Gold Stakes . 31 Santa Anita Spring Opening Day Statistics . 4 Landaluce Stakes . 32-33 Michael Wrona Biography . 4 Lazaro Barrera Stakes . 33 Santa Anita Spring Meet Attendance . 5 Lennyfrommalibu Stakes . 33 Santa Anita Spring 2016 Meet Handle, Payoffs & Top Five Days . 5 Los Angeles Stakes . 34-35 Santa Anita Spring Meet Annual Media Poll . 6 Melair Stakes . 36 Santa Anita Track Records . 7 Monrovia Stakes . 36 Leaders at Previous Santa Anita Spring Meets . 8 Precisionist Stakes . 37-38 Santa Anita 2016 Spring Meet Standings . 9 San Carlos Stakes . 38-39 Roster of Santa Anita Jockeys . 10 San Juan Capistrano Stakes . 40-41 Roster of Santa Anita Trainers . 11 Santa Anita Juvenile . 42-43 2016 Santa Anita Spring Meet Stakes Winners . 12 Santa Barbara Stakes . 44-45 2016 Santa Anita Spring Meet Longest Priced Stakes Winners . 12 Senorita Stakes . 46 Stakes Histories . 13 Shoemaker Mile . 47-48 Adoration Stakes . 14-15 Snow Chief Stakes . 49 Affirmed Stakes . 15 Summertime Oaks . 50-51 American Stakes . 16-17 Thor's Echo Stakes . 51 Beholder Mile . 18-19 Thunder Road Stakes . 51 Californian Stakes . 20-21 Wilshire Stakes . 52 Charles Whittingham Stakes . 22 Satellite Wagering Directory . 53 Crystal Water Stakes . 23 Los Angeles Turf Inc . Club Officers/Administration . 54-55 Daytona Stakes . 23 Visitors Guide/Map of Los Angeles Freeways . 56 Desert Stormer Stakes . 24 Local Hotels and Restaurants . -
Pliny's Poisoned Provinces
A DANGEROUS ART: GREEK PHYSICIANS AND MEDICAL RISK IN IMPERIAL ROME DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Molly Ayn Jones Lewis, B.A., M.A. ********* The Ohio State University May, 2009 Dissertation Committee: Duane W. Roller, Advisor Approved by Julia Nelson Hawkins __________________________________ Frank Coulson Advisor Greek and Latin Graduate Program Fritz Graf Copyright by Molly Ayn Jones Lewis 2009 ABSTRACT Recent scholarship of identity issues in Imperial Rome has focused on the complicated intersections of “Greek” and “Roman” identity, a perfect microcosm in which to examine the issue in the high-stakes world of medical practice where physicians from competing Greek-speaking traditions interacted with wealthy Roman patients. I argue that not only did Roman patients and politicians have a variety of methods at their disposal for neutralizing the perceived threat of foreign physicians, but that the foreign physicians also were given ways to mitigate the substantial dangers involved in treating the Roman elite. I approach the issue from three standpoints: the political rhetoric surrounding foreign medicines, the legislation in place to protect doctors and patients, and the ethical issues debated by physicians and laypeople alike. I show that Roman lawmakers, policy makers, and physicians had a variety of ways by which the physical, political, and financial dangers of foreign doctors and Roman patients posed to one another could be mitigated. The dissertation argues that despite barriers of xenophobia and ethnic identity, physicians practicing in Greek traditions were fairly well integrated into the cultural milieu of imperial Rome, and were accepted (if not always trusted) members of society. -
Sydney Program Guide
Page 1 of 39 Sydney Program Guide Sun Jun 12, 2016 06:00 THUNDERBIRDS Repeat G Attack of the Alligator Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS' WB SUNDAY WS PG Kids’ WB is celebrating its 11th fantastic year with bigger and better prizes than ever before! Join Lauren Phillips and Shane Crawford for lots of laughs, all your favourite cartoons, and the chance to win the best prizes in the land. 07:05 LOONEY TUNES CLASSICS G Adventures of iconic Looney Tunes characters Bugs Bunny, Daffy Duck, Tweety, Silvester, Granny, the Tasmanian Devil, Speedy Gonzales, Marvin the Martian Wile E. Coyote and the Road Runner. CAPTAIN FLINN AND THE PIRATE 07:30 Captioned WS C DINOSAURS The Plank/Great Acorn Robbery The pirate dinosaurs have a new (walk the plank) plank and they kidnap cowardly Captain Stubble to try it out. When Flinn finds out, he and his crew set out to rescue Stubble, despite all the awful custard he cooks. 08:00 SCOOBY-DOO! MYSTERY INCORPORATED Repeat WS PG Howl of the Fright Hound When a horrible, mechanized beast begins attacking the town, suspicion points to Scooby. 08:30 THE AMAZING WORLD OF GUMBALL WS G The Tape/The Sweaters Gumball and Darwin fail to make some instant home-made movie classics. 09:00 JUSTICE LEAGUE UNLIMITED WS PG Doomsday Sanction The League assistance of an island suffering a volcanic eruption is complicated by Doomsday escaping his bonds and attacking Superman. -
By Fritz Leiber the SECOND O L of F
FEBRUARY • 35 CENTS by Fritz Leiber THE SECOND o L OF F ERE ARE nine great novelettes from the first six years of IF Magazine! Like The First World of IF, which received such enthusi astic response from science fiction readers allover America, this is a volume of exceptional interest-distin guished examples of fine science fiction writing by such authors as Charl es Beaumont, James Blish, Phillip K. Dick, Gordon Dickson, Charles L. Fon tenay, James E. Gunn, Ray mond F. Jones, Bryce Wal ton and Robert F. Young in an exciting variety of mood, idea, theme and pace. And if you missed The First World of IF, containing 20 really outstanding short stories from the first five years of IF, there are still a few copies available ... Just send 50¢ a copy for either the "First World" or the "Second World" to IF Magazine, Kingston, New York, and your copy wi II be mailed at once. WORLDS OF - ...=:::;: SCIENCE FICTION FEBRUARY 1959 == All Stories New and Complete· === ;;;; Publisher: JAMES L. QUINN § - = Editor: DAMON KNIGHT ~1I1I1I"IIIIIIUIIIIUUIIilIUlIIIllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII1IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIUlUIIIIIIIIIIIIIIIIIIIIIIIIIIliDS § 5 ~ i ; SHORT STORIES I ~ PIPE DREAM by Fritz Leiber 2 ~ 14 _~==_~ THE WIND PEOPLE by Marion Zimmer Bradley 2• ::r::==! THE GOOD WORK by Theodore L. Thomas ;;;: § THE MAN WHO TASTED ASHES by Aigis Budrys 38 § i LOVE AND MOONDOGS by Richard McKenna 50 I I THE LAST DAYS OF L.A. by George H. Smith 60 I ~ VIRGIN GROUND by Rosel George Brown 78 § I DISCIPLINE by Margaret St. Clair 86 I :=§=- IN THE JAG-WHIFFING SERVICE by David R. -
Fabrication of Calcium Phosphate Scaffolds Via Honeycomb Extrusion
Fabrication of Calcium Phosphate Scaffolds via Honeycomb Extrusion By: Mohammed Elbadawi A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Engineering Department) of Mechanical Engineering August 2018 I Acknowledgements I would like to thank my project supervisors Dr. James Meredith and Prof. Ian Reaney for their continued guidance and inspiration. I would like to thank many of the staff as their assistance was very much appreciated. Thanks go to Michael Jackson, Richard Kay, Austin Lafferty, Lisa Holland, Dean Haylock, Ben Palmer, Michael Bell, Andrew Mould, Robert Moorehead and The Sorby Centre staff for going above and beyond your duty. Thanks also go to my colleagues Lynne, Hande, Rod, Ben, Phil, Whitney, Jen, Zuheir, Edgar, Ed and Altair, and the many more in G-floor and J-loor. I am privileged to have worked beside you all. Special thanks to Carl, Moss and Shbeh. I hope our collaborations continue for many years to come. Above all, I wish to thank my family as this PhD would not be complete without their support. II Declarations This thesis represents my original research work. Where others have contributed, their content was duly acknowledged in the text. I declare the following publications related to this project: ‘Progress in Bioactive Metal and Ceramic Implants for Load-Bearing Application’ by M. Elbadawi, J. Meredith, L. Hopkins and I. Reaney DOI: 10.5772/62598 ‘Porous hydroxyapatite scaffolds fabricated from nano-sized powder via honeycomb extrusion’ by M. Elbadawi, J. Meredith. M.Mosalagae and I. Reaney DOI: 10.5185/amlett.2016.7063 ‘Guar gum: A novel binder for ceramic extrusion’ by M. -
Universidade De São Paulo Escola De Comunicações E Artes
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura São Paulo 2019 1 ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Versão Original Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. Área de Concentração: História, Teoria e Crítica Orientadora: Profa. Dra. Cecilia Antakly de Mello São Paulo 2019 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados inseridos pelo(a) autor(a) ________________________________________________________________________________ Altheman, Elena Guerra A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura / Elena Guerra Altheman ; orientadora, Cecília Antakly de Mello. -- São Paulo, 2019. 110 p.: il. Dissertação (Mestrado) - Programa de Pós-Graduação em Meios e Processos Audiovisuais - Escola de Comunicações e Artes / Universidade de São Paulo. Bibliografia Versão original 1. Animação 2. Narrativa Complexa 3. Serialidade Sutil 4. Hora de Aventura 5. Universo Ficcional I. Mello, Cecília Antakly de II. Título. CDD 21.ed. - 791.43 ________________________________________________________________________________ Elaborado por Sarah Lorenzon Ferreira - CRB-8/6888 2 Nome: ALTHEMAN, Elena Guerra Título: A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. -
University of the Ozarks 2021-2022 Academic Catalog
University of the Ozarks 2021-2022 Academic Catalog 1 | P a g e 415 N College Avenue, Clarksville, AR 72830 | 1-800-264-8636 | www.ozarks.edu 2021–2022 Course Catalog This catalog is published for the purpose of providing information about University of the Ozarks and its programs. Announcements contained herein are subject to change without notice and may not be regarded in the nature of binding obligations to the University. University of the Ozarks reserves the right to change prices, policies and practices as described in this catalog as circumstances, efficiency of operation and fiscal contingencies may require. Accreditation University of the Ozarks is fully accredited by the Higher Learning Commission, 230 South LaSalle Street, Suite 7-500Chicago, IL 60604- 1411; (800) 621-7440; https://www.hlcommission.org. The Division of Education at University of the Ozarks is accredited by the Council for the Accreditation of Educator Preparation (CAEP) through 2024. This accreditation covers initial teacher preparation programs at University of the Ozarks. The accreditation does not include individual education courses that the institution offers to P-12 educators for professional development, re-licensure or other purposes. Family Educational Rights and Privacy Act The Federal Educational Rights and Privacy Act of 1974 (FERPA) requires institutions of higher education to protect the privacy of students. Under this act students have the right to (1) inspect and review their educational records, (2) request an amendment to their records to ensure that they are correct and that there has been no violation of privacy, (3) consent to the disclosure of information to other individuals or entities, (4) file a complaint with the Family Policy Compliance Office and (5) obtain a copy of the University's policy.