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Ascacut Paper 6/15/16, 10:12 AM
ASCAcut paper 6/15/16, 10:12 AM TO HEAL THE GAP BETWEEN SUBJECT AND PROTAGONIST: RESTORING FEMALE AGENCY WITH IMMERSION AND INTERACTIVITY Paper for ASCA Mini-Conference June 8, 2001, Amsterdam By Alison McMahan, Ph.D. Mieke Bal, in her book Reading "Rembrandt", critiques the so-called universalism of the myth genre of storytelling because this claim to universalism conceals the split between "the subject who tells the story about itself and the subject it tells about." (Mieke Bal, "Visual Story-Telling: Father and |Son and the Problem of Myth." From Reading "Rembrandt": Beyond the Word-Image Opposition, New York, Cambridge University Press, 1991,p.98). In her articulation of the differences between the latter two terms and her analysis of visuality in the literary accounts and of the Rembrandt images, Bal shows us how the method of discourse separates protagonist from subject, specifically, the female subject, and makes the role of protagonist inaccessible for other females. The voyeuristic spectator is invited into a position of internal focalization in Rembrandt’s etching, which incriminates the spectator, though she be female and feminist, into a site of “interpretants shaped by a male habit.” There are two solutions: the awareness created by an against-the-grain analysis, such as Kaja Silverman’s “productive looking” or to change how the story is told. Feminine agency, (“feminine” here is defined as the socially constructed ideas attached to the female sex. Poststructuralists feminists deconstruct texts in order to make explicit the power relations that structure discourse), on earth or between the pages, cannot be restored unless the gap between subject and protagonist is healed and re-adressed. -
Shropshire Cover
Wolverhampton & Black Country Cover February 2020.qxp_Wolverhampton & Black Country Cover 22/01/2020 14:55 Page 1 THE RED SHOES RETURNS Your FREE essential entertainment guide for the Midlands TO THE MIDLANDS... WOLVERHAMPTON & BLACK COUNTRY WHAT’S ON FEBRUARY 2020 FEBRUARY ON WHAT’S COUNTRY BLACK & WOLVERHAMPTON Wolverhampton & Black Country ISSUE 410 FEBRUARY 2020 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On wolverhamptonwhatson.co.uk inside: PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART Yourthe 16-pagelist week by week listings guide AFTER HENRY Henry VIII’s wives visit the Grand Theatre in SIX TWITTER: @WHATSONWOLVES @WHATSONWOLVES TWITTER: BEN POOLE award-winning guitarist plays the blues at The Robin FACEBOOK: @WHATSONWOLVERHAMPTON FACEBOOK: @WHATSONWOLVERHAMPTON RAIN OR SHINE... places to visit during the WOLVERHAMPTONWHATSON.CO.UK February school holiday IFC Wolverhampton.qxp_Layout 1 22/01/2020 15:51 Page 1 Thursday 6th - Saturday 8th February at Thursday 13th February at 7.30pm Friday 14th February at 7.30pm 7.30pm, 1pm Friday Matinee Drama Drama Dance JANEJANE EYREEYRE LOOKING FOR WOLVERHAMTON'S EMERGENCEEMERGENCE TRIPLETR BILL LATIN QUARTER 2020 Tickets £10 Tickets £10 Tickets £10 Saturday 15th February at 7.30pm Friday 21st - Sunday 23rd February at Thursday 27th February at 7.30pm 7.00pm Friday and Saturday, 2.00pm Saturday and Sunday Drama Musical Theatre DRAMA YOURS SINCERELY FOOTLOOSE HOME OF THE WRIGGLER Tickets £10 Tickets £12, £10 conc Tickets £10 Contents February Wolves/Shrops/Staffs.qxp_Layout 1 22/01/2020 16:08 Page 2 February 2020 Contents The Queendom Is Coming.. -
Whats-On-September-2017-Web.Pdf
WHAT’S ON AUTUMN / WINTER 2017 WHAT’S ON AUTUMN / WINTER 2017 Auditorium Contents Appeal The Little Mermaid 4 Thu 21 – Sat 23 September 2017 Beautiful 5 Thank you to everyone who has supported Tue 26 – Sat 30 September 2017 We are delighted to thank our our auditorium appeal so far. Cilla the Musical 6 Mayflower 90 Patrons for supporting Tue 3 – Sat 7 October 2017 our auditorium appeal: Plans are moving forward for our £3.9m Julia Bland, Mrs Rita Boxall, Robert and Dance Show: Rambert 7 refurbishment in 2018, which will see Tue 10 & Wed 11 October 2017 Judith Dowdall, Roger and Tina Harrison, our auditorium repainted, new seating Sally Louise Hillyear Bsc, Amanda and Martyn The Railway Children 8 in our Stalls and Circle, the orchestra pit Thu 12 – Sun 15 October 2017 Hole, Gary and Jane Joyce, Mrs Denise Pope, repositioned, new environmentally-friendly Ian and Linda Ritchie, Cameron & MacKenzie Welsh National Opera 9 LED lighting and accessibility improvements. Ritchie-Cox, Andy and Cindy Taylor, Wed 18 – Sat 21 October 2017 Mr David and Mrs Eva Wilson Dance Show: Acosta Danza 10 This work is essential not just to preserve Mon 23 & Tue 24 October 2017 the building, but to the benefit of over To find out more about becoming All or Nothing 11 500,000 people each year who enjoy an individual or corporate Patron, Fri 27 & Sat 28 October 2017 visiting our theatre. please contact us on: 02380 711834 The Band 12 or [email protected] Tue 31 Oct – Sat 11 November 2017 We need your help toward Legally Blonde 14 the cost of this project We have a fantastic programme of shows Tue 14 – Sat 18 November 2017 running up to June 2018 including Sunset Crazy For You 15 We have secured £2.54 million towards our Boulevard, Miss Saigon, War Horse, The Kite Tue 21 – Sat 25 November 2017 refurbishment so far, but as an unsubsidised Runner and launching the UK tour of Titanic and independent charitable trust we need the Musical to name a few so read on… Nutcracker 16 Wed 29 Nov – Sat 2 December 2017 your help to raise the remaining £1.35 million needed. -
Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J. -
Impact Report
IMPACT REPORT 2O17/18 Capital Theatres is Scotland’s largest independent theatre charity which aims to ensure that everyone has access to the provision of world class arts and culture. Our vision is to inspire a life-long love of theatre by promoting and fostering an understanding and appreciation of the performing arts and cultural heritage. This Impact Report seeks to demonstrate how Capital Theatres has presented work of the highest quality in 2017-18, which has inspired, developed and engaged audiences. Our charitable activities range from the performances on our stages, making our theatres accessible to a wider range of people, to our learning and participation projects. In 2017-18 Capital Theatres performed against five key indicators to Impact Report 2O17-18 Impact Report achieve public benefit; 1 Ensure that everyone has access to world class cultural provision 2 Bring a wide range of productions to our stages to promote and encourage diversity 3 Stimulate and inspire through performing art 4 Invest in artist and practitioner development to support and sustain the local artistic community 5 Encourage and engage those who normally would not, or could not, otherwise come to our theatres PRESENT AT LEAST 2 PIECES OF INTERNATIONAL WORK >> EXCEEDED We delivered 5 pieces of international work Indicator 1 Indicator Ballet Hispanico, Slava’s Snow Show Daksha Sheth Carmen NOV 17 Dance Company MARCH 18 SEPT 17 Acosta Danza Milonga NOV 17 JUNE 17 PRESENT 1O WEEKS OF QUALITY DRAMA PRESENT AT LEAST 5 > MET < CHILDREN’S SHOWS TO We delivered -
"Watchful Thb Apactatorslat Ttie Brus- Frederick Allen King, 75, One of An'"
VOL XXXV, NO. is THE PLAYGROUND FUND. Wiu Probably Bo Ready For- Occu- King P®ncjr September 10th. Much Credit Due Miss Norma Allen "Watchful thb apactatorslat ttie Brus- Frederick Allen King, 75, one of an'". Miss May Davison. , , ;The. ^orkVo^ the store Thbmpsonville'8 most prominent cit sels-Windsor Locks game in this vil Since the movement started last ' r '-'r „ No. 4:8 Pearl street for. the post- izens, died in Northfleld late Tues office W! progressing rapidly, and it lage Saturday afternoon was noticed BoyKilledBy Train year, relative to the Playground ime Arthur Nichols, former scout for the day evening, of hardening of the ar >' WBH is fully'/expected that by September Fund, much work has been^ accom ' ' ' SrH St.: Louip -rNatlonals, who was on teries and other complications. It plished'. Through the pleasing and !S 1Oth ..tfiie office •'will be ready ''for oc had been his custom for many years OUTLOOK cupancy; . • Mr. ' Millligan is sparing haiid to jgive some of the Brussels fion of Jotittv Rossotti, of Whitworth tireless efforts of Miss Norma Allen UNITED STATES NAVY TO '-- ": •- rf®1?T- players the . "once over.' in com? to spend several weeks during the and Miss May Davison, who has been nothing in order that everything, will street was; Itfljed this afternoon by summer in Northfleld, where he s menting upon the wofk of the play giving all their time and help in be HAVE THREE NEW ''•: p^vvn^^d; State be arranged conveniently" for the the train^duefeat Thompsonville at owned a cottage, and he always had ,-W v '" ': '""^' : P^palgn^ Qpegedk-A NumbQrof postal employees and tlhe public. -
Iover Pay in Park Imore Time
" . ''', " All the News of All the Po;ntes Every Thursday Morning rosse Pointe ews I Complete News Coverage of All the Pointes Home of the New! Vol.29-No. 39 -iEI~lt~er;:;;e;ld-;a;;;s~S~e:;Cb;::n;;;d~C;:;;I;:as::s~~;:;I::;at~!e::r--:a:t--------------------------------------------'-------------------------------- ______________ th_e_P_o_st_O_ff_ic..:..e_.:atDetroit, ~Iichigan. GROSSE POINTE, MICHIGAN, Thursday, September 26, 1968 fso.M':~rc~~:r 32 Pages-Two Section-Section One Aged Beauty Picked to lead Parade ILongNegotiationsrHospi~alAsks I ..' ICOllllcII for iOver Pay In Park IMore Time Will Present More Per- lEnd in Contracts tinent Da fa At Next Thursday, Seplember 19 Meeting Scheduled THE SENATE by a vote of For Odober 28 7(}.17passed a bill Wednesday .Police, Fire And Public Works Departments Agree prohibiting mail.order sales of riflles, shotguns and ammuni, I To Accept Scales Which Will Apply For Two I A standing room only tion. Before giving its approl'al Years Starting Last July I crowd filled the City of it beat back attempts to require I .. Grosse Pointe Co u n c i 1 federal registration of all guns Followmg nearly SIX months of negotIatIons, new Chambers on Monday Sep. and licensing of their owners. two-year c.ontrac,ts be~ween the C!ty of Grosse Pointe tember 23, to hear the Coun- The bill, appreved after three Park, and Its P?l.Ice, FIre, and PublI': Works departme!1ts cil's decision regarding the days of debate, now goes to a have been rattfIed~ and now are In effect, accordmg request of the Sisters of conference committee with the to Robert Slone, CIty manager. -
The Red Shoes Digital Programme 13.67 MB
A NEW ADVENTURES AND ILLUMINATIONS PRODUCTION FOR BBC DIGITAL PROGRAMME WELCOME FROM NEW ADVENTURES Dear friends, Welcome to our spectacular production of The Red Shoes, filmed last year at Sadler’s Wells, London. This show is the culmination of a twenty-year ambition to bring Powell and Pressburger’s seminal 1948 film to the stage. It is also, in many ways, a personal love letter to a life in theatre and dance, made all the more poignant by this year’s unexpected events. When we created the show in 2016, we were delighted by the response from audiences everywhere we went, returning to some venues for a second run by popular demand! The production went on to win two Olivier Awards and was also honoured with by the LA Critics’ Awards for both choreography and set and costume design. This film version features a star-studded cast and many of the original cast in the roles they created, including Dominic North, Michela Meazza, Liam Mower, Glenn Graham and the wonderful Ashley Shaw who won a National Dance Award for her role as Victoria Page. We were also joined by an old friend of the company, the great Adam Cooper, who played the iconic role of The Swan in my original production of Swan Lake 25 years ago. We were so delighted that Adam returned to The Red Shoes company to take on the role of enigmatic impresario, Boris Lermontov. This last year has been so challenging for us all and I would like to take this opportunity to thank our supporters and loyal audiences who have sent messages of encouragement from around the globe. -
DOSSIER DE PRESSE Juin 2018
Juin 2018 PRESSE DE DOSSIER Le cycliste (détail), série Ceux qui ont la foi, 2003, collection particulière © Véronique Ellena, 2018 VÉRONIQUE ELLENA RÉTROSPECTIVE 30 juin – 30 décembre 2018 Vernissage presse vendredi 29 juin à 14h VÉRONIQUE ELLENA PRÉSENTATION RÉTROSPECTIVE Témoin passionné de la vie quotidienne dont elle révèle la spiritualité et magnifie la DOSSIER dimension rituelle à travers ses séries, photographe des choses simples auxquelles elle DE PRESSE confère beauté et noblesse dans ses portraits, paysages et natures mortes délicatement Juin 2018 mis en scène, Véronique Ellena est une artiste singulière dont le musée Réattu propose de 2 découvrir l’œuvre dans toute son ampleur. Cette première rétrospective institutionnelle invite à s’immerger au cœur de trente années de création, ponctuées de séries emblématiques développées à travers la commande publique (Les Grands moments de la vie, Le plus bel âge, Le Havre) et émaillées de résidences artistiques donnant naissance à des ensembles majeurs comme Les Classiques cyclistes ou Les Natures mortes de la Villa Médicis. La douceur qui imprègne sa pratique photographique lui permet d’aborder des sujets sensibles comme Les Invisibles, ou plus autobiographiques, quand elle s’intéresse aux maisons qui ont marqué son histoire familiale, sondant la présence de ceux qu’elle a aimés au détour de paysages intimes et de scènes d’intérieur dont l’enjeu n’est autre que celui de la mémoire. Revendiquant une approche plasticienne du médium, elle relève aussi le défi de l’architecture en s’associant au maître-verrier Pierre-Alain Parot pour répondre à la commande du Vitrail du Millénaire de la Cathédrale de Strasbourg. -
'5 Lively Meeting
YOLUME XXXIV. NO. 8. SOUTH AMBOY, X. J., SATUEDAY, MAY 30, 1914. Price Three Cents. Epworth League Report of Committee i Condition of Streets Twenty Years Old '5 Causes Discussion Evokes Discussion The Epworth League of the John The teachers committee handed in Councilman O'Connor started some- street M. E, Church celebrated its a report signed by themselves and thing up at council meeting last Tues- twentieth anniversary last Tuesday LIVELY MEETING also by the city superintendent of I day night when he brought up the evening in the church. The ' celebra .schools at the meeting of the Board question of the grading of the gutters It will Take $33,430 to Run Schools tion was a very elaborate affair an Objections Made tO Paying Sub- of Education Thursday night. The The Powers That be Do Not Inten and street on Augusta street between the Coming Year—Mayor Calls largely attended by league delegati report recommended some of the to Let Him Have Honors Stevens avenue and Rosewell street from all over the county, many othi ' Male vOffl- |I changes embodied in the criticisms of to conform with the flagging and Meeting of Citizens for June 15 cities and towns being representc th1 1e 8te t0 Causing a Reduction in Wate curbing which havo been laid down Noteworthy amongst these was Mil missioner Calls Attention to New I ' " " '"^ '» ™*"« by the property owners at their own for Conference on Old Home town, the League members from theri ; changing the curriculum, adoption of Rents-Braney Gets Renewal o expense. Day—Ordinance Passed. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
Building Connected Experiences in the Era of Algorithmic Marketing
EXPERIENCE ESSENTIALS Building connected experiences in the era of algorithmic marketing. EXPERIENCE ESSENTIALS Just the basics hen you’re learning a new sport you know there are nuanced rules Wand strategies that long-time veterans understand. But if you’re getting started it’s best to keep things simpler. You need a strong understanding of the fundamental basics. There is a similar “basics only” approach to becoming an experience business. In our multi-part Experience Essential series, we examine the basics of customer experience (CX)—the building blocks you’ll want to have in place to sustain customer experience management (CXM) success. In this installment of the Experience Essential series, we help you get a The customer sense of what a good, connected experience marketing experience looks like. We show you what cross-channel Customer experience marketing should look like, the players management (CXM) is the that help create a better connected leading edge of marketing, sales, experience, and what you can do to and branding today. It goes knit your customer experience beyond CRM which shows customers in the past. CXM together more tightly. shows what customers need right now, and in the future, and delivers it in real time, at scale, across every channel. 2 The challenge of connected experiences ne morning in early January, Alice walked into a shoe store in Los OAngeles to try on a pair of running shoes. It was her New Year’s resolution to train for a 10K charity race. For weeks, the red shoes had followed Alice around the internet after she “liked” them on Instagram.